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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79B2D0 it is the complementary color #864D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79B2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79B2D0 shade: #7EB2CB, #8FC4DE, #A0D6F1, #B1E8FF and #C2FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79B2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79B2D0 shade: #79B2D0, #68A0BD, #578EAA, #467C97 and #356A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79B2D0 shade: #7BB3D1, #7B9CD1, #7B85D1, #887BD1 and #9F7BD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79B2D0 shade: #7BB3D1, #7B9CD1, #7B85D1 and #7B7BD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79B2D0 shade matches the following richer shades: #7BB3D1, #6CB8DF, #5EBCED and #50C0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79B2D0 shade: #7BB3D1, #89AFC2, #98AAB4, #A6A6A5 and #B5A197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79B2D0 shade: #7BD1BF, #7BCBD1, #7BB4D1, #7B9DD1 and #7B86D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79B2D0 shade: #418FB8, #5CA1C6, #7BB3D1, #99C5DB and #B8D6E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79B2D0 shade: #79B2D0, #A97BD1 and #D1CB7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79B2D0 shade: #79B2D0, #D17BB4 and #B4D17B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79B2D0 shade: #79B2D0, #A97BD1, #D1977B and #A3D17B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79B2D0 shade: #79B2D0, #C27BD1, #D1977B and #89D17B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 14 / 0 / 18

HEX #79B2D0

RGB 121 178 208

HSL 200.69, 0.48%, 0.65%

LAB 69.8, -10.78, -21.02

 

Complementary color

CMYK 0 / 43 / 65 / 47

HEX #864D2F

RGB 134 77 47

HSL 20.69, 0.48%, 0.35%

LAB 38.87, 21.11, 27.85

 

CMYK 38 / 12 / 0 / 20

HEX #7EB2CB

RGB 126 178 203

HSL 199.48, 0.43%, 0.65%

LAB 69.89, -10.78, -18.11

 

CMYK 36 / 12 / 0 / 13

HEX #8FC4DE

RGB 143 196 222

HSL 199.75, 0.54%, 0.72%

LAB 76.43, -10.89, -18.47

 

CMYK 34 / 11 / 0 / 5

HEX #A0D6F1

RGB 160 214 241

HSL 200, 0.74%, 0.79%

LAB 82.87, -10.97, -18.82

 

CMYK 31 / 9 / 0 / 0

HEX #B1E8FF

RGB 177 232 255

HSL 197.69, 1%, 0.85%

LAB 89.05, -12.22, -16.79

 

CMYK 24 / 2 / 0 / 0

HEX #C2FAFF

RGB 194 250 255

HSL 184.92, 1%, 0.88%

LAB 94.76, -16.46, -8.17

 

CMYK 42 / 14 / 0 / 18

HEX #79B2D0

RGB 121 178 208

HSL 200.69, 0.48%, 0.65%

LAB 69.8, -10.78, -21.02

 

CMYK 45 / 15 / 0 / 26

HEX #68A0BD

RGB 104 160 189

HSL 200.47, 0.39%, 0.57%

LAB 63.14, -10.57, -20.7

 

CMYK 49 / 16 / 0 / 33

HEX #578EAA

RGB 87 142 170

HSL 200.24, 0.33%, 0.5%

LAB 56.36, -10.31, -20.38

 

CMYK 54 / 18 / 0 / 41

HEX #467C97

RGB 70 124 151

HSL 200, 0.37%, 0.43%

LAB 49.44, -9.95, -20.06

 

CMYK 60 / 20 / 0 / 48

HEX #356A84

RGB 53 106 132

HSL 199.75, 0.43%, 0.36%

LAB 42.35, -9.45, -19.73

 

CMYK 41 / 14 / 0 / 18

HEX #7BB3D1

RGB 123 179 209

HSL 200.93, 0.48%, 0.65%

LAB 70.21, -10.53, -20.92

 

CMYK 41 / 25 / 0 / 18

HEX #7B9CD1

RGB 123 156 209

HSL 216.98, 0.48%, 0.65%

LAB 63.83, 2.16, -30.72

 

CMYK 41 / 36 / 0 / 18

HEX #7B85D1

RGB 123 133 209

HSL 233.02, 0.48%, 0.65%

LAB 57.65, 15.51, -40.37

 

CMYK 35 / 41 / 0 / 18

HEX #887BD1

RGB 136 123 209

HSL 249.07, 0.48%, 0.65%

LAB 56.09, 24.88, -42.75

 

CMYK 24 / 41 / 0 / 18

HEX #9F7BD1

RGB 159 123 209

HSL 265.12, 0.48%, 0.65%

LAB 58.17, 31.33, -39.33

 

CMYK 41 / 14 / 0 / 18

HEX #7BB3D1

RGB 123 179 209

HSL 200.93, 0.48%, 0.65%

LAB 70.21, -10.53, -20.92

 

CMYK 41 / 25 / 0 / 18

HEX #7B9CD1

RGB 123 156 209

HSL 216.98, 0.48%, 0.65%

LAB 63.83, 2.16, -30.72

 

CMYK 41 / 36 / 0 / 18

HEX #7B85D1

RGB 123 133 209

HSL 233.02, 0.48%, 0.65%

LAB 57.65, 15.51, -40.37

 

CMYK 41 / 41 / 0 / 18

HEX #7B7BD1

RGB 123 123 209

HSL 240, 0.48%, 0.65%

LAB 55.05, 21.45, -44.46

 

CMYK 41 / 14 / 0 / 18

HEX #7BB3D1

RGB 123 179 209

HSL 200.93, 0.48%, 0.65%

LAB 70.21, -10.53, -20.92

 

CMYK 52 / 17 / 0 / 13

HEX #6CB8DF

RGB 108 184 223

HSL 200.35, 0.64%, 0.65%

LAB 71.42, -12.89, -26.8

 

CMYK 60 / 21 / 0 / 7

HEX #5EBCED

RGB 94 188 237

HSL 200.56, 0.8%, 0.65%

LAB 72.54, -13.65, -32.73

 

CMYK 68 / 24 / 0 / 1

HEX #50C0FC

RGB 80 192 252

HSL 200.93, 0.97%, 0.65%

LAB 73.83, -13.33, -38.86

 

CMYK 41 / 14 / 0 / 18

HEX #7BB3D1

RGB 123 179 209

HSL 200.93, 0.48%, 0.65%

LAB 70.21, -10.53, -20.92

 

CMYK 29 / 10 / 0 / 24

HEX #89AFC2

RGB 137 175 194

HSL 200, 0.32%, 0.65%

LAB 69.38, -8.33, -13.86

 

CMYK 16 / 6 / 0 / 29

HEX #98AAB4

RGB 152 170 180

HSL 201.43, 0.16%, 0.65%

LAB 68.55, -4.14, -7.26

 

CMYK 0 / 0 / 1 / 35

HEX #A6A6A5

RGB 166 166 165

HSL 60, 0.01%, 0.65%

LAB 68.09, -0.19, 0.51

 

CMYK 0 / 11 / 17 / 29

HEX #B5A197

RGB 181 161 151

HSL 20, 0.17%, 0.65%

LAB 67.69, 5.63, 7.87

 

CMYK 41 / 0 / 9 / 18

HEX #7BD1BF

RGB 123 209 191

HSL 167.44, 0.48%, 0.65%

LAB 78.21, -30.23, 0.77

 

CMYK 41 / 3 / 0 / 18

HEX #7BCBD1

RGB 123 203 209

HSL 184.19, 0.48%, 0.65%

LAB 77, -22.96, -10.7

 

CMYK 41 / 14 / 0 / 18

HEX #7BB4D1

RGB 123 180 209

HSL 200.23, 0.48%, 0.65%

LAB 70.49, -11.07, -20.5

 

CMYK 41 / 25 / 0 / 18

HEX #7B9DD1

RGB 123 157 209

HSL 216.28, 0.48%, 0.65%

LAB 64.1, 1.6, -30.3

 

CMYK 41 / 36 / 0 / 18

HEX #7B86D1

RGB 123 134 209

HSL 232.33, 0.48%, 0.65%

LAB 57.91, 14.92, -39.96

 

CMYK 65 / 22 / 0 / 28

HEX #418FB8

RGB 65 143 184

HSL 200.67, 0.48%, 0.49%

LAB 56.32, -11.11, -28.51

 

CMYK 54 / 19 / 0 / 22

HEX #5CA1C6

RGB 92 161 198

HSL 200.94, 0.48%, 0.57%

LAB 63.21, -11.33, -25.67

 

CMYK 41 / 14 / 0 / 18

HEX #7BB3D1

RGB 123 179 209

HSL 200.93, 0.48%, 0.65%

LAB 70.21, -10.53, -20.92

 

CMYK 30 / 10 / 0 / 14

HEX #99C5DB

RGB 153 197 219

HSL 200, 0.48%, 0.73%

LAB 77.17, -9.36, -15.67

 

CMYK 20 / 7 / 0 / 10

HEX #B8D6E6

RGB 184 214 230

HSL 200.87, 0.48%, 0.81%

LAB 83.96, -6.55, -11.19

 

CMYK 42 / 14 / 0 / 18

HEX #79B2D0

RGB 121 178 208

HSL 200.69, 0.48%, 0.65%

LAB 69.8, -10.78, -21.02

 

CMYK 19 / 41 / 0 / 18

HEX #A97BD1

RGB 169 123 209

HSL 272.09, 0.48%, 0.65%

LAB 59.16, 34.25, -37.71

 

CMYK 0 / 3 / 41 / 18

HEX #D1CB7B

RGB 209 203 123

HSL 55.81, 0.48%, 0.65%

LAB 80.57, -9.35, 40.58

 

CMYK 42 / 14 / 0 / 18

HEX #79B2D0

RGB 121 178 208

HSL 200.69, 0.48%, 0.65%

LAB 69.8, -10.78, -21.02

 

CMYK 0 / 41 / 14 / 18

HEX #D17BB4

RGB 209 123 180

HSL 320.23, 0.48%, 0.65%

LAB 62.52, 41.22, -15.74

 

CMYK 14 / 0 / 41 / 18

HEX #B4D17B

RGB 180 209 123

HSL 80.23, 0.48%, 0.65%

LAB 80.03, -23.65, 39.44

 

CMYK 42 / 14 / 0 / 18

HEX #79B2D0

RGB 121 178 208

HSL 200.69, 0.48%, 0.65%

LAB 69.8, -10.78, -21.02

 

CMYK 19 / 41 / 0 / 18

HEX #A97BD1

RGB 169 123 209

HSL 272.09, 0.48%, 0.65%

LAB 59.16, 34.25, -37.71

 

CMYK 0 / 28 / 41 / 18

HEX #D1977B

RGB 209 151 123

HSL 19.53, 0.48%, 0.65%

LAB 67.37, 18.26, 23.35

 

CMYK 22 / 0 / 41 / 18

HEX #A3D17B

RGB 163 209 123

HSL 92.09, 0.48%, 0.65%

LAB 78.94, -29.95, 37.83

 

CMYK 42 / 14 / 0 / 18

HEX #79B2D0

RGB 121 178 208

HSL 200.69, 0.48%, 0.65%

LAB 69.8, -10.78, -21.02

 

CMYK 7 / 41 / 0 / 18

HEX #C27BD1

RGB 194 123 209

HSL 289.53, 0.48%, 0.65%

LAB 61.86, 41.7, -33.3

 

CMYK 0 / 28 / 41 / 18

HEX #D1977B

RGB 209 151 123

HSL 19.53, 0.48%, 0.65%

LAB 67.37, 18.26, 23.35

 

CMYK 34 / 0 / 41 / 18

HEX #89D17B

RGB 137 209 123

HSL 110.23, 0.48%, 0.65%

LAB 77.49, -38.9, 35.68

 

Description

Color code: HEX #79B2D0 | qconv.com Color code: HEX #79B2D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 178 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 178 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 14 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 14% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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