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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #798232 it is the complementary color #867DCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #798232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #798232 shade: #7E822D, #8F9440, #A0A653, #B1B866 and #C2CA79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #798232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #798232 shade: #798232, #68701F, #575E0C, #464C00 and #353A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #798232 shade: #788132, #817432, #815F32, #814A32 and #813532

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #798232 shade: #788132, #638132, #4D8132, #388132 and #328141

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #798232 shade matches the following richer shades: #788132, #838F24, #8E9D15 and #99AC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #798232 shade: #788132, #6C7240, #61644F, #56555D and #4B476C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #798232 shade: #815E32, #817332, #798132, #648132 and #4F8132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #798232 shade: #40451B, #5C6326, #788132, #939E3E and #ADB94C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #798232 shade: #798232, #32814A and #693281

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #798232 shade: #798232, #327981 and #813279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #798232 shade: #798232, #32814A, #3A3281 and #813269

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #798232 shade: #798232, #328161, #3A3281 and #813251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 62 / 49

HEX #798232

RGB 121 130 50

HSL 66.75, 0.44%, 0.35%

LAB 52.13, -15.06, 41.1

 

Complementary color

CMYK 35 / 39 / 0 / 20

HEX #867DCD

RGB 134 125 205

HSL 246.75, 0.44%, 0.65%

LAB 56.23, 22.08, -40.28

 

CMYK 3 / 0 / 65 / 49

HEX #7E822D

RGB 126 130 45

HSL 62.82, 0.49%, 0.34%

LAB 52.5, -13.2, 43.91

 

CMYK 3 / 0 / 57 / 42

HEX #8F9440

RGB 143 148 64

HSL 63.57, 0.4%, 0.42%

LAB 59.33, -13.84, 42.98

 

CMYK 4 / 0 / 50 / 35

HEX #A0A653

RGB 160 166 83

HSL 64.34, 0.33%, 0.49%

LAB 66.04, -14.33, 41.85

 

CMYK 4 / 0 / 45 / 28

HEX #B1B866

RGB 177 184 102

HSL 65.12, 0.37%, 0.56%

LAB 72.62, -14.71, 40.66

 

CMYK 4 / 0 / 40 / 21

HEX #C2CA79

RGB 194 202 121

HSL 65.93, 0.43%, 0.63%

LAB 79.09, -15, 39.47

 

CMYK 7 / 0 / 62 / 49

HEX #798232

RGB 121 130 50

HSL 66.75, 0.44%, 0.35%

LAB 52.13, -15.06, 41.1

 

CMYK 7 / 0 / 72 / 56

HEX #68701F

RGB 104 112 31

HSL 65.93, 0.57%, 0.28%

LAB 45.12, -14.38, 41.79

 

CMYK 7 / 0 / 87 / 63

HEX #575E0C

RGB 87 94 12

HSL 65.12, 0.77%, 0.21%

LAB 37.95, -13.41, 41.43

 

CMYK 8 / 0 / 100 / 70

HEX #464C00

RGB 70 76 0

HSL 64.74, 1%, 0.15%

LAB 30.57, -12.02, 38.7

 

CMYK 9 / 0 / 100 / 77

HEX #353A00

RGB 53 58 0

HSL 65.17, 1%, 0.11%

LAB 22.94, -10.16, 31.36

 

CMYK 7 / 0 / 61 / 49

HEX #788132

RGB 120 129 50

HSL 66.84, 0.44%, 0.35%

LAB 51.75, -14.97, 40.66

 

CMYK 0 / 10 / 61 / 49

HEX #817432

RGB 129 116 50

HSL 50.13, 0.44%, 0.35%

LAB 48.75, -3.72, 37.53

 

CMYK 0 / 26 / 61 / 49

HEX #815F32

RGB 129 95 50

HSL 34.18, 0.44%, 0.35%

LAB 42.89, 8.47, 30.78

 

CMYK 0 / 43 / 61 / 49

HEX #814A32

RGB 129 74 50

HSL 18.23, 0.44%, 0.35%

LAB 37.47, 20.89, 24.23

 

CMYK 0 / 59 / 61 / 49

HEX #813532

RGB 129 53 50

HSL 2.28, 0.44%, 0.35%

LAB 32.8, 32.61, 18.32

 

CMYK 7 / 0 / 61 / 49

HEX #788132

RGB 120 129 50

HSL 66.84, 0.44%, 0.35%

LAB 51.75, -14.97, 40.66

 

CMYK 23 / 0 / 61 / 49

HEX #638132

RGB 99 129 50

HSL 82.78, 0.44%, 0.35%

LAB 50.2, -23.99, 38.5

 

CMYK 40 / 0 / 61 / 49

HEX #4D8132

RGB 77 129 50

HSL 99.49, 0.44%, 0.35%

LAB 48.89, -32.51, 36.67

 

CMYK 57 / 0 / 61 / 49

HEX #388132

RGB 56 129 50

HSL 115.44, 0.44%, 0.35%

LAB 47.97, -39.25, 35.37

 

CMYK 61 / 0 / 50 / 49

HEX #328141

RGB 50 129 65

HSL 131.39, 0.44%, 0.35%

LAB 47.96, -38.69, 27.55

 

CMYK 7 / 0 / 61 / 49

HEX #788132

RGB 120 129 50

HSL 66.84, 0.44%, 0.35%

LAB 51.75, -14.97, 40.66

 

CMYK 8 / 0 / 75 / 44

HEX #838F24

RGB 131 143 36

HSL 66.73, 0.6%, 0.35%

LAB 56.68, -18.38, 51.88

 

CMYK 10 / 0 / 87 / 38

HEX #8E9D15

RGB 142 157 21

HSL 66.62, 0.76%, 0.35%

LAB 61.58, -21.27, 60.95

 

CMYK 11 / 0 / 96 / 33

HEX #99AC07

RGB 153 172 7

HSL 66.91, 0.92%, 0.35%

LAB 66.74, -24.24, 67.69

 

CMYK 7 / 0 / 61 / 49

HEX #788132

RGB 120 129 50

HSL 66.84, 0.44%, 0.35%

LAB 51.75, -14.97, 40.66

 

CMYK 5 / 0 / 44 / 55

HEX #6C7240

RGB 108 114 64

HSL 67.2, 0.28%, 0.35%

LAB 46.44, -10.67, 26.89

 

CMYK 3 / 0 / 21 / 61

HEX #61644F

RGB 97 100 79

HSL 68.57, 0.12%, 0.35%

LAB 41.56, -5.21, 11.55

 

CMYK 8 / 9 / 0 / 64

HEX #56555D

RGB 86 85 93

HSL 247.5, 0.04%, 0.35%

LAB 36.49, 2.16, -4.49

 

CMYK 31 / 34 / 0 / 58

HEX #4B476C

RGB 75 71 108

HSL 246.49, 0.21%, 0.35%

LAB 32, 10.96, -20.86

 

CMYK 0 / 27 / 61 / 49

HEX #815E32

RGB 129 94 50

HSL 33.42, 0.44%, 0.35%

LAB 42.62, 9.06, 30.46

 

CMYK 0 / 11 / 61 / 49

HEX #817332

RGB 129 115 50

HSL 49.37, 0.44%, 0.35%

LAB 48.46, -3.15, 37.21

 

CMYK 6 / 0 / 61 / 49

HEX #798132

RGB 121 129 50

HSL 66.08, 0.44%, 0.35%

LAB 51.83, -14.53, 40.77

 

CMYK 22 / 0 / 61 / 49

HEX #648132

RGB 100 129 50

HSL 82.03, 0.44%, 0.35%

LAB 50.26, -23.58, 38.59

 

CMYK 39 / 0 / 61 / 49

HEX #4F8132

RGB 79 129 50

HSL 97.97, 0.44%, 0.35%

LAB 49, -31.79, 36.82

 

CMYK 7 / 0 / 61 / 73

HEX #40451B

RGB 64 69 27

HSL 67.14, 0.44%, 0.19%

LAB 27.91, -9.21, 24.3

 

CMYK 7 / 0 / 62 / 61

HEX #5C6326

RGB 92 99 38

HSL 66.89, 0.45%, 0.27%

LAB 40.15, -12.22, 32.99

 

CMYK 7 / 0 / 61 / 49

HEX #788132

RGB 120 129 50

HSL 66.84, 0.44%, 0.35%

LAB 51.75, -14.97, 40.66

 

CMYK 7 / 0 / 61 / 38

HEX #939E3E

RGB 147 158 62

HSL 66.88, 0.44%, 0.43%

LAB 62.51, -17.5, 47.55

 

CMYK 6 / 0 / 59 / 27

HEX #ADB94C

RGB 173 185 76

HSL 66.61, 0.44%, 0.51%

LAB 72.3, -19.21, 52.61

 

CMYK 7 / 0 / 62 / 49

HEX #798232

RGB 121 130 50

HSL 66.75, 0.44%, 0.35%

LAB 52.13, -15.06, 41.1

 

CMYK 61 / 0 / 43 / 49

HEX #32814A

RGB 50 129 74

HSL 138.23, 0.44%, 0.35%

LAB 48.1, -37.13, 22.8

 

CMYK 19 / 61 / 0 / 49

HEX #693281

RGB 105 50 129

HSL 281.77, 0.44%, 0.35%

LAB 31.51, 38.36, -34.59

 

CMYK 7 / 0 / 62 / 49

HEX #798232

RGB 121 130 50

HSL 66.75, 0.44%, 0.35%

LAB 52.13, -15.06, 41.1

 

CMYK 61 / 6 / 0 / 49

HEX #327981

RGB 50 121 129

HSL 186.08, 0.44%, 0.35%

LAB 46.89, -19.46, -11.03

 

CMYK 0 / 61 / 6 / 49

HEX #813279

RGB 129 50 121

HSL 306.08, 0.44%, 0.35%

LAB 34.66, 43.45, -24.38

 

CMYK 7 / 0 / 62 / 49

HEX #798232

RGB 121 130 50

HSL 66.75, 0.44%, 0.35%

LAB 52.13, -15.06, 41.1

 

CMYK 61 / 0 / 43 / 49

HEX #32814A

RGB 50 129 74

HSL 138.23, 0.44%, 0.35%

LAB 48.1, -37.13, 22.8

 

CMYK 55 / 61 / 0 / 49

HEX #3A3281

RGB 58 50 129

HSL 246.08, 0.44%, 0.35%

LAB 26.06, 26.78, -43.64

 

CMYK 0 / 61 / 19 / 49

HEX #813269

RGB 129 50 105

HSL 318.23, 0.44%, 0.35%

LAB 33.92, 40.75, -15.43

 

CMYK 7 / 0 / 62 / 49

HEX #798232

RGB 121 130 50

HSL 66.75, 0.44%, 0.35%

LAB 52.13, -15.06, 41.1

 

CMYK 61 / 0 / 25 / 49

HEX #328161

RGB 50 129 97

HSL 155.7, 0.44%, 0.35%

LAB 48.56, -32.26, 10.27

 

CMYK 55 / 61 / 0 / 49

HEX #3A3281

RGB 58 50 129

HSL 246.08, 0.44%, 0.35%

LAB 26.06, 26.78, -43.64

 

CMYK 0 / 61 / 37 / 49

HEX #813251

RGB 129 50 81

HSL 336.46, 0.44%, 0.35%

LAB 33.01, 37.32, -1.39

 

Description

Color code: HEX #798232 | qconv.com Color code: HEX #798232 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 130 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 130 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 62 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 62% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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