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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79BDF4 it is the complementary color #86420B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79BDF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79BDF4 shade: #7EBDEF, #8FCFFF, #A0E1FF, #B1F3FF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79BDF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79BDF4 shade: #79BDF4, #68ABE1, #5799CE, #4687BB and #3575A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79BDF4 shade: #7BBEF4, #7B9DF4, #7B7DF4, #9A7BF4 and #BB7BF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79BDF4 shade: #7BBEF4, #7B9DF4, #7B7DF4 and #7B7BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79BDF4 shade matches the following richer shades: #7BBEF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79BDF4 shade: #7BBEF4, #86BDE9, #92BCDD, #9EBAD2 and #A9B9C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79BDF4 shade: #7BF4E8, #7BE0F4, #7BC0F4, #7B9FF4 and #7B7FF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79BDF4 shade: #2F98EE, #55ABF1, #7BBEF4, #A1D1F7 and #C7E4FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79BDF4 shade: #79BDF4, #C87BF4 and #F0F47B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79BDF4 shade: #79BDF4, #F47BC0 and #C0F47B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79BDF4 shade: #79BDF4, #C87BF4, #F4B07B and #A7F47B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79BDF4 shade: #79BDF4, #EC7BF4, #F4B07B and #83F47B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 23 / 0 / 4

HEX #79BDF4

RGB 121 189 244

HSL 206.83, 0.85%, 0.72%

LAB 74.18, -6.65, -33.88

 

Complementary color

CMYK 0 / 51 / 92 / 47

HEX #86420B

RGB 134 66 11

HSL 26.83, 0.85%, 0.28%

LAB 35.96, 25.74, 42.43

 

CMYK 47 / 21 / 0 / 6

HEX #7EBDEF

RGB 126 189 239

HSL 206.55, 0.78%, 0.72%

LAB 74.23, -6.93, -31.09

 

CMYK 44 / 19 / 0 / 0

HEX #8FCFFF

RGB 143 207 255

HSL 205.71, 1%, 0.78%

LAB 80.56, -8.1, -29.85

 

CMYK 37 / 12 / 0 / 0

HEX #A0E1FF

RGB 160 225 255

HSL 198.95, 1%, 0.81%

LAB 86.28, -13.2, -21.07

 

CMYK 31 / 5 / 0 / 0

HEX #B1F3FF

RGB 177 243 255

HSL 189.23, 1%, 0.85%

LAB 91.98, -17.75, -12.4

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 50 / 23 / 0 / 4

HEX #79BDF4

RGB 121 189 244

HSL 206.83, 0.85%, 0.72%

LAB 74.18, -6.65, -33.88

 

CMYK 54 / 24 / 0 / 12

HEX #68ABE1

RGB 104 171 225

HSL 206.78, 0.67%, 0.65%

LAB 67.65, -6.12, -33.71

 

CMYK 58 / 26 / 0 / 19

HEX #5799CE

RGB 87 153 206

HSL 206.72, 0.55%, 0.57%

LAB 61.01, -5.47, -33.56

 

CMYK 63 / 28 / 0 / 27

HEX #4687BB

RGB 70 135 187

HSL 206.67, 0.46%, 0.5%

LAB 54.26, -4.65, -33.41

 

CMYK 68 / 30 / 0 / 34

HEX #3575A8

RGB 53 117 168

HSL 206.61, 0.52%, 0.43%

LAB 47.37, -3.58, -33.26

 

CMYK 50 / 22 / 0 / 4

HEX #7BBEF4

RGB 123 190 244

HSL 206.78, 0.85%, 0.72%

LAB 74.55, -6.74, -33.3

 

CMYK 50 / 36 / 0 / 4

HEX #7B9DF4

RGB 123 157 244

HSL 223.14, 0.85%, 0.72%

LAB 65.64, 11.73, -47.21

 

CMYK 50 / 49 / 0 / 4

HEX #7B7DF4

RGB 123 125 244

HSL 239.01, 0.85%, 0.72%

LAB 57.47, 30.53, -60.19

 

CMYK 37 / 50 / 0 / 4

HEX #9A7BF4

RGB 154 123 244

HSL 255.37, 0.85%, 0.72%

LAB 59.5, 38.81, -56.81

 

CMYK 23 / 50 / 0 / 4

HEX #BB7BF4

RGB 187 123 244

HSL 271.74, 0.85%, 0.72%

LAB 62.73, 47.17, -51.48

 

CMYK 50 / 22 / 0 / 4

HEX #7BBEF4

RGB 123 190 244

HSL 206.78, 0.85%, 0.72%

LAB 74.55, -6.74, -33.3

 

CMYK 50 / 36 / 0 / 4

HEX #7B9DF4

RGB 123 157 244

HSL 223.14, 0.85%, 0.72%

LAB 65.64, 11.73, -47.21

 

CMYK 50 / 49 / 0 / 4

HEX #7B7DF4

RGB 123 125 244

HSL 239.01, 0.85%, 0.72%

LAB 57.47, 30.53, -60.19

 

CMYK 50 / 50 / 0 / 4

HEX #7B7BF4

RGB 123 123 244

HSL 240, 0.85%, 0.72%

LAB 56.99, 31.71, -60.97

 

CMYK 50 / 22 / 0 / 4

HEX #7BBEF4

RGB 123 190 244

HSL 206.78, 0.85%, 0.72%

LAB 74.55, -6.74, -33.3

 

CMYK 50 / 22 / 0 / 4

HEX #7BBEF4

RGB 123 190 244

HSL 206.78, 0.85%, 0.72%

LAB 74.55, -6.74, -33.3

 

CMYK 42 / 19 / 0 / 9

HEX #86BDE9

RGB 134 189 233

HSL 206.67, 0.69%, 0.72%

LAB 74.41, -6.65, -27.53

 

CMYK 34 / 15 / 0 / 13

HEX #92BCDD

RGB 146 188 221

HSL 206.4, 0.52%, 0.72%

LAB 74.38, -6.06, -21.02

 

CMYK 25 / 11 / 0 / 18

HEX #9EBAD2

RGB 158 186 210

HSL 207.69, 0.37%, 0.72%

LAB 74.22, -4.15, -15.22

 

CMYK 15 / 7 / 0 / 22

HEX #A9B9C6

RGB 169 185 198

HSL 206.9, 0.2%, 0.72%

LAB 74.32, -2.82, -8.44

 

CMYK 50 / 0 / 5 / 4

HEX #7BF4E8

RGB 123 244 232

HSL 174.05, 0.85%, 0.72%

LAB 89.27, -36.88, -4.7

 

CMYK 50 / 8 / 0 / 4

HEX #7BE0F4

RGB 123 224 244

HSL 189.92, 0.85%, 0.72%

LAB 83.99, -24.3, -18.88

 

CMYK 50 / 21 / 0 / 4

HEX #7BC0F4

RGB 123 192 244

HSL 205.79, 0.85%, 0.72%

LAB 75.1, -7.82, -32.45

 

CMYK 50 / 35 / 0 / 4

HEX #7B9FF4

RGB 123 159 244

HSL 222.15, 0.85%, 0.72%

LAB 66.17, 10.57, -46.38

 

CMYK 50 / 48 / 0 / 4

HEX #7B7FF4

RGB 123 127 244

HSL 238.02, 0.85%, 0.72%

LAB 57.96, 29.35, -59.41

 

CMYK 80 / 36 / 0 / 7

HEX #2F98EE

RGB 47 152 238

HSL 207.02, 0.85%, 0.56%

LAB 60.99, 0.19, -51.46

 

CMYK 65 / 29 / 0 / 5

HEX #55ABF1

RGB 85 171 241

HSL 206.92, 0.85%, 0.64%

LAB 67.58, -4.68, -42.64

 

CMYK 50 / 22 / 0 / 4

HEX #7BBEF4

RGB 123 190 244

HSL 206.78, 0.85%, 0.72%

LAB 74.55, -6.74, -33.3

 

CMYK 35 / 15 / 0 / 3

HEX #A1D1F7

RGB 161 209 247

HSL 206.51, 0.84%, 0.8%

LAB 81.78, -6.62, -23.65

 

CMYK 20 / 9 / 0 / 2

HEX #C7E4FA

RGB 199 228 250

HSL 205.88, 0.84%, 0.88%

LAB 89.17, -4.93, -13.86

 

CMYK 50 / 23 / 0 / 4

HEX #79BDF4

RGB 121 189 244

HSL 206.83, 0.85%, 0.72%

LAB 74.18, -6.65, -33.88

 

CMYK 18 / 50 / 0 / 4

HEX #C87BF4

RGB 200 123 244

HSL 278.18, 0.85%, 0.72%

LAB 64.14, 50.6, -49.15

 

CMYK 2 / 0 / 50 / 4

HEX #F0F47B

RGB 240 244 123

HSL 61.98, 0.85%, 0.72%

LAB 93.73, -17.5, 57.21

 

CMYK 50 / 23 / 0 / 4

HEX #79BDF4

RGB 121 189 244

HSL 206.83, 0.85%, 0.72%

LAB 74.18, -6.65, -33.88

 

CMYK 0 / 50 / 21 / 4

HEX #F47BC0

RGB 244 123 192

HSL 325.79, 0.85%, 0.72%

LAB 67.43, 54.26, -14.67

 

CMYK 21 / 0 / 50 / 4

HEX #C0F47B

RGB 192 244 123

HSL 85.79, 0.85%, 0.72%

LAB 90.48, -35.67, 52.54

 

CMYK 50 / 23 / 0 / 4

HEX #79BDF4

RGB 121 189 244

HSL 206.83, 0.85%, 0.72%

LAB 74.18, -6.65, -33.88

 

CMYK 18 / 50 / 0 / 4

HEX #C87BF4

RGB 200 123 244

HSL 278.18, 0.85%, 0.72%

LAB 64.14, 50.6, -49.15

 

CMYK 0 / 28 / 50 / 4

HEX #F4B07B

RGB 244 176 123

HSL 26.28, 0.85%, 0.72%

LAB 77.11, 18.85, 36.86

 

CMYK 32 / 0 / 50 / 4

HEX #A7F47B

RGB 167 244 123

HSL 98.18, 0.85%, 0.72%

LAB 89.09, -44.38, 50.53

 

CMYK 50 / 23 / 0 / 4

HEX #79BDF4

RGB 121 189 244

HSL 206.83, 0.85%, 0.72%

LAB 74.18, -6.65, -33.88

 

CMYK 3 / 50 / 0 / 4

HEX #EC7BF4

RGB 236 123 244

HSL 296.03, 0.85%, 0.72%

LAB 68.41, 60.27, -42.14

 

CMYK 0 / 28 / 50 / 4

HEX #F4B07B

RGB 244 176 123

HSL 26.28, 0.85%, 0.72%

LAB 77.11, 18.85, 36.86

 

CMYK 46 / 0 / 50 / 4

HEX #83F47B

RGB 131 244 123

HSL 116.03, 0.85%, 0.72%

LAB 87.46, -55.44, 48.17

 

Description

Color code: HEX #79BDF4 | qconv.com Color code: HEX #79BDF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 189 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 189 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 23 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 23% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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