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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797DDC it is the complementary color #868223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797DDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797DDC shade: #7E7DD7, #8F8FEA, #A0A1FD, #B1B3FF and #C2C5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797DDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797DDC shade: #797DDC, #686BC9, #5759B6, #4647A3 and #353590

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797DDC shade: #797DDC, #9079DC, #AB79DC, #C679DC and #DC79D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797DDC shade: #797DDC and #7979DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797DDC shade matches the following richer shades: #797DDC, #6C71EA and #5E64F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797DDC shade: #797DDC, #878ACF, #9496C1, #A2A3B4 and #B0AFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797DDC shade: #79B3DC, #7999DC, #797EDC, #8F79DC and #A979DC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797DDC shade: #383ECC, #585DD4, #797DDC, #9A9DE5 and #BBBDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797DDC shade: #797DDC, #DC79CE and #A6DC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797DDC shade: #797DDC, #DC797E and #7EDC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797DDC shade: #797DDC, #DC79CE, #DCD879 and #79DC88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797DDC shade: #797DDC, #DC79B0, #DCD879 and #79DCA6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

Complementary color

CMYK 0 / 3 / 74 / 47

HEX #868223

RGB 134 130 35

HSL 57.58, 0.59%, 0.33%

LAB 53.12, -10.17, 48.92

 

CMYK 41 / 42 / 0 / 16

HEX #7E7DD7

RGB 126 125 215

HSL 240.67, 0.53%, 0.67%

LAB 56.1, 22.73, -46.18

 

CMYK 39 / 39 / 0 / 8

HEX #8F8FEA

RGB 143 143 234

HSL 240, 0.68%, 0.74%

LAB 62.86, 21.83, -46

 

CMYK 37 / 36 / 0 / 1

HEX #A0A1FD

RGB 160 161 253

HSL 239.35, 0.96%, 0.81%

LAB 69.51, 21.04, -45.86

 

CMYK 31 / 30 / 0 / 0

HEX #B1B3FF

RGB 177 179 255

HSL 238.46, 1%, 0.85%

LAB 75.33, 16.06, -37.76

 

CMYK 24 / 23 / 0 / 0

HEX #C2C5FF

RGB 194 197 255

HSL 237.05, 1%, 0.88%

LAB 81.08, 11.08, -28.78

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 48 / 47 / 0 / 21

HEX #686BC9

RGB 104 107 201

HSL 238.14, 0.47%, 0.6%

LAB 49.1, 24.09, -49.45

 

CMYK 52 / 51 / 0 / 29

HEX #5759B6

RGB 87 89 182

HSL 238.74, 0.39%, 0.53%

LAB 42.07, 25.45, -49.76

 

CMYK 57 / 56 / 0 / 36

HEX #4647A3

RGB 70 71 163

HSL 239.35, 0.4%, 0.46%

LAB 34.91, 27.07, -50.11

 

CMYK 63 / 63 / 0 / 44

HEX #353590

RGB 53 53 144

HSL 240, 0.46%, 0.39%

LAB 27.62, 29.04, -50.45

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 35 / 45 / 0 / 14

HEX #9079DC

RGB 144 121 220

HSL 253.94, 0.59%, 0.67%

LAB 56.85, 31.11, -47.7

 

CMYK 22 / 45 / 0 / 14

HEX #AB79DC

RGB 171 121 220

HSL 270.3, 0.59%, 0.67%

LAB 59.43, 38.45, -43.45

 

CMYK 10 / 45 / 0 / 14

HEX #C679DC

RGB 198 121 220

HSL 286.67, 0.59%, 0.67%

LAB 62.38, 46.13, -38.62

 

CMYK 0 / 45 / 1 / 14

HEX #DC79D9

RGB 220 121 217

HSL 301.82, 0.59%, 0.67%

LAB 64.88, 51.95, -32.84

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 45 / 45 / 0 / 14

HEX #7979DC

RGB 121 121 220

HSL 240, 0.59%, 0.67%

LAB 54.98, 25.33, -50.79

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 54 / 52 / 0 / 8

HEX #6C71EA

RGB 108 113 234

HSL 237.62, 0.75%, 0.67%

LAB 52.88, 31.54, -62.06

 

CMYK 62 / 60 / 0 / 3

HEX #5E64F8

RGB 94 100 248

HSL 237.66, 0.92%, 0.67%

LAB 49.82, 41.34, -74.87

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 35 / 33 / 0 / 19

HEX #878ACF

RGB 135 138 207

HSL 237.5, 0.43%, 0.67%

LAB 59.74, 15.27, -35.9

 

CMYK 23 / 22 / 0 / 24

HEX #9496C1

RGB 148 150 193

HSL 237.33, 0.27%, 0.67%

LAB 63.31, 8.66, -22.44

 

CMYK 10 / 9 / 0 / 29

HEX #A2A3B4

RGB 162 163 180

HSL 236.67, 0.11%, 0.67%

LAB 67.41, 3.05, -8.88

 

CMYK 0 / 1 / 6 / 31

HEX #B0AFA6

RGB 176 175 166

HSL 54, 0.06%, 0.67%

LAB 71.31, -1.28, 4.73

 

CMYK 45 / 19 / 0 / 14

HEX #79B3DC

RGB 121 179 220

HSL 204.85, 0.59%, 0.67%

LAB 70.51, -8.04, -26.51

 

CMYK 45 / 30 / 0 / 14

HEX #7999DC

RGB 121 153 220

HSL 220.61, 0.59%, 0.67%

LAB 63.36, 6.49, -37.58

 

CMYK 45 / 43 / 0 / 14

HEX #797EDC

RGB 121 126 220

HSL 236.97, 0.59%, 0.67%

LAB 56.24, 22.35, -48.78

 

CMYK 35 / 45 / 0 / 14

HEX #8F79DC

RGB 143 121 220

HSL 253.33, 0.59%, 0.67%

LAB 56.76, 30.84, -47.84

 

CMYK 23 / 45 / 0 / 14

HEX #A979DC

RGB 169 121 220

HSL 269.09, 0.59%, 0.67%

LAB 59.23, 37.89, -43.78

 

CMYK 73 / 70 / 0 / 20

HEX #383ECC

RGB 56 62 204

HSL 237.57, 0.59%, 0.51%

LAB 35.29, 44.55, -73.73

 

CMYK 58 / 56 / 0 / 17

HEX #585DD4

RGB 88 93 212

HSL 237.58, 0.59%, 0.59%

LAB 45.16, 32.89, -62.15

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 33 / 31 / 0 / 10

HEX #9A9DE5

RGB 154 157 229

HSL 237.6, 0.59%, 0.75%

LAB 67.01, 15.42, -36.69

 

CMYK 21 / 20 / 0 / 7

HEX #BBBDED

RGB 187 189 237

HSL 237.6, 0.58%, 0.83%

LAB 77.92, 9.23, -24.03

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 0 / 45 / 6 / 14

HEX #DC79CE

RGB 220 121 206

HSL 308.48, 0.59%, 0.67%

LAB 64.44, 50.04, -27.37

 

CMYK 25 / 0 / 45 / 14

HEX #A6DC79

RGB 166 220 121

HSL 92.73, 0.59%, 0.67%

LAB 82.2, -34.26, 42.99

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 0 / 45 / 43 / 14

HEX #DC797E

RGB 220 121 126

HSL 356.97, 0.59%, 0.67%

LAB 62, 38.88, 14.52

 

CMYK 43 / 0 / 45 / 14

HEX #7EDC79

RGB 126 220 121

HSL 116.97, 0.59%, 0.67%

LAB 80.18, -47.37, 40.01

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 0 / 45 / 6 / 14

HEX #DC79CE

RGB 220 121 206

HSL 308.48, 0.59%, 0.67%

LAB 64.44, 50.04, -27.37

 

CMYK 0 / 2 / 45 / 14

HEX #DCD879

RGB 220 216 121

HSL 57.58, 0.59%, 0.67%

LAB 84.85, -11.76, 47.09

 

CMYK 45 / 0 / 38 / 14

HEX #79DC88

RGB 121 220 136

HSL 129.09, 0.59%, 0.67%

LAB 80.2, -46.55, 32.47

 

CMYK 45 / 43 / 0 / 14

HEX #797DDC

RGB 121 125 220

HSL 237.58, 0.59%, 0.67%

LAB 55.99, 22.95, -49.19

 

CMYK 0 / 45 / 20 / 14

HEX #DC79B0

RGB 220 121 176

HSL 326.67, 0.59%, 0.67%

LAB 63.36, 45.26, -12.06

 

CMYK 0 / 2 / 45 / 14

HEX #DCD879

RGB 220 216 121

HSL 57.58, 0.59%, 0.67%

LAB 84.85, -11.76, 47.09

 

CMYK 45 / 0 / 25 / 14

HEX #79DCA6

RGB 121 220 166

HSL 147.27, 0.59%, 0.67%

LAB 80.74, -41.17, 17.66

 

Description

Color code: HEX #797DDC | qconv.com Color code: HEX #797DDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 125 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 125 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 43 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 43% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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