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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798DBB it is the complementary color #867244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798DBB shade: #7E8DB6, #8F9FC9, #A0B1DC, #B1C3EF and #C2D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798DBB shade: #798DBB, #687BA8, #576995, #465782 and #35456F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798DBB shade: #778CBB, #777ABB, #8777BB, #9977BB and #AC77BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798DBB shade: #778CBB, #777ABB and #7777BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798DBB shade matches the following richer shades: #778CBB, #6785CB, #567FDC, #4678EC and #3572FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798DBB shade: #778CBB, #8892AA, #98999A, #A99F89 and #B9A679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798DBB shade: #77B1BB, #779FBB, #778DBB, #777BBB and #8677BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798DBB shade: #4B6195, #5C74AD, #778CBB, #93A3C8 and #AEBAD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798DBB shade: #798DBB, #B377BB and #A8BB77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798DBB shade: #798DBB, #BB778D and #8DBB77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798DBB shade: #798DBB, #B377BB, #BBA577 and #7FBB77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798DBB shade: #798DBB, #BB77AE, #BBA577 and #77BB84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 25 / 0 / 27

HEX #798DBB

RGB 121 141 187

HSL 221.82, 0.33%, 0.6%

LAB 58.7, 4.17, -26.31

 

Complementary color

CMYK 0 / 15 / 49 / 47

HEX #867244

RGB 134 114 68

HSL 41.82, 0.33%, 0.4%

LAB 48.91, 1.34, 28.28

 

CMYK 31 / 23 / 0 / 29

HEX #7E8DB6

RGB 126 141 182

HSL 223.93, 0.28%, 0.6%

LAB 58.85, 4.32, -23.21

 

CMYK 29 / 21 / 0 / 21

HEX #8F9FC9

RGB 143 159 201

HSL 223.45, 0.35%, 0.67%

LAB 65.63, 4, -23.38

 

CMYK 27 / 20 / 0 / 14

HEX #A0B1DC

RGB 160 177 220

HSL 223, 0.46%, 0.75%

LAB 72.29, 3.71, -23.58

 

CMYK 26 / 18 / 0 / 6

HEX #B1C3EF

RGB 177 195 239

HSL 222.58, 0.66%, 0.82%

LAB 78.82, 3.44, -23.8

 

CMYK 24 / 16 / 0 / 0

HEX #C2D5FF

RGB 194 213 255

HSL 221.31, 1%, 0.88%

LAB 85.14, 2.52, -22.6

 

CMYK 35 / 25 / 0 / 27

HEX #798DBB

RGB 121 141 187

HSL 221.82, 0.33%, 0.6%

LAB 58.7, 4.17, -26.31

 

CMYK 38 / 27 / 0 / 34

HEX #687BA8

RGB 104 123 168

HSL 222.19, 0.27%, 0.53%

LAB 51.76, 4.61, -26.22

 

CMYK 42 / 30 / 0 / 42

HEX #576995

RGB 87 105 149

HSL 222.58, 0.26%, 0.46%

LAB 44.66, 5.13, -26.18

 

CMYK 46 / 33 / 0 / 49

HEX #465782

RGB 70 87 130

HSL 223, 0.3%, 0.39%

LAB 37.35, 5.78, -26.2

 

CMYK 52 / 38 / 0 / 56

HEX #35456F

RGB 53 69 111

HSL 223.45, 0.35%, 0.32%

LAB 29.81, 6.63, -26.3

 

CMYK 36 / 25 / 0 / 27

HEX #778CBB

RGB 119 140 187

HSL 221.47, 0.33%, 0.6%

LAB 58.29, 4.18, -26.95

 

CMYK 36 / 35 / 0 / 27

HEX #777ABB

RGB 119 122 187

HSL 237.35, 0.33%, 0.6%

LAB 53.42, 14.78, -34.52

 

CMYK 28 / 36 / 0 / 27

HEX #8777BB

RGB 135 119 187

HSL 254.12, 0.33%, 0.6%

LAB 53.96, 21.19, -33.58

 

CMYK 18 / 36 / 0 / 27

HEX #9977BB

RGB 153 119 187

HSL 270, 0.33%, 0.6%

LAB 55.64, 26.67, -30.83

 

CMYK 8 / 36 / 0 / 27

HEX #AC77BB

RGB 172 119 187

HSL 286.76, 0.33%, 0.6%

LAB 57.61, 32.64, -27.62

 

CMYK 36 / 25 / 0 / 27

HEX #778CBB

RGB 119 140 187

HSL 221.47, 0.33%, 0.6%

LAB 58.29, 4.18, -26.95

 

CMYK 36 / 35 / 0 / 27

HEX #777ABB

RGB 119 122 187

HSL 237.35, 0.33%, 0.6%

LAB 53.42, 14.78, -34.52

 

CMYK 36 / 36 / 0 / 27

HEX #7777BB

RGB 119 119 187

HSL 240, 0.33%, 0.6%

LAB 52.62, 16.57, -35.77

 

CMYK 36 / 25 / 0 / 27

HEX #778CBB

RGB 119 140 187

HSL 221.47, 0.33%, 0.6%

LAB 58.29, 4.18, -26.95

 

CMYK 49 / 34 / 0 / 20

HEX #6785CB

RGB 103 133 203

HSL 222, 0.49%, 0.6%

LAB 56.06, 8.74, -39.57

 

CMYK 61 / 42 / 0 / 14

HEX #567FDC

RGB 86 127 220

HSL 221.64, 0.66%, 0.6%

LAB 54.37, 14.22, -51.89

 

CMYK 70 / 49 / 0 / 7

HEX #4678EC

RGB 70 120 236

HSL 221.93, 0.81%, 0.6%

LAB 52.72, 21.49, -63.54

 

CMYK 79 / 55 / 0 / 1

HEX #3572FD

RGB 53 114 253

HSL 221.7, 0.98%, 0.6%

LAB 51.71, 29.44, -74.67

 

CMYK 36 / 25 / 0 / 27

HEX #778CBB

RGB 119 140 187

HSL 221.47, 0.33%, 0.6%

LAB 58.29, 4.18, -26.95

 

CMYK 20 / 14 / 0 / 33

HEX #8892AA

RGB 136 146 170

HSL 222.35, 0.17%, 0.6%

LAB 60.51, 1.66, -13.8

 

CMYK 1 / 1 / 0 / 40

HEX #98999A

RGB 152 153 154

HSL 210, 0.01%, 0.6%

LAB 63.17, -0.16, -0.66

 

CMYK 0 / 6 / 19 / 34

HEX #A99F89

RGB 169 159 137

HSL 41.25, 0.16%, 0.6%

LAB 65.78, -0.09, 12.8

 

CMYK 0 / 10 / 35 / 27

HEX #B9A679

RGB 185 166 121

HSL 42.19, 0.31%, 0.6%

LAB 68.73, 0.19, 25.85

 

CMYK 36 / 5 / 0 / 27

HEX #77B1BB

RGB 119 177 187

HSL 188.82, 0.33%, 0.6%

LAB 68.72, -16.25, -11.09

 

CMYK 36 / 15 / 0 / 27

HEX #779FBB

RGB 119 159 187

HSL 204.71, 0.33%, 0.6%

LAB 63.6, -6.57, -18.82

 

CMYK 36 / 25 / 0 / 27

HEX #778DBB

RGB 119 141 187

HSL 220.59, 0.33%, 0.6%

LAB 58.56, 3.6, -26.52

 

CMYK 36 / 34 / 0 / 27

HEX #777BBB

RGB 119 123 187

HSL 236.47, 0.33%, 0.6%

LAB 53.68, 14.18, -34.11

 

CMYK 28 / 36 / 0 / 27

HEX #8677BB

RGB 134 119 187

HSL 253.24, 0.33%, 0.6%

LAB 53.87, 20.9, -33.73

 

CMYK 50 / 35 / 0 / 42

HEX #4B6195

RGB 75 97 149

HSL 222.16, 0.33%, 0.44%

LAB 41.56, 6.87, -31.09

 

CMYK 47 / 33 / 0 / 32

HEX #5C74AD

RGB 92 116 173

HSL 222.22, 0.33%, 0.52%

LAB 49.23, 7.03, -33.13

 

CMYK 36 / 25 / 0 / 27

HEX #778CBB

RGB 119 140 187

HSL 221.47, 0.33%, 0.6%

LAB 58.29, 4.18, -26.95

 

CMYK 27 / 19 / 0 / 22

HEX #93A3C8

RGB 147 163 200

HSL 221.89, 0.33%, 0.68%

LAB 66.95, 2.72, -20.79

 

CMYK 19 / 13 / 0 / 16

HEX #AEBAD6

RGB 174 186 214

HSL 222, 0.33%, 0.76%

LAB 75.43, 1.7, -15.45

 

CMYK 35 / 25 / 0 / 27

HEX #798DBB

RGB 121 141 187

HSL 221.82, 0.33%, 0.6%

LAB 58.7, 4.17, -26.31

 

CMYK 4 / 36 / 0 / 27

HEX #B377BB

RGB 179 119 187

HSL 292.94, 0.33%, 0.6%

LAB 58.38, 34.87, -26.37

 

CMYK 10 / 0 / 36 / 27

HEX #A8BB77

RGB 168 187 119

HSL 76.76, 0.33%, 0.6%

LAB 73.02, -17.82, 32.32

 

CMYK 35 / 25 / 0 / 27

HEX #798DBB

RGB 121 141 187

HSL 221.82, 0.33%, 0.6%

LAB 58.7, 4.17, -26.31

 

CMYK 0 / 36 / 25 / 27

HEX #BB778D

RGB 187 119 141

HSL 340.59, 0.33%, 0.6%

LAB 57.73, 29.65, -0.77

 

CMYK 25 / 0 / 36 / 27

HEX #8DBB77

RGB 141 187 119

HSL 100.59, 0.33%, 0.6%

LAB 71.24, -27.89, 29.65

 

CMYK 35 / 25 / 0 / 27

HEX #798DBB

RGB 121 141 187

HSL 221.82, 0.33%, 0.6%

LAB 58.7, 4.17, -26.31

 

CMYK 4 / 36 / 0 / 27

HEX #B377BB

RGB 179 119 187

HSL 292.94, 0.33%, 0.6%

LAB 58.38, 34.87, -26.37

 

CMYK 0 / 12 / 36 / 27

HEX #BBA577

RGB 187 165 119

HSL 40.59, 0.33%, 0.6%

LAB 68.61, 1.29, 26.81

 

CMYK 32 / 0 / 36 / 27

HEX #7FBB77

RGB 127 187 119

HSL 112.94, 0.33%, 0.6%

LAB 70.44, -32.73, 28.45

 

CMYK 35 / 25 / 0 / 27

HEX #798DBB

RGB 121 141 187

HSL 221.82, 0.33%, 0.6%

LAB 58.7, 4.17, -26.31

 

CMYK 0 / 36 / 7 / 27

HEX #BB77AE

RGB 187 119 174

HSL 311.47, 0.33%, 0.6%

LAB 58.8, 35.04, -18.21

 

CMYK 0 / 12 / 36 / 27

HEX #BBA577

RGB 187 165 119

HSL 40.59, 0.33%, 0.6%

LAB 68.61, 1.29, 26.81

 

CMYK 36 / 0 / 29 / 27

HEX #77BB84

RGB 119 187 132

HSL 131.47, 0.33%, 0.6%

LAB 70.27, -33.14, 21.23

 

Description

Color code: HEX #798DBB | qconv.com Color code: HEX #798DBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 141 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 141 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 25 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 25% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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