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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #792BBC it is the complementary color #86D443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #792BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #792BBC shade: #7E2BB7, #8F3DCA, #A04FDD, #B161F0 and #C273FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #792BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #792BBC shade: #792BBC, #6819A9, #570796, #460083 and #350070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #792BBC shade: #782ABB, #9F2ABB, #BB2AB0, #BB2A89 and #BB2A62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #792BBC shade: #782ABB, #512ABB and #2A2ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #792BBC shade matches the following richer shades: #782ABB, #7A18CE and #7B05E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #792BBC shade: #782ABB, #773DA8, #755096, #746283 and #737571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #792BBC shade: #2A2ABB, #512ABB, #782ABB, #9E2ABB and #BB2AB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #792BBC shade: #4D1B78, #632399, #782ABB, #8D3CD3 and #A15EDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #792BBC shade: #792BBC, #BB2A51 and #2ABB3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #792BBC shade: #792BBC, #BB782A and #2ABB78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #792BBC shade: #792BBC, #BB2A51, #6EBB2A and #2ABB94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #792BBC shade: #792BBC, #BB2F2A, #6EBB2A and #2AB6BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 77 / 0 / 26

HEX #792BBC

RGB 121 43 188

HSL 272.28, 0.63%, 0.45%

LAB 36.79, 58.67, -61.68

 

Complementary color

CMYK 37 / 0 / 68 / 17

HEX #86D443

RGB 134 212 67

HSL 92.28, 0.63%, 0.55%

LAB 77.61, -47.23, 61.33

 

CMYK 31 / 77 / 0 / 28

HEX #7E2BB7

RGB 126 43 183

HSL 275.57, 0.62%, 0.44%

LAB 37.08, 58.41, -58.22

 

CMYK 29 / 70 / 0 / 21

HEX #8F3DCA

RGB 143 61 202

HSL 274.89, 0.57%, 0.52%

LAB 43.42, 58.39, -58.95

 

CMYK 28 / 64 / 0 / 13

HEX #A04FDD

RGB 160 79 221

HSL 274.23, 0.68%, 0.59%

LAB 49.84, 57.93, -59.37

 

CMYK 26 / 60 / 0 / 6

HEX #B161F0

RGB 177 97 240

HSL 273.57, 0.83%, 0.66%

LAB 56.28, 57.24, -59.61

 

CMYK 24 / 55 / 0 / 0

HEX #C273FF

RGB 194 115 255

HSL 273.86, 1%, 0.73%

LAB 62.47, 55.56, -57.9

 

CMYK 36 / 77 / 0 / 26

HEX #792BBC

RGB 121 43 188

HSL 272.28, 0.63%, 0.45%

LAB 36.79, 58.67, -61.68

 

CMYK 38 / 85 / 0 / 34

HEX #6819A9

RGB 104 25 169

HSL 272.92, 0.74%, 0.38%

LAB 30.65, 57.98, -60.5

 

CMYK 42 / 95 / 0 / 41

HEX #570796

RGB 87 7 150

HSL 273.57, 0.91%, 0.31%

LAB 24.89, 55.88, -58.47

 

CMYK 47 / 100 / 0 / 49

HEX #460083

RGB 70 0 131

HSL 272.06, 1%, 0.26%

LAB 19.81, 51.41, -55.07

 

CMYK 53 / 100 / 0 / 56

HEX #350070

RGB 53 0 112

HSL 268.39, 1%, 0.22%

LAB 15.1, 45.39, -50.74

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 15 / 78 / 0 / 27

HEX #9F2ABB

RGB 159 42 187

HSL 288.41, 0.63%, 0.45%

LAB 42.18, 65.69, -52.1

 

CMYK 0 / 78 / 6 / 27

HEX #BB2AB0

RGB 187 42 176

HSL 304.55, 0.63%, 0.45%

LAB 46.12, 69.47, -39.07

 

CMYK 0 / 78 / 27 / 27

HEX #BB2A89

RGB 187 42 137

HSL 320.69, 0.63%, 0.45%

LAB 44.27, 64.1, -18.57

 

CMYK 0 / 78 / 48 / 27

HEX #BB2A62

RGB 187 42 98

HSL 336.83, 0.63%, 0.45%

LAB 42.92, 59.98, 3.49

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 57 / 78 / 0 / 27

HEX #512ABB

RGB 81 42 187

HSL 256.14, 0.63%, 0.45%

LAB 31.79, 52.87, -69.46

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 41 / 88 / 0 / 19

HEX #7A18CE

RGB 122 24 206

HSL 272.31, 0.79%, 0.45%

LAB 36.46, 68.76, -72.75

 

CMYK 45 / 98 / 0 / 12

HEX #7B05E0

RGB 123 5 224

HSL 272.33, 0.96%, 0.45%

LAB 37.3, 75.74, -81.74

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 29 / 64 / 0 / 34

HEX #773DA8

RGB 119 61 168

HSL 272.52, 0.47%, 0.45%

LAB 38, 45.3, -47.87

 

CMYK 22 / 47 / 0 / 41

HEX #755096

RGB 117 80 150

HSL 271.71, 0.3%, 0.45%

LAB 40.77, 29.7, -32.68

 

CMYK 11 / 25 / 0 / 49

HEX #746283

RGB 116 98 131

HSL 272.73, 0.14%, 0.45%

LAB 44.36, 13.99, -15.68

 

CMYK 2 / 0 / 3 / 54

HEX #737571

RGB 115 117 113

HSL 90, 0.02%, 0.45%

LAB 48.96, -1.56, 1.93

 

CMYK 78 / 78 / 0 / 27

HEX #2A2ABB

RGB 42 42 187

HSL 240, 0.63%, 0.45%

LAB 28.74, 48.99, -74.61

 

CMYK 57 / 78 / 0 / 27

HEX #512ABB

RGB 81 42 187

HSL 256.14, 0.63%, 0.45%

LAB 31.79, 52.87, -69.46

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 16 / 78 / 0 / 27

HEX #9E2ABB

RGB 158 42 187

HSL 288, 0.63%, 0.45%

LAB 42.02, 65.5, -52.36

 

CMYK 0 / 78 / 5 / 27

HEX #BB2AB1

RGB 187 42 177

HSL 304.14, 0.63%, 0.45%

LAB 46.17, 69.62, -39.57

 

CMYK 36 / 78 / 0 / 53

HEX #4D1B78

RGB 77 27 120

HSL 272.26, 0.63%, 0.29%

LAB 22.72, 41.12, -43.27

 

CMYK 35 / 77 / 0 / 40

HEX #632399

RGB 99 35 153

HSL 272.54, 0.63%, 0.37%

LAB 29.8, 49.86, -52.21

 

CMYK 36 / 78 / 0 / 27

HEX #782ABB

RGB 120 42 187

HSL 272.28, 0.63%, 0.45%

LAB 36.44, 58.66, -61.67

 

CMYK 33 / 72 / 0 / 17

HEX #8D3CD3

RGB 141 60 211

HSL 272.19, 0.63%, 0.53%

LAB 43.65, 60.48, -63.78

 

CMYK 26 / 57 / 0 / 15

HEX #A15EDA

RGB 161 94 218

HSL 272.42, 0.63%, 0.61%

LAB 52.56, 49.98, -53.3

 

CMYK 36 / 77 / 0 / 26

HEX #792BBC

RGB 121 43 188

HSL 272.28, 0.63%, 0.45%

LAB 36.79, 58.67, -61.68

 

CMYK 0 / 78 / 57 / 27

HEX #BB2A51

RGB 187 42 81

HSL 343.86, 0.63%, 0.45%

LAB 42.48, 58.62, 13.53

 

CMYK 78 / 0 / 67 / 27

HEX #2ABB3E

RGB 42 187 62

HSL 128.28, 0.63%, 0.45%

LAB 66.81, -61.57, 50.92

 

CMYK 36 / 77 / 0 / 26

HEX #792BBC

RGB 121 43 188

HSL 272.28, 0.63%, 0.45%

LAB 36.79, 58.67, -61.68

 

CMYK 0 / 36 / 78 / 27

HEX #BB782A

RGB 187 120 42

HSL 32.28, 0.63%, 0.45%

LAB 56.25, 19.78, 51.1

 

CMYK 78 / 0 / 36 / 27

HEX #2ABB78

RGB 42 187 120

HSL 152.28, 0.63%, 0.45%

LAB 67.57, -52.68, 23.57

 

CMYK 36 / 77 / 0 / 26

HEX #792BBC

RGB 121 43 188

HSL 272.28, 0.63%, 0.45%

LAB 36.79, 58.67, -61.68

 

CMYK 0 / 78 / 57 / 27

HEX #BB2A51

RGB 187 42 81

HSL 343.86, 0.63%, 0.45%

LAB 42.48, 58.62, 13.53

 

CMYK 41 / 0 / 78 / 27

HEX #6EBB2A

RGB 110 187 42

HSL 91.86, 0.63%, 0.45%

LAB 68.77, -46.66, 60.93

 

CMYK 78 / 0 / 21 / 27

HEX #2ABB94

RGB 42 187 148

HSL 163.86, 0.63%, 0.45%

LAB 68.15, -46.36, 9.24

 

CMYK 36 / 77 / 0 / 26

HEX #792BBC

RGB 121 43 188

HSL 272.28, 0.63%, 0.45%

LAB 36.79, 58.67, -61.68

 

CMYK 0 / 75 / 78 / 27

HEX #BB2F2A

RGB 187 47 42

HSL 2.07, 0.63%, 0.45%

LAB 42.41, 54.91, 37.12

 

CMYK 41 / 0 / 78 / 27

HEX #6EBB2A

RGB 110 187 42

HSL 91.86, 0.63%, 0.45%

LAB 68.77, -46.66, 60.93

 

CMYK 78 / 3 / 0 / 27

HEX #2AB6BB

RGB 42 182 187

HSL 182.07, 0.63%, 0.45%

LAB 67.68, -33.41, -12.91

 

Description

Color code: HEX #792BBC | qconv.com Color code: HEX #792BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 43 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 43 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 77 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 77% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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