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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79ABCB it is the complementary color #865434. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79ABCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79ABCB shade: #7EABC6, #8FBDD9, #A0CFEC, #B1E1FF and #C2F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79ABCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79ABCB shade: #79ABCB, #6899B8, #5787A5, #467592 and #35637F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79ABCB shade: #7BACCC, #7B96CC, #7B81CC, #8B7BCC and #A17BCC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79ABCB shade: #7BACCC, #7B96CC, #7B81CC and #7B7BCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79ABCB shade matches the following richer shades: #7BACCC, #6CAFDA, #5DB3E9 and #4EB6F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79ABCB shade: #7BACCC, #8AA9BD, #99A6AE, #A7A29F and #B69F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79ABCB shade: #7BCCBF, #7BC2CC, #7BADCC, #7B97CC and #7B82CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79ABCB shade: #4486B0, #5D99C0, #7BACCC, #99BFD7 and #B6D1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79ABCB shade: #79ABCB, #AA7BCC and #CCCA7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79ABCB shade: #79ABCB, #CC7BAD and #ADCC7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79ABCB shade: #79ABCB, #AA7BCC, #CC9A7B and #9CCC7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79ABCB shade: #79ABCB, #C27BCC, #CC9A7B and #84CC7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 16 / 0 / 20

HEX #79ABCB

RGB 121 171 203

HSL 203.41, 0.44%, 0.64%

LAB 67.65, -8.34, -21.53

 

Complementary color

CMYK 0 / 37 / 61 / 47

HEX #865434

RGB 134 84 52

HSL 23.41, 0.44%, 0.36%

LAB 40.67, 17.41, 27.14

 

CMYK 36 / 14 / 0 / 22

HEX #7EABC6

RGB 126 171 198

HSL 202.5, 0.39%, 0.64%

LAB 67.75, -8.31, -18.59

 

CMYK 34 / 13 / 0 / 15

HEX #8FBDD9

RGB 143 189 217

HSL 202.7, 0.49%, 0.71%

LAB 74.35, -8.43, -18.91

 

CMYK 32 / 12 / 0 / 7

HEX #A0CFEC

RGB 160 207 236

HSL 202.89, 0.67%, 0.78%

LAB 80.83, -8.54, -19.25

 

CMYK 31 / 12 / 0 / 0

HEX #B1E1FF

RGB 177 225 255

HSL 203.08, 1%, 0.85%

LAB 87.2, -8.64, -19.58

 

CMYK 24 / 5 / 0 / 0

HEX #C2F3FF

RGB 194 243 255

HSL 191.8, 1%, 0.88%

LAB 92.92, -12.97, -10.9

 

CMYK 40 / 16 / 0 / 20

HEX #79ABCB

RGB 121 171 203

HSL 203.41, 0.44%, 0.64%

LAB 67.65, -8.34, -21.53

 

CMYK 43 / 17 / 0 / 28

HEX #6899B8

RGB 104 153 184

HSL 203.25, 0.36%, 0.56%

LAB 60.95, -8.12, -21.25

 

CMYK 47 / 18 / 0 / 35

HEX #5787A5

RGB 87 135 165

HSL 203.08, 0.31%, 0.49%

LAB 54.1, -7.84, -20.97

 

CMYK 52 / 20 / 0 / 43

HEX #467592

RGB 70 117 146

HSL 202.89, 0.35%, 0.42%

LAB 47.11, -7.47, -20.7

 

CMYK 58 / 22 / 0 / 50

HEX #35637F

RGB 53 99 127

HSL 202.7, 0.41%, 0.35%

LAB 39.94, -6.96, -20.43

 

CMYK 40 / 16 / 0 / 20

HEX #7BACCC

RGB 123 172 204

HSL 203.7, 0.44%, 0.64%

LAB 68.08, -8.09, -21.43

 

CMYK 40 / 26 / 0 / 20

HEX #7B96CC

RGB 123 150 204

HSL 220, 0.44%, 0.64%

LAB 61.98, 4.2, -30.79

 

CMYK 40 / 37 / 0 / 20

HEX #7B81CC

RGB 123 129 204

HSL 235.56, 0.44%, 0.64%

LAB 56.36, 16.46, -39.57

 

CMYK 32 / 40 / 0 / 20

HEX #8B7BCC

RGB 139 123 204

HSL 251.85, 0.44%, 0.64%

LAB 56.1, 24.38, -39.88

 

CMYK 21 / 40 / 0 / 20

HEX #A17BCC

RGB 161 123 204

HSL 268.15, 0.44%, 0.64%

LAB 58.13, 30.74, -36.55

 

CMYK 40 / 16 / 0 / 20

HEX #7BACCC

RGB 123 172 204

HSL 203.7, 0.44%, 0.64%

LAB 68.08, -8.09, -21.43

 

CMYK 40 / 26 / 0 / 20

HEX #7B96CC

RGB 123 150 204

HSL 220, 0.44%, 0.64%

LAB 61.98, 4.2, -30.79

 

CMYK 40 / 37 / 0 / 20

HEX #7B81CC

RGB 123 129 204

HSL 235.56, 0.44%, 0.64%

LAB 56.36, 16.46, -39.57

 

CMYK 40 / 40 / 0 / 20

HEX #7B7BCC

RGB 123 123 204

HSL 240, 0.44%, 0.64%

LAB 54.8, 20.03, -42.02

 

CMYK 40 / 16 / 0 / 20

HEX #7BACCC

RGB 123 172 204

HSL 203.7, 0.44%, 0.64%

LAB 68.08, -8.09, -21.43

 

CMYK 50 / 20 / 0 / 15

HEX #6CAFDA

RGB 108 175 218

HSL 203.45, 0.6%, 0.64%

LAB 68.69, -9.5, -28.26

 

CMYK 60 / 23 / 0 / 9

HEX #5DB3E9

RGB 93 179 233

HSL 203.14, 0.76%, 0.64%

LAB 69.79, -10.23, -34.81

 

CMYK 69 / 27 / 0 / 3

HEX #4EB6F8

RGB 78 182 248

HSL 203.29, 0.92%, 0.64%

LAB 70.77, -9.54, -41.47

 

CMYK 40 / 16 / 0 / 20

HEX #7BACCC

RGB 123 172 204

HSL 203.7, 0.44%, 0.64%

LAB 68.08, -8.09, -21.43

 

CMYK 27 / 11 / 0 / 26

HEX #8AA9BD

RGB 138 169 189

HSL 203.53, 0.28%, 0.64%

LAB 67.62, -5.98, -13.74

 

CMYK 12 / 5 / 0 / 32

HEX #99A6AE

RGB 153 166 174

HSL 202.86, 0.11%, 0.64%

LAB 67.35, -2.91, -5.7

 

CMYK 0 / 3 / 5 / 35

HEX #A7A29F

RGB 167 162 159

HSL 22.5, 0.04%, 0.64%

LAB 66.95, 1.25, 2.19

 

CMYK 0 / 13 / 21 / 29

HEX #B69F90

RGB 182 159 144

HSL 23.68, 0.21%, 0.64%

LAB 67.09, 6.01, 10.93

 

CMYK 40 / 0 / 6 / 20

HEX #7BCCBF

RGB 123 204 191

HSL 170.37, 0.44%, 0.64%

LAB 76.77, -27.82, -1.33

 

CMYK 40 / 5 / 0 / 20

HEX #7BC2CC

RGB 123 194 204

HSL 187.41, 0.44%, 0.64%

LAB 74.29, -19.67, -12.04

 

CMYK 40 / 15 / 0 / 20

HEX #7BADCC

RGB 123 173 204

HSL 202.96, 0.44%, 0.64%

LAB 68.36, -8.63, -21

 

CMYK 40 / 26 / 0 / 20

HEX #7B97CC

RGB 123 151 204

HSL 219.26, 0.44%, 0.64%

LAB 62.26, 3.63, -30.37

 

CMYK 40 / 36 / 0 / 20

HEX #7B82CC

RGB 123 130 204

HSL 234.81, 0.44%, 0.64%

LAB 56.62, 15.87, -39.16

 

CMYK 61 / 24 / 0 / 31

HEX #4486B0

RGB 68 134 176

HSL 203.33, 0.44%, 0.48%

LAB 53.4, -8.09, -28.45

 

CMYK 52 / 20 / 0 / 25

HEX #5D99C0

RGB 93 153 192

HSL 203.64, 0.44%, 0.56%

LAB 60.71, -8.49, -26.16

 

CMYK 40 / 16 / 0 / 20

HEX #7BACCC

RGB 123 172 204

HSL 203.7, 0.44%, 0.64%

LAB 68.08, -8.09, -21.43

 

CMYK 29 / 11 / 0 / 16

HEX #99BFD7

RGB 153 191 215

HSL 203.23, 0.44%, 0.72%

LAB 75.41, -7.14, -16.16

 

CMYK 20 / 8 / 0 / 11

HEX #B6D1E3

RGB 182 209 227

HSL 204, 0.45%, 0.8%

LAB 82.43, -5.2, -11.9

 

CMYK 40 / 16 / 0 / 20

HEX #79ABCB

RGB 121 171 203

HSL 203.41, 0.44%, 0.64%

LAB 67.65, -8.34, -21.53

 

CMYK 17 / 40 / 0 / 20

HEX #AA7BCC

RGB 170 123 204

HSL 274.81, 0.44%, 0.64%

LAB 59.04, 33.42, -35.07

 

CMYK 0 / 1 / 40 / 20

HEX #CCCA7B

RGB 204 202 123

HSL 58.52, 0.44%, 0.64%

LAB 79.9, -10.83, 39.65

 

CMYK 40 / 16 / 0 / 20

HEX #79ABCB

RGB 121 171 203

HSL 203.41, 0.44%, 0.64%

LAB 67.65, -8.34, -21.53

 

CMYK 0 / 40 / 15 / 20

HEX #CC7BAD

RGB 204 123 173

HSL 322.96, 0.44%, 0.64%

LAB 61.67, 38.42, -13.1

 

CMYK 15 / 0 / 40 / 20

HEX #ADCC7B

RGB 173 204 123

HSL 82.96, 0.44%, 0.64%

LAB 78.17, -23.85, 36.97

 

CMYK 40 / 16 / 0 / 20

HEX #79ABCB

RGB 121 171 203

HSL 203.41, 0.44%, 0.64%

LAB 67.65, -8.34, -21.53

 

CMYK 17 / 40 / 0 / 20

HEX #AA7BCC

RGB 170 123 204

HSL 274.81, 0.44%, 0.64%

LAB 59.04, 33.42, -35.07

 

CMYK 0 / 25 / 40 / 20

HEX #CC9A7B

RGB 204 154 123

HSL 22.96, 0.44%, 0.64%

LAB 67.56, 14.62, 23.52

 

CMYK 24 / 0 / 40 / 20

HEX #9CCC7B

RGB 156 204 123

HSL 95.56, 0.44%, 0.64%

LAB 77.09, -30.1, 35.37

 

CMYK 40 / 16 / 0 / 20

HEX #79ABCB

RGB 121 171 203

HSL 203.41, 0.44%, 0.64%

LAB 67.65, -8.34, -21.53

 

CMYK 5 / 40 / 0 / 20

HEX #C27BCC

RGB 194 123 204

HSL 292.59, 0.44%, 0.64%

LAB 61.65, 40.71, -30.81

 

CMYK 0 / 25 / 40 / 20

HEX #CC9A7B

RGB 204 154 123

HSL 22.96, 0.44%, 0.64%

LAB 67.56, 14.62, 23.52

 

CMYK 35 / 0 / 40 / 20

HEX #84CC7B

RGB 132 204 123

HSL 113.33, 0.44%, 0.64%

LAB 75.77, -38.28, 33.41

 

Description

Color code: HEX #79ABCB | qconv.com Color code: HEX #79ABCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 171 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 171 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 16 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 16% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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