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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79CFEE it is the complementary color #863011. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79CFEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79CFEE shade: #7ECFE9, #8FE1FC, #A0F3FF, #B1FFFF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79CFEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79CFEE shade: #79CFEE, #68BDDB, #57ABC8, #4699B5 and #3587A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79CFEE shade: #78CEED, #78AEED, #788FED, #8078ED and #A078ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79CFEE shade: #78CEED, #78AEED, #788FED and #7878ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79CFEE shade matches the following richer shades: #78CEED and #6BD4FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79CFEE shade: #78CEED, #84C8E1, #90C3D5, #9DBDC8 and #A9B7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79CFEE shade: #78EDCC, #78EDEB, #78D0ED, #78B1ED and #7891ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79CFEE shade: #2FB4E4, #53C1E9, #78CEED, #9CDBF2 and #C1E9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79CFEE shade: #79CFEE, #AD78ED and #EDDC78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79CFEE shade: #79CFEE, #ED78D0 and #D0ED78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79CFEE shade: #79CFEE, #AD78ED, #ED9578 and #B8ED78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79CFEE shade: #79CFEE, #D078ED, #ED9578 and #95ED78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 13 / 0 / 7

HEX #79CFEE

RGB 121 207 238

HSL 195.9, 0.77%, 0.7%

LAB 78.96, -17.81, -23.32

 

Complementary color

CMYK 0 / 64 / 87 / 47

HEX #863011

RGB 134 48 17

HSL 15.9, 0.77%, 0.3%

LAB 32.31, 35.36, 37.06

 

CMYK 46 / 11 / 0 / 9

HEX #7ECFE9

RGB 126 207 233

HSL 194.58, 0.71%, 0.7%

LAB 79.01, -18.03, -20.56

 

CMYK 43 / 11 / 0 / 1

HEX #8FE1FC

RGB 143 225 252

HSL 194.86, 0.95%, 0.77%

LAB 85.36, -18.18, -20.95

 

CMYK 37 / 5 / 0 / 0

HEX #A0F3FF

RGB 160 243 255

HSL 187.58, 1%, 0.81%

LAB 91.14, -22.21, -13.75

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 49 / 13 / 0 / 7

HEX #79CFEE

RGB 121 207 238

HSL 195.9, 0.77%, 0.7%

LAB 78.96, -17.81, -23.32

 

CMYK 53 / 14 / 0 / 14

HEX #68BDDB

RGB 104 189 219

HSL 195.65, 0.61%, 0.63%

LAB 72.53, -17.53, -22.94

 

CMYK 57 / 15 / 0 / 22

HEX #57ABC8

RGB 87 171 200

HSL 195.4, 0.51%, 0.56%

LAB 66, -17.15, -22.53

 

CMYK 61 / 15 / 0 / 29

HEX #4699B5

RGB 70 153 181

HSL 195.14, 0.44%, 0.49%

LAB 59.36, -16.65, -22.11

 

CMYK 67 / 17 / 0 / 36

HEX #3587A2

RGB 53 135 162

HSL 194.86, 0.51%, 0.42%

LAB 52.61, -15.96, -21.64

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 49 / 27 / 0 / 7

HEX #78AEED

RGB 120 174 237

HSL 212.31, 0.76%, 0.7%

LAB 69.74, -0.68, -36.98

 

CMYK 49 / 40 / 0 / 7

HEX #788FED

RGB 120 143 237

HSL 228.21, 0.76%, 0.7%

LAB 61.44, 17.11, -50.01

 

CMYK 46 / 49 / 0 / 7

HEX #8078ED

RGB 128 120 237

HSL 244.1, 0.76%, 0.7%

LAB 56.22, 32.51, -58.28

 

CMYK 32 / 49 / 0 / 7

HEX #A078ED

RGB 160 120 237

HSL 260.51, 0.76%, 0.7%

LAB 58.99, 40.18, -53.7

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 49 / 27 / 0 / 7

HEX #78AEED

RGB 120 174 237

HSL 212.31, 0.76%, 0.7%

LAB 69.74, -0.68, -36.98

 

CMYK 49 / 40 / 0 / 7

HEX #788FED

RGB 120 143 237

HSL 228.21, 0.76%, 0.7%

LAB 61.44, 17.11, -50.01

 

CMYK 49 / 49 / 0 / 7

HEX #7878ED

RGB 120 120 237

HSL 240, 0.76%, 0.7%

LAB 55.62, 30.75, -59.28

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 57 / 15 / 0 / 2

HEX #6BD4FA

RGB 107 212 250

HSL 195.94, 0.93%, 0.7%

LAB 80.24, -19.84, -27.82

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 41 / 11 / 0 / 12

HEX #84C8E1

RGB 132 200 225

HSL 196.13, 0.61%, 0.7%

LAB 77.07, -15.08, -19.17

 

CMYK 32 / 8 / 0 / 16

HEX #90C3D5

RGB 144 195 213

HSL 195.65, 0.45%, 0.7%

LAB 75.92, -12.31, -14.36

 

CMYK 22 / 5 / 0 / 22

HEX #9DBDC8

RGB 157 189 200

HSL 195.35, 0.28%, 0.7%

LAB 74.66, -8.33, -9.12

 

CMYK 10 / 3 / 0 / 26

HEX #A9B7BC

RGB 169 183 188

HSL 195.79, 0.12%, 0.7%

LAB 73.5, -3.82, -4.2

 

CMYK 49 / 0 / 14 / 7

HEX #78EDCC

RGB 120 237 204

HSL 163.08, 0.76%, 0.7%

LAB 86.46, -40.93, 5.83

 

CMYK 49 / 0 / 1 / 7

HEX #78EDEB

RGB 120 237 235

HSL 178.97, 0.76%, 0.7%

LAB 87.27, -33.52, -9.24

 

CMYK 49 / 12 / 0 / 7

HEX #78D0ED

RGB 120 208 237

HSL 194.87, 0.76%, 0.7%

LAB 79.17, -18.82, -22.48

 

CMYK 49 / 25 / 0 / 7

HEX #78B1ED

RGB 120 177 237

HSL 210.77, 0.76%, 0.7%

LAB 70.56, -2.34, -35.7

 

CMYK 49 / 39 / 0 / 7

HEX #7891ED

RGB 120 145 237

HSL 227.18, 0.76%, 0.7%

LAB 61.96, 15.94, -49.18

 

CMYK 79 / 21 / 0 / 11

HEX #2FB4E4

RGB 47 180 228

HSL 195.91, 0.77%, 0.54%

LAB 68.64, -18.83, -33.96

 

CMYK 64 / 17 / 0 / 9

HEX #53C1E9

RGB 83 193 233

HSL 196, 0.77%, 0.62%

LAB 73.46, -19.37, -29.18

 

CMYK 49 / 13 / 0 / 7

HEX #78CEED

RGB 120 206 237

HSL 195.9, 0.76%, 0.7%

LAB 78.61, -17.8, -23.33

 

CMYK 36 / 10 / 0 / 5

HEX #9CDBF2

RGB 156 219 242

HSL 196.05, 0.77%, 0.78%

LAB 84.04, -14.37, -17.61

 

CMYK 22 / 6 / 0 / 3

HEX #C1E9F7

RGB 193 233 247

HSL 195.56, 0.77%, 0.86%

LAB 90.01, -9.94, -11.07

 

CMYK 49 / 13 / 0 / 7

HEX #79CFEE

RGB 121 207 238

HSL 195.9, 0.77%, 0.7%

LAB 78.96, -17.81, -23.32

 

CMYK 27 / 49 / 0 / 7

HEX #AD78ED

RGB 173 120 237

HSL 267.18, 0.76%, 0.7%

LAB 60.28, 43.52, -51.58

 

CMYK 0 / 7 / 49 / 7

HEX #EDDC78

RGB 237 220 120

HSL 51.28, 0.76%, 0.7%

LAB 87.26, -7.07, 50.83

 

CMYK 49 / 13 / 0 / 7

HEX #79CFEE

RGB 121 207 238

HSL 195.9, 0.77%, 0.7%

LAB 78.96, -17.81, -23.32

 

CMYK 0 / 49 / 12 / 7

HEX #ED78D0

RGB 237 120 208

HSL 314.87, 0.76%, 0.7%

LAB 66.51, 55.95, -25.12

 

CMYK 12 / 0 / 49 / 7

HEX #D0ED78

RGB 208 237 120

HSL 74.87, 0.76%, 0.7%

LAB 89.55, -26.78, 53.06

 

CMYK 49 / 13 / 0 / 7

HEX #79CFEE

RGB 121 207 238

HSL 195.9, 0.77%, 0.7%

LAB 78.96, -17.81, -23.32

 

CMYK 27 / 49 / 0 / 7

HEX #AD78ED

RGB 173 120 237

HSL 267.18, 0.76%, 0.7%

LAB 60.28, 43.52, -51.58

 

CMYK 0 / 37 / 49 / 7

HEX #ED9578

RGB 237 149 120

HSL 14.87, 0.76%, 0.7%

LAB 70.07, 30.08, 29.17

 

CMYK 22 / 0 / 49 / 7

HEX #B8ED78

RGB 184 237 120

HSL 87.18, 0.76%, 0.7%

LAB 88.02, -35.7, 50.86

 

CMYK 49 / 13 / 0 / 7

HEX #79CFEE

RGB 121 207 238

HSL 195.9, 0.77%, 0.7%

LAB 78.96, -17.81, -23.32

 

CMYK 12 / 49 / 0 / 7

HEX #D078ED

RGB 208 120 237

HSL 285.13, 0.76%, 0.7%

LAB 64.13, 52.84, -45.25

 

CMYK 0 / 37 / 49 / 7

HEX #ED9578

RGB 237 149 120

HSL 14.87, 0.76%, 0.7%

LAB 70.07, 30.08, 29.17

 

CMYK 37 / 0 / 49 / 7

HEX #95ED78

RGB 149 237 120

HSL 105.13, 0.76%, 0.7%

LAB 86.16, -47.6, 48.17

 

Description

Color code: HEX #79CFEE | qconv.com Color code: HEX #79CFEE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 207 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 207 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 13 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 13% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Auto Body Shop near ...
Link: https://www.carwise.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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