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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #796AD94C it is the complementary color #8695264C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #796AD94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #796AD94C shade: #7E6AD44C, #8F7CE74C, #A08EFA4C, #B1A0FF4C and #C2B2FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #796AD94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #796AD94C shade: #796AD94C, #6858C64C, #5746B34C, #4634A04C and #35228D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #796AD94C shade: #7869D8, #9669D8, #B469D8, #D269D8 and #D869C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #796AD94C shade: #7869D8 and #6969D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #796AD94C shade matches the following richer shades: #7869D8, #6D5AE8 and #624AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #796AD94C shade: #7869D8, #8378C9, #8E88BA, #9997AB and #A5A69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #796AD94C shade: #6996D8, #6978D8, #7869D8, #9669D8 and #B369D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #796AD94C shade: #4431BE, #5B48D0, #7869D8, #968AE1 and #B3ABE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #796AD94C shade: #796AD9, #D869B3 and #87D869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #796AD94C shade: #796AD9, #D87869 and #69D878

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #796AD94C shade: #796AD9, #D869B3, #C9D869 and #69D88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #796AD94C shade: #796AD9, #D86992, #C9D869 and #69D8AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 15 / 0 / 4

HEX #796AD94C

RGBA 121 106 217 0.3

HSLA 248.11, 0.59%, 0.63%, 0.3

LABA 51.13, 33.39, -55.24, 0.3

 

Complementary color

CMYK 3 / 0 / 22 / 12

HEX #8695264C

RGBA 134 149 38 0.3

HSLA 68.11, 0.59%, 0.37%, 0.3

LABA 58.7, -20.05, 53.17, 0.3

 

CMYK 12 / 15 / 0 / 5

HEX #7E6AD44C

RGBA 126 106 212 0.3

HSLA 251.32, 0.55%, 0.62%, 0.3

LABA 51.26, 33.15, -52.17, 0.3

 

CMYK 11 / 14 / 0 / 3

HEX #8F7CE74C

RGBA 143 124 231 0.3

HSLA 250.65, 0.69%, 0.7%, 0.3

LABA 58.06, 32.05, -51.94, 0.3

 

CMYK 11 / 13 / 0 / 1

HEX #A08EFA4C

RGBA 160 142 250 0.3

HSLA 250, 0.92%, 0.77%, 0.3

LABA 64.74, 31.07, -51.75, 0.3

 

CMYK 9 / 11 / 0 / 0

HEX #B1A0FF4C

RGBA 177 160 255 0.3

HSLA 250.74, 1%, 0.81%, 0.3

LABA 70.67, 26.67, -45.03, 0.3

 

CMYK 7 / 9 / 0 / 0

HEX #C2B2FF4C

RGBA 194 178 255 0.3

HSLA 252.47, 1%, 0.85%, 0.3

LABA 76.39, 21.46, -36.01, 0.3

 

CMYK 13 / 15 / 0 / 4

HEX #796AD94C

RGBA 121 106 217 0.3

HSLA 248.11, 0.59%, 0.63%, 0.3

LABA 51.13, 33.39, -55.24, 0.3

 

CMYK 14 / 17 / 0 / 7

HEX #6858C64C

RGBA 104 88 198 0.3

HSLA 248.73, 0.49%, 0.56%, 0.3

LABA 44.23, 34.73, -55.53, 0.3

 

CMYK 15 / 18 / 0 / 9

HEX #5746B34C

RGBA 87 70 179 0.3

HSLA 249.36, 0.44%, 0.49%, 0.3

LABA 37.23, 36.24, -55.82, 0.3

 

CMYK 17 / 20 / 0 / 11

HEX #4634A04C

RGBA 70 52 160 0.3

HSLA 250, 0.51%, 0.42%, 0.3

LABA 30.15, 37.91, -56.04, 0.3

 

CMYK 19 / 23 / 0 / 13

HEX #35228D4C

RGBA 53 34 141 0.3

HSLA 250.65, 0.61%, 0.34%, 0.3

LABA 23.08, 39.6, -56.02, 0.3

 

CMYK 44 / 51 / 0 / 15

HEX #7869D8

RGB 120 105 216

HSL 248.11, 0.59%, 0.63%

LAB 50.75, 33.46, -55.29

 

CMYK 31 / 51 / 0 / 15

HEX #9669D8

RGB 150 105 216

HSL 264.32, 0.59%, 0.63%

LAB 53.54, 40.78, -50.67

 

CMYK 17 / 51 / 0 / 15

HEX #B469D8

RGB 180 105 216

HSL 280.54, 0.59%, 0.63%

LAB 56.85, 48.67, -45.22

 

CMYK 3 / 51 / 0 / 15

HEX #D269D8

RGB 210 105 216

HSL 296.76, 0.59%, 0.63%

LAB 60.57, 56.81, -39.1

 

CMYK 0 / 51 / 11 / 15

HEX #D869C1

RGB 216 105 193

HSL 312.43, 0.59%, 0.63%

LAB 60.38, 54.58, -26.32

 

CMYK 44 / 51 / 0 / 15

HEX #7869D8

RGB 120 105 216

HSL 248.11, 0.59%, 0.63%

LAB 50.75, 33.46, -55.29

 

CMYK 51 / 51 / 0 / 15

HEX #6969D8

RGB 105 105 216

HSL 240, 0.59%, 0.63%

LAB 49.57, 30.15, -57.24

 

CMYK 44 / 51 / 0 / 15

HEX #7869D8

RGB 120 105 216

HSL 248.11, 0.59%, 0.63%

LAB 50.75, 33.46, -55.29

 

CMYK 53 / 61 / 0 / 9

HEX #6D5AE8

RGB 109 90 232

HSL 248.03, 0.76%, 0.63%

LAB 47.48, 44.7, -69.67

 

CMYK 60 / 70 / 0 / 3

HEX #624AF7

RGB 98 74 247

HSL 248.32, 0.92%, 0.63%

LAB 44.53, 56.31, -82.95

 

CMYK 44 / 51 / 0 / 15

HEX #7869D8

RGB 120 105 216

HSL 248.11, 0.59%, 0.63%

LAB 50.75, 33.46, -55.29

 

CMYK 35 / 40 / 0 / 21

HEX #8378C9

RGB 131 120 201

HSL 248.15, 0.43%, 0.63%

LAB 54.53, 23.13, -40.71

 

CMYK 24 / 27 / 0 / 27

HEX #8E88BA

RGB 142 136 186

HSL 247.2, 0.27%, 0.63%

LAB 58.89, 13.14, -25.32

 

CMYK 11 / 12 / 0 / 33

HEX #9997AB

RGB 153 151 171

HSL 246, 0.11%, 0.63%

LAB 63.22, 4.77, -10.17

 

CMYK 1 / 0 / 7 / 35

HEX #A5A69B

RGB 165 166 155

HSL 65.45, 0.06%, 0.63%

LAB 67.75, -2.39, 5.56

 

CMYK 51 / 31 / 0 / 15

HEX #6996D8

RGB 105 150 216

HSL 215.68, 0.59%, 0.63%

LAB 61.46, 3.22, -38.39

 

CMYK 51 / 44 / 0 / 15

HEX #6978D8

RGB 105 120 216

HSL 231.89, 0.59%, 0.63%

LAB 53.38, 21.05, -51.15

 

CMYK 44 / 51 / 0 / 15

HEX #7869D8

RGB 120 105 216

HSL 248.11, 0.59%, 0.63%

LAB 50.75, 33.46, -55.29

 

CMYK 31 / 51 / 0 / 15

HEX #9669D8

RGB 150 105 216

HSL 264.32, 0.59%, 0.63%

LAB 53.54, 40.78, -50.67

 

CMYK 17 / 51 / 0 / 15

HEX #B369D8

RGB 179 105 216

HSL 280, 0.59%, 0.63%

LAB 56.73, 48.41, -45.41

 

CMYK 64 / 74 / 0 / 25

HEX #4431BE

RGB 68 49 190

HSL 248.09, 0.59%, 0.47%

LAB 32.13, 48.67, -70.72

 

CMYK 56 / 65 / 0 / 18

HEX #5B48D0

RGB 91 72 208

HSL 248.38, 0.59%, 0.55%

LAB 40.27, 44.69, -67.8

 

CMYK 44 / 51 / 0 / 15

HEX #7869D8

RGB 120 105 216

HSL 248.11, 0.59%, 0.63%

LAB 50.75, 33.46, -55.29

 

CMYK 33 / 39 / 0 / 12

HEX #968AE1

RGB 150 138 225

HSL 248.28, 0.59%, 0.71%

LAB 61.74, 24.18, -42.74

 

CMYK 23 / 27 / 0 / 9

HEX #B3ABE9

RGB 179 171 233

HSL 247.74, 0.58%, 0.79%

LAB 72.62, 15.79, -30.03

 

CMYK 44 / 51 / 0 / 15

HEX #796AD9

RGB 121 106 217

HSL 248.11, 0.59%, 0.63%

LAB 51.13, 33.39, -55.24

 

CMYK 0 / 51 / 17 / 15

HEX #D869B3

RGB 216 105 179

HSL 320, 0.59%, 0.63%

LAB 59.85, 52.4, -19.14

 

CMYK 38 / 0 / 51 / 15

HEX #87D869

RGB 135 216 105

HSL 103.78, 0.59%, 0.63%

LAB 79.2, -44.96, 46.64

 

CMYK 44 / 51 / 0 / 15

HEX #796AD9

RGB 121 106 217

HSL 248.11, 0.59%, 0.63%

LAB 51.13, 33.39, -55.24

 

CMYK 0 / 44 / 51 / 15

HEX #D87869

RGB 216 120 105

HSL 8.11, 0.59%, 0.63%

LAB 60.83, 35.84, 24.79

 

CMYK 51 / 0 / 44 / 15

HEX #69D878

RGB 105 216 120

HSL 128.11, 0.59%, 0.63%

LAB 78.15, -51.69, 37.76

 

CMYK 44 / 51 / 0 / 15

HEX #796AD9

RGB 121 106 217

HSL 248.11, 0.59%, 0.63%

LAB 51.13, 33.39, -55.24

 

CMYK 0 / 51 / 17 / 15

HEX #D869B3

RGB 216 105 179

HSL 320, 0.59%, 0.63%

LAB 59.85, 52.4, -19.14

 

CMYK 7 / 0 / 51 / 15

HEX #C9D869

RGB 201 216 105

HSL 68.11, 0.59%, 0.63%

LAB 83.2, -20.79, 52.38

 

CMYK 51 / 0 / 34 / 15

HEX #69D88E

RGB 105 216 142

HSL 140, 0.59%, 0.63%

LAB 78.5, -48.05, 27.02

 

CMYK 44 / 51 / 0 / 15

HEX #796AD9

RGB 121 106 217

HSL 248.11, 0.59%, 0.63%

LAB 51.13, 33.39, -55.24

 

CMYK 0 / 51 / 32 / 15

HEX #D86992

RGB 216 105 146

HSL 337.84, 0.59%, 0.63%

LAB 58.77, 47.86, -1.71

 

CMYK 7 / 0 / 51 / 15

HEX #C9D869

RGB 201 216 105

HSL 68.11, 0.59%, 0.63%

LAB 83.2, -20.79, 52.38

 

CMYK 51 / 0 / 19 / 15

HEX #69D8AF

RGB 105 216 175

HSL 157.84, 0.59%, 0.63%

LAB 79.16, -41.45, 10.59

 

Description

Color code: HEX #796AD94C | qconv.com Color code: HEX #796AD94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 106 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 106 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 15 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 15% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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