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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #796249 it is the complementary color #869DB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #796249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #796249 shade: #7E6244, #8F7457, #A0866A, #B1987D and #C2AA90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #796249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #796249 shade: #796249, #685036, #573E23, #462C10 and #351A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #796249 shade: #796249, #795549 and #794949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #796249 shade: #796249, #796F49, #767949, #697949 and #5C7949

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #796249 shade matches the following richer shades: #796249, #896339, #986329, #A8641A and #B8650A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #796249 shade: #796249, #696158, #5A6168, #4A6078 and #3A5F87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #796249 shade: #794949, #795549, #796249, #796F49 and #777949

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #796249 shade: #46382A, #5F4D39, #796249, #937758 and #A78B6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #796249 shade: #796249, #567949 and #4E4979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #796249 shade: #796249, #497962 and #624979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #796249 shade: #796249, #567949, #496079 and #6B4979

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #796249 shade: #796249, #497949, #496079 and #794978

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

Complementary color

CMYK 26 / 14 / 0 / 29

HEX #869DB6

RGB 134 157 182

HSL 211.25, 0.25%, 0.62%

LAB 63.8, -2.29, -15.61

 

CMYK 0 / 22 / 46 / 51

HEX #7E6244

RGB 126 98 68

HSL 31.03, 0.3%, 0.38%

LAB 43.64, 7.1, 21.38

 

CMYK 0 / 19 / 39 / 44

HEX #8F7457

RGB 143 116 87

HSL 31.07, 0.24%, 0.45%

LAB 50.71, 6.31, 20.01

 

CMYK 0 / 16 / 34 / 37

HEX #A0866A

RGB 160 134 106

HSL 31.11, 0.22%, 0.52%

LAB 57.62, 5.67, 18.78

 

CMYK 0 / 14 / 29 / 31

HEX #B1987D

RGB 177 152 125

HSL 31.15, 0.25%, 0.59%

LAB 64.39, 5.13, 17.65

 

CMYK 0 / 12 / 26 / 24

HEX #C2AA90

RGB 194 170 144

HSL 31.2, 0.29%, 0.66%

LAB 71.03, 4.67, 16.61

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 23 / 48 / 59

HEX #685036

RGB 104 80 54

HSL 31.2, 0.32%, 0.31%

LAB 35.88, 6.31, 19.15

 

CMYK 0 / 29 / 60 / 66

HEX #573E23

RGB 87 62 35

HSL 31.15, 0.43%, 0.24%

LAB 28.36, 7.39, 20.76

 

CMYK 0 / 37 / 77 / 73

HEX #462C10

RGB 70 44 16

HSL 31.11, 0.63%, 0.17%

LAB 20.6, 8.91, 22.49

 

CMYK 0 / 51 / 100 / 79

HEX #351A00

RGB 53 26 0

HSL 29.43, 1%, 0.1%

LAB 12.58, 11, 18.95

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 30 / 40 / 53

HEX #795549

RGB 121 85 73

HSL 15, 0.25%, 0.38%

LAB 39.65, 13.27, 12.94

 

CMYK 0 / 40 / 40 / 53

HEX #794949

RGB 121 73 73

HSL 0, 0.25%, 0.38%

LAB 36.58, 20.46, 8.68

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 8 / 40 / 53

HEX #796F49

RGB 121 111 73

HSL 47.5, 0.25%, 0.38%

LAB 46.86, -2.13, 22.58

 

CMYK 2 / 0 / 40 / 53

HEX #767949

RGB 118 121 73

HSL 63.75, 0.25%, 0.38%

LAB 49.51, -9.11, 25.94

 

CMYK 13 / 0 / 40 / 53

HEX #697949

RGB 105 121 73

HSL 80, 0.25%, 0.38%

LAB 48.46, -14.63, 24.39

 

CMYK 24 / 0 / 40 / 53

HEX #5C7949

RGB 92 121 73

HSL 96.25, 0.25%, 0.38%

LAB 47.54, -19.9, 23.01

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 28 / 58 / 46

HEX #896339

RGB 137 99 57

HSL 31.5, 0.41%, 0.38%

LAB 44.99, 10.36, 29.66

 

CMYK 0 / 35 / 73 / 40

HEX #986329

RGB 152 99 41

HSL 31.35, 0.58%, 0.38%

LAB 46.66, 16.05, 40.45

 

CMYK 0 / 40 / 85 / 34

HEX #A8641A

RGB 168 100 26

HSL 31.27, 0.73%, 0.38%

LAB 48.9, 22.01, 49.82

 

CMYK 0 / 45 / 95 / 28

HEX #B8650A

RGB 184 101 10

HSL 31.38, 0.9%, 0.38%

LAB 51.29, 28.06, 57.23

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 8 / 16 / 59

HEX #696158

RGB 105 97 88

HSL 31.76, 0.09%, 0.38%

LAB 41.62, 1.5, 6.28

HEX #696158

CMYK 13 / 7 / 0 / 59

HEX #5A6168

RGB 90 97 104

HSL 210, 0.07%, 0.38%

LAB 40.77, -1.12, -4.9

HEX #5A6168

CMYK 38 / 20 / 0 / 53

HEX #4A6078

RGB 74 96 120

HSL 211.3, 0.24%, 0.38%

LAB 39.88, -1.73, -16.16

HEX #4A6078

CMYK 57 / 30 / 0 / 47

HEX #3A5F87

RGB 58 95 135

HSL 211.17, 0.4%, 0.38%

LAB 39.3, -0.67, -26.26

HEX #3A5F87

CMYK 0 / 40 / 40 / 53

HEX #794949

RGB 121 73 73

HSL 0, 0.25%, 0.38%

LAB 36.58, 20.46, 8.68

 

CMYK 0 / 30 / 40 / 53

HEX #795549

RGB 121 85 73

HSL 15, 0.25%, 0.38%

LAB 39.65, 13.27, 12.94

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 8 / 40 / 53

HEX #796F49

RGB 121 111 73

HSL 47.5, 0.25%, 0.38%

LAB 46.86, -2.13, 22.58

 

CMYK 2 / 0 / 40 / 53

HEX #777949

RGB 119 121 73

HSL 62.5, 0.25%, 0.38%

LAB 49.59, -8.68, 26.07

 

CMYK 0 / 20 / 40 / 73

HEX #46382A

RGB 70 56 42

HSL 30, 0.25%, 0.22%

LAB 24.63, 3.82, 11.09

 

CMYK 0 / 19 / 40 / 63

HEX #5F4D39

RGB 95 77 57

HSL 31.58, 0.25%, 0.3%

LAB 34.06, 4.37, 14.71

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 0 / 19 / 40 / 42

HEX #937758

RGB 147 119 88

HSL 31.53, 0.25%, 0.46%

LAB 51.95, 6.43, 21.17

 

CMYK 0 / 17 / 35 / 35

HEX #A78B6D

RGB 167 139 109

HSL 31.03, 0.25%, 0.54%

LAB 59.69, 6.15, 20.02

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 29 / 0 / 40 / 53

HEX #567949

RGB 86 121 73

HSL 103.75, 0.25%, 0.38%

LAB 47.15, -22.22, 22.44

 

CMYK 36 / 40 / 0 / 53

HEX #4E4979

RGB 78 73 121

HSL 246.25, 0.25%, 0.38%

LAB 33.49, 14.38, -26.66

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 40 / 0 / 19 / 53

HEX #497962

RGB 73 121 98

HSL 151.25, 0.25%, 0.38%

LAB 46.94, -21.93, 7.53

 

CMYK 19 / 40 / 0 / 53

HEX #624979

RGB 98 73 121

HSL 271.25, 0.25%, 0.38%

LAB 35.48, 20.79, -23.4

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 29 / 0 / 40 / 53

HEX #567949

RGB 86 121 73

HSL 103.75, 0.25%, 0.38%

LAB 47.15, -22.22, 22.44

 

CMYK 40 / 21 / 0 / 53

HEX #496079

RGB 73 96 121

HSL 211.25, 0.25%, 0.38%

LAB 39.85, -1.74, -16.81

 

CMYK 12 / 40 / 0 / 53

HEX #6B4979

RGB 107 73 121

HSL 282.5, 0.25%, 0.38%

LAB 36.5, 23.81, -21.73

 

CMYK 0 / 19 / 40 / 53

HEX #796249

RGB 121 98 73

HSL 31.25, 0.25%, 0.38%

LAB 43.18, 5.49, 17.73

 

CMYK 40 / 0 / 40 / 53

HEX #497949

RGB 73 121 73

HSL 120, 0.25%, 0.38%

LAB 46.41, -26.92, 21.32

 

CMYK 40 / 21 / 0 / 53

HEX #496079

RGB 73 96 121

HSL 211.25, 0.25%, 0.38%

LAB 39.85, -1.74, -16.81

 

CMYK 0 / 40 / 1 / 53

HEX #794978

RGB 121 73 120

HSL 301.25, 0.25%, 0.38%

LAB 38.17, 28.38, -18.39

 

Description

Color code: HEX #796249 | qconv.com Color code: HEX #796249 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 98 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 98 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 40 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 40% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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