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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #796B25 it is the complementary color #8694DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #796B25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #796B25 shade: #7E6B20, #8F7D33, #A08F46, #B1A159 and #C2B36C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #796B25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #796B25 shade: #796B25, #685912, #574700, #463500 and #352300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #796B25 shade: #796B25, #795425, #793E25, #792725 and #792525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #796B25 shade: #796B25, #707925, #5A7925, #437925 and #2D7925

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #796B25 shade matches the following richer shades: #796B25, #867418 and #937C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #796B25 shade: #796B25, #6C6232, #5F5A3F, #53514C and #464958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #796B25 shade: #793E25, #795525, #796B25, #717925 and #5A7925

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #796B25 shade: #3A3312, #594F1B, #796B25, #99872F and #B8A339

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #796B25 shade: #796B25, #257928 and #492579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #796B25 shade: #796B25, #25796B and #6B2579

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #796B25 shade: #796B25, #257928, #253379 and #792576

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #796B25 shade: #796B25, #257941, #253379 and #79255D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

Complementary color

CMYK 39 / 32 / 0 / 15

HEX #8694DA

RGB 134 148 218

HSL 230, 0.53%, 0.69%

LAB 62.77, 12.17, -37.32

 

CMYK 0 / 15 / 75 / 51

HEX #7E6B20

RGB 126 107 32

HSL 47.87, 0.59%, 0.31%

LAB 45.71, -1.16, 42.63

 

CMYK 0 / 13 / 64 / 44

HEX #8F7D33

RGB 143 125 51

HSL 48.26, 0.47%, 0.38%

LAB 52.67, -2.32, 41.78

 

CMYK 0 / 11 / 56 / 37

HEX #A08F46

RGB 160 143 70

HSL 48.67, 0.39%, 0.45%

LAB 59.49, -3.22, 40.6

 

CMYK 0 / 9 / 50 / 31

HEX #B1A159

RGB 177 161 89

HSL 49.09, 0.36%, 0.52%

LAB 66.18, -3.95, 39.34

 

CMYK 0 / 8 / 44 / 24

HEX #C2B36C

RGB 194 179 108

HSL 49.53, 0.41%, 0.59%

LAB 72.75, -4.54, 38.08

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 0 / 14 / 83 / 59

HEX #685912

RGB 104 89 18

HSL 49.53, 0.7%, 0.24%

LAB 38.08, -1.95, 40.18

 

CMYK 0 / 18 / 100 / 66

HEX #574700

RGB 87 71 0

HSL 48.97, 1%, 0.17%

LAB 30.72, -0.28, 39.59

 

CMYK 0 / 24 / 100 / 73

HEX #463500

RGB 70 53 0

HSL 45.43, 1%, 0.14%

LAB 23.16, 2.14, 32.18

 

CMYK 0 / 34 / 100 / 79

HEX #352300

RGB 53 35 0

HSL 39.62, 1%, 0.1%

LAB 15.27, 4.83, 22.48

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 0 / 31 / 69 / 53

HEX #795425

RGB 121 84 37

HSL 33.57, 0.53%, 0.31%

LAB 38.79, 10.33, 32.85

 

CMYK 0 / 49 / 69 / 53

HEX #793E25

RGB 121 62 37

HSL 17.86, 0.53%, 0.31%

LAB 33.23, 23.39, 26.54

 

CMYK 0 / 68 / 69 / 53

HEX #792725

RGB 121 39 37

HSL 1.43, 0.53%, 0.31%

LAB 28.51, 35.57, 20.91

 

CMYK 0 / 69 / 69 / 53

HEX #792525

RGB 121 37 37

HSL 0, 0.53%, 0.31%

LAB 28.17, 36.49, 20.49

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 7 / 0 / 69 / 53

HEX #707925

RGB 112 121 37

HSL 66.43, 0.53%, 0.31%

LAB 48.58, -15.22, 42.97

 

CMYK 26 / 0 / 69 / 53

HEX #5A7925

RGB 90 121 37

HSL 82.14, 0.53%, 0.31%

LAB 46.95, -24.85, 40.77

 

CMYK 45 / 0 / 69 / 53

HEX #437925

RGB 67 121 37

HSL 98.57, 0.53%, 0.31%

LAB 45.64, -33.75, 38.98

 

CMYK 63 / 0 / 69 / 53

HEX #2D7925

RGB 45 121 37

HSL 114.29, 0.53%, 0.31%

LAB 44.75, -40.46, 37.78

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 0 / 13 / 82 / 47

HEX #867418

RGB 134 116 24

HSL 50.18, 0.7%, 0.31%

LAB 49.04, -2.88, 49.09

 

CMYK 0 / 16 / 92 / 42

HEX #937C0C

RGB 147 124 12

HSL 49.78, 0.85%, 0.31%

LAB 52.56, -1.59, 55.75

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 0 / 9 / 54 / 58

HEX #6C6232

RGB 108 98 50

HSL 49.66, 0.37%, 0.31%

LAB 41.46, -3.07, 28.53

 

CMYK 0 / 5 / 34 / 63

HEX #5F5A3F

RGB 95 90 63

HSL 50.63, 0.2%, 0.31%

LAB 38.03, -2.71, 16.36

 

CMYK 0 / 2 / 8 / 67

HEX #53514C

RGB 83 81 76

HSL 42.86, 0.04%, 0.31%

LAB 34.49, -0.21, 3.22

 

CMYK 20 / 17 / 0 / 65

HEX #464958

RGB 70 73 88

HSL 230, 0.11%, 0.31%

LAB 31.28, 2.43, -9.28

 

CMYK 0 / 49 / 69 / 53

HEX #793E25

RGB 121 62 37

HSL 17.86, 0.53%, 0.31%

LAB 33.23, 23.39, 26.54

 

CMYK 0 / 30 / 69 / 53

HEX #795525

RGB 121 85 37

HSL 34.29, 0.53%, 0.31%

LAB 39.06, 9.73, 33.15

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 7 / 0 / 69 / 53

HEX #717925

RGB 113 121 37

HSL 65.71, 0.53%, 0.31%

LAB 48.66, -14.76, 43.08

 

CMYK 26 / 0 / 69 / 53

HEX #5A7925

RGB 90 121 37

HSL 82.14, 0.53%, 0.31%

LAB 46.95, -24.85, 40.77

 

CMYK 0 / 12 / 69 / 77

HEX #3A3312

RGB 58 51 18

HSL 49.5, 0.53%, 0.15%

LAB 21.25, -1.87, 21.63

 

CMYK 0 / 11 / 70 / 65

HEX #594F1B

RGB 89 79 27

HSL 50.32, 0.53%, 0.23%

LAB 33.55, -2.88, 31.24

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 0 / 12 / 69 / 40

HEX #99872F

RGB 153 135 47

HSL 49.81, 0.53%, 0.39%

LAB 56.39, -3.59, 47.85

 

CMYK 0 / 11 / 69 / 28

HEX #B8A339

RGB 184 163 57

HSL 50.08, 0.53%, 0.47%

LAB 67.04, -4.37, 55.47

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 69 / 0 / 67 / 53

HEX #257928

RGB 37 121 40

HSL 122.14, 0.53%, 0.31%

LAB 44.55, -42.02, 36.12

 

CMYK 40 / 69 / 0 / 53

HEX #492579

RGB 73 37 121

HSL 265.71, 0.53%, 0.31%

LAB 24.06, 35.49, -41.74

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 69 / 0 / 12 / 53

HEX #25796B

RGB 37 121 107

HSL 170, 0.53%, 0.31%

LAB 45.81, -28.4, 0.4

 

CMYK 12 / 69 / 0 / 53

HEX #6B2579

RGB 107 37 121

HSL 290, 0.53%, 0.31%

LAB 28.98, 43.55, -33.58

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 69 / 0 / 67 / 53

HEX #257928

RGB 37 121 40

HSL 122.14, 0.53%, 0.31%

LAB 44.55, -42.02, 36.12

 

CMYK 69 / 58 / 0 / 53

HEX #253379

RGB 37 51 121

HSL 230, 0.53%, 0.31%

LAB 24.13, 19.2, -41.78

 

CMYK 0 / 69 / 2 / 53

HEX #792576

RGB 121 37 118

HSL 302.14, 0.53%, 0.31%

LAB 31.1, 46.51, -28.16

 

CMYK 0 / 12 / 69 / 53

HEX #796B25

RGB 121 107 37

HSL 50, 0.53%, 0.31%

LAB 45.24, -3.24, 39.77

 

CMYK 69 / 0 / 46 / 53

HEX #257941

RGB 37 121 65

HSL 140, 0.53%, 0.31%

LAB 44.87, -38.3, 23.56

 

CMYK 69 / 58 / 0 / 53

HEX #253379

RGB 37 51 121

HSL 230, 0.53%, 0.31%

LAB 24.13, 19.2, -41.78

 

CMYK 0 / 69 / 23 / 53

HEX #79255D

RGB 121 37 93

HSL 320, 0.53%, 0.31%

LAB 29.86, 42.42, -14.07

 

Description

Color code: HEX #796B25 | qconv.com Color code: HEX #796B25 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 107 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 107 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 69 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 69% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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