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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79289F it is the complementary color #86D760. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79289F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79289F shade: #7E289A, #8F3AAD, #A04CC0, #B15ED3 and #C270E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79289F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79289F shade: #79289F, #68168C, #570479, #460066 and #350053

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79289F shade: #79289F, #99289F, #9F2885, #9F2865 and #9F2845

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79289F shade: #79289F, #59289F, #39289F and #28289F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79289F shade matches the following richer shades: #79289F, #7F18AF and #8508BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79289F shade: #79289F, #73388F, #6D487F, #68586F and #62685F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79289F shade: #38289F, #58289F, #77289F, #97289F and #9F2887

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79289F shade: #47175D, #60207E, #79289F, #9230C0 and #A548D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79289F shade: #79289F, #9F2838 and #289F48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79289F shade: #79289F, #9F7728 and #289F77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79289F shade: #79289F, #9F2838, #509F28 and #289F8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79289F shade: #79289F, #9F3C28, #509F28 and #288B9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

Complementary color

CMYK 38 / 0 / 55 / 16

HEX #86D760

RGB 134 215 96

HSL 100.84, 0.6%, 0.61%

LAB 78.76, -45.87, 50.3

 

CMYK 18 / 74 / 0 / 40

HEX #7E289A

RGB 126 40 154

HSL 285.26, 0.59%, 0.38%

LAB 34.57, 53.39, -44.9

 

CMYK 17 / 66 / 0 / 32

HEX #8F3AAD

RGB 143 58 173

HSL 284.35, 0.5%, 0.45%

LAB 41.03, 53.47, -45.81

 

CMYK 17 / 60 / 0 / 25

HEX #A04CC0

RGB 160 76 192

HSL 283.45, 0.48%, 0.53%

LAB 47.56, 53.08, -46.39

 

CMYK 16 / 55 / 0 / 17

HEX #B15ED3

RGB 177 94 211

HSL 282.56, 0.57%, 0.6%

LAB 54.09, 52.47, -46.78

 

CMYK 16 / 51 / 0 / 10

HEX #C270E6

RGB 194 112 230

HSL 281.69, 0.7%, 0.67%

LAB 60.58, 51.74, -47.06

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 26 / 84 / 0 / 45

HEX #68168C

RGB 104 22 140

HSL 281.69, 0.73%, 0.32%

LAB 27.87, 52.54, -47.3

 

CMYK 28 / 97 / 0 / 53

HEX #570479

RGB 87 4 121

HSL 282.56, 0.94%, 0.25%

LAB 21.92, 50.29, -45.14

 

CMYK 31 / 100 / 0 / 60

HEX #460066

RGB 70 0 102

HSL 281.18, 1%, 0.2%

LAB 16.8, 45, -41.28

 

CMYK 36 / 100 / 0 / 67

HEX #350053

RGB 53 0 83

HSL 278.31, 1%, 0.16%

LAB 11.83, 38.56, -36.78

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 4 / 75 / 0 / 38

HEX #99289F

RGB 153 40 159

HSL 296.97, 0.6%, 0.39%

LAB 39.23, 60.1, -40.23

 

CMYK 0 / 75 / 16 / 38

HEX #9F2885

RGB 159 40 133

HSL 313.11, 0.6%, 0.39%

LAB 38.87, 57.34, -24.88

 

CMYK 0 / 75 / 36 / 38

HEX #9F2865

RGB 159 40 101

HSL 329.24, 0.6%, 0.39%

LAB 37.53, 53.2, -6.92

 

CMYK 0 / 75 / 57 / 38

HEX #9F2845

RGB 159 40 69

HSL 345.38, 0.6%, 0.39%

LAB 36.59, 50.15, 12.19

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 44 / 75 / 0 / 38

HEX #59289F

RGB 89 40 159

HSL 264.71, 0.6%, 0.39%

LAB 29.77, 47.36, -55.96

 

CMYK 64 / 75 / 0 / 38

HEX #39289F

RGB 57 40 159

HSL 248.57, 0.6%, 0.39%

LAB 26.42, 42.52, -61.59

 

CMYK 75 / 75 / 0 / 38

HEX #28289F

RGB 40 40 159

HSL 240, 0.6%, 0.39%

LAB 25.17, 40.66, -63.69

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 27 / 86 / 0 / 31

HEX #7F18AF

RGB 127 24 175

HSL 280.93, 0.76%, 0.39%

LAB 34.52, 62.94, -57.63

 

CMYK 30 / 96 / 0 / 25

HEX #8508BF

RGB 133 8 191

HSL 280.98, 0.92%, 0.39%

LAB 35.83, 69.77, -64.93

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 20 / 61 / 0 / 44

HEX #73388F

RGB 115 56 143

HSL 280.69, 0.44%, 0.39%

LAB 34.92, 41.04, -37.73

 

CMYK 14 / 43 / 0 / 50

HEX #6D487F

RGB 109 72 127

HSL 280.36, 0.28%, 0.39%

LAB 36.78, 26.47, -25

 

CMYK 6 / 21 / 0 / 56

HEX #68586F

RGB 104 88 111

HSL 281.74, 0.12%, 0.39%

LAB 39.7, 11.23, -10.68

 

CMYK 6 / 0 / 9 / 59

HEX #62685F

RGB 98 104 95

HSL 100, 0.05%, 0.39%

LAB 43.25, -4.17, 4.27

 

CMYK 65 / 75 / 0 / 38

HEX #38289F

RGB 56 40 159

HSL 248.07, 0.6%, 0.39%

LAB 26.34, 42.4, -61.73

 

CMYK 45 / 75 / 0 / 38

HEX #58289F

RGB 88 40 159

HSL 264.2, 0.6%, 0.39%

LAB 29.65, 47.19, -56.17

 

CMYK 25 / 75 / 0 / 38

HEX #77289F

RGB 119 40 159

HSL 279.83, 0.6%, 0.39%

LAB 33.86, 53, -49.13

 

CMYK 5 / 75 / 0 / 38

HEX #97289F

RGB 151 40 159

HSL 295.97, 0.6%, 0.39%

LAB 38.9, 59.67, -40.77

 

CMYK 0 / 75 / 15 / 38

HEX #9F2887

RGB 159 40 135

HSL 312.1, 0.6%, 0.39%

LAB 38.96, 57.63, -25.97

 

CMYK 24 / 75 / 0 / 64

HEX #47175D

RGB 71 23 93

HSL 281.14, 0.6%, 0.23%

LAB 18.98, 35.06, -31.77

 

CMYK 24 / 75 / 0 / 51

HEX #60207E

RGB 96 32 126

HSL 280.85, 0.59%, 0.31%

LAB 26.81, 44.27, -40.31

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 24 / 75 / 0 / 25

HEX #9230C0

RGB 146 48 192

HSL 280.83, 0.6%, 0.47%

LAB 41.26, 62.13, -56.6

 

CMYK 21 / 66 / 0 / 18

HEX #A548D1

RGB 165 72 209

HSL 280.73, 0.6%, 0.55%

LAB 48.56, 59.66, -54.55

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 0 / 75 / 65 / 38

HEX #9F2838

RGB 159 40 56

HSL 351.93, 0.6%, 0.39%

LAB 36.32, 49.25, 20.14

 

CMYK 75 / 0 / 55 / 38

HEX #289F48

RGB 40 159 72

HSL 136.13, 0.6%, 0.39%

LAB 57.77, -51.14, 35.96

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 0 / 25 / 75 / 38

HEX #9F7728

RGB 159 119 40

HSL 39.83, 0.6%, 0.39%

LAB 52.64, 7.74, 47.28

 

CMYK 75 / 0 / 25 / 38

HEX #289F77

RGB 40 159 119

HSL 159.83, 0.6%, 0.39%

LAB 58.58, -41.98, 11.75

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 0 / 75 / 65 / 38

HEX #9F2838

RGB 159 40 56

HSL 351.93, 0.6%, 0.39%

LAB 36.32, 49.25, 20.14

 

CMYK 50 / 0 / 75 / 38

HEX #509F28

RGB 80 159 40

HSL 99.83, 0.6%, 0.39%

LAB 58.65, -45.19, 51.34

 

CMYK 75 / 0 / 10 / 38

HEX #289F8F

RGB 40 159 143

HSL 171.93, 0.6%, 0.39%

LAB 59.19, -35.73, -0.92

 

CMYK 24 / 75 / 0 / 38

HEX #79289F

RGB 121 40 159

HSL 280.84, 0.6%, 0.39%

LAB 34.16, 53.4, -48.64

 

CMYK 0 / 62 / 75 / 38

HEX #9F3C28

RGB 159 60 40

HSL 10.08, 0.6%, 0.39%

LAB 39.17, 39.99, 33.24

 

CMYK 50 / 0 / 75 / 38

HEX #509F28

RGB 80 159 40

HSL 99.83, 0.6%, 0.39%

LAB 58.65, -45.19, 51.34

 

CMYK 75 / 13 / 0 / 38

HEX #288B9F

RGB 40 139 159

HSL 190.08, 0.6%, 0.39%

LAB 53.41, -21, -18.72

 

Description

Color code: HEX #79289F | qconv.com Color code: HEX #79289F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 40 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 40 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 75 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 75% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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