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Color name
HEX #795F214C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #795F214C it is the complementary color #86A0DE4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #795F214C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #795F214C shade: #7E5F1C4C, #8F712F4C, #A083424C, #B195554C and #C2A7684C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #795F214C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #795F214C shade: #795F214C, #684D0E4C, #573B004C, #4629004C and #3517004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #795F214C shade: #785E21, #784721, #782F21 and #782121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #795F214C shade: #785E21, #787621, #637821, #4B7821 and #347821

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #795F214C shade matches the following richer shades: #785E21, #846315 and #916808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #795F214C shade: #785E21, #6C592D, #5F543A, #534F46 and #474A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #795F214C shade: #782F21, #784721, #785E21, #787521 and #647821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #795F214C shade: #372B0F, #584518, #785E21, #98782A and #B99133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #795F214C shade: #795F21, #2A7821 and #3B2178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #795F214C shade: #795F21, #21785E and #5E2178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #795F214C shade: #795F21, #2A7821, #213B78 and #6F2178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #795F214C shade: #795F21, #217832, #213B78 and #782167

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 22 / 16

HEX #795F214C

RGBA 121 95 33 0.3

HSLA 42.27, 0.57%, 0.3%, 0.3

LABA 41.78, 3.52, 38.04, 0.3

 

Complementary color

CMYK 12 / 8 / 0 / 4

HEX #86A0DE4C

RGBA 134 160 222 0.3

HSLA 222.27, 0.57%, 0.7%, 0.3

LABA 66.12, 6.39, -34.31, 0.3

 

CMYK 0 / 7 / 23 / 15

HEX #7E5F1C4C

RGBA 126 95 28 0.3

HSLA 41.02, 0.64%, 0.3%, 0.3

LABA 42.31, 5.64, 41.02, 0.3

 

CMYK 0 / 6 / 20 / 13

HEX #8F712F4C

RGBA 143 113 47 0.3

HSLA 41.25, 0.51%, 0.37%, 0.3

LABA 49.32, 4.22, 40.06, 0.3

 

CMYK 0 / 5 / 18 / 11

HEX #A083424C

RGBA 160 131 66 0.3

HSLA 41.49, 0.42%, 0.44%, 0.3

LABA 56.19, 3.1, 38.78, 0.3

 

CMYK 0 / 5 / 16 / 9

HEX #B195554C

RGBA 177 149 85 0.3

HSLA 41.74, 0.37%, 0.51%, 0.3

LABA 62.93, 2.19, 37.43, 0.3

 

CMYK 0 / 4 / 14 / 7

HEX #C2A7684C

RGBA 194 167 104 0.3

HSLA 42, 0.42%, 0.58%, 0.3

LABA 69.55, 1.43, 36.11, 0.3

 

CMYK 0 / 6 / 22 / 16

HEX #795F214C

RGBA 121 95 33 0.3

HSLA 42.27, 0.57%, 0.3%, 0.3

LABA 41.78, 3.52, 38.04, 0.3

 

CMYK 0 / 8 / 26 / 18

HEX #684D0E4C

RGBA 104 77 14 0.3

HSLA 42, 0.76%, 0.23%, 0.3

LABA 34.56, 5.14, 38.51, 0.3

 

CMYK 0 / 10 / 30 / 20

HEX #573B004C

RGBA 87 59 0 0.3

HSLA 40.69, 1%, 0.17%, 0.3

LABA 27.17, 7.25, 36.76, 0.3

 

CMYK 0 / 12 / 30 / 22

HEX #4629004C

RGBA 70 41 0 0.3

HSLA 35.14, 1%, 0.14%, 0.3

LABA 19.59, 10.02, 28.3, 0.3

 

CMYK 0 / 17 / 30 / 24

HEX #3517004C

RGBA 53 23 0 0.3

HSLA 26.04, 1%, 0.1%, 0.3

LABA 11.75, 13.01, 17.82, 0.3

 

CMYK 0 / 22 / 73 / 53

HEX #785E21

RGB 120 94 33

HSL 42.07, 0.57%, 0.3%

LAB 41.39, 3.63, 37.6

 

CMYK 0 / 41 / 73 / 53

HEX #784721

RGB 120 71 33

HSL 26.21, 0.57%, 0.3%

LAB 35.22, 17.39, 31.02

 

CMYK 0 / 61 / 73 / 53

HEX #782F21

RGB 120 47 33

HSL 9.66, 0.57%, 0.3%

LAB 29.75, 31, 24.85

 

CMYK 0 / 73 / 73 / 53

HEX #782121

RGB 120 33 33

HSL 0, 0.57%, 0.3%

LAB 27.27, 37.64, 21.93

 

CMYK 0 / 22 / 73 / 53

HEX #785E21

RGB 120 94 33

HSL 42.07, 0.57%, 0.3%

LAB 41.39, 3.63, 37.6

 

CMYK 0 / 2 / 73 / 53

HEX #787621

RGB 120 118 33

HSL 58.62, 0.57%, 0.3%

LAB 48.34, -10.15, 44.62

 

CMYK 18 / 0 / 73 / 53

HEX #637821

RGB 99 120 33

HSL 74.48, 0.57%, 0.3%

LAB 47.23, -20.76, 42.95

 

CMYK 38 / 0 / 73 / 53

HEX #4B7821

RGB 75 120 33

HSL 91.03, 0.57%, 0.3%

LAB 45.69, -30.7, 40.88

 

CMYK 57 / 0 / 73 / 53

HEX #347821

RGB 52 120 33

HSL 106.9, 0.57%, 0.3%

LAB 44.62, -38.52, 39.45

 

CMYK 0 / 22 / 73 / 53

HEX #785E21

RGB 120 94 33

HSL 42.07, 0.57%, 0.3%

LAB 41.39, 3.63, 37.6

 

CMYK 0 / 25 / 84 / 48

HEX #846315

RGB 132 99 21

HSL 42.16, 0.73%, 0.3%

LAB 44.07, 5.86, 45.63

 

CMYK 0 / 28 / 94 / 43

HEX #916808

RGB 145 104 8

HSL 42.04, 0.9%, 0.3%

LAB 46.89, 8.79, 52.15

 

CMYK 0 / 22 / 73 / 53

HEX #785E21

RGB 120 94 33

HSL 42.07, 0.57%, 0.3%

LAB 41.39, 3.63, 37.6

 

CMYK 0 / 18 / 58 / 58

HEX #6C592D

RGB 108 89 45

HSL 41.9, 0.41%, 0.3%

LAB 38.76, 1.79, 28.08

 

CMYK 0 / 12 / 39 / 63

HEX #5F543A

RGB 95 84 58

HSL 42.16, 0.24%, 0.3%

LAB 36.14, 0.21, 16.87

 

CMYK 0 / 5 / 16 / 67

HEX #534F46

RGB 83 79 70

HSL 41.54, 0.08%, 0.3%

LAB 33.72, -0.14, 5.9

 

CMYK 13 / 10 / 0 / 68

HEX #474A52

RGB 71 74 82

HSL 223.64, 0.07%, 0.3%

LAB 31.45, 0.66, -5.17

 

CMYK 0 / 61 / 73 / 53

HEX #782F21

RGB 120 47 33

HSL 9.66, 0.57%, 0.3%

LAB 29.75, 31, 24.85

 

CMYK 0 / 41 / 73 / 53

HEX #784721

RGB 120 71 33

HSL 26.21, 0.57%, 0.3%

LAB 35.22, 17.39, 31.02

 

CMYK 0 / 22 / 73 / 53

HEX #785E21

RGB 120 94 33

HSL 42.07, 0.57%, 0.3%

LAB 41.39, 3.63, 37.6

 

CMYK 0 / 3 / 73 / 53

HEX #787521

RGB 120 117 33

HSL 57.93, 0.57%, 0.3%

LAB 48.04, -9.6, 44.33

 

CMYK 17 / 0 / 73 / 53

HEX #647821

RGB 100 120 33

HSL 73.79, 0.57%, 0.3%

LAB 47.3, -20.32, 43.05

 

CMYK 0 / 22 / 73 / 78

HEX #372B0F

RGB 55 43 15

HSL 42, 0.57%, 0.14%

LAB 18.25, 1.57, 19.8

 

CMYK 0 / 22 / 73 / 65

HEX #584518

RGB 88 69 24

HSL 42.19, 0.57%, 0.22%

LAB 30.39, 2.57, 29.36

 

CMYK 0 / 22 / 73 / 53

HEX #785E21

RGB 120 94 33

HSL 42.07, 0.57%, 0.3%

LAB 41.39, 3.63, 37.6

 

CMYK 0 / 21 / 72 / 40

HEX #98782A

RGB 152 120 42

HSL 42.55, 0.57%, 0.38%

LAB 52.15, 4.07, 45.66

 

CMYK 0 / 22 / 72 / 27

HEX #B99133

RGB 185 145 51

HSL 42.09, 0.57%, 0.46%

LAB 62.34, 5.49, 53.24

 

CMYK 0 / 21 / 73 / 53

HEX #795F21

RGB 121 95 33

HSL 42.27, 0.57%, 0.3%

LAB 41.78, 3.52, 38.04

 

CMYK 65 / 0 / 73 / 53

HEX #2A7821

RGB 42 120 33

HSL 113.79, 0.57%, 0.3%

LAB 44.28, -41.21, 38.99

 

CMYK 51 / 73 / 0 / 53

HEX #3B2178

RGB 59 33 120

HSL 257.93, 0.57%, 0.3%

LAB 21.48, 34.58, -45.38

 

CMYK 0 / 21 / 73 / 53

HEX #795F21

RGB 121 95 33

HSL 42.27, 0.57%, 0.3%

LAB 41.78, 3.52, 38.04

 

CMYK 73 / 0 / 22 / 53

HEX #21785E

RGB 33 120 94

HSL 162.07, 0.57%, 0.3%

LAB 45.03, -32.14, 6.98

 

CMYK 22 / 73 / 0 / 53

HEX #5E2178

RGB 94 33 120

HSL 282.07, 0.57%, 0.3%

LAB 26.23, 42.03, -37.47

 

CMYK 0 / 21 / 73 / 53

HEX #795F21

RGB 121 95 33

HSL 42.27, 0.57%, 0.3%

LAB 41.78, 3.52, 38.04

 

CMYK 65 / 0 / 73 / 53

HEX #2A7821

RGB 42 120 33

HSL 113.79, 0.57%, 0.3%

LAB 44.28, -41.21, 38.99

 

CMYK 73 / 51 / 0 / 53

HEX #213B78

RGB 33 59 120

HSL 222.07, 0.57%, 0.3%

LAB 26.18, 12.54, -37.86

 

CMYK 8 / 73 / 0 / 53

HEX #6F2178

RGB 111 33 120

HSL 293.79, 0.57%, 0.3%

LAB 28.96, 46.03, -32.93

 

CMYK 0 / 21 / 73 / 53

HEX #795F21

RGB 121 95 33

HSL 42.27, 0.57%, 0.3%

LAB 41.78, 3.52, 38.04

 

CMYK 73 / 0 / 58 / 53

HEX #217832

RGB 33 120 50

HSL 131.72, 0.57%, 0.3%

LAB 44.21, -41.16, 30.79

 

CMYK 73 / 51 / 0 / 53

HEX #213B78

RGB 33 59 120

HSL 222.07, 0.57%, 0.3%

LAB 26.18, 12.54, -37.86

 

CMYK 0 / 73 / 14 / 53

HEX #782167

RGB 120 33 103

HSL 311.72, 0.57%, 0.3%

LAB 29.56, 45.32, -21.01

 

Description

Color code: HEX #795F214C | qconv.com Color code: HEX #795F214C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 95 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 95 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 22 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 22% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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