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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #792D6A it is the complementary color #86D295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #792D6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #792D6A shade: #7E2D65, #8F3F78, #A0518B, #B1639E and #C275B1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #792D6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #792D6A shade: #792D6A, #681B57, #570944, #460031 and #35001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #792D6A shade: #7B2D6C, #7B2D57, #7B2D42 and #7B2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #792D6A shade: #7B2D6C, #752D7B, #602D7B, #4C2D7B and #372D7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #792D6A shade matches the following richer shades: #7B2D6C, #882074, #96127C and #A40584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #792D6A shade: #7B2D6C, #6D3B63, #60495B, #525653 and #44644B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #792D6A shade: #602D7B, #742D7B, #7B2D6D, #7B2D58 and #7B2D43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #792D6A shade: #3F1737, #5D2251, #7B2D6C, #993986 and #B744A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #792D6A shade: #792D6A, #7B4B2D and #2D7B6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #792D6A shade: #792D6A, #6D7B2D and #2D6D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #792D6A shade: #792D6A, #7B4B2D, #2D7B3C and #2D5D7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #792D6A shade: #792D6A, #7B622D, #2D7B3C and #2D467B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 12 / 53

HEX #792D6A

RGB 121 45 106

HSL 311.84, 0.46%, 0.33%

LAB 31.77, 40.87, -19.5

 

Complementary color

CMYK 36 / 0 / 29 / 18

HEX #86D295

RGB 134 210 149

HSL 131.84, 0.46%, 0.67%

LAB 78.07, -36.16, 22.99

 

CMYK 0 / 64 / 20 / 51

HEX #7E2D65

RGB 126 45 101

HSL 318.52, 0.47%, 0.34%

LAB 32.37, 41.57, -15.29

 

CMYK 0 / 56 / 16 / 44

HEX #8F3F78

RGB 143 63 120

HSL 317.25, 0.39%, 0.4%

LAB 39.16, 41.15, -16.61

 

CMYK 0 / 49 / 13 / 37

HEX #A0518B

RGB 160 81 139

HSL 315.95, 0.33%, 0.47%

LAB 45.94, 40.49, -17.61

 

CMYK 0 / 44 / 11 / 31

HEX #B1639E

RGB 177 99 158

HSL 314.62, 0.33%, 0.54%

LAB 52.66, 39.73, -18.4

 

CMYK 0 / 40 / 9 / 24

HEX #C275B1

RGB 194 117 177

HSL 313.25, 0.39%, 0.61%

LAB 59.31, 38.96, -19.07

 

CMYK 0 / 63 / 12 / 53

HEX #792D6A

RGB 121 45 106

HSL 311.84, 0.46%, 0.33%

LAB 31.77, 40.87, -19.5

 

CMYK 0 / 74 / 16 / 59

HEX #681B57

RGB 104 27 87

HSL 313.25, 0.59%, 0.26%

LAB 25, 40.76, -17.88

 

CMYK 0 / 90 / 22 / 66

HEX #570944

RGB 87 9 68

HSL 314.62, 0.81%, 0.19%

LAB 18.54, 39.38, -15.32

 

CMYK 0 / 100 / 30 / 73

HEX #460031

RGB 70 0 49

HSL 318, 1%, 0.14%

LAB 12.76, 35.45, -11.07

 

CMYK 0 / 100 / 43 / 79

HEX #35001E

RGB 53 0 30

HSL 326.04, 1%, 0.1%

LAB 7.68, 28.74, -4.91

 

CMYK 0 / 63 / 12 / 52

HEX #7B2D6C

RGB 123 45 108

HSL 311.54, 0.46%, 0.33%

LAB 32.19, 41.8, -20.09

 

CMYK 0 / 63 / 29 / 52

HEX #7B2D57

RGB 123 45 87

HSL 327.69, 0.46%, 0.33%

LAB 31.29, 38.54, -7.95

 

CMYK 0 / 63 / 46 / 52

HEX #7B2D42

RGB 123 45 66

HSL 343.85, 0.46%, 0.33%

LAB 30.6, 35.91, 4.77

 

CMYK 0 / 63 / 63 / 52

HEX #7B2D2D

RGB 123 45 45

HSL 0, 0.46%, 0.33%

LAB 30.1, 33.98, 17.83

 

CMYK 0 / 63 / 12 / 52

HEX #7B2D6C

RGB 123 45 108

HSL 311.54, 0.46%, 0.33%

LAB 32.19, 41.8, -20.09

 

CMYK 5 / 63 / 0 / 52

HEX #752D7B

RGB 117 45 123

HSL 295.38, 0.46%, 0.33%

LAB 32.01, 42.85, -29.93

 

CMYK 22 / 63 / 0 / 52

HEX #602D7B

RGB 96 45 123

HSL 279.23, 0.46%, 0.33%

LAB 28.89, 37.24, -35.08

 

CMYK 38 / 63 / 0 / 52

HEX #4C2D7B

RGB 76 45 123

HSL 263.85, 0.46%, 0.33%

LAB 26.28, 32.14, -39.4

 

CMYK 55 / 63 / 0 / 52

HEX #372D7B

RGB 55 45 123

HSL 247.69, 0.46%, 0.33%

LAB 24.06, 27.39, -43.11

 

CMYK 0 / 63 / 12 / 52

HEX #7B2D6C

RGB 123 45 108

HSL 311.54, 0.46%, 0.33%

LAB 32.19, 41.8, -20.09

 

CMYK 0 / 76 / 15 / 47

HEX #882074

RGB 136 32 116

HSL 311.54, 0.62%, 0.33%

LAB 32.98, 51.81, -23.77

 

CMYK 0 / 88 / 17 / 41

HEX #96127C

RGB 150 18 124

HSL 311.82, 0.79%, 0.33%

LAB 34.75, 59.81, -25.85

 

CMYK 0 / 97 / 20 / 36

HEX #A40584

RGB 164 5 132

HSL 312.08, 0.94%, 0.33%

LAB 37.24, 65.57, -26.74

 

CMYK 0 / 63 / 12 / 52

HEX #7B2D6C

RGB 123 45 108

HSL 311.54, 0.46%, 0.33%

LAB 32.19, 41.8, -20.09

 

CMYK 0 / 46 / 9 / 57

HEX #6D3B63

RGB 109 59 99

HSL 312, 0.3%, 0.33%

LAB 32.44, 28.23, -14.15

 

CMYK 0 / 24 / 5 / 62

HEX #60495B

RGB 96 73 91

HSL 313.04, 0.14%, 0.33%

LAB 34, 13.19, -6.84

 

CMYK 5 / 0 / 3 / 66

HEX #525653

RGB 82 86 83

HSL 135, 0.02%, 0.33%

LAB 36.13, -2.24, 1.19

 

CMYK 32 / 0 / 25 / 61

HEX #44644B

RGB 68 100 75

HSL 133.13, 0.19%, 0.33%

LAB 39.33, -17.45, 10.53

 

CMYK 22 / 63 / 0 / 52

HEX #602D7B

RGB 96 45 123

HSL 279.23, 0.46%, 0.33%

LAB 28.89, 37.24, -35.08

 

CMYK 6 / 63 / 0 / 52

HEX #742D7B

RGB 116 45 123

HSL 294.62, 0.46%, 0.33%

LAB 31.85, 42.58, -30.18

 

CMYK 0 / 63 / 11 / 52

HEX #7B2D6D

RGB 123 45 109

HSL 310.77, 0.46%, 0.33%

LAB 32.24, 41.97, -20.65

 

CMYK 0 / 63 / 28 / 52

HEX #7B2D58

RGB 123 45 88

HSL 326.92, 0.46%, 0.33%

LAB 31.33, 38.68, -8.54

 

CMYK 0 / 63 / 46 / 52

HEX #7B2D43

RGB 123 45 67

HSL 343.08, 0.46%, 0.33%

LAB 30.62, 36.02, 4.15

 

CMYK 0 / 63 / 13 / 75

HEX #3F1737

RGB 63 23 55

HSL 312, 0.47%, 0.17%

LAB 15.2, 24.34, -11.74

 

CMYK 0 / 63 / 13 / 64

HEX #5D2251

RGB 93 34 81

HSL 312.2, 0.46%, 0.25%

LAB 23.89, 33.29, -15.77

 

CMYK 0 / 63 / 12 / 52

HEX #7B2D6C

RGB 123 45 108

HSL 311.54, 0.46%, 0.33%

LAB 32.19, 41.8, -20.09

 

CMYK 0 / 63 / 12 / 40

HEX #993986

RGB 153 57 134

HSL 311.88, 0.46%, 0.41%

LAB 40.28, 49.27, -23.38

 

CMYK 0 / 63 / 13 / 28

HEX #B744A0

RGB 183 68 160

HSL 312, 0.46%, 0.49%

LAB 47.93, 56.9, -26.8

 

CMYK 0 / 63 / 12 / 53

HEX #792D6A

RGB 121 45 106

HSL 311.84, 0.46%, 0.33%

LAB 31.77, 40.87, -19.5

 

CMYK 0 / 39 / 63 / 52

HEX #7B4B2D

RGB 123 75 45

HSL 23.08, 0.46%, 0.33%

LAB 36.8, 17.22, 26.17

 

CMYK 63 / 0 / 14 / 52

HEX #2D7B6A

RGB 45 123 106

HSL 166.92, 0.46%, 0.33%

LAB 46.66, -28.18, 2.26

 

CMYK 0 / 63 / 12 / 53

HEX #792D6A

RGB 121 45 106

HSL 311.84, 0.46%, 0.33%

LAB 31.77, 40.87, -19.5

 

CMYK 11 / 0 / 63 / 52

HEX #6D7B2D

RGB 109 123 45

HSL 70.77, 0.46%, 0.33%

LAB 49.02, -17.04, 39.76

 

CMYK 63 / 11 / 0 / 52

HEX #2D6D7B

RGB 45 109 123

HSL 190.77, 0.46%, 0.33%

LAB 42.65, -15.77, -13.88

 

CMYK 0 / 63 / 12 / 53

HEX #792D6A

RGB 121 45 106

HSL 311.84, 0.46%, 0.33%

LAB 31.77, 40.87, -19.5

 

CMYK 0 / 39 / 63 / 52

HEX #7B4B2D

RGB 123 75 45

HSL 23.08, 0.46%, 0.33%

LAB 36.8, 17.22, 26.17

 

CMYK 63 / 0 / 51 / 52

HEX #2D7B3C

RGB 45 123 60

HSL 131.54, 0.46%, 0.33%

LAB 45.7, -38.23, 27.4

 

CMYK 63 / 24 / 0 / 52

HEX #2D5D7B

RGB 45 93 123

HSL 203.08, 0.46%, 0.33%

LAB 37.51, -6.43, -21.77

 

CMYK 0 / 63 / 12 / 53

HEX #792D6A

RGB 121 45 106

HSL 311.84, 0.46%, 0.33%

LAB 31.77, 40.87, -19.5

 

CMYK 0 / 20 / 63 / 52

HEX #7B622D

RGB 123 98 45

HSL 40.77, 0.46%, 0.33%

LAB 42.97, 3.51, 33.39

 

CMYK 63 / 0 / 51 / 52

HEX #2D7B3C

RGB 45 123 60

HSL 131.54, 0.46%, 0.33%

LAB 45.7, -38.23, 27.4

 

CMYK 63 / 43 / 0 / 52

HEX #2D467B

RGB 45 70 123

HSL 220.77, 0.46%, 0.33%

LAB 30.32, 8.38, -33.07

 

Description

Color code: HEX #792D6A | qconv.com Color code: HEX #792D6A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 45 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 45 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 12 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 12% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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