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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7941C7 it is the complementary color #86BE38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7941C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7941C7 shade: #7E41C2, #8F53D5, #A065E8, #B177FB and #C289FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7941C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7941C7 shade: #7941C7, #682FB4, #571DA1, #460B8E and #35007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7941C7 shade: #7942C6, #9D42C6, #C142C6, #C642A8 and #C64285

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7941C7 shade: #7942C6, #5642C6 and #4242C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7941C7 shade matches the following richer shades: #7942C6, #762EDA and #731AEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7941C7 shade: #7942C6, #7C56B2, #806A9F, #837D8B and #869177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7941C7 shade: #4251C6, #5642C6, #7942C6, #9C42C6 and #C042C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7941C7 shade: #532A8C, #6633AC, #7942C6, #9062D0 and #A682D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7941C7 shade: #7941C7, #C64275 and #42C644

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7941C7 shade: #7941C7, #C67942 and #42C679

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7941C7 shade: #7941C7, #C64275, #8FC642 and #42C694

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7941C7 shade: #7941C7, #C6424D, #8FC642 and #42C6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 67 / 0 / 22

HEX #7941C7

RGB 121 65 199

HSL 265.07, 0.54%, 0.52%

LAB 41.17, 51.4, -60.99

 

Complementary color

CMYK 29 / 0 / 71 / 25

HEX #86BE38

RGB 134 190 56

HSL 85.07, 0.54%, 0.48%

LAB 71, -38.53, 58.7

 

CMYK 35 / 66 / 0 / 24

HEX #7E41C2

RGB 126 65 194

HSL 268.37, 0.51%, 0.51%

LAB 41.39, 51.16, -57.69

 

CMYK 33 / 61 / 0 / 16

HEX #8F53D5

RGB 143 83 213

HSL 267.69, 0.61%, 0.58%

LAB 48.05, 50.3, -57.81

 

CMYK 31 / 56 / 0 / 9

HEX #A065E8

RGB 160 101 232

HSL 267.02, 0.74%, 0.65%

LAB 54.67, 49.35, -57.83

 

CMYK 29 / 53 / 0 / 2

HEX #B177FB

RGB 177 119 251

HSL 266.36, 0.94%, 0.73%

LAB 61.23, 48.4, -57.79

 

CMYK 24 / 46 / 0 / 0

HEX #C289FF

RGB 194 137 255

HSL 268.98, 1%, 0.77%

LAB 66.96, 43.99, -50.77

 

CMYK 39 / 67 / 0 / 22

HEX #7941C7

RGB 121 65 199

HSL 265.07, 0.54%, 0.52%

LAB 41.17, 51.4, -60.99

 

CMYK 42 / 74 / 0 / 29

HEX #682FB4

RGB 104 47 180

HSL 265.71, 0.59%, 0.45%

LAB 34.54, 52.13, -60.71

 

CMYK 46 / 82 / 0 / 37

HEX #571DA1

RGB 87 29 161

HSL 266.36, 0.69%, 0.37%

LAB 28.06, 52.3, -60

 

CMYK 51 / 92 / 0 / 44

HEX #460B8E

RGB 70 11 142

HSL 267.02, 0.86%, 0.3%

LAB 21.92, 51.26, -58.48

 

CMYK 57 / 100 / 0 / 52

HEX #35007B

RGB 53 0 123

HSL 265.85, 1%, 0.24%

LAB 16.44, 48.06, -55.63

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 21 / 67 / 0 / 22

HEX #9D42C6

RGB 157 66 198

HSL 281.36, 0.54%, 0.52%

LAB 45.83, 58.27, -52.66

 

CMYK 3 / 67 / 0 / 22

HEX #C142C6

RGB 193 66 198

HSL 297.73, 0.54%, 0.52%

LAB 51.05, 66.4, -44.02

 

CMYK 0 / 67 / 15 / 22

HEX #C642A8

RGB 198 66 168

HSL 313.64, 0.54%, 0.52%

LAB 50.37, 62.86, -27.56

 

CMYK 0 / 67 / 33 / 22

HEX #C64285

RGB 198 66 133

HSL 329.55, 0.54%, 0.52%

LAB 49, 58.24, -8.8

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 57 / 67 / 0 / 22

HEX #5642C6

RGB 86 66 198

HSL 249.09, 0.54%, 0.52%

LAB 37.76, 44.25, -66.12

 

CMYK 67 / 67 / 0 / 22

HEX #4242C6

RGB 66 66 198

HSL 240, 0.54%, 0.52%

LAB 36.24, 41.32, -68.67

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 46 / 79 / 0 / 15

HEX #762EDA

RGB 118 46 218

HSL 265.12, 0.7%, 0.52%

LAB 39.36, 64.16, -74.94

 

CMYK 52 / 89 / 0 / 7

HEX #731AEE

RGB 115 26 238

HSL 265.19, 0.86%, 0.52%

LAB 38.82, 74.69, -87.23

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 30 / 52 / 0 / 30

HEX #7C56B2

RGB 124 86 178

HSL 264.78, 0.37%, 0.52%

LAB 44.45, 35.2, -43.42

 

CMYK 19 / 33 / 0 / 38

HEX #806A9F

RGB 128 106 159

HSL 264.91, 0.22%, 0.52%

LAB 48.76, 19.8, -25.46

 

CMYK 6 / 10 / 0 / 45

HEX #837D8B

RGB 131 125 139

HSL 265.71, 0.06%, 0.52%

LAB 53.34, 5.09, -6.76

 

CMYK 8 / 0 / 18 / 43

HEX #869177

RGB 134 145 119

HSL 85.38, 0.11%, 0.52%

LAB 58.65, -8.9, 12.48

 

CMYK 67 / 59 / 0 / 22

HEX #4251C6

RGB 66 81 198

HSL 233.18, 0.54%, 0.52%

LAB 39.78, 32.04, -62.87

 

CMYK 57 / 67 / 0 / 22

HEX #5642C6

RGB 86 66 198

HSL 249.09, 0.54%, 0.52%

LAB 37.76, 44.25, -66.12

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 21 / 67 / 0 / 22

HEX #9C42C6

RGB 156 66 198

HSL 280.91, 0.54%, 0.52%

LAB 45.69, 58.05, -52.89

 

CMYK 3 / 67 / 0 / 22

HEX #C042C6

RGB 192 66 198

HSL 297.27, 0.54%, 0.52%

LAB 50.9, 66.17, -44.27

 

CMYK 41 / 70 / 0 / 45

HEX #532A8C

RGB 83 42 140

HSL 265.1, 0.54%, 0.36%

LAB 27.81, 40.13, -47.53

 

CMYK 41 / 70 / 0 / 33

HEX #6633AC

RGB 102 51 172

HSL 265.29, 0.54%, 0.44%

LAB 34.34, 47.78, -56.29

 

CMYK 39 / 67 / 0 / 22

HEX #7942C6

RGB 121 66 198

HSL 265, 0.54%, 0.52%

LAB 41.28, 50.64, -60.23

 

CMYK 31 / 53 / 0 / 18

HEX #9062D0

RGB 144 98 208

HSL 265.09, 0.54%, 0.6%

LAB 50.94, 41.17, -50.31

 

CMYK 24 / 40 / 0 / 15

HEX #A682D9

RGB 166 130 217

HSL 264.83, 0.53%, 0.68%

LAB 60.85, 31.27, -39.57

 

CMYK 39 / 67 / 0 / 22

HEX #7941C7

RGB 121 65 199

HSL 265.07, 0.54%, 0.52%

LAB 41.17, 51.4, -60.99

 

CMYK 0 / 67 / 41 / 22

HEX #C64275

RGB 198 66 117

HSL 336.82, 0.54%, 0.52%

LAB 48.49, 56.46, 0.13

 

CMYK 67 / 0 / 66 / 22

HEX #42C644

RGB 66 198 68

HSL 120.91, 0.54%, 0.52%

LAB 70.85, -60.59, 52.97

 

CMYK 39 / 67 / 0 / 22

HEX #7941C7

RGB 121 65 199

HSL 265.07, 0.54%, 0.52%

LAB 41.17, 51.4, -60.99

 

CMYK 0 / 39 / 67 / 22

HEX #C67942

RGB 198 121 66

HSL 25, 0.54%, 0.52%

LAB 58.11, 25.15, 42.14

 

CMYK 67 / 0 / 39 / 22

HEX #42C679

RGB 66 198 121

HSL 145, 0.54%, 0.52%

LAB 71.51, -53.05, 28.39

 

CMYK 39 / 67 / 0 / 22

HEX #7941C7

RGB 121 65 199

HSL 265.07, 0.54%, 0.52%

LAB 41.17, 51.4, -60.99

 

CMYK 0 / 67 / 41 / 22

HEX #C64275

RGB 198 66 117

HSL 336.82, 0.54%, 0.52%

LAB 48.49, 56.46, 0.13

 

CMYK 28 / 0 / 67 / 22

HEX #8FC642

RGB 143 198 66

HSL 85, 0.54%, 0.52%

LAB 73.95, -38.05, 58.03

 

CMYK 67 / 0 / 25 / 22

HEX #42C694

RGB 66 198 148

HSL 157.27, 0.54%, 0.52%

LAB 72.02, -47.54, 14.77

 

CMYK 39 / 67 / 0 / 22

HEX #7941C7

RGB 121 65 199

HSL 265.07, 0.54%, 0.52%

LAB 41.17, 51.4, -60.99

 

CMYK 0 / 67 / 61 / 22

HEX #C6424D

RGB 198 66 77

HSL 355, 0.54%, 0.52%

LAB 47.54, 53.06, 23.11

 

CMYK 28 / 0 / 67 / 22

HEX #8FC642

RGB 143 198 66

HSL 85, 0.54%, 0.52%

LAB 73.95, -38.05, 58.03

 

CMYK 67 / 0 / 6 / 22

HEX #42C6BB

RGB 66 198 187

HSL 175, 0.54%, 0.52%

LAB 72.98, -37.85, -4.96

 

Description

Color code: HEX #7941C7 | qconv.com Color code: HEX #7941C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 65 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 65 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 67 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 67% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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