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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79BDFB3F it is the complementary color #8642043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79BDFB3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79BDFB3F shade: #7EBDF63F, #8FCFFF3F, #A0E1FF3F, #B1F3FF3F and #C2FFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79BDFB3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79BDFB3F shade: #79BDFB3F, #68ABE83F, #5799D53F, #4687C23F and #3575AF3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79BDFB3F shade: #79BDFB, #799AFB, #7C79FB, #9E79FB and #C179FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79BDFB3F shade: #79BDFB, #799AFB and #7979FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79BDFB3F shade matches the following richer shades: #79BDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79BDFB3F shade: #79BDFB, #85BDF0, #90BCE5, #9BBCD9 and #A6BBCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79BDFB3F shade: #79FBF2, #79E1FB, #79BEFB, #799CFB and #7979FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79BDFB3F shade: #2996F8, #51A9FA, #79BDFB, #A1D1FC and #C9E5FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79BDFB3F shade: #79BDFB, #D079FB and #F2FB79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79BDFB3F shade: #79BDFB, #FB79BE and #BEFB79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79BDFB3F shade: #79BDFB, #D079FB, #FBB679 and #A5FB79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79BDFB3F shade: #79BDFB, #F779FB, #FBB679 and #7EFB79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 6 / 0 / 0

HEX #79BDFB3F

RGBA 121 189 251 0.25

HSLA 208.62, 0.94%, 0.73%, 0.25

LABA 74.46, -4.61, -37.22, 0.25

 

Complementary color

CMYK 0 / 13 / 24 / 12

HEX #8642043F

RGBA 134 66 4 0.25

HSLA 28.62, 0.94%, 0.27%, 0.25

LABA 35.93, 25.59, 44.73, 0.25

 

CMYK 12 / 6 / 0 / 1

HEX #7EBDF63F

RGBA 126 189 246 0.25

HSLA 208.5, 0.87%, 0.73%, 0.25

LABA 74.5, -4.95, -34.45, 0.25

 

CMYK 11 / 5 / 0 / 0

HEX #8FCFFF3F

RGBA 143 207 255 0.25

HSLA 205.71, 1%, 0.78%, 0.25

LABA 80.56, -8.1, -29.85, 0.25

 

CMYK 9 / 3 / 0 / 0

HEX #A0E1FF3F

RGBA 160 225 255 0.25

HSLA 198.95, 1%, 0.81%, 0.25

LABA 86.28, -13.2, -21.07, 0.25

 

CMYK 8 / 1 / 0 / 0

HEX #B1F3FF3F

RGBA 177 243 255 0.25

HSLA 189.23, 1%, 0.85%, 0.25

LABA 91.98, -17.75, -12.4, 0.25

 

CMYK 6 / 0 / 0 / 0

HEX #C2FFFF3F

RGBA 194 255 255 0.25

HSLA 180, 1%, 0.88%, 0.25

LABA 96.08, -18.92, -6.22, 0.25

 

CMYK 13 / 6 / 0 / 0

HEX #79BDFB3F

RGBA 121 189 251 0.25

HSLA 208.62, 0.94%, 0.73%, 0.25

LABA 74.46, -4.61, -37.22, 0.25

 

CMYK 14 / 7 / 0 / 2

HEX #68ABE83F

RGBA 104 171 232 0.25

HSLA 208.59, 0.74%, 0.66%, 0.25

LABA 67.94, -4, -37.1, 0.25

 

CMYK 15 / 7 / 0 / 4

HEX #5799D53F

RGBA 87 153 213 0.25

HSLA 208.57, 0.6%, 0.59%, 0.25

LABA 61.32, -3.24, -37, 0.25

 

CMYK 16 / 8 / 0 / 6

HEX #4687C23F

RGBA 70 135 194 0.25

HSLA 208.55, 0.5%, 0.52%, 0.25

LABA 54.58, -2.3, -36.9, 0.25

 

CMYK 17 / 8 / 0 / 8

HEX #3575AF3F

RGBA 53 117 175 0.25

HSLA 208.52, 0.54%, 0.45%, 0.25

LABA 47.72, -1.09, -36.8, 0.25

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 52 / 39 / 0 / 2

HEX #799AFB

RGB 121 154 251

HSL 224.77, 0.94%, 0.73%

LAB 65.07, 15.14, -51.94

 

CMYK 51 / 52 / 0 / 2

HEX #7C79FB

RGB 124 121 251

HSL 241.38, 0.94%, 0.73%

LAB 57, 35.2, -64.82

 

CMYK 37 / 52 / 0 / 2

HEX #9E79FB

RGB 158 121 251

HSL 257.08, 0.94%, 0.73%

LAB 59.81, 42.72, -60.16

 

CMYK 23 / 52 / 0 / 2

HEX #C179FB

RGB 193 121 251

HSL 273.23, 0.94%, 0.73%

LAB 63.32, 51.34, -54.35

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 52 / 39 / 0 / 2

HEX #799AFB

RGB 121 154 251

HSL 224.77, 0.94%, 0.73%

LAB 65.07, 15.14, -51.94

 

CMYK 52 / 52 / 0 / 2

HEX #7979FB

RGB 121 121 251

HSL 240, 0.94%, 0.73%

LAB 56.79, 34.59, -65.17

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 45 / 21 / 0 / 6

HEX #85BDF0

RGB 133 189 240

HSL 208.6, 0.78%, 0.73%

LAB 74.62, -4.99, -31

 

CMYK 37 / 18 / 0 / 10

HEX #90BCE5

RGB 144 188 229

HSL 208.94, 0.62%, 0.73%

LAB 74.54, -4.57, -25.12

 

CMYK 29 / 13 / 0 / 15

HEX #9BBCD9

RGB 155 188 217

HSL 208.06, 0.45%, 0.73%

LAB 74.79, -4.47, -18.17

 

CMYK 19 / 9 / 0 / 19

HEX #A6BBCE

RGB 166 187 206

HSL 208.5, 0.29%, 0.73%

LAB 74.89, -3.12, -11.97

 

CMYK 52 / 0 / 4 / 2

HEX #79FBF2

RGB 121 251 242

HSL 175.85, 0.94%, 0.73%

LAB 91.45, -38.04, -6.7

 

CMYK 52 / 10 / 0 / 2

HEX #79E1FB

RGB 121 225 251

HSL 192, 0.94%, 0.73%

LAB 84.42, -23.33, -21.93

 

CMYK 52 / 24 / 0 / 2

HEX #79BEFB

RGB 121 190 251

HSL 208.15, 0.94%, 0.73%

LAB 74.73, -5.16, -36.79

 

CMYK 52 / 38 / 0 / 2

HEX #799CFB

RGB 121 156 251

HSL 223.85, 0.94%, 0.73%

LAB 65.6, 13.98, -51.11

 

CMYK 52 / 52 / 0 / 2

HEX #7979FB

RGB 121 121 251

HSL 240, 0.94%, 0.73%

LAB 56.79, 34.59, -65.17

 

CMYK 83 / 40 / 0 / 3

HEX #2996F8

RGB 41 150 248

HSL 208.41, 0.94%, 0.57%

LAB 60.84, 4.5, -57.22

 

CMYK 68 / 32 / 0 / 2

HEX #51A9FA

RGB 81 169 250

HSL 208.76, 0.94%, 0.65%

LAB 67.3, -1.22, -48

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 36 / 17 / 0 / 1

HEX #A1D1FC

RGB 161 209 252

HSL 208.35, 0.94%, 0.81%

LAB 81.95, -5.37, -26.05

 

CMYK 21 / 9 / 0 / 1

HEX #C9E5FD

RGB 201 229 253

HSL 207.69, 0.93%, 0.89%

LAB 89.65, -4.2, -14.7

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 17 / 52 / 0 / 2

HEX #D079FB

RGB 208 121 251

HSL 280.15, 0.94%, 0.73%

LAB 65, 55.19, -51.58

 

CMYK 4 / 0 / 52 / 2

HEX #F2FB79

RGB 242 251 121

HSL 64.15, 0.94%, 0.73%

LAB 95.69, -20.26, 60.44

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 0 / 52 / 24 / 2

HEX #FB79BE

RGB 251 121 190

HSL 328.15, 0.94%, 0.73%

LAB 67.95, 57.11, -12.67

 

CMYK 24 / 0 / 52 / 2

HEX #BEFB79

RGB 190 251 121

HSL 88.15, 0.94%, 0.73%

LAB 92.27, -39.74, 55.58

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 17 / 52 / 0 / 2

HEX #D079FB

RGB 208 121 251

HSL 280.15, 0.94%, 0.73%

LAB 65, 55.19, -51.58

 

CMYK 0 / 27 / 52 / 2

HEX #FBB679

RGB 251 182 121

HSL 28.15, 0.94%, 0.73%

LAB 79.24, 18.31, 40.75

 

CMYK 34 / 0 / 52 / 2

HEX #A5FB79

RGB 165 251 121

HSL 99.69, 0.94%, 0.73%

LAB 90.95, -48.25, 53.68

 

CMYK 52 / 25 / 0 / 2

HEX #79BDFB

RGB 121 189 251

HSL 208.62, 0.94%, 0.73%

LAB 74.46, -4.61, -37.22

 

CMYK 2 / 52 / 0 / 2

HEX #F779FB

RGB 247 121 251

HSL 298.15, 0.94%, 0.73%

LAB 69.76, 65.37, -43.76

 

CMYK 0 / 27 / 52 / 2

HEX #FBB679

RGB 251 182 121

HSL 28.15, 0.94%, 0.73%

LAB 79.24, 18.31, 40.75

 

CMYK 50 / 0 / 52 / 2

HEX #7EFB79

RGB 126 251 121

HSL 117.69, 0.94%, 0.73%

LAB 89.3, -59.77, 51.31

 

Description

Color code: HEX #79BDFB3F | qconv.com Color code: HEX #79BDFB3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 189 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 189 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 6 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 6% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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