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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79CCED it is the complementary color #863312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79CCED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79CCED shade: #7ECCE8, #8FDEFB, #A0F0FF, #B1FFFF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79CCED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79CCED shade: #79CCED, #68BADA, #57A8C7, #4696B4 and #3584A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79CCED shade: #78CCED, #78ACED, #788DED, #8378ED and #A378ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79CCED shade: #78CCED, #78ACED, #788DED and #7878ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79CCED shade matches the following richer shades: #78CCED and #6CD1F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79CCED shade: #78CCED, #85C6E0, #91C1D4, #9DBCC8 and #AAB6BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79CCED shade: #78EDD0, #78EBED, #78CCED, #78ADED and #788EED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79CCED shade: #30B0E3, #54BEE8, #78CCED, #9DD9F2 and #C1E7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79CCED shade: #79CCED, #B178ED and #EDDF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79CCED shade: #79CCED, #ED78CC and #CCED78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79CCED shade: #79CCED, #B178ED, #ED9978 and #B4ED78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79CCED shade: #79CCED, #D378ED, #ED9978 and #92ED78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 14 / 0 / 7

HEX #79CCED

RGB 121 204 237

HSL 197.07, 0.76%, 0.7%

LAB 78.09, -16.54, -24.12

 

Complementary color

CMYK 0 / 62 / 87 / 47

HEX #863312

RGB 134 51 18

HSL 17.07, 0.76%, 0.3%

LAB 32.87, 33.91, 37.08

 

CMYK 46 / 12 / 0 / 9

HEX #7ECCE8

RGB 126 204 232

HSL 195.85, 0.7%, 0.7%

LAB 78.14, -16.76, -21.34

 

CMYK 43 / 12 / 0 / 2

HEX #8FDEFB

RGB 143 222 251

HSL 196.11, 0.93%, 0.77%

LAB 84.51, -16.92, -21.72

 

CMYK 37 / 6 / 0 / 0

HEX #A0F0FF

RGB 160 240 255

HSL 189.47, 1%, 0.81%

LAB 90.33, -20.73, -14.97

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 49 / 14 / 0 / 7

HEX #79CCED

RGB 121 204 237

HSL 197.07, 0.76%, 0.7%

LAB 78.09, -16.54, -24.12

 

CMYK 52 / 15 / 0 / 15

HEX #68BADA

RGB 104 186 218

HSL 196.84, 0.61%, 0.63%

LAB 71.64, -16.25, -23.75

 

CMYK 56 / 16 / 0 / 22

HEX #57A8C7

RGB 87 168 199

HSL 196.61, 0.5%, 0.56%

LAB 65.09, -15.86, -23.38

 

CMYK 61 / 17 / 0 / 29

HEX #4696B4

RGB 70 150 180

HSL 196.36, 0.44%, 0.49%

LAB 58.42, -15.34, -22.98

 

CMYK 67 / 18 / 0 / 37

HEX #3584A1

RGB 53 132 161

HSL 196.11, 0.5%, 0.42%

LAB 51.65, -14.63, -22.55

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 49 / 27 / 0 / 7

HEX #78ACED

RGB 120 172 237

HSL 213.33, 0.76%, 0.7%

LAB 69.19, 0.43, -37.83

 

CMYK 49 / 41 / 0 / 7

HEX #788DED

RGB 120 141 237

HSL 229.23, 0.76%, 0.7%

LAB 60.92, 18.29, -50.83

 

CMYK 45 / 49 / 0 / 7

HEX #8378ED

RGB 131 120 237

HSL 245.64, 0.76%, 0.7%

LAB 56.46, 33.19, -57.9

 

CMYK 31 / 49 / 0 / 7

HEX #A378ED

RGB 163 120 237

HSL 262.05, 0.76%, 0.7%

LAB 59.28, 40.94, -53.23

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 49 / 27 / 0 / 7

HEX #78ACED

RGB 120 172 237

HSL 213.33, 0.76%, 0.7%

LAB 69.19, 0.43, -37.83

 

CMYK 49 / 41 / 0 / 7

HEX #788DED

RGB 120 141 237

HSL 229.23, 0.76%, 0.7%

LAB 60.92, 18.29, -50.83

 

CMYK 49 / 49 / 0 / 7

HEX #7878ED

RGB 120 120 237

HSL 240, 0.76%, 0.7%

LAB 55.62, 30.75, -59.28

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 57 / 16 / 0 / 2

HEX #6CD1F9

RGB 108 209 249

HSL 197.02, 0.92%, 0.7%

LAB 79.4, -18.41, -28.57

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 41 / 12 / 0 / 12

HEX #85C6E0

RGB 133 198 224

HSL 197.14, 0.59%, 0.7%

LAB 76.53, -14.05, -19.44

 

CMYK 32 / 9 / 0 / 17

HEX #91C1D4

RGB 145 193 212

HSL 197.01, 0.44%, 0.7%

LAB 75.4, -11.22, -14.61

 

CMYK 22 / 6 / 0 / 22

HEX #9DBCC8

RGB 157 188 200

HSL 196.74, 0.28%, 0.7%

LAB 74.38, -7.8, -9.53

 

CMYK 9 / 3 / 0 / 27

HEX #AAB6BB

RGB 170 182 187

HSL 197.65, 0.11%, 0.7%

LAB 73.28, -3.15, -3.97

 

CMYK 49 / 0 / 12 / 7

HEX #78EDD0

RGB 120 237 208

HSL 165.13, 0.76%, 0.7%

LAB 86.56, -40.03, 3.88

 

CMYK 49 / 1 / 0 / 7

HEX #78EBED

RGB 120 235 237

HSL 181.03, 0.76%, 0.7%

LAB 86.76, -32.07, -11.05

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 49 / 27 / 0 / 7

HEX #78ADED

RGB 120 173 237

HSL 212.82, 0.76%, 0.7%

LAB 69.47, -0.12, -37.4

 

CMYK 49 / 40 / 0 / 7

HEX #788EED

RGB 120 142 237

HSL 228.72, 0.76%, 0.7%

LAB 61.18, 17.7, -50.42

 

CMYK 79 / 22 / 0 / 11

HEX #30B0E3

RGB 48 176 227

HSL 197.09, 0.76%, 0.54%

LAB 67.45, -16.96, -35.27

 

CMYK 64 / 18 / 0 / 9

HEX #54BEE8

RGB 84 190 232

HSL 197.03, 0.76%, 0.62%

LAB 72.59, -17.96, -29.97

 

CMYK 49 / 14 / 0 / 7

HEX #78CCED

RGB 120 204 237

HSL 196.92, 0.76%, 0.7%

LAB 78.05, -16.77, -24.18

 

CMYK 35 / 10 / 0 / 5

HEX #9DD9F2

RGB 157 217 242

HSL 197.65, 0.77%, 0.78%

LAB 83.55, -13.08, -18.34

 

CMYK 22 / 6 / 0 / 3

HEX #C1E7F7

RGB 193 231 247

HSL 197.78, 0.77%, 0.86%

LAB 89.49, -8.92, -11.85

 

CMYK 49 / 14 / 0 / 7

HEX #79CCED

RGB 121 204 237

HSL 197.07, 0.76%, 0.7%

LAB 78.09, -16.54, -24.12

 

CMYK 25 / 49 / 0 / 7

HEX #B178ED

RGB 177 120 237

HSL 269.23, 0.76%, 0.7%

LAB 60.69, 44.56, -50.9

 

CMYK 0 / 6 / 49 / 7

HEX #EDDF78

RGB 237 223 120

HSL 52.82, 0.76%, 0.7%

LAB 88.03, -8.58, 51.76

 

CMYK 49 / 14 / 0 / 7

HEX #79CCED

RGB 121 204 237

HSL 197.07, 0.76%, 0.7%

LAB 78.09, -16.54, -24.12

 

CMYK 0 / 49 / 14 / 7

HEX #ED78CC

RGB 237 120 204

HSL 316.92, 0.76%, 0.7%

LAB 66.36, 55.33, -23.11

 

CMYK 14 / 0 / 49 / 7

HEX #CCED78

RGB 204 237 120

HSL 76.92, 0.76%, 0.7%

LAB 89.28, -28.3, 52.67

 

CMYK 49 / 14 / 0 / 7

HEX #79CCED

RGB 121 204 237

HSL 197.07, 0.76%, 0.7%

LAB 78.09, -16.54, -24.12

 

CMYK 25 / 49 / 0 / 7

HEX #B178ED

RGB 177 120 237

HSL 269.23, 0.76%, 0.7%

LAB 60.69, 44.56, -50.9

 

CMYK 0 / 35 / 49 / 7

HEX #ED9978

RGB 237 153 120

HSL 16.92, 0.76%, 0.7%

LAB 70.97, 27.97, 30.35

 

CMYK 24 / 0 / 49 / 7

HEX #B4ED78

RGB 180 237 120

HSL 89.23, 0.76%, 0.7%

LAB 87.79, -37.13, 50.52

 

CMYK 49 / 14 / 0 / 7

HEX #79CCED

RGB 121 204 237

HSL 197.07, 0.76%, 0.7%

LAB 78.09, -16.54, -24.12

 

CMYK 11 / 49 / 0 / 7

HEX #D378ED

RGB 211 120 237

HSL 286.67, 0.76%, 0.7%

LAB 64.48, 53.66, -44.66

 

CMYK 0 / 35 / 49 / 7

HEX #ED9978

RGB 237 153 120

HSL 16.92, 0.76%, 0.7%

LAB 70.97, 27.97, 30.35

 

CMYK 38 / 0 / 49 / 7

HEX #92ED78

RGB 146 237 120

HSL 106.67, 0.76%, 0.7%

LAB 86.02, -48.54, 47.97

 

Description

Color code: HEX #79CCED | qconv.com Color code: HEX #79CCED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 204 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 204 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 14% 0% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Yax interactive
Link: http://yaxint.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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