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Color name
HEX #79B711

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79B711 it is the complementary color #8648EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79B711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79B711 shade: #7EB70C, #8FC91F, #A0DB32, #B1ED45 and #C2FF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79B711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79B711 shade: #79B711, #68A500, #579300, #468100 and #356F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79B711 shade: #78B611, #A5B611, #B69B11, #B66E11 and #B64211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79B711 shade: #78B611, #4CB611, #1FB611, #11B62F and #11B65C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79B711 shade matches the following richer shades: #78B611 and #7CC601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79B711 shade: #78B611, #74A621, #709631, #6C8641 and #687651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79B711 shade: #B69A11, #A5B611, #79B611, #4DB611 and #21B611

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79B711 shade: #466A0A, #5F900D, #78B611, #91DC14 and #A5EC2E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79B711 shade: #79B711, #11B66E and #B011B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79B711 shade: #79B711, #1179B6 and #B61179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79B711 shade: #79B711, #11B66E, #4D11B6 and #B61158

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79B711 shade: #79B711, #11B6A0, #4D11B6 and #B61127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 91 / 28

HEX #79B711

RGB 121 183 17

HSL 82.41, 0.83%, 0.39%

LAB 68, -42.05, 66.48

 

Complementary color

CMYK 44 / 70 / 0 / 7

HEX #8648EE

RGB 134 72 238

HSL 262.41, 0.83%, 0.61%

LAB 46.81, 60.29, -74.04

 

CMYK 31 / 0 / 93 / 28

HEX #7EB70C

RGB 126 183 12

HSL 80, 0.88%, 0.38%

LAB 68.26, -40.28, 67.53

 

CMYK 29 / 0 / 85 / 21

HEX #8FC91F

RGB 143 201 31

HSL 80.47, 0.73%, 0.45%

LAB 74.64, -41.2, 69.83

 

CMYK 27 / 0 / 77 / 14

HEX #A0DB32

RGB 160 219 50

HSL 80.95, 0.7%, 0.53%

LAB 80.94, -41.9, 70.84

 

CMYK 25 / 0 / 71 / 7

HEX #B1ED45

RGB 177 237 69

HSL 81.43, 0.82%, 0.6%

LAB 87.17, -42.43, 71.03

 

CMYK 24 / 0 / 65 / 0

HEX #C2FF58

RGB 194 255 88

HSL 81.92, 1%, 0.67%

LAB 93.32, -42.83, 70.7

 

CMYK 34 / 0 / 91 / 28

HEX #79B711

RGB 121 183 17

HSL 82.41, 0.83%, 0.39%

LAB 68, -42.05, 66.48

 

CMYK 37 / 0 / 100 / 35

HEX #68A500

RGB 104 165 0

HSL 82.18, 1%, 0.32%

LAB 61.53, -40.98, 63.25

 

CMYK 41 / 0 / 100 / 42

HEX #579300

RGB 87 147 0

HSL 84.49, 1%, 0.29%

LAB 54.96, -39.54, 57.79

 

CMYK 46 / 0 / 100 / 49

HEX #468100

RGB 70 129 0

HSL 87.44, 1%, 0.25%

LAB 48.26, -38.03, 52.23

 

CMYK 52 / 0 / 100 / 56

HEX #356F00

RGB 53 111 0

HSL 91.35, 1%, 0.22%

LAB 41.42, -36.38, 46.54

 

CMYK 34 / 0 / 91 / 29

HEX #78B611

RGB 120 182 17

HSL 82.55, 0.83%, 0.39%

LAB 67.64, -42, 66.16

 

CMYK 9 / 0 / 91 / 29

HEX #A5B611

RGB 165 182 17

HSL 66.18, 0.83%, 0.39%

LAB 70.52, -23.85, 69.69

 

CMYK 0 / 15 / 91 / 29

HEX #B69B11

RGB 182 155 17

HSL 50.18, 0.83%, 0.39%

LAB 64.51, -2.41, 65.58

 

CMYK 0 / 40 / 91 / 29

HEX #B66E11

RGB 182 110 17

HSL 33.82, 0.83%, 0.39%

LAB 53.1, 22.38, 56.82

 

CMYK 0 / 64 / 91 / 29

HEX #B64211

RGB 182 66 17

HSL 17.82, 0.83%, 0.39%

LAB 44.06, 45, 50.05

 

CMYK 34 / 0 / 91 / 29

HEX #78B611

RGB 120 182 17

HSL 82.55, 0.83%, 0.39%

LAB 67.64, -42, 66.16

 

CMYK 58 / 0 / 91 / 29

HEX #4CB611

RGB 76 182 17

HSL 98.55, 0.83%, 0.39%

LAB 65.77, -56.03, 63.85

 

CMYK 83 / 0 / 91 / 29

HEX #1FB611

RGB 31 182 17

HSL 114.91, 0.83%, 0.39%

LAB 64.79, -64.37, 62.62

 

CMYK 91 / 0 / 74 / 29

HEX #11B62F

RGB 17 182 47

HSL 130.91, 0.83%, 0.39%

LAB 64.79, -63.93, 54.53

 

CMYK 91 / 0 / 49 / 29

HEX #11B65C

RGB 17 182 92

HSL 147.27, 0.83%, 0.39%

LAB 65.24, -58.37, 35.06

 

CMYK 34 / 0 / 91 / 29

HEX #78B611

RGB 120 182 17

HSL 82.55, 0.83%, 0.39%

LAB 67.64, -42, 66.16

 

CMYK 37 / 0 / 99 / 22

HEX #7CC601

RGB 124 198 1

HSL 82.54, 0.99%, 0.39%

LAB 72.68, -47.52, 72.21

 

CMYK 34 / 0 / 91 / 29

HEX #78B611

RGB 120 182 17

HSL 82.55, 0.83%, 0.39%

LAB 67.64, -42, 66.16

 

CMYK 30 / 0 / 80 / 35

HEX #74A621

RGB 116 166 33

HSL 82.56, 0.67%, 0.39%

LAB 62.59, -35.93, 58.03

 

CMYK 25 / 0 / 67 / 41

HEX #709631

RGB 112 150 49

HSL 82.57, 0.51%, 0.39%

LAB 57.54, -29.09, 47.18

 

CMYK 19 / 0 / 51 / 47

HEX #6C8641

RGB 108 134 65

HSL 82.61, 0.35%, 0.39%

LAB 52.53, -21.26, 33.85

 

CMYK 12 / 0 / 31 / 54

HEX #687651

RGB 104 118 81

HSL 82.7, 0.19%, 0.39%

LAB 47.62, -12.22, 18.71

 

CMYK 0 / 15 / 91 / 29

HEX #B69A11

RGB 182 154 17

HSL 49.82, 0.83%, 0.39%

LAB 64.24, -1.88, 65.38

 

CMYK 9 / 0 / 91 / 29

HEX #A5B611

RGB 165 182 17

HSL 66.18, 0.83%, 0.39%

LAB 70.52, -23.85, 69.69

 

CMYK 34 / 0 / 91 / 29

HEX #79B611

RGB 121 182 17

HSL 82.18, 0.83%, 0.39%

LAB 67.7, -41.62, 66.23

 

CMYK 58 / 0 / 91 / 29

HEX #4DB611

RGB 77 182 17

HSL 98.18, 0.83%, 0.39%

LAB 65.81, -55.77, 63.89

 

CMYK 82 / 0 / 91 / 29

HEX #21B611

RGB 33 182 17

HSL 114.18, 0.83%, 0.39%

LAB 64.82, -64.15, 62.66

 

CMYK 34 / 0 / 91 / 58

HEX #466A0A

RGB 70 106 10

HSL 82.5, 0.83%, 0.23%

LAB 40.63, -27.4, 43.78

 

CMYK 34 / 0 / 91 / 44

HEX #5F900D

RGB 95 144 13

HSL 82.44, 0.83%, 0.31%

LAB 54.46, -34.91, 55.4

 

CMYK 34 / 0 / 91 / 29

HEX #78B611

RGB 120 182 17

HSL 82.55, 0.83%, 0.39%

LAB 67.64, -42, 66.16

 

CMYK 34 / 0 / 91 / 14

HEX #91DC14

RGB 145 220 20

HSL 82.5, 0.83%, 0.47%

LAB 80.32, -48.81, 76.62

 

CMYK 30 / 0 / 81 / 7

HEX #A5EC2E

RGB 165 236 46

HSL 82.42, 0.83%, 0.55%

LAB 86.1, -47.51, 76.75

 

CMYK 34 / 0 / 91 / 28

HEX #79B711

RGB 121 183 17

HSL 82.41, 0.83%, 0.39%

LAB 68, -42.05, 66.48

 

CMYK 91 / 0 / 40 / 29

HEX #11B66E

RGB 17 182 110

HSL 153.82, 0.83%, 0.39%

LAB 65.52, -55.09, 26.09

 

CMYK 3 / 91 / 0 / 29

HEX #B011B6

RGB 176 17 182

HSL 297.82, 0.83%, 0.39%

LAB 42.78, 73.5, -48.04

 

CMYK 34 / 0 / 91 / 28

HEX #79B711

RGB 121 183 17

HSL 82.41, 0.83%, 0.39%

LAB 68, -42.05, 66.48

 

CMYK 91 / 34 / 0 / 29

HEX #1179B6

RGB 17 121 182

HSL 202.18, 0.83%, 0.39%

LAB 48.48, -4.67, -39.72

 

CMYK 0 / 91 / 34 / 29

HEX #B61179

RGB 182 17 121

HSL 322.18, 0.83%, 0.39%

LAB 40.78, 66.59, -14.15

 

CMYK 34 / 0 / 91 / 28

HEX #79B711

RGB 121 183 17

HSL 82.41, 0.83%, 0.39%

LAB 68, -42.05, 66.48

 

CMYK 91 / 0 / 40 / 29

HEX #11B66E

RGB 17 182 110

HSL 153.82, 0.83%, 0.39%

LAB 65.52, -55.09, 26.09

 

CMYK 58 / 91 / 0 / 29

HEX #4D11B6

RGB 77 17 182

HSL 261.82, 0.83%, 0.39%

LAB 27.73, 60.28, -73.22

 

CMYK 0 / 91 / 52 / 29

HEX #B61158

RGB 182 17 88

HSL 334.18, 0.83%, 0.39%

LAB 39.67, 63.54, 5.01

 

CMYK 34 / 0 / 91 / 28

HEX #79B711

RGB 121 183 17

HSL 82.41, 0.83%, 0.39%

LAB 68, -42.05, 66.48

 

CMYK 91 / 0 / 12 / 29

HEX #11B6A0

RGB 17 182 160

HSL 172, 0.83%, 0.39%

LAB 66.61, -43.12, 0.39

 

CMYK 58 / 91 / 0 / 29

HEX #4D11B6

RGB 77 17 182

HSL 261.82, 0.83%, 0.39%

LAB 27.73, 60.28, -73.22

 

CMYK 0 / 91 / 79 / 29

HEX #B61127

RGB 182 17 39

HSL 352, 0.83%, 0.39%

LAB 38.71, 60.86, 34.62

 

Description

Color code: HEX #79B711 | qconv.com Color code: HEX #79B711 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 183 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 183 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 91 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 91% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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