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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79B404 it is the complementary color #864BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79B404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79B404 shade: #7EB400, #8FC612, #A0D825, #B1EA38 and #C2FC4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79B404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79B404 shade: #79B404, #68A200, #579000, #467E00 and #356C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79B404 shade: #79B404, #A8B404, #B49004, #B46004 and #B43104

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79B404 shade: #79B404, #49B404, #1AB404, #04B41D and #04B44D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79B404 shade matches the following richer shades: #79B404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79B404 shade: #79B404, #74A513, #6F9621, #6A8730 and #65793F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79B404 shade: #B49104, #A8B404, #79B404, #4AB404 and #1BB404

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79B404 shade: #436302, #5E8B03, #79B404, #94DC04 and #ACFA10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79B404 shade: #79B404, #04B462 and #A804B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79B404 shade: #79B404, #0479B4 and #B40479

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79B404 shade: #79B404, #04B462, #3E04B4 and #B40456

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79B404 shade: #79B404, #04B497, #3E04B4 and #B40421

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

Complementary color

CMYK 47 / 70 / 0 / 2

HEX #864BFB

RGB 134 75 251

HSL 260.11, 0.96%, 0.64%

LAB 48.34, 62.18, -78.82

 

CMYK 30 / 0 / 100 / 29

HEX #7EB400

RGB 126 180 0

HSL 78, 1%, 0.35%

LAB 67.34, -39.16, 68.24

 

CMYK 28 / 0 / 91 / 22

HEX #8FC612

RGB 143 198 18

HSL 78.33, 0.83%, 0.42%

LAB 73.72, -40.24, 71.5

 

CMYK 26 / 0 / 83 / 15

HEX #A0D825

RGB 160 216 37

HSL 78.77, 0.71%, 0.5%

LAB 80.02, -41.11, 73.48

 

CMYK 24 / 0 / 76 / 8

HEX #B1EA38

RGB 177 234 56

HSL 79.21, 0.81%, 0.57%

LAB 86.25, -41.8, 74.35

 

CMYK 23 / 0 / 70 / 1

HEX #C2FC4B

RGB 194 252 75

HSL 79.66, 0.97%, 0.64%

LAB 92.4, -42.33, 74.48

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 36 / 0 / 100 / 36

HEX #68A200

RGB 104 162 0

HSL 81.48, 1%, 0.32%

LAB 60.59, -39.69, 62.53

 

CMYK 40 / 0 / 100 / 44

HEX #579000

RGB 87 144 0

HSL 83.75, 1%, 0.28%

LAB 54, -38.26, 57.04

 

CMYK 44 / 0 / 100 / 51

HEX #467E00

RGB 70 126 0

HSL 86.67, 1%, 0.25%

LAB 47.27, -36.76, 51.45

 

CMYK 51 / 0 / 100 / 58

HEX #356C00

RGB 53 108 0

HSL 90.56, 1%, 0.21%

LAB 40.38, -35.14, 45.73

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 7 / 0 / 98 / 29

HEX #A8B404

RGB 168 180 4

HSL 64.09, 0.96%, 0.36%

LAB 70.16, -21.77, 71.15

 

CMYK 0 / 20 / 98 / 29

HEX #B49004

RGB 180 144 4

HSL 47.73, 0.96%, 0.36%

LAB 61.36, 2.46, 65.16

 

CMYK 0 / 47 / 98 / 29

HEX #B46004

RGB 180 96 4

HSL 31.36, 0.96%, 0.36%

LAB 49.59, 28.98, 57.08

 

CMYK 0 / 73 / 98 / 29

HEX #B43104

RGB 180 49 4

HSL 15.34, 0.96%, 0.36%

LAB 41.07, 51.12, 51.97

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 59 / 0 / 98 / 29

HEX #49B404

RGB 73 180 4

HSL 96.48, 0.96%, 0.36%

LAB 65.02, -56.39, 64.93

 

CMYK 86 / 0 / 98 / 29

HEX #1AB404

RGB 26 180 4

HSL 112.5, 0.96%, 0.36%

LAB 64.06, -64.64, 63.76

 

CMYK 98 / 0 / 84 / 29

HEX #04B41D

RGB 4 180 29

HSL 128.52, 0.96%, 0.36%

LAB 63.96, -65.22, 59.26

 

CMYK 98 / 0 / 57 / 29

HEX #04B44D

RGB 4 180 77

HSL 144.89, 0.96%, 0.36%

LAB 64.33, -60.65, 41.3

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 30 / 0 / 88 / 35

HEX #74A513

RGB 116 165 19

HSL 80.14, 0.79%, 0.36%

LAB 62.23, -36, 61.21

 

CMYK 26 / 0 / 78 / 41

HEX #6F9621

RGB 111 150 33

HSL 80, 0.64%, 0.36%

LAB 57.37, -30.52, 53.07

 

CMYK 21 / 0 / 64 / 47

HEX #6A8730

RGB 106 135 48

HSL 80, 0.48%, 0.36%

LAB 52.52, -24.28, 42.13

 

CMYK 17 / 0 / 48 / 53

HEX #65793F

RGB 101 121 63

HSL 80.69, 0.32%, 0.36%

LAB 48.01, -17.61, 29.28

 

CMYK 0 / 19 / 98 / 29

HEX #B49104

RGB 180 145 4

HSL 48.07, 0.96%, 0.36%

LAB 61.62, 1.91, 65.35

 

CMYK 7 / 0 / 98 / 29

HEX #A8B404

RGB 168 180 4

HSL 64.09, 0.96%, 0.36%

LAB 70.16, -21.77, 71.15

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 59 / 0 / 98 / 29

HEX #4AB404

RGB 74 180 4

HSL 96.14, 0.96%, 0.36%

LAB 65.05, -56.13, 64.97

 

CMYK 85 / 0 / 98 / 29

HEX #1BB404

RGB 27 180 4

HSL 112.16, 0.96%, 0.36%

LAB 64.07, -64.54, 63.77

 

CMYK 32 / 0 / 98 / 61

HEX #436302

RGB 67 99 2

HSL 79.79, 0.96%, 0.2%

LAB 38.06, -25.57, 43.68

 

CMYK 32 / 0 / 98 / 45

HEX #5E8B03

RGB 94 139 3

HSL 79.85, 0.96%, 0.28%

LAB 52.79, -33.29, 55.74

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 33 / 0 / 98 / 14

HEX #94DC04

RGB 148 220 4

HSL 80, 0.96%, 0.44%

LAB 80.46, -47.97, 78.48

 

CMYK 31 / 0 / 94 / 2

HEX #ACFA10

RGB 172 250 16

HSL 80, 0.96%, 0.52%

LAB 90.4, -51.56, 85.78

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 98 / 0 / 46 / 29

HEX #04B462

RGB 4 180 98

HSL 152.05, 0.96%, 0.36%

LAB 64.6, -57.27, 31.17

 

CMYK 7 / 98 / 0 / 29

HEX #A804B4

RGB 168 4 180

HSL 295.91, 0.96%, 0.36%

LAB 40.75, 73.31, -50.19

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 98 / 33 / 0 / 29

HEX #0479B4

RGB 4 121 180

HSL 200.11, 0.96%, 0.36%

LAB 48.25, -6.01, -38.92

 

CMYK 0 / 98 / 33 / 29

HEX #B40479

RGB 180 4 121

HSL 320.11, 0.96%, 0.36%

LAB 39.87, 67.66, -15.58

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 98 / 0 / 46 / 29

HEX #04B462

RGB 4 180 98

HSL 152.05, 0.96%, 0.36%

LAB 64.6, -57.27, 31.17

 

CMYK 66 / 98 / 0 / 29

HEX #3E04B4

RGB 62 4 180

HSL 259.77, 0.96%, 0.36%

LAB 24.97, 61.53, -76.65

 

CMYK 0 / 98 / 52 / 29

HEX #B40456

RGB 180 4 86

HSL 332.05, 0.96%, 0.36%

LAB 38.66, 64.47, 4.79

 

CMYK 33 / 0 / 98 / 29

HEX #79B404

RGB 121 180 4

HSL 80.11, 0.96%, 0.36%

LAB 67.06, -41, 67.42

 

CMYK 98 / 0 / 16 / 29

HEX #04B497

RGB 4 180 151

HSL 170.11, 0.96%, 0.36%

LAB 65.67, -45.24, 4

 

CMYK 66 / 98 / 0 / 29

HEX #3E04B4

RGB 62 4 180

HSL 259.77, 0.96%, 0.36%

LAB 24.97, 61.53, -76.65

 

CMYK 0 / 98 / 82 / 29

HEX #B40421

RGB 180 4 33

HSL 350.11, 0.96%, 0.36%

LAB 37.66, 61.77, 36.91

 

Description

Color code: HEX #79B404 | qconv.com Color code: HEX #79B404 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 180 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 180 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 98 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 98% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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