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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797195 it is the complementary color #868E6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797195. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797195 shade: #7E7190, #8F83A3, #A095B6, #B1A7C9 and #C2B9DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797195. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797195 shade: #797195, #685F82, #574D6F, #463B5C and #352949

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797195 shade: #786F95, #826F95, #8C6F95, #956F94 and #956F8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797195 shade: #786F95 and #6F6F95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797195 shade matches the following richer shades: #786F95, #6C5BA9, #6147BD, #5633D1 and #4B1EE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797195 shade: #786F95, #838481, #8E986C, #99AC58 and #A5C044

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797195 shade: #6F7B95, #6F7195, #776F95, #816F95 and #8B6F95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797195 shade: #514B66, #645D7E, #786F95, #8E87A6 and #A49FB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797195 shade: #797195, #956F85 and #76956F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797195 shade: #797195, #95776F and #6F9577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797195 shade: #797195, #956F85, #8D956F and #6F957F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797195 shade: #797195, #956F7A, #8D956F and #6F958A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 24 / 0 / 42

HEX #797195

RGB 121 113 149

HSL 253.33, 0.15%, 0.51%

LAB 49.55, 10.91, -18.42

 

Complementary color

CMYK 6 / 0 / 25 / 44

HEX #868E6A

RGB 134 142 106

HSL 73.33, 0.15%, 0.49%

LAB 57.52, -9.39, 18.25

 

CMYK 13 / 22 / 0 / 44

HEX #7E7190

RGB 126 113 144

HSL 265.16, 0.12%, 0.5%

LAB 49.81, 11.45, -15.04

 

CMYK 12 / 20 / 0 / 36

HEX #8F83A3

RGB 143 131 163

HSL 262.5, 0.15%, 0.58%

LAB 56.8, 11.02, -15.36

 

CMYK 12 / 18 / 0 / 29

HEX #A095B6

RGB 160 149 182

HSL 260, 0.18%, 0.65%

LAB 63.63, 10.62, -15.69

 

CMYK 12 / 17 / 0 / 21

HEX #B1A7C9

RGB 177 167 201

HSL 257.65, 0.24%, 0.72%

LAB 70.32, 10.27, -16.03

 

CMYK 12 / 16 / 0 / 14

HEX #C2B9DC

RGB 194 185 220

HSL 255.43, 0.33%, 0.79%

LAB 76.88, 9.94, -16.37

 

CMYK 19 / 24 / 0 / 42

HEX #797195

RGB 121 113 149

HSL 253.33, 0.15%, 0.51%

LAB 49.55, 10.91, -18.42

 

CMYK 20 / 27 / 0 / 49

HEX #685F82

RGB 104 95 130

HSL 255.43, 0.16%, 0.44%

LAB 42.37, 11.4, -18.22

 

CMYK 22 / 31 / 0 / 56

HEX #574D6F

RGB 87 77 111

HSL 257.65, 0.18%, 0.37%

LAB 34.97, 11.98, -18.06

 

CMYK 24 / 36 / 0 / 64

HEX #463B5C

RGB 70 59 92

HSL 260, 0.22%, 0.3%

LAB 27.3, 12.67, -17.95

 

CMYK 27 / 44 / 0 / 71

HEX #352949

RGB 53 41 73

HSL 262.5, 0.28%, 0.22%

LAB 19.32, 13.51, -17.92

 

CMYK 19 / 26 / 0 / 42

HEX #786F95

RGB 120 111 149

HSL 254.21, 0.15%, 0.51%

LAB 48.92, 11.77, -19.39

 

CMYK 13 / 26 / 0 / 42

HEX #826F95

RGB 130 111 149

HSL 270, 0.15%, 0.51%

LAB 49.84, 15.16, -17.9

 

CMYK 6 / 26 / 0 / 42

HEX #8C6F95

RGB 140 111 149

HSL 285.79, 0.15%, 0.51%

LAB 50.82, 18.62, -16.32

 

CMYK 0 / 26 / 1 / 42

HEX #956F94

RGB 149 111 148

HSL 301.58, 0.15%, 0.51%

LAB 51.72, 21.58, -14.28

 

CMYK 0 / 26 / 7 / 42

HEX #956F8A

RGB 149 111 138

HSL 317.37, 0.15%, 0.51%

LAB 51.37, 19.66, -8.91

 

CMYK 19 / 26 / 0 / 42

HEX #786F95

RGB 120 111 149

HSL 254.21, 0.15%, 0.51%

LAB 48.92, 11.77, -19.39

 

CMYK 26 / 26 / 0 / 42

HEX #6F6F95

RGB 111 111 149

HSL 240, 0.15%, 0.51%

LAB 48.16, 8.8, -20.63

 

CMYK 19 / 26 / 0 / 42

HEX #786F95

RGB 120 111 149

HSL 254.21, 0.15%, 0.51%

LAB 48.92, 11.77, -19.39

 

CMYK 36 / 46 / 0 / 34

HEX #6C5BA9

RGB 108 91 169

HSL 253.08, 0.31%, 0.51%

LAB 43.56, 25.47, -39.65

 

CMYK 49 / 62 / 0 / 26

HEX #6147BD

RGB 97 71 189

HSL 253.22, 0.47%, 0.51%

LAB 39.11, 40.64, -58.62

 

CMYK 59 / 76 / 0 / 18

HEX #5633D1

RGB 86 51 209

HSL 253.29, 0.63%, 0.51%

LAB 35.89, 55.44, -75.57

 

CMYK 67 / 87 / 0 / 10

HEX #4B1EE6

RGB 75 30 230

HSL 253.5, 0.8%, 0.51%

LAB 34.27, 68.58, -90.36

 

CMYK 19 / 26 / 0 / 42

HEX #786F95

RGB 120 111 149

HSL 254.21, 0.15%, 0.51%

LAB 48.92, 11.77, -19.39

 

CMYK 1 / 0 / 2 / 48

HEX #838481

RGB 131 132 129

HSL 80, 0.01%, 0.51%

LAB 54.98, -0.96, 1.48

 

CMYK 7 / 0 / 29 / 40

HEX #8E986C

RGB 142 152 108

HSL 73.64, 0.18%, 0.51%

LAB 61.04, -11.31, 22.01

 

CMYK 11 / 0 / 49 / 33

HEX #99AC58

RGB 153 172 88

HSL 73.57, 0.34%, 0.51%

LAB 67.26, -19.79, 40.71

 

CMYK 14 / 0 / 65 / 25

HEX #A5C044

RGB 165 192 68

HSL 73.06, 0.5%, 0.51%

LAB 73.62, -26.52, 57.31

 

CMYK 26 / 17 / 0 / 42

HEX #6F7B95

RGB 111 123 149

HSL 221.05, 0.15%, 0.51%

LAB 51.51, 1.67, -15.5

 

CMYK 26 / 24 / 0 / 42

HEX #6F7195

RGB 111 113 149

HSL 236.84, 0.15%, 0.51%

LAB 48.71, 7.6, -19.78

 

CMYK 20 / 26 / 0 / 42

HEX #776F95

RGB 119 111 149

HSL 252.63, 0.15%, 0.51%

LAB 48.84, 11.43, -19.53

 

CMYK 13 / 26 / 0 / 42

HEX #816F95

RGB 129 111 149

HSL 268.42, 0.15%, 0.51%

LAB 49.74, 14.82, -18.06

 

CMYK 7 / 26 / 0 / 42

HEX #8B6F95

RGB 139 111 149

HSL 284.21, 0.15%, 0.51%

LAB 50.72, 18.27, -16.48

 

CMYK 21 / 26 / 0 / 60

HEX #514B66

RGB 81 75 102

HSL 253.33, 0.15%, 0.35%

LAB 33.44, 8.81, -14.8

 

CMYK 21 / 26 / 0 / 51

HEX #645D7E

RGB 100 93 126

HSL 252.73, 0.15%, 0.43%

LAB 41.29, 10.27, -17.48

 

CMYK 19 / 26 / 0 / 42

HEX #786F95

RGB 120 111 149

HSL 254.21, 0.15%, 0.51%

LAB 48.92, 11.77, -19.39

 

CMYK 14 / 19 / 0 / 35

HEX #8E87A6

RGB 142 135 166

HSL 253.55, 0.15%, 0.59%

LAB 57.88, 9.04, -15.45

 

CMYK 11 / 14 / 0 / 28

HEX #A49FB8

RGB 164 159 184

HSL 252, 0.15%, 0.67%

LAB 66.63, 6.78, -12.25

 

CMYK 19 / 24 / 0 / 42

HEX #797195

RGB 121 113 149

HSL 253.33, 0.15%, 0.51%

LAB 49.55, 10.91, -18.42

 

CMYK 0 / 26 / 11 / 42

HEX #956F85

RGB 149 111 133

HSL 325.26, 0.15%, 0.51%

LAB 51.21, 18.74, -6.21

 

CMYK 21 / 0 / 26 / 42

HEX #76956F

RGB 118 149 111

HSL 108.95, 0.15%, 0.51%

LAB 58.5, -18.44, 16.61

 

CMYK 19 / 24 / 0 / 42

HEX #797195

RGB 121 113 149

HSL 253.33, 0.15%, 0.51%

LAB 49.55, 10.91, -18.42

 

CMYK 0 / 20 / 26 / 42

HEX #95776F

RGB 149 119 111

HSL 12.63, 0.15%, 0.51%

LAB 52.65, 10.42, 8.83

 

CMYK 26 / 0 / 20 / 42

HEX #6F9577

RGB 111 149 119

HSL 132.63, 0.15%, 0.51%

LAB 58.23, -19.47, 11.66

 

CMYK 19 / 24 / 0 / 42

HEX #797195

RGB 121 113 149

HSL 253.33, 0.15%, 0.51%

LAB 49.55, 10.91, -18.42

 

CMYK 0 / 26 / 11 / 42

HEX #956F85

RGB 149 111 133

HSL 325.26, 0.15%, 0.51%

LAB 51.21, 18.74, -6.21

 

CMYK 5 / 0 / 26 / 42

HEX #8D956F

RGB 141 149 111

HSL 72.63, 0.15%, 0.51%

LAB 60.16, -9.64, 19.15

 

CMYK 26 / 0 / 15 / 42

HEX #6F957F

RGB 111 149 127

HSL 145.26, 0.15%, 0.51%

LAB 58.42, -17.87, 7.4

 

CMYK 19 / 24 / 0 / 42

HEX #797195

RGB 121 113 149

HSL 253.33, 0.15%, 0.51%

LAB 49.55, 10.91, -18.42

 

CMYK 0 / 26 / 18 / 42

HEX #956F7A

RGB 149 111 122

HSL 342.63, 0.15%, 0.51%

LAB 50.88, 16.82, -0.2

 

CMYK 5 / 0 / 26 / 42

HEX #8D956F

RGB 141 149 111

HSL 72.63, 0.15%, 0.51%

LAB 60.16, -9.64, 19.15

 

CMYK 26 / 0 / 7 / 42

HEX #6F958A

RGB 111 149 138

HSL 162.63, 0.15%, 0.51%

LAB 58.7, -15.52, 1.55

 

Description

Color code: HEX #797195 | qconv.com Color code: HEX #797195 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 113 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 113 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 24 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 24% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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