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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79C630 it is the complementary color #8639CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79C630. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79C630 shade: #7EC62B, #8FD83E, #A0EA51, #B1FC64 and #C2FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79C630. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79C630 shade: #79C630, #68B41D, #57A20A, #469000 and #357E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79C630 shade: #78C530, #A1C530, #C5C130, #C59930 and #C57130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79C630 shade: #78C530, #50C530, #30C538, #30C560 and #30C588

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79C630 shade matches the following richer shades: #78C530, #78D91C and #77ED08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79C630 shade: #78C530, #79B144, #799D57, #7A8A6B and #7B767F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79C630 shade: #C5C030, #A2C530, #7AC530, #53C530 and #30C535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79C630 shade: #508320, #64A428, #78C530, #8DD34B and #A2DB6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79C630 shade: #79C630, #30C598 and #C530B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79C630 shade: #79C630, #307AC5 and #C5307A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79C630 shade: #79C630, #30C598, #7A30C5 and #C5305D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79C630 shade: #79C630, #30C5C5, #7A30C5 and #C53030

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 76 / 22

HEX #79C630

RGB 121 198 48

HSL 90.8, 0.61%, 0.48%

LAB 72.67, -47.1, 62.92

 

Complementary color

CMYK 35 / 72 / 0 / 19

HEX #8639CF

RGB 134 57 207

HSL 270.8, 0.61%, 0.52%

LAB 42, 59.57, -64.2

 

CMYK 36 / 0 / 78 / 22

HEX #7EC62B

RGB 126 198 43

HSL 87.87, 0.64%, 0.47%

LAB 72.89, -45.64, 64.77

 

CMYK 34 / 0 / 71 / 15

HEX #8FD83E

RGB 143 216 62

HSL 88.44, 0.66%, 0.55%

LAB 79.21, -46.13, 64.94

 

CMYK 32 / 0 / 65 / 8

HEX #A0EA51

RGB 160 234 81

HSL 89.02, 0.78%, 0.62%

LAB 85.46, -46.46, 64.54

 

CMYK 30 / 0 / 60 / 1

HEX #B1FC64

RGB 177 252 100

HSL 89.61, 0.96%, 0.69%

LAB 91.63, -46.68, 63.82

 

CMYK 24 / 0 / 53 / 0

HEX #C2FF77

RGB 194 255 119

HSL 86.91, 1%, 0.73%

LAB 93.59, -40.29, 58.09

 

CMYK 39 / 0 / 76 / 22

HEX #79C630

RGB 121 198 48

HSL 90.8, 0.61%, 0.48%

LAB 72.67, -47.1, 62.92

 

CMYK 42 / 0 / 84 / 29

HEX #68B41D

RGB 104 180 29

HSL 90.2, 0.72%, 0.41%

LAB 66.27, -46.45, 62.2

 

CMYK 46 / 0 / 94 / 36

HEX #57A20A

RGB 87 162 10

HSL 89.61, 0.88%, 0.34%

LAB 59.79, -45.48, 60.12

 

CMYK 51 / 0 / 100 / 44

HEX #469000

RGB 70 144 0

HSL 90.83, 1%, 0.28%

LAB 53.22, -44.1, 56.1

 

CMYK 58 / 0 / 100 / 51

HEX #357E00

RGB 53 126 0

HSL 94.76, 1%, 0.25%

LAB 46.55, -42.32, 50.58

 

CMYK 39 / 0 / 76 / 23

HEX #78C530

RGB 120 197 48

HSL 91.01, 0.61%, 0.48%

LAB 72.32, -47.03, 62.57

 

CMYK 18 / 0 / 76 / 23

HEX #A1C530

RGB 161 197 48

HSL 74.5, 0.61%, 0.48%

LAB 74.65, -31.68, 65.6

 

CMYK 0 / 2 / 76 / 23

HEX #C5C130

RGB 197 193 48

HSL 58.39, 0.61%, 0.48%

LAB 76.21, -14.71, 68.01

 

CMYK 0 / 22 / 76 / 23

HEX #C59930

RGB 197 153 48

HSL 42.28, 0.61%, 0.48%

LAB 65.64, 6.3, 58.12

 

CMYK 0 / 43 / 76 / 23

HEX #C57130

RGB 197 113 48

HSL 26.17, 0.61%, 0.48%

LAB 55.98, 28.13, 48.62

 

CMYK 39 / 0 / 76 / 23

HEX #78C530

RGB 120 197 48

HSL 91.01, 0.61%, 0.48%

LAB 72.32, -47.03, 62.57

 

CMYK 59 / 0 / 76 / 23

HEX #50C530

RGB 80 197 48

HSL 107.11, 0.61%, 0.48%

LAB 70.77, -58.82, 60.52

 

CMYK 76 / 0 / 72 / 23

HEX #30C538

RGB 48 197 56

HSL 123.22, 0.61%, 0.48%

LAB 70.07, -64.46, 56.76

 

CMYK 76 / 0 / 51 / 23

HEX #30C560

RGB 48 197 96

HSL 139.33, 0.61%, 0.48%

LAB 70.46, -59.76, 39.65

 

CMYK 76 / 0 / 31 / 23

HEX #30C588

RGB 48 197 136

HSL 155.44, 0.61%, 0.48%

LAB 71.1, -52.42, 19.87

 

CMYK 39 / 0 / 76 / 23

HEX #78C530

RGB 120 197 48

HSL 91.01, 0.61%, 0.48%

LAB 72.32, -47.03, 62.57

 

CMYK 45 / 0 / 87 / 15

HEX #78D91C

RGB 120 217 28

HSL 90.79, 0.77%, 0.48%

LAB 78.29, -55.82, 73.13

 

CMYK 50 / 0 / 97 / 7

HEX #77ED08

RGB 119 237 8

HSL 90.92, 0.93%, 0.48%

LAB 84.23, -63.89, 80.57

 

CMYK 39 / 0 / 76 / 23

HEX #78C530

RGB 120 197 48

HSL 91.01, 0.61%, 0.48%

LAB 72.32, -47.03, 62.57

 

CMYK 32 / 0 / 62 / 31

HEX #79B144

RGB 121 177 68

HSL 90.83, 0.44%, 0.48%

LAB 66.46, -36.59, 48.74

 

CMYK 23 / 0 / 45 / 38

HEX #799D57

RGB 121 157 87

HSL 90.86, 0.29%, 0.48%

LAB 60.66, -25.03, 32.58

 

CMYK 12 / 0 / 22 / 46

HEX #7A8A6B

RGB 122 138 107

HSL 90.97, 0.13%, 0.48%

LAB 55.46, -11.76, 14.71

 

CMYK 3 / 7 / 0 / 50

HEX #7B767F

RGB 123 118 127

HSL 273.33, 0.04%, 0.48%

LAB 50.33, 3.72, -4.25

 

CMYK 0 / 3 / 76 / 23

HEX #C5C030

RGB 197 192 48

HSL 57.99, 0.61%, 0.48%

LAB 75.94, -14.2, 67.77

 

CMYK 18 / 0 / 76 / 23

HEX #A2C530

RGB 162 197 48

HSL 74.09, 0.61%, 0.48%

LAB 74.72, -31.27, 65.69

 

CMYK 38 / 0 / 76 / 23

HEX #7AC530

RGB 122 197 48

HSL 90.2, 0.61%, 0.48%

LAB 72.42, -46.35, 62.69

 

CMYK 58 / 0 / 76 / 23

HEX #53C530

RGB 83 197 48

HSL 105.91, 0.61%, 0.48%

LAB 70.86, -58.08, 60.65

 

CMYK 76 / 0 / 73 / 23

HEX #30C535

RGB 48 197 53

HSL 122.01, 0.61%, 0.48%

LAB 70.05, -64.71, 57.83

 

CMYK 39 / 0 / 76 / 49

HEX #508320

RGB 80 131 32

HSL 90.91, 0.61%, 0.32%

LAB 49.55, -33.91, 45.26

 

CMYK 39 / 0 / 76 / 36

HEX #64A428

RGB 100 164 40

HSL 90.97, 0.61%, 0.4%

LAB 61.14, -40.61, 54.1

 

CMYK 39 / 0 / 76 / 23

HEX #78C530

RGB 120 197 48

HSL 91.01, 0.61%, 0.48%

LAB 72.32, -47.03, 62.57

 

CMYK 33 / 0 / 64 / 17

HEX #8DD34B

RGB 141 211 75

HSL 90.88, 0.61%, 0.56%

LAB 77.73, -43.77, 58.39

 

CMYK 26 / 0 / 51 / 14

HEX #A2DB6C

RGB 162 219 108

HSL 90.81, 0.61%, 0.64%

LAB 81.53, -36.72, 48.36

 

CMYK 39 / 0 / 76 / 22

HEX #79C630

RGB 121 198 48

HSL 90.8, 0.61%, 0.48%

LAB 72.67, -47.1, 62.92

 

CMYK 76 / 0 / 23 / 23

HEX #30C598

RGB 48 197 152

HSL 161.88, 0.61%, 0.48%

LAB 71.44, -48.8, 11.75

 

CMYK 0 / 76 / 8 / 23

HEX #C530B6

RGB 197 48 182

HSL 306.04, 0.61%, 0.48%

LAB 48.71, 70.8, -38.38

 

CMYK 39 / 0 / 76 / 22

HEX #79C630

RGB 121 198 48

HSL 90.8, 0.61%, 0.48%

LAB 72.67, -47.1, 62.92

 

CMYK 76 / 38 / 0 / 23

HEX #307AC5

RGB 48 122 197

HSL 210.2, 0.61%, 0.48%

LAB 50.19, 3.19, -45.59

 

CMYK 0 / 76 / 38 / 23

HEX #C5307A

RGB 197 48 122

HSL 330.2, 0.61%, 0.48%

LAB 46.16, 63.14, -6.38

 

CMYK 39 / 0 / 76 / 22

HEX #79C630

RGB 121 198 48

HSL 90.8, 0.61%, 0.48%

LAB 72.67, -47.1, 62.92

 

CMYK 76 / 0 / 23 / 23

HEX #30C598

RGB 48 197 152

HSL 161.88, 0.61%, 0.48%

LAB 71.44, -48.8, 11.75

 

CMYK 38 / 76 / 0 / 23

HEX #7A30C5

RGB 122 48 197

HSL 269.8, 0.61%, 0.48%

LAB 38.35, 58.93, -64.41

 

CMYK 0 / 76 / 53 / 23

HEX #C5305D

RGB 197 48 93

HSL 341.88, 0.61%, 0.48%

LAB 45.32, 60.49, 10.28

 

CMYK 39 / 0 / 76 / 22

HEX #79C630

RGB 121 198 48

HSL 90.8, 0.61%, 0.48%

LAB 72.67, -47.1, 62.92

 

CMYK 76 / 0 / 0 / 23

HEX #30C5C5

RGB 48 197 197

HSL 180, 0.61%, 0.48%

LAB 72.62, -36.85, -10.97

 

CMYK 38 / 76 / 0 / 23

HEX #7A30C5

RGB 122 48 197

HSL 269.8, 0.61%, 0.48%

LAB 38.35, 58.93, -64.41

 

CMYK 0 / 76 / 76 / 23

HEX #C53030

RGB 197 48 48

HSL 0, 0.61%, 0.48%

LAB 44.52, 57.87, 36.55

 

Description

Color code: HEX #79C630 | qconv.com Color code: HEX #79C630 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 198 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 198 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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