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Color name
HEX #79622A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79622A it is the complementary color #869DD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79622A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79622A shade: #7E6225, #8F7438, #A0864B, #B1985E and #C2AA71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79622A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79622A shade: #79622A, #685017, #573E04, #462C00 and #351A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79622A shade: #79622A, #794D2A, #79382A and #792A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79622A shade: #79622A, #79772A, #65792A, #50792A and #3B792A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79622A shade matches the following richer shades: #79622A, #86671D, #936D10 and #A07303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79622A shade: #79622A, #6C5C38, #5E5745, #515152 and #444C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79622A shade: #79372A, #794C2A, #79612A, #79762A and #66792A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79622A shade: #3C3015, #5A4920, #79622A, #977B35 and #B69340

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79622A shade: #79622A, #32792A and #422A79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79622A shade: #79622A, #2A7961 and #612A79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79622A shade: #79622A, #32792A, #2A4279 and #712A79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79622A shade: #79622A, #2A793A, #2A4279 and #792A69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

Complementary color

CMYK 37 / 26 / 0 / 16

HEX #869DD5

RGB 134 157 213

HSL 222.53, 0.48%, 0.68%

LAB 64.95, 5.65, -31.15

 

CMYK 0 / 22 / 71 / 51

HEX #7E6225

RGB 126 98 37

HSL 41.12, 0.55%, 0.32%

LAB 43.22, 4.37, 37.81

 

CMYK 0 / 19 / 61 / 44

HEX #8F7438

RGB 143 116 56

HSL 41.38, 0.44%, 0.39%

LAB 50.23, 3.15, 36.55

 

CMYK 0 / 16 / 53 / 37

HEX #A0864B

RGB 160 134 75

HSL 41.65, 0.36%, 0.46%

LAB 57.11, 2.19, 35.19

 

CMYK 0 / 14 / 47 / 31

HEX #B1985E

RGB 177 152 94

HSL 41.93, 0.35%, 0.53%

LAB 63.85, 1.41, 33.84

 

CMYK 0 / 12 / 42 / 24

HEX #C2AA71

RGB 194 170 113

HSL 42.22, 0.4%, 0.6%

LAB 70.46, 0.77, 32.56

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 0 / 23 / 78 / 59

HEX #685017

RGB 104 80 23

HSL 42.22, 0.64%, 0.25%

LAB 35.48, 3.7, 35.66

 

CMYK 0 / 29 / 95 / 66

HEX #573E04

RGB 87 62 4

HSL 41.93, 0.91%, 0.18%

LAB 28.06, 5.51, 35.89

 

CMYK 0 / 37 / 100 / 73

HEX #462C00

RGB 70 44 0

HSL 37.71, 1%, 0.14%

LAB 20.45, 8.05, 29.28

 

CMYK 0 / 51 / 100 / 79

HEX #351A00

RGB 53 26 0

HSL 29.43, 1%, 0.1%

LAB 12.58, 11, 18.95

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 0 / 36 / 65 / 53

HEX #794D2A

RGB 121 77 42

HSL 26.58, 0.48%, 0.32%

LAB 37, 14.88, 28.07

 

CMYK 0 / 54 / 65 / 53

HEX #79382A

RGB 121 56 42

HSL 10.63, 0.48%, 0.32%

LAB 31.94, 27.14, 21.98

 

CMYK 0 / 65 / 65 / 53

HEX #792A2A

RGB 121 42 42

HSL 0, 0.48%, 0.32%

LAB 29.13, 34.48, 18.45

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 0 / 2 / 65 / 53

HEX #79772A

RGB 121 119 42

HSL 58.48, 0.48%, 0.32%

LAB 48.79, -9.68, 41.21

 

CMYK 17 / 0 / 65 / 53

HEX #65792A

RGB 101 121 42

HSL 75.19, 0.48%, 0.32%

LAB 47.76, -19.75, 39.62

 

CMYK 34 / 0 / 65 / 53

HEX #50792A

RGB 80 121 42

HSL 91.14, 0.48%, 0.32%

LAB 46.37, -28.46, 37.71

 

CMYK 51 / 0 / 65 / 53

HEX #3B792A

RGB 59 121 42

HSL 107.09, 0.48%, 0.32%

LAB 45.32, -35.92, 36.25

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 0 / 23 / 78 / 47

HEX #86671D

RGB 134 103 29

HSL 42.29, 0.64%, 0.32%

LAB 45.44, 4.8, 43.92

 

CMYK 0 / 26 / 89 / 42

HEX #936D10

RGB 147 109 16

HSL 42.6, 0.8%, 0.32%

LAB 48.48, 7.02, 51.6

 

CMYK 0 / 28 / 98 / 37

HEX #A07303

RGB 160 115 3

HSL 42.8, 0.96%, 0.32%

LAB 51.54, 9.42, 57.36

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 0 / 15 / 48 / 58

HEX #6C5C38

RGB 108 92 56

HSL 41.54, 0.32%, 0.32%

LAB 39.8, 1.12, 23.06

 

CMYK 0 / 7 / 27 / 63

HEX #5E5745

RGB 94 87 69

HSL 43.2, 0.15%, 0.32%

LAB 37.16, -0.42, 11.51

 

CMYK 1 / 1 / 0 / 68

HEX #515152

RGB 81 81 82

HSL 240, 0.01%, 0.32%

LAB 34.48, 0.22, -0.59

 

CMYK 28 / 20 / 0 / 63

HEX #444C5F

RGB 68 76 95

HSL 222.22, 0.17%, 0.32%

LAB 32.31, 1.68, -12.19

 

CMYK 0 / 55 / 65 / 53

HEX #79372A

RGB 121 55 42

HSL 9.87, 0.48%, 0.32%

LAB 31.73, 27.7, 21.71

 

CMYK 0 / 37 / 65 / 53

HEX #794C2A

RGB 121 76 42

HSL 25.82, 0.48%, 0.32%

LAB 36.75, 15.48, 27.77

 

CMYK 0 / 20 / 65 / 53

HEX #79612A

RGB 121 97 42

HSL 41.77, 0.48%, 0.32%

LAB 42.43, 2.93, 34.29

 

CMYK 0 / 2 / 65 / 53

HEX #79762A

RGB 121 118 42

HSL 57.72, 0.48%, 0.32%

LAB 48.5, -9.12, 40.9

 

CMYK 16 / 0 / 65 / 53

HEX #66792A

RGB 102 121 42

HSL 74.43, 0.48%, 0.32%

LAB 47.84, -19.31, 39.73

 

CMYK 0 / 20 / 65 / 76

HEX #3C3015

RGB 60 48 21

HSL 41.54, 0.48%, 0.16%

LAB 20.55, 1.44, 19.11

 

CMYK 0 / 19 / 64 / 65

HEX #5A4920

RGB 90 73 32

HSL 42.41, 0.48%, 0.24%

LAB 31.9, 1.69, 26.8

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 0 / 19 / 65 / 41

HEX #977B35

RGB 151 123 53

HSL 42.86, 0.48%, 0.4%

LAB 52.95, 2.59, 41.36

 

CMYK 0 / 19 / 65 / 29

HEX #B69340

RGB 182 147 64

HSL 42.2, 0.48%, 0.48%

LAB 62.66, 3.82, 47.69

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 59 / 0 / 65 / 53

HEX #32792A

RGB 50 121 42

HSL 113.92, 0.48%, 0.32%

LAB 44.97, -38.59, 35.76

 

CMYK 45 / 65 / 0 / 53

HEX #422A79

RGB 66 42 121

HSL 258.23, 0.48%, 0.32%

LAB 24.3, 31.01, -41.39

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 65 / 0 / 20 / 53

HEX #2A7961

RGB 42 121 97

HSL 161.77, 0.48%, 0.32%

LAB 45.68, -30.19, 6.15

 

CMYK 20 / 65 / 0 / 53

HEX #612A79

RGB 97 42 121

HSL 281.77, 0.48%, 0.32%

LAB 28.32, 38.61, -34.72

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 59 / 0 / 65 / 53

HEX #32792A

RGB 50 121 42

HSL 113.92, 0.48%, 0.32%

LAB 44.97, -38.59, 35.76

 

CMYK 65 / 45 / 0 / 53

HEX #2A4279

RGB 42 66 121

HSL 221.77, 0.48%, 0.32%

LAB 28.82, 9.73, -34.22

 

CMYK 7 / 65 / 0 / 53

HEX #712A79

RGB 113 42 121

HSL 293.92, 0.48%, 0.32%

LAB 30.75, 42.8, -30.7

 

CMYK 0 / 19 / 65 / 53

HEX #79622A

RGB 121 98 42

HSL 42.53, 0.48%, 0.32%

LAB 42.71, 2.34, 34.6

 

CMYK 65 / 0 / 52 / 53

HEX #2A793A

RGB 42 121 58

HSL 132.15, 0.48%, 0.32%

LAB 44.9, -38.43, 27.46

 

CMYK 65 / 45 / 0 / 53

HEX #2A4279

RGB 42 66 121

HSL 221.77, 0.48%, 0.32%

LAB 28.82, 9.73, -34.22

 

CMYK 0 / 65 / 13 / 53

HEX #792A69

RGB 121 42 105

HSL 312.15, 0.48%, 0.32%

LAB 31.21, 42.1, -19.72

 

Description

Color code: HEX #79622A | qconv.com Color code: HEX #79622A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 98 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 98 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 65 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 65% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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