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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797A3F it is the complementary color #8685C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797A3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797A3F shade: #7E7A3A, #8F8C4D, #A09E60, #B1B073 and #C2C286

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797A3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797A3F shade: #797A3F, #68682C, #575619, #464406 and #353200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797A3F shade: #78793E, #796A3E, #795A3E, #794B3E and #793E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797A3F shade: #78793E, #68793E, #58793E, #49793E and #3E7944

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797A3F shade matches the following richer shades: #78793E, #878830, #959721, #A3A612 and #B2B503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797A3F shade: #78793E, #6A6A4D, #5B5B5C, #4D4D6B and #3F3E7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797A3F shade: #795B3E, #796A3E, #78793E, #69793E and #59793E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797A3F shade: #424322, #5D5E30, #78793E, #93944C and #ABAC5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797A3F shade: #797A3F, #3E794B and #633E79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797A3F shade: #797A3F, #3E7879 and #793E78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797A3F shade: #797A3F, #3E794B, #3F3E79 and #793E6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797A3F shade: #797A3F, #3E795D, #3F3E79 and #793E5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

Complementary color

CMYK 30 / 31 / 0 / 25

HEX #8685C0

RGB 134 133 192

HSL 241.02, 0.32%, 0.64%

LAB 57.7, 13.95, -30.61

 

CMYK 0 / 3 / 54 / 51

HEX #7E7A3A

RGB 126 122 58

HSL 56.47, 0.37%, 0.36%

LAB 50.29, -7.77, 35.16

 

CMYK 0 / 2 / 46 / 44

HEX #8F8C4D

RGB 143 140 77

HSL 57.27, 0.3%, 0.43%

LAB 57.2, -8.33, 33.89

 

CMYK 0 / 1 / 40 / 37

HEX #A09E60

RGB 160 158 96

HSL 58.13, 0.25%, 0.5%

LAB 63.98, -8.75, 32.63

 

CMYK 0 / 1 / 35 / 31

HEX #B1B073

RGB 177 176 115

HSL 59.03, 0.28%, 0.57%

LAB 70.62, -9.09, 31.42

 

CMYK 0 / 0 / 31 / 24

HEX #C2C286

RGB 194 194 134

HSL 60, 0.33%, 0.64%

LAB 77.15, -9.37, 30.26

 

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

CMYK 0 / 0 / 58 / 59

HEX #68682C

RGB 104 104 44

HSL 60, 0.41%, 0.29%

LAB 42.8, -8.96, 33.21

 

CMYK 0 / 1 / 71 / 66

HEX #575619

RGB 87 86 25

HSL 59.03, 0.55%, 0.22%

LAB 35.5, -8.17, 34.18

 

CMYK 0 / 3 / 91 / 73

HEX #464406

RGB 70 68 6

HSL 58.13, 0.84%, 0.15%

LAB 27.98, -7.01, 34.22

 

CMYK 0 / 6 / 100 / 79

HEX #353200

RGB 53 50 0

HSL 56.6, 1%, 0.1%

LAB 20.2, -5.19, 28.4

 

CMYK 1 / 0 / 49 / 53

HEX #78793E

RGB 120 121 62

HSL 61.02, 0.32%, 0.36%

LAB 49.52, -9.5, 32

 

CMYK 0 / 12 / 49 / 53

HEX #796A3E

RGB 121 106 62

HSL 44.75, 0.32%, 0.36%

LAB 45.25, -0.52, 26.78

 

CMYK 0 / 26 / 49 / 53

HEX #795A3E

RGB 121 90 62

HSL 28.47, 0.32%, 0.36%

LAB 40.78, 8.94, 21.08

 

CMYK 0 / 38 / 49 / 53

HEX #794B3E

RGB 121 75 62

HSL 13.22, 0.32%, 0.36%

LAB 36.83, 17.94, 15.89

 

CMYK 0 / 49 / 49 / 53

HEX #793E3E

RGB 121 62 62

HSL 0, 0.32%, 0.36%

LAB 33.69, 25.58, 11.63

 

CMYK 1 / 0 / 49 / 53

HEX #78793E

RGB 120 121 62

HSL 61.02, 0.32%, 0.36%

LAB 49.52, -9.5, 32

 

CMYK 14 / 0 / 49 / 53

HEX #68793E

RGB 104 121 62

HSL 77.29, 0.32%, 0.36%

LAB 48.22, -16.46, 30.12

 

CMYK 27 / 0 / 49 / 53

HEX #58793E

RGB 88 121 62

HSL 93.56, 0.32%, 0.36%

LAB 47.1, -23.04, 28.5

 

CMYK 40 / 0 / 49 / 53

HEX #49793E

RGB 73 121 62

HSL 108.81, 0.32%, 0.36%

LAB 46.23, -28.67, 27.22

 

CMYK 49 / 0 / 44 / 53

HEX #3E7944

RGB 62 121 68

HSL 126.1, 0.32%, 0.36%

LAB 45.79, -31.35, 23.24

 

CMYK 1 / 0 / 49 / 53

HEX #78793E

RGB 120 121 62

HSL 61.02, 0.32%, 0.36%

LAB 49.52, -9.5, 32

 

CMYK 1 / 0 / 65 / 47

HEX #878830

RGB 135 136 48

HSL 60.68, 0.48%, 0.36%

LAB 55.04, -12.19, 45.5

 

CMYK 1 / 0 / 78 / 41

HEX #959721

RGB 149 151 33

HSL 61.02, 0.64%, 0.36%

LAB 60.46, -14.69, 56.94

 

CMYK 2 / 0 / 89 / 35

HEX #A3A612

RGB 163 166 18

HSL 61.22, 0.8%, 0.36%

LAB 65.83, -16.68, 65.71

 

CMYK 2 / 0 / 98 / 29

HEX #B2B503

RGB 178 181 3

HSL 61.01, 0.97%, 0.36%

LAB 71.23, -17.94, 72.41

 

CMYK 1 / 0 / 49 / 53

HEX #78793E

RGB 120 121 62

HSL 61.02, 0.32%, 0.36%

LAB 49.52, -9.5, 32

 

CMYK 0 / 0 / 27 / 58

HEX #6A6A4D

RGB 106 106 77

HSL 60, 0.16%, 0.36%

LAB 44.1, -5.21, 16.34

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 28 / 28 / 0 / 58

HEX #4D4D6B

RGB 77 77 107

HSL 240, 0.16%, 0.36%

LAB 33.87, 7.47, -17.31

 

CMYK 48 / 49 / 0 / 52

HEX #3F3E7A

RGB 63 62 122

HSL 241, 0.33%, 0.36%

LAB 29.18, 17.67, -34.2

 

CMYK 0 / 25 / 49 / 53

HEX #795B3E

RGB 121 91 62

HSL 29.49, 0.32%, 0.36%

LAB 41.05, 8.34, 21.44

 

CMYK 0 / 12 / 49 / 53

HEX #796A3E

RGB 121 106 62

HSL 44.75, 0.32%, 0.36%

LAB 45.25, -0.52, 26.78

 

CMYK 1 / 0 / 49 / 53

HEX #78793E

RGB 120 121 62

HSL 61.02, 0.32%, 0.36%

LAB 49.52, -9.5, 32

 

CMYK 13 / 0 / 49 / 53

HEX #69793E

RGB 105 121 62

HSL 76.27, 0.32%, 0.36%

LAB 48.29, -16.04, 30.23

 

CMYK 26 / 0 / 49 / 53

HEX #59793E

RGB 89 121 62

HSL 92.54, 0.32%, 0.36%

LAB 47.17, -22.65, 28.59

 

CMYK 1 / 0 / 49 / 74

HEX #424322

RGB 66 67 34

HSL 61.82, 0.33%, 0.2%

LAB 27.54, -6.22, 19.83

 

CMYK 1 / 0 / 49 / 63

HEX #5D5E30

RGB 93 94 48

HSL 61.3, 0.32%, 0.28%

LAB 38.8, -7.91, 26.09

 

CMYK 1 / 0 / 49 / 53

HEX #78793E

RGB 120 121 62

HSL 61.02, 0.32%, 0.36%

LAB 49.52, -9.5, 32

 

CMYK 1 / 0 / 49 / 42

HEX #93944C

RGB 147 148 76

HSL 60.83, 0.32%, 0.44%

LAB 59.8, -11.03, 37.65

 

CMYK 1 / 0 / 45 / 33

HEX #ABAC5E

RGB 171 172 94

HSL 60.77, 0.32%, 0.52%

LAB 68.73, -11.79, 39.8

 

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

CMYK 49 / 0 / 38 / 53

HEX #3E794B

RGB 62 121 75

HSL 133.22, 0.32%, 0.36%

LAB 45.92, -30.1, 19.44

 

CMYK 18 / 49 / 0 / 53

HEX #633E79

RGB 99 62 121

HSL 277.63, 0.32%, 0.36%

LAB 32.87, 27.87, -27.48

 

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

CMYK 49 / 1 / 0 / 53

HEX #3E7879

RGB 62 120 121

HSL 181.02, 0.32%, 0.36%

LAB 46.76, -18.62, -6.43

 

CMYK 0 / 49 / 1 / 53

HEX #793E78

RGB 121 62 120

HSL 301.02, 0.32%, 0.36%

LAB 35.73, 34.65, -22.18

 

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

CMYK 49 / 0 / 38 / 53

HEX #3E794B

RGB 62 121 75

HSL 133.22, 0.32%, 0.36%

LAB 45.92, -30.1, 19.44

 

CMYK 48 / 49 / 0 / 53

HEX #3F3E79

RGB 63 62 121

HSL 241.02, 0.32%, 0.36%

LAB 29.11, 17.34, -33.67

 

CMYK 0 / 49 / 11 / 53

HEX #793E6C

RGB 121 62 108

HSL 313.22, 0.32%, 0.36%

LAB 35.19, 32.37, -15.49

 

CMYK 1 / 0 / 48 / 52

HEX #797A3F

RGB 121 122 63

HSL 61.02, 0.32%, 0.36%

LAB 49.91, -9.51, 31.97

 

CMYK 49 / 0 / 23 / 53

HEX #3E795D

RGB 62 121 93

HSL 151.53, 0.32%, 0.36%

LAB 46.3, -26.35, 9.49

 

CMYK 48 / 49 / 0 / 53

HEX #3F3E79

RGB 63 62 121

HSL 241.02, 0.32%, 0.36%

LAB 29.11, 17.34, -33.67

 

CMYK 0 / 49 / 25 / 53

HEX #793E5B

RGB 121 62 91

HSL 330.51, 0.32%, 0.36%

LAB 34.53, 29.47, -5.71

 

Description

Color code: HEX #797A3F | qconv.com Color code: HEX #797A3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 122 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 122 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 48 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 48% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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