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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79C268 it is the complementary color #863D97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79C268. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79C268 shade: #7EC263, #8FD476, #A0E689, #B1F89C and #C2FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79C268. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79C268 shade: #79C268, #68B055, #579E42, #468C2F and #357A1C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79C268 shade: #78C167, #90C167, #A8C167, #C1C167 and #C1A967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79C268 shade: #78C167, #67C16E, #67C186, #67C19F and #67C1B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79C268 shade matches the following richer shades: #78C167, #6DD256, #62E444 and #58F533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79C268 shade: #78C167, #83B078, #8D9E8A, #988D9B and #A37CAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79C268 shade: #A9C167, #91C167, #79C167, #67C16D and #67C185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79C268 shade: #4F973E, #5EB54A, #78C167, #92CD84 and #ACD9A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79C268 shade: #79C268, #67C1C1 and #C1679D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79C268 shade: #79C268, #6779C1 and #C16779

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79C268 shade: #79C268, #67C1C1, #AF67C1 and #C16767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79C268 shade: #79C268, #67A6C1, #AF67C1 and #C18267

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 46 / 24

HEX #79C268

RGB 121 194 104

HSL 108.67, 0.42%, 0.58%

LAB 71.99, -40.08, 38.1

 

Complementary color

CMYK 11 / 60 / 0 / 41

HEX #863D97

RGB 134 61 151

HSL 288.67, 0.42%, 0.42%

LAB 38.97, 45.26, -35.99

 

CMYK 35 / 0 / 49 / 24

HEX #7EC263

RGB 126 194 99

HSL 102.95, 0.44%, 0.57%

LAB 72.18, -39.07, 40.87

 

CMYK 33 / 0 / 44 / 17

HEX #8FD476

RGB 143 212 118

HSL 104.04, 0.52%, 0.65%

LAB 78.6, -38.95, 39.66

 

CMYK 30 / 0 / 40 / 10

HEX #A0E689

RGB 160 230 137

HSL 105.16, 0.65%, 0.72%

LAB 84.93, -38.8, 38.48

 

CMYK 29 / 0 / 37 / 3

HEX #B1F89C

RGB 177 248 156

HSL 106.3, 0.87%, 0.79%

LAB 91.18, -38.62, 37.34

 

CMYK 24 / 0 / 31 / 0

HEX #C2FFAF

RGB 194 255 175

HSL 105.75, 1%, 0.84%

LAB 94.35, -33.45, 32.23

 

CMYK 38 / 0 / 46 / 24

HEX #79C268

RGB 121 194 104

HSL 108.67, 0.42%, 0.58%

LAB 71.99, -40.08, 38.1

 

CMYK 41 / 0 / 52 / 31

HEX #68B055

RGB 104 176 85

HSL 107.47, 0.37%, 0.51%

LAB 65.47, -40.18, 39.34

 

CMYK 45 / 0 / 58 / 38

HEX #579E42

RGB 87 158 66

HSL 106.3, 0.41%, 0.44%

LAB 58.86, -40.17, 40.55

 

CMYK 50 / 0 / 66 / 45

HEX #468C2F

RGB 70 140 47

HSL 105.16, 0.5%, 0.37%

LAB 52.13, -39.98, 41.59

 

CMYK 57 / 0 / 77 / 52

HEX #357A1C

RGB 53 122 28

HSL 104.04, 0.63%, 0.29%

LAB 45.3, -39.45, 42.15

 

CMYK 38 / 0 / 47 / 24

HEX #78C167

RGB 120 193 103

HSL 108.67, 0.42%, 0.58%

LAB 71.63, -40.1, 38.14

 

CMYK 25 / 0 / 47 / 24

HEX #90C167

RGB 144 193 103

HSL 92.67, 0.42%, 0.58%

LAB 72.92, -31.8, 40.03

 

CMYK 13 / 0 / 47 / 24

HEX #A8C167

RGB 168 193 103

HSL 76.67, 0.42%, 0.58%

LAB 74.47, -22.71, 42.29

 

CMYK 0 / 0 / 47 / 24

HEX #C1C167

RGB 193 193 103

HSL 60, 0.42%, 0.58%

LAB 76.35, -12.7, 45.01

 

CMYK 0 / 12 / 47 / 24

HEX #C1A967

RGB 193 169 103

HSL 44, 0.42%, 0.58%

LAB 69.96, -0.16, 37.13

 

CMYK 38 / 0 / 47 / 24

HEX #78C167

RGB 120 193 103

HSL 108.67, 0.42%, 0.58%

LAB 71.63, -40.1, 38.14

 

CMYK 47 / 0 / 43 / 24

HEX #67C16E

RGB 103 193 110

HSL 124.67, 0.42%, 0.58%

LAB 70.97, -44.27, 33.6

 

CMYK 47 / 0 / 31 / 24

HEX #67C186

RGB 103 193 134

HSL 140.67, 0.42%, 0.58%

LAB 71.38, -40.17, 21.57

 

CMYK 47 / 0 / 18 / 24

HEX #67C19F

RGB 103 193 159

HSL 157.33, 0.42%, 0.58%

LAB 71.91, -35.04, 8.84

 

CMYK 47 / 0 / 5 / 24

HEX #67C1B7

RGB 103 193 183

HSL 173.33, 0.42%, 0.58%

LAB 72.52, -29.4, -3.33

 

CMYK 38 / 0 / 47 / 24

HEX #78C167

RGB 120 193 103

HSL 108.67, 0.42%, 0.58%

LAB 71.63, -40.1, 38.14

 

CMYK 48 / 0 / 59 / 18

HEX #6DD256

RGB 109 210 86

HSL 108.87, 0.58%, 0.58%

LAB 76.08, -52.6, 51.44

 

CMYK 57 / 0 / 70 / 11

HEX #62E444

RGB 98 228 68

HSL 108.75, 0.75%, 0.58%

LAB 81.02, -63.85, 64.03

 

CMYK 64 / 0 / 79 / 4

HEX #58F533

RGB 88 245 51

HSL 108.56, 0.91%, 0.58%

LAB 85.82, -72.88, 74.07

 

CMYK 38 / 0 / 47 / 24

HEX #78C167

RGB 120 193 103

HSL 108.67, 0.42%, 0.58%

LAB 71.63, -40.1, 38.14

 

CMYK 26 / 0 / 32 / 31

HEX #83B078

RGB 131 176 120

HSL 108.21, 0.26%, 0.58%

LAB 67.45, -25.92, 23.97

 

CMYK 11 / 0 / 13 / 38

HEX #8D9E8A

RGB 141 158 138

HSL 111, 0.09%, 0.58%

LAB 63.3, -9.93, 8.42

 

CMYK 2 / 9 / 0 / 39

HEX #988D9B

RGB 152 141 155

HSL 287.14, 0.07%, 0.58%

LAB 59.97, 6.77, -5.94

 

CMYK 5 / 28 / 0 / 33

HEX #A37CAC

RGB 163 124 172

HSL 288.75, 0.22%, 0.58%

LAB 57.25, 23.78, -19.66

 

CMYK 12 / 0 / 47 / 24

HEX #A9C167

RGB 169 193 103

HSL 76, 0.42%, 0.58%

LAB 74.54, -22.32, 42.39

 

CMYK 25 / 0 / 47 / 24

HEX #91C167

RGB 145 193 103

HSL 92, 0.42%, 0.58%

LAB 72.98, -31.44, 40.12

 

CMYK 37 / 0 / 47 / 24

HEX #79C167

RGB 121 193 103

HSL 108, 0.42%, 0.58%

LAB 71.68, -39.77, 38.21

 

CMYK 47 / 0 / 44 / 24

HEX #67C16D

RGB 103 193 109

HSL 124, 0.42%, 0.58%

LAB 70.96, -44.43, 34.09

 

CMYK 47 / 0 / 31 / 24

HEX #67C185

RGB 103 193 133

HSL 140, 0.42%, 0.58%

LAB 71.36, -40.35, 22.08

 

CMYK 48 / 0 / 59 / 41

HEX #4F973E

RGB 79 151 62

HSL 108.54, 0.42%, 0.42%

LAB 56.23, -40.18, 39.33

 

CMYK 48 / 0 / 59 / 29

HEX #5EB54A

RGB 94 181 74

HSL 108.79, 0.42%, 0.5%

LAB 66.46, -46.7, 45.67

 

CMYK 38 / 0 / 47 / 24

HEX #78C167

RGB 120 193 103

HSL 108.67, 0.42%, 0.58%

LAB 71.63, -40.1, 38.14

 

CMYK 29 / 0 / 36 / 20

HEX #92CD84

RGB 146 205 132

HSL 108.49, 0.42%, 0.66%

LAB 76.94, -32.77, 30.45

 

CMYK 21 / 0 / 25 / 15

HEX #ACD9A2

RGB 172 217 162

HSL 109.09, 0.42%, 0.74%

LAB 82.38, -24.93, 22.42

 

CMYK 38 / 0 / 46 / 24

HEX #79C268

RGB 121 194 104

HSL 108.67, 0.42%, 0.58%

LAB 71.99, -40.08, 38.1

 

CMYK 47 / 0 / 0 / 24

HEX #67C1C1

RGB 103 193 193

HSL 180, 0.42%, 0.58%

LAB 72.81, -26.86, -8.36

 

CMYK 0 / 47 / 19 / 24

HEX #C1679D

RGB 193 103 157

HSL 324, 0.42%, 0.58%

LAB 55.56, 42.74, -13.23

 

CMYK 38 / 0 / 46 / 24

HEX #79C268

RGB 121 194 104

HSL 108.67, 0.42%, 0.58%

LAB 71.99, -40.08, 38.1

 

CMYK 47 / 37 / 0 / 24

HEX #6779C1

RGB 103 121 193

HSL 228, 0.42%, 0.58%

LAB 52.3, 12.88, -39.8

 

CMYK 0 / 47 / 37 / 24

HEX #C16779

RGB 193 103 121

HSL 348, 0.42%, 0.58%

LAB 54.47, 37.8, 6.28

 

CMYK 38 / 0 / 46 / 24

HEX #79C268

RGB 121 194 104

HSL 108.67, 0.42%, 0.58%

LAB 71.99, -40.08, 38.1

 

CMYK 47 / 0 / 0 / 24

HEX #67C1C1

RGB 103 193 193

HSL 180, 0.42%, 0.58%

LAB 72.81, -26.86, -8.36

 

CMYK 9 / 47 / 0 / 24

HEX #AF67C1

RGB 175 103 193

HSL 288, 0.42%, 0.58%

LAB 54.73, 43.55, -35.52

 

CMYK 0 / 47 / 47 / 24

HEX #C16767

RGB 193 103 103

HSL 0, 0.42%, 0.58%

LAB 54.05, 35.81, 16.25

 

CMYK 38 / 0 / 46 / 24

HEX #79C268

RGB 121 194 104

HSL 108.67, 0.42%, 0.58%

LAB 71.99, -40.08, 38.1

 

CMYK 47 / 14 / 0 / 24

HEX #67A6C1

RGB 103 166 193

HSL 198, 0.42%, 0.58%

LAB 64.97, -12.95, -20.16

 

CMYK 9 / 47 / 0 / 24

HEX #AF67C1

RGB 175 103 193

HSL 288, 0.42%, 0.58%

LAB 54.73, 43.55, -35.52

 

CMYK 0 / 33 / 47 / 24

HEX #C18267

RGB 193 130 103

HSL 18, 0.42%, 0.58%

LAB 60.14, 21.16, 24.48

 

Description

Color code: HEX #79C268 | qconv.com Color code: HEX #79C268 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 194 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 194 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 46 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 46% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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