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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797C7E it is the complementary color #868381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797C7E shade: #7E7C79, #8F8E8C, #A0A09F, #B1B2B2 and #C2C4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797C7E shade: #797C7E, #686A6B, #575858, #464645 and #353432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797C7E shade: #787B7D, #787A7D, #78787D, #79787D and #7A787D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797C7E shade: #787B7D, #787A7D and #78787D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797C7E shade matches the following richer shades: #787B7D, #647F91, #5083A4, #3D87B8 and #298BCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797C7E shade: #787B7D, #8C7769, #A07355, #B36F41 and #C76B2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797C7E shade: #787D7C, #787C7D, #787B7D, #787A7D and #78787D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797C7E shade: #505153, #646668, #787B7D, #8D8F91 and #A2A4A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797C7E shade: #797C7E, #7B787D and #7D7D78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797C7E shade: #797C7E, #7D787B and #7B7D78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797C7E shade: #797C7E, #7B787D, #7D7A78 and #7A7D78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797C7E shade: #797C7E, #7C787D, #7D7A78 and #787D78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 2 / 0 / 51

HEX #797C7E

RGB 121 124 126

HSL 204, 0.02%, 0.48%

LAB 51.82, -0.71, -1.49

 

Complementary color

CMYK 0 / 2 / 4 / 47

HEX #868381

RGB 134 131 129

HSL 24, 0.02%, 0.52%

LAB 54.95, 0.74, 1.47

 

CMYK 0 / 2 / 4 / 51

HEX #7E7C79

RGB 126 124 121

HSL 36, 0.02%, 0.48%

LAB 52.1, 0.17, 1.9

 

CMYK 0 / 1 / 2 / 44

HEX #8F8E8C

RGB 143 142 140

HSL 40, 0.01%, 0.55%

LAB 59.05, -0.01, 1.19

 

CMYK 0 / 0 / 1 / 37

HEX #A0A09F

RGB 160 160 159

HSL 60, 0.01%, 0.63%

LAB 65.84, -0.19, 0.51

 

CMYK 1 / 0 / 0 / 30

HEX #B1B2B2

RGB 177 178 178

HSL 180, 0.01%, 0.7%

LAB 72.5, -0.35, -0.13

 

CMYK 2 / 1 / 0 / 23

HEX #C2C4C5

RGB 194 196 197

HSL 200, 0.03%, 0.77%

LAB 79.03, -0.5, -0.75

 

CMYK 4 / 2 / 0 / 51

HEX #797C7E

RGB 121 124 126

HSL 204, 0.02%, 0.48%

LAB 51.82, -0.71, -1.49

 

CMYK 3 / 1 / 0 / 58

HEX #686A6B

RGB 104 106 107

HSL 200, 0.01%, 0.41%

LAB 44.68, -0.56, -0.83

 

CMYK 1 / 0 / 0 / 65

HEX #575858

RGB 87 88 88

HSL 180, 0.01%, 0.34%

LAB 37.32, -0.4, -0.14

 

CMYK 0 / 0 / 1 / 73

HEX #464645

RGB 70 70 69

HSL 60, 0.01%, 0.27%

LAB 29.69, -0.22, 0.6

 

CMYK 0 / 2 / 6 / 79

HEX #353432

RGB 53 52 50

HSL 40, 0.03%, 0.2%

LAB 21.74, -0.01, 1.41

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 4 / 2 / 0 / 51

HEX #787A7D

RGB 120 122 125

HSL 216, 0.02%, 0.48%

LAB 51.14, -0.13, -1.9

 

CMYK 4 / 4 / 0 / 51

HEX #78787D

RGB 120 120 125

HSL 240, 0.02%, 0.48%

LAB 50.58, 1.03, -2.74

 

CMYK 3 / 4 / 0 / 51

HEX #79787D

RGB 121 120 125

HSL 252, 0.02%, 0.48%

LAB 50.66, 1.4, -2.6

 

CMYK 2 / 4 / 0 / 51

HEX #7A787D

RGB 122 120 125

HSL 264, 0.02%, 0.48%

LAB 50.75, 1.77, -2.47

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 4 / 2 / 0 / 51

HEX #787A7D

RGB 120 122 125

HSL 216, 0.02%, 0.48%

LAB 51.14, -0.13, -1.9

 

CMYK 4 / 4 / 0 / 51

HEX #78787D

RGB 120 120 125

HSL 240, 0.02%, 0.48%

LAB 50.58, 1.03, -2.74

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 31 / 12 / 0 / 43

HEX #647F91

RGB 100 127 145

HSL 204, 0.18%, 0.48%

LAB 51.76, -5.18, -12.86

 

CMYK 51 / 20 / 0 / 36

HEX #5083A4

RGB 80 131 164

HSL 203.57, 0.34%, 0.48%

LAB 52.53, -7.59, -22.84

 

CMYK 67 / 27 / 0 / 28

HEX #3D87B8

RGB 61 135 184

HSL 203.9, 0.5%, 0.48%

LAB 53.79, -7.25, -32.45

 

CMYK 80 / 32 / 0 / 20

HEX #298BCC

RGB 41 139 204

HSL 203.93, 0.67%, 0.48%

LAB 55.38, -5.16, -41.37

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 0 / 15 / 25 / 45

HEX #8C7769

RGB 140 119 105

HSL 24, 0.14%, 0.48%

LAB 51.6, 5.84, 10.72

 

CMYK 0 / 28 / 47 / 37

HEX #A07355

RGB 160 115 85

HSL 24, 0.31%, 0.48%

LAB 52.28, 13.94, 23.57

 

CMYK 0 / 38 / 64 / 30

HEX #B36F41

RGB 179 111 65

HSL 24.21, 0.47%, 0.48%

LAB 53.31, 22.57, 36.48

 

CMYK 0 / 46 / 77 / 22

HEX #C76B2E

RGB 199 107 46

HSL 23.92, 0.62%, 0.48%

LAB 54.92, 32.08, 48.57

 

CMYK 4 / 0 / 1 / 51

HEX #787D7C

RGB 120 125 124

HSL 168, 0.02%, 0.48%

LAB 51.97, -2.07, -0.11

 

CMYK 4 / 1 / 0 / 51

HEX #787C7D

RGB 120 124 125

HSL 192, 0.02%, 0.48%

LAB 51.71, -1.29, -1.07

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 4 / 2 / 0 / 51

HEX #787A7D

RGB 120 122 125

HSL 216, 0.02%, 0.48%

LAB 51.14, -0.13, -1.9

 

CMYK 4 / 4 / 0 / 51

HEX #78787D

RGB 120 120 125

HSL 240, 0.02%, 0.48%

LAB 50.58, 1.03, -2.74

 

CMYK 4 / 2 / 0 / 67

HEX #505153

RGB 80 81 83

HSL 220, 0.02%, 0.32%

LAB 34.43, 0.04, -1.32

 

CMYK 4 / 2 / 0 / 59

HEX #646668

RGB 100 102 104

HSL 210, 0.02%, 0.4%

LAB 43.08, -0.35, -1.4

 

CMYK 4 / 2 / 0 / 51

HEX #787B7D

RGB 120 123 125

HSL 204, 0.02%, 0.48%

LAB 51.43, -0.71, -1.49

 

CMYK 3 / 1 / 0 / 43

HEX #8D8F91

RGB 141 143 145

HSL 210, 0.02%, 0.56%

LAB 59.3, -0.33, -1.32

 

CMYK 2 / 1 / 0 / 35

HEX #A2A4A5

RGB 162 164 165

HSL 200, 0.02%, 0.64%

LAB 67.24, -0.52, -0.77

 

CMYK 4 / 2 / 0 / 51

HEX #797C7E

RGB 121 124 126

HSL 204, 0.02%, 0.48%

LAB 51.82, -0.71, -1.49

 

CMYK 2 / 4 / 0 / 51

HEX #7B787D

RGB 123 120 125

HSL 276, 0.02%, 0.48%

LAB 50.83, 2.15, -2.33

HEX #7B787D

CMYK 0 / 0 / 4 / 51

HEX #7D7D78

RGB 125 125 120

HSL 60, 0.02%, 0.48%

LAB 52.27, -0.98, 2.72

HEX #7D7D78

CMYK 4 / 2 / 0 / 51

HEX #797C7E

RGB 121 124 126

HSL 204, 0.02%, 0.48%

LAB 51.82, -0.71, -1.49

 

CMYK 0 / 4 / 2 / 51

HEX #7D787B

RGB 125 120 123

HSL 324, 0.02%, 0.48%

LAB 50.95, 2.5, -0.97

 

CMYK 2 / 0 / 4 / 51

HEX #7B7D78

RGB 123 125 120

HSL 84, 0.02%, 0.48%

LAB 52.1, -1.74, 2.45

 

CMYK 4 / 2 / 0 / 51

HEX #797C7E

RGB 121 124 126

HSL 204, 0.02%, 0.48%

LAB 51.82, -0.71, -1.49

 

CMYK 2 / 4 / 0 / 51

HEX #7B787D

RGB 123 120 125

HSL 276, 0.02%, 0.48%

LAB 50.83, 2.15, -2.33

HEX #7B787D

CMYK 0 / 2 / 4 / 51

HEX #7D7A78

RGB 125 122 120

HSL 24, 0.02%, 0.48%

LAB 51.42, 0.75, 1.49

HEX #7D7A78

CMYK 2 / 0 / 4 / 51

HEX #7A7D78

RGB 122 125 120

HSL 96, 0.02%, 0.48%

LAB 52.02, -2.12, 2.32

HEX #7A7D78

CMYK 4 / 2 / 0 / 51

HEX #797C7E

RGB 121 124 126

HSL 204, 0.02%, 0.48%

LAB 51.82, -0.71, -1.49

 

CMYK 1 / 4 / 0 / 51

HEX #7C787D

RGB 124 120 125

HSL 288, 0.02%, 0.48%

LAB 50.92, 2.52, -2.2

 

CMYK 0 / 2 / 4 / 51

HEX #7D7A78

RGB 125 122 120

HSL 24, 0.02%, 0.48%

LAB 51.42, 0.75, 1.49

 

CMYK 4 / 0 / 4 / 51

HEX #787D78

RGB 120 125 120

HSL 120, 0.02%, 0.48%

LAB 51.86, -2.87, 2.07

 

Description

Color code: HEX #797C7E | qconv.com Color code: HEX #797C7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 124 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 124 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 2 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 2% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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