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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #796852 it is the complementary color #8697AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #796852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #796852 shade: #7E684D, #8F7A60, #A08C73, #B19E86 and #C2B099

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #796852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #796852 shade: #796852, #68563F, #57442C, #463219 and #352006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #796852 shade: #796853, #795E53, #795453 and #795353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #796852 shade: #796853, #797353, #757953, #6B7953 and #607953

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #796852 shade matches the following richer shades: #796853, #8A6B42, #9A6D32, #AB6F21 and #BB7111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #796852 shade: #796853, #696663, #586474, #486284 and #376095

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #796852 shade: #795353, #795E53, #796853, #797253 and #767953

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #796852 shade: #483E31, #615342, #796853, #927E63 and #A4927A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #796852 shade: #796852, #5C7953 and #585379

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #796852 shade: #796852, #537968 and #685379

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #796852 shade: #796852, #5C7953, #536479 and #705379

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #796852 shade: #796852, #537955, #536479 and #795377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 32 / 53

HEX #796852

RGB 121 104 82

HSL 33.85, 0.19%, 0.4%

LAB 45.05, 3.16, 14.9

 

Complementary color

CMYK 23 / 13 / 0 / 32

HEX #8697AD

RGB 134 151 173

HSL 213.85, 0.19%, 0.6%

LAB 61.84, -1.1, -13.51

 

CMYK 0 / 17 / 39 / 51

HEX #7E684D

RGB 126 104 77

HSL 33.06, 0.24%, 0.4%

LAB 45.46, 4.66, 18.5

 

CMYK 0 / 15 / 33 / 44

HEX #8F7A60

RGB 143 122 96

HSL 33.19, 0.2%, 0.47%

LAB 52.51, 4.05, 17.26

 

CMYK 0 / 13 / 28 / 37

HEX #A08C73

RGB 160 140 115

HSL 33.33, 0.19%, 0.54%

LAB 59.4, 3.54, 16.13

 

CMYK 0 / 11 / 24 / 31

HEX #B19E86

RGB 177 158 134

HSL 33.49, 0.22%, 0.61%

LAB 66.15, 3.11, 15.09

 

CMYK 0 / 9 / 21 / 24

HEX #C2B099

RGB 194 176 153

HSL 33.66, 0.25%, 0.68%

LAB 72.77, 2.74, 14.13

 

CMYK 0 / 14 / 32 / 53

HEX #796852

RGB 121 104 82

HSL 33.85, 0.19%, 0.4%

LAB 45.05, 3.16, 14.9

 

CMYK 0 / 17 / 39 / 59

HEX #68563F

RGB 104 86 63

HSL 33.66, 0.25%, 0.33%

LAB 37.77, 3.77, 16.17

 

CMYK 0 / 22 / 49 / 66

HEX #57442C

RGB 87 68 44

HSL 33.49, 0.33%, 0.26%

LAB 30.26, 4.57, 17.61

 

CMYK 0 / 29 / 64 / 73

HEX #463219

RGB 70 50 25

HSL 33.33, 0.47%, 0.19%

LAB 22.49, 5.68, 19.26

 

CMYK 0 / 40 / 89 / 79

HEX #352006

RGB 53 32 6

HSL 33.19, 0.8%, 0.12%

LAB 14.42, 7.33, 18.94

 

CMYK 0 / 14 / 31 / 53

HEX #796853

RGB 121 104 83

HSL 33.16, 0.19%, 0.4%

LAB 45.07, 3.31, 14.33

 

CMYK 0 / 22 / 31 / 53

HEX #795E53

RGB 121 94 83

HSL 17.37, 0.19%, 0.4%

LAB 42.3, 9.26, 10.51

 

CMYK 0 / 31 / 31 / 53

HEX #795453

RGB 121 84 83

HSL 1.58, 0.19%, 0.4%

LAB 39.63, 15.27, 6.75

 

CMYK 0 / 31 / 31 / 53

HEX #795353

RGB 121 83 83

HSL 0, 0.19%, 0.4%

LAB 39.37, 15.87, 6.38

 

CMYK 0 / 14 / 31 / 53

HEX #796853

RGB 121 104 83

HSL 33.16, 0.19%, 0.4%

LAB 45.07, 3.31, 14.33

 

CMYK 0 / 5 / 31 / 53

HEX #797353

RGB 121 115 83

HSL 50.53, 0.19%, 0.4%

LAB 48.2, -3.09, 18.58

 

CMYK 3 / 0 / 31 / 53

HEX #757953

RGB 117 121 83

HSL 66.32, 0.19%, 0.4%

LAB 49.59, -8.19, 20.39

 

CMYK 12 / 0 / 31 / 53

HEX #6B7953

RGB 107 121 83

HSL 82.11, 0.19%, 0.4%

LAB 48.79, -12.34, 19.17

 

CMYK 21 / 0 / 31 / 53

HEX #607953

RGB 96 121 83

HSL 99.47, 0.19%, 0.4%

LAB 47.99, -16.74, 17.96

 

CMYK 0 / 14 / 31 / 53

HEX #796853

RGB 121 104 83

HSL 33.16, 0.19%, 0.4%

LAB 45.07, 3.31, 14.33

 

CMYK 0 / 22 / 52 / 46

HEX #8A6B42

RGB 138 107 66

HSL 34.17, 0.35%, 0.4%

LAB 47.38, 6.98, 27.58

 

CMYK 0 / 29 / 68 / 40

HEX #9A6D32

RGB 154 109 50

HSL 34.04, 0.51%, 0.4%

LAB 49.54, 11.74, 39.17

 

CMYK 0 / 35 / 81 / 33

HEX #AB6F21

RGB 171 111 33

HSL 33.91, 0.68%, 0.4%

LAB 51.99, 17.39, 50.05

 

CMYK 0 / 40 / 91 / 27

HEX #BB7111

RGB 187 113 17

HSL 33.88, 0.83%, 0.4%

LAB 54.47, 22.91, 58.14

 

CMYK 0 / 14 / 31 / 53

HEX #796853

RGB 121 104 83

HSL 33.16, 0.19%, 0.4%

LAB 45.07, 3.31, 14.33

 

CMYK 0 / 3 / 6 / 59

HEX #696663

RGB 105 102 99

HSL 30, 0.03%, 0.4%

LAB 43.37, 0.58, 2.1

 

CMYK 24 / 14 / 0 / 55

HEX #586474

RGB 88 100 116

HSL 214.29, 0.14%, 0.4%

LAB 41.92, -0.7, -10.52

 

CMYK 45 / 26 / 0 / 48

HEX #486284

RGB 72 98 132

HSL 214, 0.29%, 0.4%

LAB 40.86, 0.07, -21.95

 

CMYK 63 / 36 / 0 / 42

HEX #376095

RGB 55 96 149

HSL 213.83, 0.46%, 0.4%

LAB 40.16, 2.94, -33.36

 

CMYK 0 / 31 / 31 / 53

HEX #795353

RGB 121 83 83

HSL 0, 0.19%, 0.4%

LAB 39.37, 15.87, 6.38

 

CMYK 0 / 22 / 31 / 53

HEX #795E53

RGB 121 94 83

HSL 17.37, 0.19%, 0.4%

LAB 42.3, 9.26, 10.51

 

CMYK 0 / 14 / 31 / 53

HEX #796853

RGB 121 104 83

HSL 33.16, 0.19%, 0.4%

LAB 45.07, 3.31, 14.33

 

CMYK 0 / 6 / 31 / 53

HEX #797253

RGB 121 114 83

HSL 48.95, 0.19%, 0.4%

LAB 47.91, -2.52, 18.2

 

CMYK 2 / 0 / 31 / 53

HEX #767953

RGB 118 121 83

HSL 64.74, 0.19%, 0.4%

LAB 49.68, -7.77, 20.51

 

CMYK 0 / 14 / 32 / 72

HEX #483E31

RGB 72 62 49

HSL 33.91, 0.19%, 0.24%

LAB 26.86, 1.97, 9.6

 

CMYK 0 / 14 / 32 / 62

HEX #615342

RGB 97 83 66

HSL 32.9, 0.19%, 0.32%

LAB 36.22, 2.88, 12.1

 

CMYK 0 / 14 / 31 / 53

HEX #796853

RGB 121 104 83

HSL 33.16, 0.19%, 0.4%

LAB 45.07, 3.31, 14.33

 

CMYK 0 / 14 / 32 / 43

HEX #927E63

RGB 146 126 99

HSL 34.47, 0.19%, 0.48%

LAB 53.96, 3.43, 17.55

 

CMYK 0 / 11 / 26 / 36

HEX #A4927A

RGB 164 146 122

HSL 34.29, 0.19%, 0.56%

LAB 61.53, 2.82, 15.18

 

CMYK 0 / 14 / 32 / 53

HEX #796852

RGB 121 104 82

HSL 33.85, 0.19%, 0.4%

LAB 45.05, 3.16, 14.9

 

CMYK 24 / 0 / 31 / 53

HEX #5C7953

RGB 92 121 83

HSL 105.79, 0.19%, 0.4%

LAB 47.72, -18.28, 17.55

 

CMYK 27 / 31 / 0 / 53

HEX #585379

RGB 88 83 121

HSL 247.89, 0.19%, 0.4%

LAB 37.19, 11.16, -20.82

 

CMYK 0 / 14 / 32 / 53

HEX #796852

RGB 121 104 82

HSL 33.85, 0.19%, 0.4%

LAB 45.05, 3.16, 14.9

 

CMYK 31 / 0 / 14 / 53

HEX #537968

RGB 83 121 104

HSL 153.16, 0.19%, 0.4%

LAB 47.64, -17.34, 5.06

 

CMYK 14 / 31 / 0 / 53

HEX #685379

RGB 104 83 121

HSL 273.16, 0.19%, 0.4%

LAB 38.74, 16.63, -18.3

 

CMYK 0 / 14 / 32 / 53

HEX #796852

RGB 121 104 82

HSL 33.85, 0.19%, 0.4%

LAB 45.05, 3.16, 14.9

 

CMYK 24 / 0 / 31 / 53

HEX #5C7953

RGB 92 121 83

HSL 105.79, 0.19%, 0.4%

LAB 47.72, -18.28, 17.55

 

CMYK 31 / 17 / 0 / 53

HEX #536479

RGB 83 100 121

HSL 213.16, 0.19%, 0.4%

LAB 41.74, -1.05, -13.87

 

CMYK 7 / 31 / 0 / 53

HEX #705379

RGB 112 83 121

HSL 285.79, 0.19%, 0.4%

LAB 39.6, 19.45, -16.91

 

CMYK 0 / 14 / 32 / 53

HEX #796852

RGB 121 104 82

HSL 33.85, 0.19%, 0.4%

LAB 45.05, 3.16, 14.9

 

CMYK 31 / 0 / 30 / 53

HEX #537955

RGB 83 121 85

HSL 123.16, 0.19%, 0.4%

LAB 47.2, -21.26, 15.58

 

CMYK 31 / 17 / 0 / 53

HEX #536479

RGB 83 100 121

HSL 213.16, 0.19%, 0.4%

LAB 41.74, -1.05, -13.87

 

CMYK 0 / 31 / 2 / 53

HEX #795377

RGB 121 83 119

HSL 303.16, 0.19%, 0.4%

LAB 40.55, 22.25, -14.14

 

Description

Color code: HEX #796852 | qconv.com Color code: HEX #796852 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 104 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 104 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 32 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 32% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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