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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798A11 it is the complementary color #8675EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798A11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798A11 shade: #7E8A0C, #8F9C1F, #A0AE32, #B1C045 and #C2D258

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798A11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798A11 shade: #798A11, #687800, #576600, #465400 and #354200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798A11 shade: #778811, #887911, #885911, #883811 and #881811

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798A11 shade: #778811, #578811, #378811, #178811 and #11882B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798A11 shade matches the following richer shades: #778811 and #809504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798A11 shade: #778811, #6F7C1D, #666F2A, #5D6336 and #545742

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798A11 shade: #885811, #887811, #788811, #588811 and #398811

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798A11 shade: #373F08, #57630C, #778811, #98AD15 and #B8D21A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798A11 shade: #798A11, #118839 and #681188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798A11 shade: #798A11, #117888 and #881178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798A11 shade: #798A11, #118839, #211188 and #881160

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798A11 shade: #798A11, #11885C, #211188 and #88113D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 88 / 46

HEX #798A11

RGB 121 138 17

HSL 68.43, 0.78%, 0.3%

LAB 54.33, -21, 55.15

 

Complementary color

CMYK 44 / 51 / 0 / 7

HEX #8675EE

RGB 134 117 238

HSL 248.43, 0.78%, 0.7%

LAB 56.05, 35.91, -59.09

 

CMYK 9 / 0 / 91 / 46

HEX #7E8A0C

RGB 126 138 12

HSL 65.71, 0.84%, 0.29%

LAB 54.7, -18.89, 56.64

 

CMYK 8 / 0 / 80 / 39

HEX #8F9C1F

RGB 143 156 31

HSL 66.24, 0.67%, 0.37%

LAB 61.41, -20, 58.23

 

CMYK 8 / 0 / 71 / 32

HEX #A0AE32

RGB 160 174 50

HSL 66.77, 0.55%, 0.44%

LAB 68, -20.86, 58.51

 

CMYK 8 / 0 / 64 / 25

HEX #B1C045

RGB 177 192 69

HSL 67.32, 0.49%, 0.51%

LAB 74.49, -21.54, 58.08

 

CMYK 8 / 0 / 58 / 18

HEX #C2D258

RGB 194 210 88

HSL 67.87, 0.58%, 0.58%

LAB 80.89, -22.07, 57.28

 

CMYK 12 / 0 / 88 / 46

HEX #798A11

RGB 121 138 17

HSL 68.43, 0.78%, 0.3%

LAB 54.33, -21, 55.15

 

CMYK 13 / 0 / 100 / 53

HEX #687800

RGB 104 120 0

HSL 68, 1%, 0.24%

LAB 47.46, -19.79, 52.53

 

CMYK 15 / 0 / 100 / 60

HEX #576600

RGB 87 102 0

HSL 68.82, 1%, 0.2%

LAB 40.46, -18.17, 46.7

 

CMYK 17 / 0 / 100 / 67

HEX #465400

RGB 70 84 0

HSL 70, 1%, 0.16%

LAB 33.23, -16.52, 40.68

 

CMYK 20 / 0 / 100 / 74

HEX #354200

RGB 53 66 0

HSL 71.82, 1%, 0.13%

LAB 25.72, -14.83, 34.08

 

CMYK 13 / 0 / 88 / 47

HEX #778811

RGB 119 136 17

HSL 68.57, 0.78%, 0.3%

LAB 53.57, -20.87, 54.45

 

CMYK 0 / 11 / 88 / 47

HEX #887911

RGB 136 121 17

HSL 52.44, 0.78%, 0.3%

LAB 50.63, -4.97, 52.6

 

CMYK 0 / 35 / 88 / 47

HEX #885911

RGB 136 89 17

HSL 36.3, 0.78%, 0.3%

LAB 41.88, 13.5, 45.32

 

CMYK 0 / 59 / 88 / 47

HEX #883811

RGB 136 56 17

HSL 19.66, 0.78%, 0.3%

LAB 34.2, 32.14, 38.82

 

CMYK 0 / 82 / 88 / 47

HEX #881811

RGB 136 24 17

HSL 3.53, 0.78%, 0.3%

LAB 29.23, 45.57, 34.53

 

CMYK 13 / 0 / 88 / 47

HEX #778811

RGB 119 136 17

HSL 68.57, 0.78%, 0.3%

LAB 53.57, -20.87, 54.45

 

CMYK 36 / 0 / 88 / 47

HEX #578811

RGB 87 136 17

HSL 84.71, 0.78%, 0.3%

LAB 51.47, -34.28, 51.83

 

CMYK 60 / 0 / 88 / 47

HEX #378811

RGB 55 136 17

HSL 100.84, 0.78%, 0.3%

LAB 50.05, -44.93, 50.04

 

CMYK 83 / 0 / 88 / 47

HEX #178811

RGB 23 136 17

HSL 116.97, 0.78%, 0.3%

LAB 49.29, -51.36, 49.07

 

CMYK 88 / 0 / 68 / 47

HEX #11882B

RGB 17 136 43

HSL 133.11, 0.78%, 0.3%

LAB 49.38, -49.99, 39.96

 

CMYK 13 / 0 / 88 / 47

HEX #778811

RGB 119 136 17

HSL 68.57, 0.78%, 0.3%

LAB 53.57, -20.87, 54.45

 

CMYK 14 / 0 / 97 / 42

HEX #809504

RGB 128 149 4

HSL 68.69, 0.95%, 0.3%

LAB 58.13, -23.75, 60.69

 

CMYK 13 / 0 / 88 / 47

HEX #778811

RGB 119 136 17

HSL 68.57, 0.78%, 0.3%

LAB 53.57, -20.87, 54.45

 

CMYK 10 / 0 / 77 / 51

HEX #6F7C1D

RGB 111 124 29

HSL 68.21, 0.62%, 0.3%

LAB 49.35, -17.74, 46.88

 

CMYK 8 / 0 / 62 / 56

HEX #666F2A

RGB 102 111 42

HSL 67.83, 0.45%, 0.3%

LAB 44.75, -13.95, 36.35

 

CMYK 6 / 0 / 45 / 61

HEX #5D6336

RGB 93 99 54

HSL 68, 0.29%, 0.3%

LAB 40.44, -10.08, 24.72

 

CMYK 3 / 0 / 24 / 66

HEX #545742

RGB 84 87 66

HSL 68.57, 0.14%, 0.3%

LAB 36.17, -5.29, 11.83

 

CMYK 0 / 35 / 88 / 47

HEX #885811

RGB 136 88 17

HSL 35.8, 0.78%, 0.3%

LAB 41.62, 14.09, 45.11

 

CMYK 0 / 12 / 88 / 47

HEX #887811

RGB 136 120 17

HSL 51.93, 0.78%, 0.3%

LAB 50.34, -4.41, 52.37

 

CMYK 12 / 0 / 88 / 47

HEX #788811

RGB 120 136 17

HSL 68.07, 0.78%, 0.3%

LAB 53.64, -20.42, 54.55

 

CMYK 35 / 0 / 88 / 47

HEX #588811

RGB 88 136 17

HSL 84.2, 0.78%, 0.3%

LAB 51.52, -33.9, 51.9

 

CMYK 58 / 0 / 88 / 47

HEX #398811

RGB 57 136 17

HSL 99.83, 0.78%, 0.3%

LAB 50.12, -44.38, 50.13

 

CMYK 13 / 0 / 87 / 75

HEX #373F08

RGB 55 63 8

HSL 68.73, 0.77%, 0.14%

LAB 24.9, -11.62, 30.11

 

CMYK 12 / 0 / 88 / 61

HEX #57630C

RGB 87 99 12

HSL 68.28, 0.78%, 0.22%

LAB 39.54, -16.17, 42.81

 

CMYK 13 / 0 / 88 / 47

HEX #778811

RGB 119 136 17

HSL 68.57, 0.78%, 0.3%

LAB 53.57, -20.87, 54.45

 

CMYK 12 / 0 / 88 / 32

HEX #98AD15

RGB 152 173 21

HSL 68.29, 0.78%, 0.38%

LAB 66.99, -24.91, 65.73

 

CMYK 12 / 0 / 88 / 18

HEX #B8D21A

RGB 184 210 26

HSL 68.48, 0.78%, 0.46%

LAB 79.82, -29.17, 76.22

 

CMYK 12 / 0 / 88 / 46

HEX #798A11

RGB 121 138 17

HSL 68.43, 0.78%, 0.3%

LAB 54.33, -21, 55.15

 

CMYK 88 / 0 / 58 / 47

HEX #118839

RGB 17 136 57

HSL 140.17, 0.78%, 0.3%

LAB 49.52, -48.18, 33.49

 

CMYK 24 / 88 / 0 / 47

HEX #681188

RGB 104 17 136

HSL 283.87, 0.78%, 0.3%

LAB 27.08, 53.11, -46.09

 

CMYK 12 / 0 / 88 / 46

HEX #798A11

RGB 121 138 17

HSL 68.43, 0.78%, 0.3%

LAB 54.33, -21, 55.15

 

CMYK 88 / 12 / 0 / 47

HEX #117888

RGB 17 120 136

HSL 188.07, 0.78%, 0.3%

LAB 46.08, -21.08, -16.48

 

CMYK 0 / 88 / 12 / 47

HEX #881178

RGB 136 17 120

HSL 308.07, 0.78%, 0.3%

LAB 31.79, 56.46, -28.17

 

CMYK 12 / 0 / 88 / 46

HEX #798A11

RGB 121 138 17

HSL 68.43, 0.78%, 0.3%

LAB 54.33, -21, 55.15

 

CMYK 88 / 0 / 58 / 47

HEX #118839

RGB 17 136 57

HSL 140.17, 0.78%, 0.3%

LAB 49.52, -48.18, 33.49

 

CMYK 76 / 88 / 0 / 47

HEX #211188

RGB 33 17 136

HSL 248.07, 0.78%, 0.3%

LAB 17.93, 44.44, -61.47

 

CMYK 0 / 88 / 29 / 47

HEX #881160

RGB 136 17 96

HSL 320.17, 0.78%, 0.3%

LAB 30.59, 53.21, -14.64

 

CMYK 12 / 0 / 88 / 46

HEX #798A11

RGB 121 138 17

HSL 68.43, 0.78%, 0.3%

LAB 54.33, -21, 55.15

 

CMYK 88 / 0 / 32 / 47

HEX #11885C

RGB 17 136 92

HSL 157.82, 0.78%, 0.3%

LAB 50.1, -41.48, 15.18

 

CMYK 76 / 88 / 0 / 47

HEX #211188

RGB 33 17 136

HSL 248.07, 0.78%, 0.3%

LAB 17.93, 44.44, -61.47

 

CMYK 0 / 88 / 55 / 47

HEX #88113D

RGB 136 17 61

HSL 337.82, 0.78%, 0.3%

LAB 29.34, 49.66, 6.66

 

Description

Color code: HEX #798A11 | qconv.com Color code: HEX #798A11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 138 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 138 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 88 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 88% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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