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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #794C62 it is the complementary color #86B39D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #794C62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #794C62 shade: #7E4C5D, #8F5E70, #A07083, #B18296 and #C294A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #794C62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #794C62 shade: #794C62, #683A4F, #57283C, #461629 and #350416

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #794C62 shade: #7A4D63, #7A4D57 and #7A4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #794C62 shade: #7A4D63, #7A4D6F, #794D7A, #6D4D7A and #604D7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #794C62 shade matches the following richer shades: #7A4D63, #8A3C63, #9B2C62, #AB1C62 and #BB0C62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #794C62 shade: #7A4D63, #6A5D63, #5A6D64, #4A7D64 and #3A8D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #794C62 shade: #794D7A, #7A4D70, #7A4D63, #7A4D57 and #7A4E4D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #794C62 shade: #482D3A, #613D4E, #7A4D63, #945C77 and #A7728C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #794C62 shade: #794C62, #7A6D4D and #4D767A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #794C62 shade: #794C62, #637A4D and #4D637A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #794C62 shade: #794C62, #7A6D4D, #4D7A63 and #4D5A7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #794C62 shade: #794C62, #7A7A4D, #4D7A63 and #4D4D7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 19 / 53

HEX #794C62

RGB 121 76 98

HSL 330.67, 0.23%, 0.39%

LAB 38.05, 22.47, -4.89

 

Complementary color

CMYK 25 / 0 / 12 / 30

HEX #86B39D

RGB 134 179 157

HSL 150.67, 0.23%, 0.61%

LAB 69.29, -19.64, 6.38

 

CMYK 0 / 40 / 26 / 51

HEX #7E4C5D

RGB 126 76 93

HSL 339.6, 0.25%, 0.4%

LAB 38.54, 23.6, -0.96

 

CMYK 0 / 34 / 22 / 44

HEX #8F5E70

RGB 143 94 112

HSL 337.96, 0.21%, 0.46%

LAB 45.65, 22.73, -1.95

 

CMYK 0 / 30 / 18 / 37

HEX #A07083

RGB 160 112 131

HSL 336.25, 0.2%, 0.53%

LAB 52.62, 21.95, -2.81

 

CMYK 0 / 27 / 15 / 31

HEX #B18296

RGB 177 130 150

HSL 334.47, 0.23%, 0.6%

LAB 59.45, 21.25, -3.58

 

CMYK 0 / 24 / 13 / 24

HEX #C294A9

RGB 194 148 169

HSL 332.61, 0.27%, 0.67%

LAB 66.15, 20.61, -4.28

 

CMYK 0 / 37 / 19 / 53

HEX #794C62

RGB 121 76 98

HSL 330.67, 0.23%, 0.39%

LAB 38.05, 22.47, -4.89

 

CMYK 0 / 44 / 24 / 59

HEX #683A4F

RGB 104 58 79

HSL 332.61, 0.28%, 0.32%

LAB 30.72, 23.38, -3.92

 

CMYK 0 / 54 / 31 / 66

HEX #57283C

RGB 87 40 60

HSL 334.47, 0.37%, 0.25%

LAB 23.24, 24.33, -2.67

 

CMYK 0 / 69 / 41 / 73

HEX #461629

RGB 70 22 41

HSL 336.25, 0.52%, 0.18%

LAB 15.68, 25.14, -0.85

 

CMYK 0 / 92 / 58 / 79

HEX #350416

RGB 53 4 22

HSL 337.96, 0.86%, 0.11%

LAB 8.14, 25.57, 1.94

 

CMYK 0 / 37 / 19 / 52

HEX #7A4D63

RGB 122 77 99

HSL 330.67, 0.23%, 0.39%

LAB 38.46, 22.44, -4.89

 

CMYK 0 / 37 / 29 / 52

HEX #7A4D57

RGB 122 77 87

HSL 346.67, 0.23%, 0.39%

LAB 38.08, 20.48, 2.06

 

CMYK 0 / 37 / 37 / 52

HEX #7A4D4D

RGB 122 77 77

HSL 0, 0.23%, 0.39%

LAB 37.81, 19.03, 7.92

 

CMYK 0 / 37 / 19 / 52

HEX #7A4D63

RGB 122 77 99

HSL 330.67, 0.23%, 0.39%

LAB 38.46, 22.44, -4.89

 

CMYK 0 / 37 / 9 / 52

HEX #7A4D6F

RGB 122 77 111

HSL 314.67, 0.23%, 0.39%

LAB 38.89, 24.61, -11.71

 

CMYK 1 / 37 / 0 / 52

HEX #794D7A

RGB 121 77 122

HSL 298.67, 0.23%, 0.39%

LAB 39.2, 26.44, -18.04

 

CMYK 11 / 37 / 0 / 52

HEX #6D4D7A

RGB 109 77 122

HSL 282.67, 0.23%, 0.39%

LAB 37.78, 22.29, -20.36

 

CMYK 21 / 37 / 0 / 52

HEX #604D7A

RGB 96 77 122

HSL 265.33, 0.23%, 0.39%

LAB 36.37, 17.88, -22.66

 

CMYK 0 / 37 / 19 / 52

HEX #7A4D63

RGB 122 77 99

HSL 330.67, 0.23%, 0.39%

LAB 38.46, 22.44, -4.89

 

CMYK 0 / 57 / 28 / 46

HEX #8A3C63

RGB 138 60 99

HSL 330, 0.39%, 0.39%

LAB 37, 37.8, -6.83

 

CMYK 0 / 72 / 37 / 39

HEX #9B2C62

RGB 155 44 98

HSL 330.81, 0.56%, 0.39%

LAB 37.21, 50.26, -5.57

 

CMYK 0 / 84 / 43 / 33

HEX #AB1C62

RGB 171 28 98

HSL 330.63, 0.72%, 0.39%

LAB 38.5, 59.55, -3.33

 

CMYK 0 / 94 / 48 / 27

HEX #BB0C62

RGB 187 12 98

HSL 330.51, 0.88%, 0.39%

LAB 40.75, 66.19, 0.35

 

CMYK 0 / 37 / 19 / 52

HEX #7A4D63

RGB 122 77 99

HSL 330.67, 0.23%, 0.39%

LAB 38.46, 22.44, -4.89

 

CMYK 0 / 12 / 7 / 58

HEX #6A5D63

RGB 106 93 99

HSL 332.31, 0.07%, 0.39%

LAB 40.89, 6.4, -1.51

 

CMYK 17 / 0 / 8 / 57

HEX #5A6D64

RGB 90 109 100

HSL 151.58, 0.1%, 0.39%

LAB 44.28, -9.09, 2.66

 

CMYK 41 / 0 / 20 / 51

HEX #4A7D64

RGB 74 125 100

HSL 150.59, 0.26%, 0.39%

LAB 48.31, -23.23, 8.31

 

CMYK 59 / 0 / 29 / 45

HEX #3A8D64

RGB 58 141 100

HSL 150.36, 0.42%, 0.39%

LAB 52.81, -35.25, 14.5

 

CMYK 1 / 37 / 0 / 52

HEX #794D7A

RGB 121 77 122

HSL 298.67, 0.23%, 0.39%

LAB 39.2, 26.44, -18.04

 

CMYK 0 / 37 / 8 / 52

HEX #7A4D70

RGB 122 77 112

HSL 313.33, 0.23%, 0.39%

LAB 38.92, 24.8, -12.28

 

CMYK 0 / 37 / 19 / 52

HEX #7A4D63

RGB 122 77 99

HSL 330.67, 0.23%, 0.39%

LAB 38.46, 22.44, -4.89

 

CMYK 0 / 37 / 29 / 52

HEX #7A4D57

RGB 122 77 87

HSL 346.67, 0.23%, 0.39%

LAB 38.08, 20.48, 2.06

 

CMYK 0 / 36 / 37 / 52

HEX #7A4E4D

RGB 122 78 77

HSL 1.33, 0.23%, 0.39%

LAB 38.06, 18.44, 8.28

 

CMYK 0 / 38 / 19 / 72

HEX #482D3A

RGB 72 45 58

HSL 331.11, 0.23%, 0.23%

LAB 22.16, 14.7, -3.15

 

CMYK 0 / 37 / 20 / 62

HEX #613D4E

RGB 97 61 78

HSL 331.67, 0.23%, 0.31%

LAB 30.47, 18.58, -3.75

 

CMYK 0 / 37 / 19 / 52

HEX #7A4D63

RGB 122 77 99

HSL 330.67, 0.23%, 0.39%

LAB 38.46, 22.44, -4.89

 

CMYK 0 / 38 / 20 / 42

HEX #945C77

RGB 148 92 119

HSL 331.07, 0.23%, 0.47%

LAB 46.02, 26.92, -5.58

 

CMYK 0 / 32 / 16 / 35

HEX #A7728C

RGB 167 114 140

HSL 330.57, 0.23%, 0.55%

LAB 54.18, 24.91, -5.7

 

CMYK 0 / 37 / 19 / 53

HEX #794C62

RGB 121 76 98

HSL 330.67, 0.23%, 0.39%

LAB 38.05, 22.47, -4.89

 

CMYK 0 / 11 / 37 / 52

HEX #7A6D4D

RGB 122 109 77

HSL 42.67, 0.23%, 0.39%

LAB 46.46, -0.02, 19.76

 

CMYK 37 / 3 / 0 / 52

HEX #4D767A

RGB 77 118 122

HSL 185.33, 0.23%, 0.39%

LAB 46.9, -13.14, -6.75

 

CMYK 0 / 37 / 19 / 53

HEX #794C62

RGB 121 76 98

HSL 330.67, 0.23%, 0.39%

LAB 38.05, 22.47, -4.89

 

CMYK 19 / 0 / 37 / 52

HEX #637A4D

RGB 99 122 77

HSL 90.67, 0.23%, 0.39%

LAB 48.4, -17.05, 21.97

 

CMYK 37 / 19 / 0 / 52

HEX #4D637A

RGB 77 99 122

HSL 210.67, 0.23%, 0.39%

LAB 41.07, -2.06, -15.54

 

CMYK 0 / 37 / 19 / 53

HEX #794C62

RGB 121 76 98

HSL 330.67, 0.23%, 0.39%

LAB 38.05, 22.47, -4.89

 

CMYK 0 / 11 / 37 / 52

HEX #7A6D4D

RGB 122 109 77

HSL 42.67, 0.23%, 0.39%

LAB 46.46, -0.02, 19.76

 

CMYK 37 / 0 / 19 / 52

HEX #4D7A63

RGB 77 122 99

HSL 149.33, 0.23%, 0.39%

LAB 47.49, -20.96, 7.75

 

CMYK 37 / 26 / 0 / 52

HEX #4D5A7A

RGB 77 90 122

HSL 222.67, 0.23%, 0.39%

LAB 38.37, 3.49, -19.69

 

CMYK 0 / 37 / 19 / 53

HEX #794C62

RGB 121 76 98

HSL 330.67, 0.23%, 0.39%

LAB 38.05, 22.47, -4.89

 

CMYK 0 / 0 / 37 / 52

HEX #7A7A4D

RGB 122 122 77

HSL 60, 0.23%, 0.39%

LAB 50.21, -7.44, 24.67

 

CMYK 37 / 0 / 19 / 52

HEX #4D7A63

RGB 77 122 99

HSL 149.33, 0.23%, 0.39%

LAB 47.49, -20.96, 7.75

 

CMYK 37 / 37 / 0 / 52

HEX #4D4D7A

RGB 77 77 122

HSL 240, 0.23%, 0.39%

LAB 34.58, 11.78, -25.58

 

Description

Color code: HEX #794C62 | qconv.com Color code: HEX #794C62 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 76 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 76 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 19 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 19% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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