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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #793412 it is the complementary color #86CBED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #793412. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #793412 shade: #7E340D, #8F4620, #A05833, #B16A46 and #C27C59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #793412. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #793412 shade: #793412, #682200, #571000, #460000 and #350000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #793412 shade: #783412, #781812 and #781212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #793412 shade: #783412, #784F12, #786B12, #6A7812 and #4E7812

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #793412 shade matches the following richer shades: #783412 and #833007

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #793412 shade: #783412, #6D371D, #623B28, #563F33 and #4B433E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #793412 shade: #781228, #781712, #783212, #784D12 and #786912

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #793412 shade: #301507, #54240D, #783412, #9C4317 and #C0521D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #793412 shade: #793412, #437812 and #121A78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #793412 shade: #793412, #127832 and #321278

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #793412 shade: #793412, #437812, #125878 and #471278

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #793412 shade: #793412, #257812, #125878 and #651278

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 85 / 53

HEX #793412

RGB 121 52 18

HSL 19.81, 0.74%, 0.27%

LAB 30.79, 28.06, 34.35

 

Complementary color

CMYK 43 / 14 / 0 / 7

HEX #86CBED

RGB 134 203 237

HSL 199.81, 0.74%, 0.73%

LAB 78.4, -12.99, -23.59

 

CMYK 0 / 59 / 90 / 51

HEX #7E340D

RGB 126 52 13

HSL 20.71, 0.81%, 0.27%

LAB 31.63, 30.01, 37.67

 

CMYK 0 / 51 / 78 / 44

HEX #8F4620

RGB 143 70 32

HSL 20.54, 0.63%, 0.34%

LAB 38.42, 28.1, 35.99

 

CMYK 0 / 45 / 68 / 37

HEX #A05833

RGB 160 88 51

HSL 20.37, 0.52%, 0.41%

LAB 45.21, 26.37, 33.97

 

CMYK 0 / 40 / 60 / 31

HEX #B16A46

RGB 177 106 70

HSL 20.19, 0.43%, 0.48%

LAB 51.95, 24.86, 32.05

 

CMYK 0 / 36 / 54 / 24

HEX #C27C59

RGB 194 124 89

HSL 20, 0.46%, 0.55%

LAB 58.61, 23.54, 30.31

 

CMYK 0 / 57 / 85 / 53

HEX #793412

RGB 121 52 18

HSL 19.81, 0.74%, 0.27%

LAB 30.79, 28.06, 34.35

 

CMYK 0 / 67 / 100 / 59

HEX #682200

RGB 104 34 0

HSL 19.62, 1%, 0.2%

LAB 23.96, 29.92, 34.76

 

CMYK 0 / 82 / 100 / 66

HEX #571000

RGB 87 16 0

HSL 11.03, 1%, 0.17%

LAB 17.45, 31.42, 26.56

 

CMYK 0 / 100 / 100 / 73

HEX #460000

RGB 70 0 0

HSL 0, 1%, 0.14%

LAB 11.29, 31.58, 17.77

 

CMYK 0 / 100 / 100 / 79

HEX #350000

RGB 53 0 0

HSL 0, 1%, 0.1%

LAB 6.84, 26.09, 10.8

 

CMYK 0 / 57 / 85 / 53

HEX #783412

RGB 120 52 18

HSL 20, 0.74%, 0.27%

LAB 30.62, 27.63, 34.13

 

CMYK 0 / 80 / 85 / 53

HEX #781812

RGB 120 24 18

HSL 3.53, 0.74%, 0.27%

LAB 25.83, 40.45, 29.6

 

CMYK 0 / 85 / 85 / 53

HEX #781212

RGB 120 18 18

HSL 0, 0.74%, 0.27%

LAB 25.17, 42.33, 28.96

 

CMYK 0 / 57 / 85 / 53

HEX #783412

RGB 120 52 18

HSL 20, 0.74%, 0.27%

LAB 30.62, 27.63, 34.13

 

CMYK 0 / 34 / 85 / 53

HEX #784F12

RGB 120 79 18

HSL 35.88, 0.74%, 0.27%

LAB 37.17, 11.89, 40.07

 

CMYK 0 / 11 / 85 / 53

HEX #786B12

RGB 120 107 18

HSL 52.35, 0.74%, 0.27%

LAB 45.01, -4.64, 46.95

 

CMYK 12 / 0 / 85 / 53

HEX #6A7812

RGB 106 120 18

HSL 68.24, 0.74%, 0.27%

LAB 47.68, -18.38, 48.77

 

CMYK 35 / 0 / 85 / 53

HEX #4E7812

RGB 78 120 18

HSL 84.71, 0.74%, 0.27%

LAB 45.77, -30.45, 46.35

 

CMYK 0 / 57 / 85 / 53

HEX #783412

RGB 120 52 18

HSL 20, 0.74%, 0.27%

LAB 30.62, 27.63, 34.13

 

CMYK 0 / 63 / 95 / 49

HEX #833007

RGB 131 48 7

HSL 19.84, 0.9%, 0.27%

LAB 31.7, 33.96, 40.47

 

CMYK 0 / 57 / 85 / 53

HEX #783412

RGB 120 52 18

HSL 20, 0.74%, 0.27%

LAB 30.62, 27.63, 34.13

 

CMYK 0 / 50 / 73 / 57

HEX #6D371D

RGB 109 55 29

HSL 19.5, 0.58%, 0.27%

LAB 29.59, 21.63, 26.57

 

CMYK 0 / 40 / 59 / 62

HEX #623B28

RGB 98 59 40

HSL 19.66, 0.42%, 0.27%

LAB 29.1, 15.02, 18.91

 

CMYK 0 / 27 / 41 / 66

HEX #563F33

RGB 86 63 51

HSL 20.57, 0.26%, 0.27%

LAB 28.83, 8.18, 11.26

 

CMYK 0 / 11 / 17 / 71

HEX #4B433E

RGB 75 67 62

HSL 23.08, 0.09%, 0.27%

LAB 29.05, 2.42, 4.27

 

CMYK 0 / 85 / 67 / 53

HEX #781228

RGB 120 18 40

HSL 347.06, 0.74%, 0.27%

LAB 25.5, 43.35, 15.08

 

CMYK 0 / 81 / 85 / 53

HEX #781712

RGB 120 23 18

HSL 2.94, 0.74%, 0.27%

LAB 25.71, 40.79, 29.49

 

CMYK 0 / 58 / 85 / 53

HEX #783212

RGB 120 50 18

HSL 18.82, 0.74%, 0.27%

LAB 30.2, 28.72, 33.74

 

CMYK 0 / 36 / 85 / 53

HEX #784D12

RGB 120 77 18

HSL 34.71, 0.74%, 0.27%

LAB 36.64, 13.09, 39.6

 

CMYK 0 / 13 / 85 / 53

HEX #786912

RGB 120 105 18

HSL 51.18, 0.74%, 0.27%

LAB 44.43, -3.49, 46.45

 

CMYK 0 / 56 / 85 / 81

HEX #301507

RGB 48 21 7

HSL 20.49, 0.75%, 0.11%

LAB 10.41, 12.29, 12.96

 

CMYK 0 / 57 / 85 / 67

HEX #54240D

RGB 84 36 13

HSL 19.44, 0.73%, 0.19%

LAB 20.73, 20.65, 24.82

 

CMYK 0 / 57 / 85 / 53

HEX #783412

RGB 120 52 18

HSL 20, 0.74%, 0.27%

LAB 30.62, 27.63, 34.13

 

CMYK 0 / 57 / 85 / 39

HEX #9C4317

RGB 156 67 23

HSL 19.85, 0.74%, 0.35%

LAB 39.82, 34.73, 42.4

 

CMYK 0 / 57 / 85 / 25

HEX #C0521D

RGB 192 82 29

HSL 19.51, 0.74%, 0.43%

LAB 48.67, 41.5, 49.84

 

CMYK 0 / 57 / 85 / 53

HEX #793412

RGB 121 52 18

HSL 19.81, 0.74%, 0.27%

LAB 30.79, 28.06, 34.35

 

CMYK 44 / 0 / 85 / 53

HEX #437812

RGB 67 120 18

HSL 91.18, 0.74%, 0.27%

LAB 45.18, -34.63, 45.6

 

CMYK 85 / 78 / 0 / 53

HEX #121A78

RGB 18 26 120

HSL 235.29, 0.74%, 0.27%

LAB 16.62, 33.45, -53.5

 

CMYK 0 / 57 / 85 / 53

HEX #793412

RGB 121 52 18

HSL 19.81, 0.74%, 0.27%

LAB 30.79, 28.06, 34.35

 

CMYK 85 / 0 / 58 / 53

HEX #127832

RGB 18 120 50

HSL 138.82, 0.74%, 0.27%

LAB 43.93, -43.48, 30.39

 

CMYK 58 / 85 / 0 / 53

HEX #321278

RGB 50 18 120

HSL 258.82, 0.74%, 0.27%

LAB 17.77, 40.82, -51.52

 

CMYK 0 / 57 / 85 / 53

HEX #793412

RGB 121 52 18

HSL 19.81, 0.74%, 0.27%

LAB 30.79, 28.06, 34.35

 

CMYK 44 / 0 / 85 / 53

HEX #437812

RGB 67 120 18

HSL 91.18, 0.74%, 0.27%

LAB 45.18, -34.63, 45.6

 

CMYK 85 / 27 / 0 / 53

HEX #125878

RGB 18 88 120

HSL 198.82, 0.74%, 0.27%

LAB 34.93, -8.67, -24

 

CMYK 41 / 85 / 0 / 53

HEX #471278

RGB 71 18 120

HSL 271.18, 0.74%, 0.27%

LAB 20.55, 43.78, -46.84

 

CMYK 0 / 57 / 85 / 53

HEX #793412

RGB 121 52 18

HSL 19.81, 0.74%, 0.27%

LAB 30.79, 28.06, 34.35

 

CMYK 69 / 0 / 85 / 53

HEX #257812

RGB 37 120 18

HSL 108.82, 0.74%, 0.27%

LAB 44.05, -43.52, 44.15

 

CMYK 85 / 27 / 0 / 53

HEX #125878

RGB 18 88 120

HSL 198.82, 0.74%, 0.27%

LAB 34.93, -8.67, -24

 

CMYK 16 / 85 / 0 / 53

HEX #651278

RGB 101 18 120

HSL 288.82, 0.74%, 0.27%

LAB 25.43, 49.1, -38.69

 

Description

Color code: HEX #793412 | qconv.com Color code: HEX #793412 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 52 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 52 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 85 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 85% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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