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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797FD0 it is the complementary color #86802F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797FD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797FD0 shade: #7E7FCB, #8F91DE, #A0A3F1, #B1B5FF and #C2C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797FD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797FD0 shade: #797FD0, #686DBD, #575BAA, #464997 and #353784

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797FD0 shade: #7B81D1, #8C7BD1, #A37BD1, #BA7BD1 and #D17BD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797FD0 shade: #7B81D1 and #7B7BD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797FD0 shade matches the following richer shades: #7B81D1, #6C74DF, #5E68ED and #505BFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797FD0 shade: #7B81D1, #898DC2, #989AB4, #A6A6A5 and #B5B397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797FD0 shade: #7BB0D1, #7B99D1, #7B82D1, #8B7BD1 and #A17BD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797FD0 shade: #4149B8, #5C64C6, #7B81D1, #999EDB and #B8BBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797FD0 shade: #797FD0, #D17BC7 and #A4D17B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797FD0 shade: #797FD0, #D17B82 and #82D17B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797FD0 shade: #797FD0, #D17BC7, #D1C97B and #7BD185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797FD0 shade: #797FD0, #D17BAD, #D1C97B and #7BD19F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 39 / 0 / 18

HEX #797FD0

RGB 121 127 208

HSL 235.86, 0.48%, 0.65%

LAB 55.88, 18.27, -42.59

 

Complementary color

CMYK 0 / 4 / 65 / 47

HEX #86802F

RGB 134 128 47

HSL 55.86, 0.48%, 0.35%

LAB 52.63, -8.36, 43.36

 

CMYK 38 / 37 / 0 / 20

HEX #7E7FCB

RGB 126 127 203

HSL 239.22, 0.43%, 0.65%

LAB 56.01, 18.17, -39.53

 

CMYK 36 / 35 / 0 / 13

HEX #8F91DE

RGB 143 145 222

HSL 238.48, 0.54%, 0.72%

LAB 62.81, 17.43, -39.43

 

CMYK 34 / 32 / 0 / 5

HEX #A0A3F1

RGB 160 163 241

HSL 237.78, 0.74%, 0.79%

LAB 69.48, 16.77, -39.37

 

CMYK 31 / 29 / 0 / 0

HEX #B1B5FF

RGB 177 181 255

HSL 236.92, 1%, 0.85%

LAB 75.83, 14.95, -36.98

 

CMYK 24 / 22 / 0 / 0

HEX #C2C7FF

RGB 194 199 255

HSL 235.08, 1%, 0.88%

LAB 81.59, 10, -28.02

 

CMYK 42 / 39 / 0 / 18

HEX #797FD0

RGB 121 127 208

HSL 235.86, 0.48%, 0.65%

LAB 55.88, 18.27, -42.59

 

CMYK 45 / 42 / 0 / 26

HEX #686DBD

RGB 104 109 189

HSL 236.47, 0.39%, 0.57%

LAB 48.95, 19.22, -42.79

 

CMYK 49 / 46 / 0 / 33

HEX #575BAA

RGB 87 91 170

HSL 237.11, 0.33%, 0.5%

LAB 41.86, 20.36, -43.05

 

CMYK 54 / 52 / 0 / 41

HEX #464997

RGB 70 73 151

HSL 237.78, 0.37%, 0.43%

LAB 34.6, 21.75, -43.37

 

CMYK 60 / 58 / 0 / 48

HEX #353784

RGB 53 55 132

HSL 238.48, 0.43%, 0.36%

LAB 27.17, 23.49, -43.73

 

CMYK 41 / 38 / 0 / 18

HEX #7B81D1

RGB 123 129 209

HSL 235.81, 0.48%, 0.65%

LAB 56.6, 17.88, -42.01

 

CMYK 33 / 41 / 0 / 18

HEX #8C7BD1

RGB 140 123 209

HSL 251.86, 0.48%, 0.65%

LAB 56.43, 25.97, -42.19

 

CMYK 22 / 41 / 0 / 18

HEX #A37BD1

RGB 163 123 209

HSL 267.91, 0.48%, 0.65%

LAB 58.56, 32.49, -38.69

 

CMYK 11 / 41 / 0 / 18

HEX #BA7BD1

RGB 186 123 209

HSL 283.95, 0.48%, 0.65%

LAB 60.97, 39.29, -34.76

 

CMYK 0 / 41 / 0 / 18

HEX #D17BD0

RGB 209 123 208

HSL 300.7, 0.48%, 0.65%

LAB 63.57, 46.04, -29.95

 

CMYK 41 / 38 / 0 / 18

HEX #7B81D1

RGB 123 129 209

HSL 235.81, 0.48%, 0.65%

LAB 56.6, 17.88, -42.01

 

CMYK 41 / 41 / 0 / 18

HEX #7B7BD1

RGB 123 123 209

HSL 240, 0.48%, 0.65%

LAB 55.05, 21.45, -44.46

 

CMYK 41 / 38 / 0 / 18

HEX #7B81D1

RGB 123 129 209

HSL 235.81, 0.48%, 0.65%

LAB 56.6, 17.88, -42.01

 

CMYK 52 / 48 / 0 / 13

HEX #6C74DF

RGB 108 116 223

HSL 235.83, 0.64%, 0.65%

LAB 52.96, 26.3, -55.76

 

CMYK 60 / 56 / 0 / 7

HEX #5E68ED

RGB 94 104 237

HSL 235.8, 0.8%, 0.65%

LAB 49.97, 35.37, -68.49

 

CMYK 68 / 64 / 0 / 1

HEX #505BFC

RGB 80 91 252

HSL 236.16, 0.97%, 0.65%

LAB 47.26, 46.07, -81.33

 

CMYK 41 / 38 / 0 / 18

HEX #7B81D1

RGB 123 129 209

HSL 235.81, 0.48%, 0.65%

LAB 56.6, 17.88, -42.01

 

CMYK 29 / 27 / 0 / 24

HEX #898DC2

RGB 137 141 194

HSL 235.79, 0.32%, 0.65%

LAB 60.13, 10.7, -27.97

 

CMYK 16 / 14 / 0 / 29

HEX #989AB4

RGB 152 154 180

HSL 235.71, 0.16%, 0.65%

LAB 64.23, 4.7, -13.72

 

CMYK 0 / 0 / 1 / 35

HEX #A6A6A5

RGB 166 166 165

HSL 60, 0.01%, 0.65%

LAB 68.09, -0.19, 0.51

 

CMYK 0 / 1 / 17 / 29

HEX #B5B397

RGB 181 179 151

HSL 56, 0.17%, 0.65%

LAB 72.43, -4.09, 14.58

 

CMYK 41 / 16 / 0 / 18

HEX #7BB0D1

RGB 123 176 209

HSL 203.02, 0.48%, 0.65%

LAB 69.37, -8.92, -22.2

 

CMYK 41 / 27 / 0 / 18

HEX #7B99D1

RGB 123 153 209

HSL 219.07, 0.48%, 0.65%

LAB 63.01, 3.87, -31.99

 

CMYK 41 / 38 / 0 / 18

HEX #7B82D1

RGB 123 130 209

HSL 235.12, 0.48%, 0.65%

LAB 56.86, 17.29, -41.6

 

CMYK 33 / 41 / 0 / 18

HEX #8B7BD1

RGB 139 123 209

HSL 251.16, 0.48%, 0.65%

LAB 56.35, 25.7, -42.33

 

CMYK 23 / 41 / 0 / 18

HEX #A17BD1

RGB 161 123 209

HSL 266.51, 0.48%, 0.65%

LAB 58.36, 31.91, -39.02

 

CMYK 65 / 60 / 0 / 28

HEX #4149B8

RGB 65 73 184

HSL 235.97, 0.48%, 0.49%

LAB 36.65, 32.09, -59.79

 

CMYK 54 / 49 / 0 / 22

HEX #5C64C6

RGB 92 100 198

HSL 235.47, 0.48%, 0.57%

LAB 46.27, 24.8, -52.31

 

CMYK 41 / 38 / 0 / 18

HEX #7B81D1

RGB 123 129 209

HSL 235.81, 0.48%, 0.65%

LAB 56.6, 17.88, -42.01

 

CMYK 30 / 28 / 0 / 14

HEX #999EDB

RGB 153 158 219

HSL 235.45, 0.48%, 0.73%

LAB 66.78, 12.02, -31.54

 

CMYK 20 / 19 / 0 / 10

HEX #B8BBE6

RGB 184 187 230

HSL 236.09, 0.48%, 0.81%

LAB 76.95, 7.83, -21.75

 

CMYK 42 / 39 / 0 / 18

HEX #797FD0

RGB 121 127 208

HSL 235.86, 0.48%, 0.65%

LAB 55.88, 18.27, -42.59

 

CMYK 0 / 41 / 5 / 18

HEX #D17BC7

RGB 209 123 199

HSL 306.98, 0.48%, 0.65%

LAB 63.21, 44.43, -25.43

 

CMYK 22 / 0 / 41 / 18

HEX #A4D17B

RGB 164 209 123

HSL 91.4, 0.48%, 0.65%

LAB 79, -29.59, 37.92

 

CMYK 42 / 39 / 0 / 18

HEX #797FD0

RGB 121 127 208

HSL 235.86, 0.48%, 0.65%

LAB 55.88, 18.27, -42.59

 

CMYK 0 / 41 / 38 / 18

HEX #D17B82

RGB 209 123 130

HSL 355.12, 0.48%, 0.65%

LAB 61.07, 34.2, 10.73

 

CMYK 38 / 0 / 41 / 18

HEX #82D17B

RGB 130 209 123

HSL 115.12, 0.48%, 0.65%

LAB 77.15, -41.14, 35.17

 

CMYK 42 / 39 / 0 / 18

HEX #797FD0

RGB 121 127 208

HSL 235.86, 0.48%, 0.65%

LAB 55.88, 18.27, -42.59

 

CMYK 0 / 41 / 5 / 18

HEX #D17BC7

RGB 209 123 199

HSL 306.98, 0.48%, 0.65%

LAB 63.21, 44.43, -25.43

 

CMYK 0 / 4 / 41 / 18

HEX #D1C97B

RGB 209 201 123

HSL 54.42, 0.48%, 0.65%

LAB 80.04, -8.33, 39.91

 

CMYK 41 / 0 / 36 / 18

HEX #7BD185

RGB 123 209 133

HSL 126.98, 0.48%, 0.65%

LAB 76.98, -41.72, 29.78

 

CMYK 42 / 39 / 0 / 18

HEX #797FD0

RGB 121 127 208

HSL 235.86, 0.48%, 0.65%

LAB 55.88, 18.27, -42.59

 

CMYK 0 / 41 / 17 / 18

HEX #D17BAD

RGB 209 123 173

HSL 325.12, 0.48%, 0.65%

LAB 62.29, 40.11, -12.11

 

CMYK 0 / 4 / 41 / 18

HEX #D1C97B

RGB 209 201 123

HSL 54.42, 0.48%, 0.65%

LAB 80.04, -8.33, 39.91

 

CMYK 41 / 0 / 24 / 18

HEX #7BD19F

RGB 123 209 159

HSL 145.12, 0.48%, 0.65%

LAB 77.47, -37.06, 16.8

 

Description

Color code: HEX #797FD0 | qconv.com Color code: HEX #797FD0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 127 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 127 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 39 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 39% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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