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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7933A8 it is the complementary color #86CC57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7933A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7933A8 shade: #7E33A3, #8F45B6, #A057C9, #B169DC and #C27BEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7933A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7933A8 shade: #7933A8, #682195, #570F82, #46006F and #35005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7933A8 shade: #7934A8, #9834A8, #A83498, #A83478 and #A83459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7933A8 shade: #7934A8, #5A34A8, #3A34A8 and #3434A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7933A8 shade matches the following richer shades: #7934A8, #7D22BA and #8010CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7933A8 shade: #7934A8, #764596, #725784, #6F6973 and #6B7B61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7933A8 shade: #3934A8, #5834A8, #7734A8, #9634A8 and #A8349A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7933A8 shade: #4C2069, #622A88, #7934A8, #8F40C4 and #A260CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7933A8 shade: #7933A8, #A8344D and #34A849

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7933A8 shade: #7933A8, #A87734 and #34A877

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7933A8 shade: #7933A8, #A8344D, #64A834 and #34A88F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7933A8 shade: #7933A8, #A83D34, #64A834 and #349EA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 70 / 0 / 34

HEX #7933A8

RGB 121 51 168

HSL 275.9, 0.53%, 0.43%

LAB 36.48, 50.66, -50.31

 

Complementary color

CMYK 34 / 0 / 57 / 20

HEX #86CC57

RGB 134 204 87

HSL 95.9, 0.53%, 0.57%

LAB 75.42, -42.1, 50.52

 

CMYK 23 / 69 / 0 / 36

HEX #7E33A3

RGB 126 51 163

HSL 280.18, 0.52%, 0.42%

LAB 36.83, 50.63, -46.7

 

CMYK 21 / 62 / 0 / 29

HEX #8F45B6

RGB 143 69 182

HSL 279.29, 0.45%, 0.49%

LAB 43.47, 50.2, -47.22

 

CMYK 20 / 57 / 0 / 21

HEX #A057C9

RGB 160 87 201

HSL 278.42, 0.51%, 0.56%

LAB 50.11, 49.52, -47.53

 

CMYK 20 / 52 / 0 / 14

HEX #B169DC

RGB 177 105 220

HSL 277.57, 0.62%, 0.64%

LAB 56.7, 48.74, -47.73

 

CMYK 19 / 49 / 0 / 6

HEX #C27BEF

RGB 194 123 239

HSL 276.72, 0.78%, 0.71%

LAB 63.23, 47.92, -47.87

 

CMYK 28 / 70 / 0 / 34

HEX #7933A8

RGB 121 51 168

HSL 275.9, 0.53%, 0.43%

LAB 36.48, 50.66, -50.31

 

CMYK 30 / 78 / 0 / 42

HEX #682195

RGB 104 33 149

HSL 276.72, 0.64%, 0.36%

LAB 29.91, 50.66, -49.54

 

CMYK 33 / 88 / 0 / 49

HEX #570F82

RGB 87 15 130

HSL 277.57, 0.79%, 0.28%

LAB 23.6, 49.6, -48.11

 

CMYK 37 / 100 / 0 / 56

HEX #46006F

RGB 70 0 111

HSL 277.84, 1%, 0.22%

LAB 17.69, 46.94, -45.73

 

CMYK 42 / 100 / 0 / 64

HEX #35005C

RGB 53 0 92

HSL 274.57, 1%, 0.18%

LAB 12.79, 40.63, -41.31

 

CMYK 28 / 69 / 0 / 34

HEX #7934A8

RGB 121 52 168

HSL 275.69, 0.53%, 0.43%

LAB 36.65, 50.19, -50.04

 

CMYK 10 / 69 / 0 / 34

HEX #9834A8

RGB 152 52 168

HSL 291.72, 0.53%, 0.43%

LAB 41.15, 57.1, -42.57

 

CMYK 0 / 69 / 10 / 34

HEX #A83498

RGB 168 52 152

HSL 308.28, 0.53%, 0.43%

LAB 42.84, 58.18, -30.15

 

CMYK 0 / 69 / 29 / 34

HEX #A83478

RGB 168 52 120

HSL 324.83, 0.53%, 0.43%

LAB 41.43, 53.59, -12.77

 

CMYK 0 / 69 / 47 / 34

HEX #A83459

RGB 168 52 89

HSL 340.86, 0.53%, 0.43%

LAB 40.41, 50.11, 5.09

 

CMYK 28 / 69 / 0 / 34

HEX #7934A8

RGB 121 52 168

HSL 275.69, 0.53%, 0.43%

LAB 36.65, 50.19, -50.04

 

CMYK 46 / 69 / 0 / 34

HEX #5A34A8

RGB 90 52 168

HSL 259.66, 0.53%, 0.43%

LAB 32.82, 43.9, -56.41

 

CMYK 65 / 69 / 0 / 34

HEX #3A34A8

RGB 58 52 168

HSL 243.1, 0.53%, 0.43%

LAB 29.87, 38.65, -61.37

 

CMYK 69 / 69 / 0 / 34

HEX #3434A8

RGB 52 52 168

HSL 240, 0.53%, 0.43%

LAB 29.45, 37.87, -62.08

 

CMYK 28 / 69 / 0 / 34

HEX #7934A8

RGB 121 52 168

HSL 275.69, 0.53%, 0.43%

LAB 36.65, 50.19, -50.04

 

CMYK 33 / 82 / 0 / 27

HEX #7D22BA

RGB 125 34 186

HSL 275.92, 0.69%, 0.43%

LAB 36.08, 62.08, -61.64

 

CMYK 37 / 92 / 0 / 20

HEX #8010CB

RGB 128 16 203

HSL 275.94, 0.85%, 0.43%

LAB 36.5, 70.43, -70.9

 

CMYK 28 / 69 / 0 / 34

HEX #7934A8

RGB 121 52 168

HSL 275.69, 0.53%, 0.43%

LAB 36.65, 50.19, -50.04

 

CMYK 21 / 54 / 0 / 41

HEX #764596

RGB 118 69 150

HSL 276.3, 0.37%, 0.43%

LAB 38.39, 36.37, -36.43

 

CMYK 14 / 34 / 0 / 48

HEX #725784

RGB 114 87 132

HSL 276, 0.21%, 0.43%

LAB 41.31, 20.21, -20.97

 

CMYK 3 / 9 / 0 / 55

HEX #6F6973

RGB 111 105 115

HSL 276, 0.05%, 0.43%

LAB 45.25, 4.39, -4.74

 

CMYK 13 / 0 / 21 / 52

HEX #6B7B61

RGB 107 123 97

HSL 96.92, 0.12%, 0.43%

LAB 49.68, -11.1, 12.29

 

CMYK 66 / 69 / 0 / 34

HEX #3934A8

RGB 57 52 168

HSL 242.59, 0.53%, 0.43%

LAB 29.8, 38.52, -61.49

 

CMYK 48 / 69 / 0 / 34

HEX #5834A8

RGB 88 52 168

HSL 258.62, 0.53%, 0.43%

LAB 32.61, 43.53, -56.78

 

CMYK 29 / 69 / 0 / 34

HEX #7734A8

RGB 119 52 168

HSL 274.66, 0.53%, 0.43%

LAB 36.38, 49.76, -50.49

 

CMYK 11 / 69 / 0 / 34

HEX #9634A8

RGB 150 52 168

HSL 290.69, 0.53%, 0.43%

LAB 40.84, 56.65, -43.07

 

CMYK 0 / 69 / 8 / 34

HEX #A8349A

RGB 168 52 154

HSL 307.24, 0.53%, 0.43%

LAB 42.93, 58.49, -31.19

 

CMYK 28 / 70 / 0 / 59

HEX #4C2069

RGB 76 32 105

HSL 276.16, 0.53%, 0.27%

LAB 22.26, 34.67, -34.34

 

CMYK 28 / 69 / 0 / 47

HEX #622A88

RGB 98 42 136

HSL 275.74, 0.53%, 0.35%

LAB 29.49, 42.38, -42.24

 

CMYK 28 / 69 / 0 / 34

HEX #7934A8

RGB 121 52 168

HSL 275.69, 0.53%, 0.43%

LAB 36.65, 50.19, -50.04

 

CMYK 27 / 67 / 0 / 23

HEX #8F40C4

RGB 143 64 196

HSL 275.91, 0.53%, 0.51%

LAB 43.5, 55.7, -55.35

 

CMYK 21 / 53 / 0 / 19

HEX #A260CE

RGB 162 96 206

HSL 276, 0.53%, 0.59%

LAB 52.4, 46.44, -46.72

 

CMYK 28 / 70 / 0 / 34

HEX #7933A8

RGB 121 51 168

HSL 275.9, 0.53%, 0.43%

LAB 36.48, 50.66, -50.31

 

CMYK 0 / 69 / 54 / 34

HEX #A8344D

RGB 168 52 77

HSL 347.07, 0.53%, 0.43%

LAB 40.11, 49.04, 12.21

 

CMYK 69 / 0 / 57 / 34

HEX #34A849

RGB 52 168 73

HSL 130.86, 0.53%, 0.43%

LAB 60.97, -52.17, 39.37

 

CMYK 28 / 70 / 0 / 34

HEX #7933A8

RGB 121 51 168

HSL 275.9, 0.53%, 0.43%

LAB 36.48, 50.66, -50.31

 

CMYK 0 / 29 / 69 / 34

HEX #A87734

RGB 168 119 52

HSL 34.66, 0.53%, 0.43%

LAB 53.78, 12.45, 43.29

 

CMYK 69 / 0 / 29 / 34

HEX #34A877

RGB 52 168 119

HSL 154.66, 0.53%, 0.43%

LAB 61.71, -43.91, 16.15

 

CMYK 28 / 70 / 0 / 34

HEX #7933A8

RGB 121 51 168

HSL 275.9, 0.53%, 0.43%

LAB 36.48, 50.66, -50.31

 

CMYK 0 / 69 / 54 / 34

HEX #A8344D

RGB 168 52 77

HSL 347.07, 0.53%, 0.43%

LAB 40.11, 49.04, 12.21

 

CMYK 40 / 0 / 69 / 34

HEX #64A834

RGB 100 168 52

HSL 95.17, 0.53%, 0.43%

LAB 62.48, -41.47, 50.92

 

CMYK 69 / 0 / 15 / 34

HEX #34A88F

RGB 52 168 143

HSL 167.07, 0.53%, 0.43%

LAB 62.27, -38.12, 3.6

 

CMYK 28 / 70 / 0 / 34

HEX #7933A8

RGB 121 51 168

HSL 275.9, 0.53%, 0.43%

LAB 36.48, 50.66, -50.31

 

CMYK 0 / 64 / 69 / 34

HEX #A83D34

RGB 168 61 52

HSL 4.66, 0.53%, 0.43%

LAB 41.07, 43.43, 28.87

 

CMYK 40 / 0 / 69 / 34

HEX #64A834

RGB 100 168 52

HSL 95.17, 0.53%, 0.43%

LAB 62.48, -41.47, 50.92

 

CMYK 69 / 6 / 0 / 34

HEX #349EA8

RGB 52 158 168

HSL 185.17, 0.53%, 0.43%

LAB 59.9, -26.27, -13.99

 

Description

Color code: HEX #7933A8 | qconv.com Color code: HEX #7933A8 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 51 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 51 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 70 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 70% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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