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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7975FE it is the complementary color #868A01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7975FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7975FE shade: #7E75F9, #8F87FF, #A099FF, #B1ABFF and #C2BDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7975FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7975FE shade: #7975FE, #6863EB, #5751D8, #463FC5 and #352DB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7975FE shade: #7A76FE, #9F76FE, #C376FE, #E876FE and #FE76F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7975FE shade: #7A76FE and #7676FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7975FE shade matches the following richer shades: #7A76FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7975FE shade: #7A76FE, #8481F3, #8F8CE8, #9997DD and #A4A3D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7975FE shade: #76BCFE, #7698FE, #7876FE, #9D76FE and #C176FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7975FE shade: #2A24FE, #524DFE, #7A76FE, #A29FFF and #CAC8FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7975FE shade: #7975FE, #FE76E1 and #AAFE76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7975FE shade: #7975FE, #FE7876 and #76FE78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7975FE shade: #7975FE, #FE76E1, #FCFE76 and #76FE94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7975FE shade: #7975FE, #FE76B8, #FCFE76 and #76FEBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 54 / 0 / 0

HEX #7975FE

RGB 121 117 254

HSL 241.75, 0.99%, 0.73%

LAB 56.03, 37.85, -68.05

 

Complementary color

CMYK 3 / 0 / 99 / 46

HEX #868A01

RGB 134 138 1

HSL 61.75, 0.99%, 0.27%

LAB 55.33, -15.47, 59.27

 

CMYK 49 / 53 / 0 / 2

HEX #7E75F9

RGB 126 117 249

HSL 244.09, 0.92%, 0.72%

LAB 56.09, 37.35, -65.18

 

CMYK 44 / 47 / 0 / 0

HEX #8F87FF

RGB 143 135 255

HSL 244, 1%, 0.76%

LAB 61.99, 32.33, -58.95

 

CMYK 37 / 40 / 0 / 0

HEX #A099FF

RGB 160 153 255

HSL 244.12, 1%, 0.8%

LAB 67.63, 26.12, -49.9

 

CMYK 31 / 33 / 0 / 0

HEX #B1ABFF

RGB 177 171 255

HSL 244.29, 1%, 0.84%

LAB 73.35, 20.51, -40.85

 

CMYK 24 / 26 / 0 / 0

HEX #C2BDFF

RGB 194 189 255

HSL 244.55, 1%, 0.87%

LAB 79.09, 15.43, -31.85

 

CMYK 52 / 54 / 0 / 0

HEX #7975FE

RGB 121 117 254

HSL 241.75, 0.99%, 0.73%

LAB 56.03, 37.85, -68.05

 

CMYK 56 / 58 / 0 / 8

HEX #6863EB

RGB 104 99 235

HSL 242.21, 0.77%, 0.65%

LAB 49.33, 39.46, -68.37

 

CMYK 60 / 63 / 0 / 15

HEX #5751D8

RGB 87 81 216

HSL 242.67, 0.63%, 0.58%

LAB 42.57, 41.28, -68.66

 

CMYK 64 / 68 / 0 / 23

HEX #463FC5

RGB 70 63 197

HSL 243.13, 0.54%, 0.51%

LAB 35.77, 43.29, -68.84

 

CMYK 70 / 75 / 0 / 30

HEX #352DB2

RGB 53 45 178

HSL 243.61, 0.6%, 0.44%

LAB 29.03, 45.4, -68.76

 

CMYK 52 / 54 / 0 / 0

HEX #7A76FE

RGB 122 118 254

HSL 241.76, 0.99%, 0.73%

LAB 56.34, 37.46, -67.55

 

CMYK 37 / 54 / 0 / 0

HEX #9F76FE

RGB 159 118 254

HSL 258.09, 0.99%, 0.73%

LAB 59.42, 45.4, -62.43

 

CMYK 23 / 54 / 0 / 0

HEX #C376FE

RGB 195 118 254

HSL 273.97, 0.99%, 0.73%

LAB 63.11, 54.06, -56.33

 

CMYK 9 / 54 / 0 / 0

HEX #E876FE

RGB 232 118 254

HSL 290.29, 0.99%, 0.73%

LAB 67.48, 63.42, -49.12

 

CMYK 0 / 54 / 6 / 0

HEX #FE76F0

RGB 254 118 240

HSL 306.18, 0.99%, 0.73%

LAB 69.7, 66.75, -37.76

 

CMYK 52 / 54 / 0 / 0

HEX #7A76FE

RGB 122 118 254

HSL 241.76, 0.99%, 0.73%

LAB 56.34, 37.46, -67.55

 

CMYK 54 / 54 / 0 / 0

HEX #7676FE

RGB 118 118 254

HSL 240, 0.99%, 0.73%

LAB 56.05, 36.68, -68.03

 

CMYK 52 / 54 / 0 / 0

HEX #7A76FE

RGB 122 118 254

HSL 241.76, 0.99%, 0.73%

LAB 56.34, 37.46, -67.55

 

CMYK 52 / 54 / 0 / 0

HEX #7A76FE

RGB 122 118 254

HSL 241.76, 0.99%, 0.73%

LAB 56.34, 37.46, -67.55

 

CMYK 46 / 47 / 0 / 5

HEX #8481F3

RGB 132 129 243

HSL 241.58, 0.83%, 0.73%

LAB 59.05, 29.87, -57.09

 

CMYK 38 / 40 / 0 / 9

HEX #8F8CE8

RGB 143 140 232

HSL 241.96, 0.67%, 0.73%

LAB 62.02, 23.03, -46.23

 

CMYK 31 / 32 / 0 / 13

HEX #9997DD

RGB 153 151 221

HSL 241.71, 0.51%, 0.73%

LAB 65.06, 16.51, -35.31

 

CMYK 22 / 22 / 0 / 18

HEX #A4A3D2

RGB 164 163 210

HSL 241.28, 0.34%, 0.73%

LAB 68.56, 10.33, -23.75

 

CMYK 54 / 26 / 0 / 0

HEX #76BCFE

RGB 118 188 254

HSL 209.12, 0.99%, 0.73%

LAB 74.17, -3.82, -39.29

 

CMYK 54 / 40 / 0 / 0

HEX #7698FE

RGB 118 152 254

HSL 225, 0.99%, 0.73%

LAB 64.53, 16.59, -54.44

 

CMYK 53 / 54 / 0 / 0

HEX #7876FE

RGB 120 118 254

HSL 240.88, 0.99%, 0.73%

LAB 56.19, 37.07, -67.79

 

CMYK 38 / 54 / 0 / 0

HEX #9D76FE

RGB 157 118 254

HSL 257.21, 0.99%, 0.73%

LAB 59.23, 44.94, -62.74

 

CMYK 24 / 54 / 0 / 0

HEX #C176FE

RGB 193 118 254

HSL 273.09, 0.99%, 0.73%

LAB 62.89, 53.56, -56.69

 

CMYK 83 / 86 / 0 / 0

HEX #2A24FE

RGB 42 36 254

HSL 241.65, 0.99%, 0.57%

LAB 35.81, 71.45, -101.42

 

CMYK 68 / 70 / 0 / 0

HEX #524DFE

RGB 82 77 254

HSL 241.69, 0.99%, 0.65%

LAB 44.6, 54.92, -86.8

 

CMYK 52 / 54 / 0 / 0

HEX #7A76FE

RGB 122 118 254

HSL 241.76, 0.99%, 0.73%

LAB 56.34, 37.46, -67.55

 

CMYK 36 / 38 / 0 / 0

HEX #A29FFF

RGB 162 159 255

HSL 241.88, 1%, 0.81%

LAB 69.25, 23.23, -47.34

 

CMYK 21 / 22 / 0 / 0

HEX #CAC8FF

RGB 202 200 255

HSL 242.18, 1%, 0.89%

LAB 82.42, 11.85, -26.68

 

CMYK 52 / 54 / 0 / 0

HEX #7975FE

RGB 121 117 254

HSL 241.75, 0.99%, 0.73%

LAB 56.03, 37.85, -68.05

 

CMYK 0 / 54 / 11 / 0

HEX #FE76E1

RGB 254 118 225

HSL 312.79, 0.99%, 0.73%

LAB 69.09, 64.4, -30.43

 

CMYK 33 / 0 / 54 / 0

HEX #AAFE76

RGB 170 254 118

HSL 97.06, 0.99%, 0.73%

LAB 92.01, -48.2, 56.37

 

CMYK 52 / 54 / 0 / 0

HEX #7975FE

RGB 121 117 254

HSL 241.75, 0.99%, 0.73%

LAB 56.03, 37.85, -68.05

 

CMYK 0 / 53 / 54 / 0

HEX #FE7876

RGB 254 120 118

HSL 0.88, 0.99%, 0.73%

LAB 66.38, 50.86, 25.8

 

CMYK 54 / 0 / 53 / 0

HEX #76FE78

RGB 118 254 120

HSL 120.88, 0.99%, 0.73%

LAB 89.9, -63.05, 52.42

 

CMYK 52 / 54 / 0 / 0

HEX #7975FE

RGB 121 117 254

HSL 241.75, 0.99%, 0.73%

LAB 56.03, 37.85, -68.05

 

CMYK 0 / 54 / 11 / 0

HEX #FE76E1

RGB 254 118 225

HSL 312.79, 0.99%, 0.73%

LAB 69.09, 64.4, -30.43

 

CMYK 1 / 0 / 54 / 0

HEX #FCFE76

RGB 252 254 118

HSL 60.88, 0.99%, 0.73%

LAB 97.18, -18.03, 63.69

 

CMYK 54 / 0 / 42 / 0

HEX #76FE94

RGB 118 254 148

HSL 133.24, 0.99%, 0.73%

LAB 90.26, -59.15, 39.6

 

CMYK 52 / 54 / 0 / 0

HEX #7975FE

RGB 121 117 254

HSL 241.75, 0.99%, 0.73%

LAB 56.03, 37.85, -68.05

 

CMYK 0 / 54 / 28 / 0

HEX #FE76B8

RGB 254 118 184

HSL 330.88, 0.99%, 0.73%

LAB 67.64, 58.65, -9.71

 

CMYK 1 / 0 / 54 / 0

HEX #FCFE76

RGB 252 254 118

HSL 60.88, 0.99%, 0.73%

LAB 97.18, -18.03, 63.69

 

CMYK 54 / 0 / 26 / 0

HEX #76FEBC

RGB 118 254 188

HSL 150.88, 0.99%, 0.73%

LAB 90.95, -52.06, 20.46

 

Description

Color code: HEX #7975FE | qconv.com Color code: HEX #7975FE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 117 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 117 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 54 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 54% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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