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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79BCFD it is the complementary color #864302. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79BCFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79BCFD shade: #7EBCF8, #8FCEFF, #A0E0FF, #B1F2FF and #C2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79BCFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79BCFD shade: #79BCFD, #68AAEA, #5798D7, #4686C4 and #3574B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79BCFD shade: #77BBFD, #7797FD, #7C77FD, #A077FD and #C477FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79BCFD shade: #77BBFD, #7797FD and #7777FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79BCFD shade matches the following richer shades: #77BBFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79BCFD shade: #77BBFD, #83BBF2, #8EBBE7, #99BBDC and #A4BAD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79BCFD shade: #77FDF6, #77E0FD, #77BCFD, #7799FD and #7A77FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79BCFD shade: #2692FC, #4FA7FC, #77BBFD, #A0CFFE and #C9E4FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79BCFD shade: #79BCFD, #D377FD and #F2FD77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79BCFD shade: #79BCFD, #FD77BC and #BCFD77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79BCFD shade: #79BCFD, #D377FD, #FDB877 and #A2FD77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79BCFD shade: #79BCFD, #FB77FD, #FDB877 and #7AFD77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 26 / 0 / 1

HEX #79BCFD

RGB 121 188 253

HSL 209.55, 0.97%, 0.73%

LAB 74.27, -3.48, -38.59

 

Complementary color

CMYK 0 / 50 / 99 / 47

HEX #864302

RGB 134 67 2

HSL 29.55, 0.97%, 0.27%

LAB 36.15, 24.99, 45.57

 

CMYK 49 / 24 / 0 / 3

HEX #7EBCF8

RGB 126 188 248

HSL 209.51, 0.9%, 0.73%

LAB 74.3, -3.83, -35.83

 

CMYK 44 / 19 / 0 / 0

HEX #8FCEFF

RGB 143 206 255

HSL 206.25, 1%, 0.78%

LAB 80.29, -7.57, -30.27

 

CMYK 37 / 12 / 0 / 0

HEX #A0E0FF

RGB 160 224 255

HSL 199.58, 1%, 0.81%

LAB 86.01, -12.68, -21.47

 

CMYK 31 / 5 / 0 / 0

HEX #B1F2FF

RGB 177 242 255

HSL 190, 1%, 0.85%

LAB 91.72, -17.25, -12.8

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 52 / 26 / 0 / 1

HEX #79BCFD

RGB 121 188 253

HSL 209.55, 0.97%, 0.73%

LAB 74.27, -3.48, -38.59

 

CMYK 56 / 27 / 0 / 8

HEX #68AAEA

RGB 104 170 234

HSL 209.54, 0.76%, 0.66%

LAB 67.75, -2.83, -38.5

 

CMYK 60 / 29 / 0 / 16

HEX #5798D7

RGB 87 152 215

HSL 209.53, 0.62%, 0.59%

LAB 61.12, -2.03, -38.42

 

CMYK 64 / 32 / 0 / 23

HEX #4686C4

RGB 70 134 196

HSL 209.52, 0.52%, 0.52%

LAB 54.38, -1.04, -38.34

 

CMYK 70 / 34 / 0 / 31

HEX #3574B1

RGB 53 116 177

HSL 209.52, 0.54%, 0.45%

LAB 47.52, 0.24, -38.27

 

CMYK 53 / 26 / 0 / 1

HEX #77BBFD

RGB 119 187 253

HSL 209.55, 0.97%, 0.73%

LAB 73.9, -3.36, -39.17

 

CMYK 53 / 40 / 0 / 1

HEX #7797FD

RGB 119 151 253

HSL 225.67, 0.97%, 0.73%

LAB 64.28, 17.08, -54.3

 

CMYK 51 / 53 / 0 / 1

HEX #7C77FD

RGB 124 119 253

HSL 242.24, 0.97%, 0.73%

LAB 56.65, 36.97, -66.48

 

CMYK 37 / 53 / 0 / 1

HEX #A077FD

RGB 160 119 253

HSL 258.36, 0.97%, 0.73%

LAB 59.67, 44.82, -61.47

 

CMYK 23 / 53 / 0 / 1

HEX #C477FD

RGB 196 119 253

HSL 274.48, 0.97%, 0.73%

LAB 63.36, 53.57, -55.37

 

CMYK 53 / 26 / 0 / 1

HEX #77BBFD

RGB 119 187 253

HSL 209.55, 0.97%, 0.73%

LAB 73.9, -3.36, -39.17

 

CMYK 53 / 40 / 0 / 1

HEX #7797FD

RGB 119 151 253

HSL 225.67, 0.97%, 0.73%

LAB 64.28, 17.08, -54.3

 

CMYK 53 / 53 / 0 / 1

HEX #7777FD

RGB 119 119 253

HSL 240, 0.97%, 0.73%

LAB 56.29, 35.98, -67.08

 

CMYK 53 / 26 / 0 / 1

HEX #77BBFD

RGB 119 187 253

HSL 209.55, 0.97%, 0.73%

LAB 73.9, -3.36, -39.17

 

CMYK 53 / 26 / 0 / 1

HEX #77BBFD

RGB 119 187 253

HSL 209.55, 0.97%, 0.73%

LAB 73.9, -3.36, -39.17

 

CMYK 46 / 23 / 0 / 5

HEX #83BBF2

RGB 131 187 242

HSL 209.73, 0.81%, 0.73%

LAB 74.05, -3.83, -32.97

 

CMYK 39 / 19 / 0 / 9

HEX #8EBBE7

RGB 142 187 231

HSL 209.66, 0.65%, 0.73%

LAB 74.23, -4.04, -26.69

 

CMYK 30 / 15 / 0 / 14

HEX #99BBDC

RGB 153 187 220

HSL 209.55, 0.49%, 0.73%

LAB 74.5, -3.79, -20.26

 

CMYK 21 / 11 / 0 / 18

HEX #A4BAD0

RGB 164 186 208

HSL 210, 0.32%, 0.73%

LAB 74.55, -2.77, -13.59

 

CMYK 53 / 0 / 3 / 1

HEX #77FDF6

RGB 119 253 246

HSL 176.87, 0.97%, 0.73%

LAB 92.05, -38.35, -7.89

 

CMYK 53 / 11 / 0 / 1

HEX #77E0FD

RGB 119 224 253

HSL 192.99, 0.97%, 0.73%

LAB 84.13, -22.69, -23.43

 

CMYK 53 / 26 / 0 / 1

HEX #77BCFD

RGB 119 188 253

HSL 209.1, 0.97%, 0.73%

LAB 74.18, -3.91, -38.74

 

CMYK 53 / 40 / 0 / 1

HEX #7799FD

RGB 119 153 253

HSL 224.78, 0.97%, 0.73%

LAB 64.8, 15.91, -53.47

 

CMYK 52 / 53 / 0 / 1

HEX #7A77FD

RGB 122 119 253

HSL 241.34, 0.97%, 0.73%

LAB 56.51, 36.57, -66.72

 

CMYK 85 / 42 / 0 / 1

HEX #2692FC

RGB 38 146 252

HSL 209.72, 0.97%, 0.57%

LAB 59.89, 8.14, -60.93

 

CMYK 69 / 34 / 0 / 1

HEX #4FA7FC

RGB 79 167 252

HSL 209.48, 0.97%, 0.65%

LAB 66.77, 0.29, -49.92

 

CMYK 53 / 26 / 0 / 1

HEX #77BBFD

RGB 119 187 253

HSL 209.55, 0.97%, 0.73%

LAB 73.9, -3.36, -39.17

 

CMYK 37 / 19 / 0 / 0

HEX #A0CFFE

RGB 160 207 254

HSL 210, 0.98%, 0.81%

LAB 81.43, -4.07, -27.91

 

CMYK 21 / 10 / 0 / 0

HEX #C9E4FE

RGB 201 228 254

HSL 209.43, 0.96%, 0.89%

LAB 89.42, -3.47, -15.57

 

CMYK 52 / 26 / 0 / 1

HEX #79BCFD

RGB 121 188 253

HSL 209.55, 0.97%, 0.73%

LAB 74.27, -3.48, -38.59

 

CMYK 17 / 53 / 0 / 1

HEX #D377FD

RGB 211 119 253

HSL 281.19, 0.97%, 0.73%

LAB 65.07, 57.37, -52.55

 

CMYK 4 / 0 / 53 / 1

HEX #F2FD77

RGB 242 253 119

HSL 64.93, 0.97%, 0.73%

LAB 96.19, -21.38, 61.92

 

CMYK 52 / 26 / 0 / 1

HEX #79BCFD

RGB 121 188 253

HSL 209.55, 0.97%, 0.73%

LAB 74.27, -3.48, -38.59

 

CMYK 0 / 53 / 26 / 1

HEX #FD77BC

RGB 253 119 188

HSL 329.1, 0.97%, 0.73%

LAB 67.8, 58.39, -11.73

 

CMYK 26 / 0 / 53 / 1

HEX #BCFD77

RGB 188 253 119

HSL 89.1, 0.97%, 0.73%

LAB 92.7, -41.53, 56.96

 

CMYK 52 / 26 / 0 / 1

HEX #79BCFD

RGB 121 188 253

HSL 209.55, 0.97%, 0.73%

LAB 74.27, -3.48, -38.59

 

CMYK 17 / 53 / 0 / 1

HEX #D377FD

RGB 211 119 253

HSL 281.19, 0.97%, 0.73%

LAB 65.07, 57.37, -52.55

 

CMYK 0 / 27 / 53 / 1

HEX #FDB877

RGB 253 184 119

HSL 29.1, 0.97%, 0.73%

LAB 79.9, 17.9, 42.63

 

CMYK 36 / 0 / 53 / 1

HEX #A2FD77

RGB 162 253 119

HSL 100.75, 0.97%, 0.73%

LAB 91.35, -50.27, 55.04

 

CMYK 52 / 26 / 0 / 1

HEX #79BCFD

RGB 121 188 253

HSL 209.55, 0.97%, 0.73%

LAB 74.27, -3.48, -38.59

 

CMYK 1 / 53 / 0 / 1

HEX #FB77FD

RGB 251 119 253

HSL 299.1, 0.97%, 0.73%

LAB 70.03, 67.67, -44.39

 

CMYK 0 / 27 / 53 / 1

HEX #FDB877

RGB 253 184 119

HSL 29.1, 0.97%, 0.73%

LAB 79.9, 17.9, 42.63

 

CMYK 52 / 0 / 53 / 1

HEX #7AFD77

RGB 122 253 119

HSL 118.66, 0.97%, 0.73%

LAB 89.73, -61.8, 52.7

 

Description

Color code: HEX #79BCFD | qconv.com Color code: HEX #79BCFD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 188 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 188 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 26 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 26% 0% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - 自然派化粧品ルバンシュ
Link: http://www.revanche.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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