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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798DFD it is the complementary color #867202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798DFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798DFD shade: #7E8DF8, #8F9FFF, #A0B1FF, #B1C3FF and #C2D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798DFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798DFD shade: #798DFD, #687BEA, #5769D7, #4657C4 and #3545B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798DFD shade: #778CFD, #8777FD, #AB77FD, #CF77FD and #F377FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798DFD shade: #778CFD and #7777FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798DFD shade matches the following richer shades: #778CFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798DFD shade: #778CFD, #8393F2, #8E9BE7, #99A3DC and #A4ABD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798DFD shade: #77D5FD, #77B1FD, #778EFD, #8577FD and #A877FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798DFD shade: #2646FC, #4F69FC, #778CFD, #A0AEFE and #C9D1FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798DFD shade: #798DFD, #FD77F8 and #C3FD77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798DFD shade: #798DFD, #FD778E and #8EFD77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798DFD shade: #798DFD, #FD77F8, #FDE777 and #77FD7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798DFD shade: #798DFD, #FD77D0, #FDE777 and #77FDA4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 44 / 0 / 1

HEX #798DFD

RGB 121 141 253

HSL 230.91, 0.97%, 0.73%

LAB 61.83, 23.38, -58.19

 

Complementary color

CMYK 0 / 15 / 99 / 47

HEX #867202

RGB 134 114 2

HSL 50.91, 0.97%, 0.27%

LAB 48.4, -2.3, 54

 

CMYK 49 / 43 / 0 / 3

HEX #7E8DF8

RGB 126 141 248

HSL 232.62, 0.9%, 0.73%

LAB 61.88, 22.94, -55.35

 

CMYK 44 / 38 / 0 / 0

HEX #8F9FFF

RGB 143 159 255

HSL 231.43, 1%, 0.78%

LAB 67.91, 18.46, -49.54

 

CMYK 37 / 31 / 0 / 0

HEX #A0B1FF

RGB 160 177 255

HSL 229.26, 1%, 0.81%

LAB 73.63, 12.56, -40.49

 

CMYK 31 / 24 / 0 / 0

HEX #B1C3FF

RGB 177 195 255

HSL 226.15, 1%, 0.85%

LAB 79.38, 7.27, -31.5

 

CMYK 24 / 16 / 0 / 0

HEX #C2D5FF

RGB 194 213 255

HSL 221.31, 1%, 0.88%

LAB 85.14, 2.52, -22.6

 

CMYK 52 / 44 / 0 / 1

HEX #798DFD

RGB 121 141 253

HSL 230.91, 0.97%, 0.73%

LAB 61.83, 23.38, -58.19

 

CMYK 56 / 47 / 0 / 8

HEX #687BEA

RGB 104 123 234

HSL 231.23, 0.76%, 0.66%

LAB 55.12, 24.71, -58.47

 

CMYK 60 / 51 / 0 / 16

HEX #5769D7

RGB 87 105 215

HSL 231.56, 0.62%, 0.59%

LAB 48.3, 26.28, -58.78

 

CMYK 64 / 56 / 0 / 23

HEX #4657C4

RGB 70 87 196

HSL 231.9, 0.52%, 0.52%

LAB 41.38, 28.16, -59.11

 

CMYK 70 / 61 / 0 / 31

HEX #3545B1

RGB 53 69 177

HSL 232.26, 0.54%, 0.45%

LAB 34.37, 30.42, -59.4

 

CMYK 53 / 45 / 0 / 1

HEX #778CFD

RGB 119 140 253

HSL 230.6, 0.97%, 0.73%

LAB 61.46, 23.55, -58.8

 

CMYK 47 / 53 / 0 / 1

HEX #8777FD

RGB 135 119 253

HSL 247.16, 0.97%, 0.73%

LAB 57.5, 39.24, -65.08

 

CMYK 32 / 53 / 0 / 1

HEX #AB77FD

RGB 171 119 253

HSL 263.28, 0.97%, 0.73%

LAB 60.73, 47.42, -59.71

 

CMYK 18 / 53 / 0 / 1

HEX #CF77FD

RGB 207 119 253

HSL 279.4, 0.97%, 0.73%

LAB 64.6, 56.35, -53.31

 

CMYK 4 / 53 / 0 / 1

HEX #F377FD

RGB 243 119 253

HSL 295.52, 0.97%, 0.73%

LAB 69, 65.6, -46.09

 

CMYK 53 / 45 / 0 / 1

HEX #778CFD

RGB 119 140 253

HSL 230.6, 0.97%, 0.73%

LAB 61.46, 23.55, -58.8

 

CMYK 53 / 53 / 0 / 1

HEX #7777FD

RGB 119 119 253

HSL 240, 0.97%, 0.73%

LAB 56.29, 35.98, -67.08

 

CMYK 53 / 45 / 0 / 1

HEX #778CFD

RGB 119 140 253

HSL 230.6, 0.97%, 0.73%

LAB 61.46, 23.55, -58.8

 

CMYK 53 / 45 / 0 / 1

HEX #778CFD

RGB 119 140 253

HSL 230.6, 0.97%, 0.73%

LAB 61.46, 23.55, -58.8

 

CMYK 46 / 39 / 0 / 5

HEX #8393F2

RGB 131 147 242

HSL 231.35, 0.81%, 0.73%

LAB 63.43, 18.8, -49.57

 

CMYK 39 / 33 / 0 / 9

HEX #8E9BE7

RGB 142 155 231

HSL 231.24, 0.65%, 0.73%

LAB 65.72, 13.83, -39.86

 

CMYK 30 / 26 / 0 / 14

HEX #99A3DC

RGB 153 163 220

HSL 231.04, 0.49%, 0.73%

LAB 68.12, 9.45, -30.02

 

CMYK 21 / 18 / 0 / 18

HEX #A4ABD0

RGB 164 171 208

HSL 230.45, 0.32%, 0.73%

LAB 70.58, 5.41, -19.59

 

CMYK 53 / 16 / 0 / 1

HEX #77D5FD

RGB 119 213 253

HSL 197.91, 0.97%, 0.73%

LAB 81.07, -17.14, -28.1

 

CMYK 53 / 30 / 0 / 1

HEX #77B1FD

RGB 119 177 253

HSL 214.03, 0.97%, 0.73%

LAB 71.19, 2.17, -43.41

 

CMYK 53 / 44 / 0 / 1

HEX #778EFD

RGB 119 142 253

HSL 229.7, 0.97%, 0.73%

LAB 61.96, 22.37, -57.99

 

CMYK 47 / 53 / 0 / 1

HEX #8577FD

RGB 133 119 253

HSL 246.27, 0.97%, 0.73%

LAB 57.34, 38.82, -65.34

 

CMYK 34 / 53 / 0 / 1

HEX #A877FD

RGB 168 119 253

HSL 261.94, 0.97%, 0.73%

LAB 60.44, 46.71, -60.2

 

CMYK 85 / 72 / 0 / 1

HEX #2646FC

RGB 38 70 252

HSL 231.03, 0.97%, 0.57%

LAB 40.93, 54.76, -91.8

 

CMYK 69 / 58 / 0 / 1

HEX #4F69FC

RGB 79 105 252

HSL 230.98, 0.97%, 0.65%

LAB 50.44, 37.54, -76.12

 

CMYK 53 / 45 / 0 / 1

HEX #778CFD

RGB 119 140 253

HSL 230.6, 0.97%, 0.73%

LAB 61.46, 23.55, -58.8

 

CMYK 37 / 31 / 0 / 0

HEX #A0AEFE

RGB 160 174 254

HSL 231.06, 0.98%, 0.81%

LAB 72.83, 13.97, -41.21

 

CMYK 21 / 18 / 0 / 0

HEX #C9D1FE

RGB 201 209 254

HSL 230.94, 0.96%, 0.89%

LAB 84.57, 6.51, -22.89

 

CMYK 52 / 44 / 0 / 1

HEX #798DFD

RGB 121 141 253

HSL 230.91, 0.97%, 0.73%

LAB 61.83, 23.38, -58.19

 

CMYK 0 / 53 / 2 / 1

HEX #FD77F8

RGB 253 119 248

HSL 302.24, 0.97%, 0.73%

LAB 70.07, 67.35, -41.57

 

CMYK 23 / 0 / 53 / 1

HEX #C3FD77

RGB 195 253 119

HSL 85.97, 0.97%, 0.73%

LAB 93.1, -39.04, 57.53

 

CMYK 52 / 44 / 0 / 1

HEX #798DFD

RGB 121 141 253

HSL 230.91, 0.97%, 0.73%

LAB 61.83, 23.38, -58.19

 

CMYK 0 / 53 / 44 / 1

HEX #FD778E

RGB 253 119 142

HSL 349.7, 0.97%, 0.73%

LAB 66.54, 53.12, 12.45

 

CMYK 44 / 0 / 53 / 1

HEX #8EFD77

RGB 142 253 119

HSL 109.7, 0.97%, 0.73%

LAB 90.47, -56.37, 53.78

 

CMYK 52 / 44 / 0 / 1

HEX #798DFD

RGB 121 141 253

HSL 230.91, 0.97%, 0.73%

LAB 61.83, 23.38, -58.19

 

CMYK 0 / 53 / 2 / 1

HEX #FD77F8

RGB 253 119 248

HSL 302.24, 0.97%, 0.73%

LAB 70.07, 67.35, -41.57

 

CMYK 0 / 9 / 53 / 1

HEX #FDE777

RGB 253 231 119

HSL 50.15, 0.97%, 0.73%

LAB 91.4, -6.27, 56.56

 

CMYK 53 / 0 / 51 / 1

HEX #77FD7C

RGB 119 253 124

HSL 122.24, 0.97%, 0.73%

LAB 89.69, -61.93, 50.33

 

CMYK 52 / 44 / 0 / 1

HEX #798DFD

RGB 121 141 253

HSL 230.91, 0.97%, 0.73%

LAB 61.83, 23.38, -58.19

 

CMYK 0 / 53 / 18 / 1

HEX #FD77D0

RGB 253 119 208

HSL 320.15, 0.97%, 0.73%

LAB 68.48, 61.14, -21.92

 

CMYK 0 / 9 / 53 / 1

HEX #FDE777

RGB 253 231 119

HSL 50.15, 0.97%, 0.73%

LAB 91.4, -6.27, 56.56

 

CMYK 53 / 0 / 35 / 1

HEX #77FDA4

RGB 119 253 164

HSL 140.15, 0.97%, 0.73%

LAB 90.25, -55.89, 31.67

 

Description

Color code: HEX #798DFD | qconv.com Color code: HEX #798DFD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 141 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 141 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 44 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 44% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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