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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #791E70 it is the complementary color #86E18F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #791E70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #791E70: #7E1E6B, #8F307E, #A04291, #B154A4 and #C266B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #791E70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #791E70: #791E70, #680C5D, #57004A, #460037 and #350024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

Complementary color

CMYK 40 / 0 / 36 / 12

HEX #86E18F

RGB 134 225 143

HSL 125.93, 0.6%, 0.7%

LAB 82.33, -43.85, 31.82

 

CMYK 0 / 76 / 15 / 51

HEX #7E1E6B

RGB 126 30 107

HSL 311.88, 0.62%, 0.31%

LAB 30.46, 48.62, -22.1

 

CMYK 0 / 66 / 12 / 44

HEX #8F307E

RGB 143 48 126

HSL 310.74, 0.5%, 0.37%

LAB 36.86, 49.12, -23.9

 

CMYK 0 / 59 / 9 / 37

HEX #A04291

RGB 160 66 145

HSL 309.57, 0.42%, 0.44%

LAB 43.38, 48.96, -25.17

 

CMYK 0 / 53 / 7 / 31

HEX #B154A4

RGB 177 84 164

HSL 308.39, 0.37%, 0.51%

LAB 49.94, 48.48, -26.12

 

CMYK 0 / 47 / 6 / 24

HEX #C266B7

RGB 194 102 183

HSL 307.17, 0.43%, 0.58%

LAB 56.48, 47.84, -26.87

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 0 / 88 / 11 / 59

HEX #680C5D

RGB 104 12 93

HSL 307.17, 0.79%, 0.23%

LAB 23.66, 46.49, -23.96

 

CMYK 0 / 100 / 15 / 66

HEX #57004A

RGB 87 0 74

HSL 308.97, 1%, 0.17%

LAB 18.01, 42.8, -20.29

 

CMYK 0 / 100 / 21 / 73

HEX #460037

RGB 70 0 55

HSL 312.86, 1%, 0.14%

LAB 13.1, 36.3, -14.9

 

CMYK 0 / 100 / 32 / 79

HEX #350024

RGB 53 0 36

HSL 319.25, 1%, 0.1%

LAB 7.99, 29.55, -9.07

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 0 / 75 / 19 / 52

HEX #7A1E63

RGB 122 30 99

HSL 315, 0.61%, 0.3%

LAB 29.33, 46.36, -18.76

 

CMYK 0 / 75 / 31 / 52

HEX #7A1E54

RGB 122 30 84

HSL 324.78, 0.61%, 0.3%

LAB 28.66, 44.26, -9.98

 

CMYK 0 / 75 / 44 / 52

HEX #7A1E44

RGB 122 30 68

HSL 335.22, 0.61%, 0.3%

LAB 28.07, 42.36, -0.23

 

CMYK 0 / 75 / 57 / 52

HEX #7A1E35

RGB 122 30 53

HSL 345, 0.61%, 0.3%

LAB 27.64, 40.93, 9.23

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 0 / 75 / 8 / 33

HEX #AC2B9F

RGB 172 43 159

HSL 306.05, 0.6%, 0.42%

LAB 42.77, 63.32, -34.42

 

CMYK 0 / 75 / 8 / 13

HEX #DF37CE

RGB 223 55 206

HSL 306.07, 0.72%, 0.55%

LAB 54.94, 77.86, -42.14

 

CMYK 0 / 74 / 5 / 93

HEX #130512

RGB 19 5 18

HSL 304.29, 0.58%, 0.05%

LAB 2.63, 6.38, -4.14

 

CMYK 0 / 76 / 7 / 73

HEX #461141

RGB 70 17 65

HSL 305.66, 0.61%, 0.17%

LAB 15.93, 31.55, -17.56

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 0 / 54 / 75 / 52

HEX #7A381E

RGB 122 56 30

HSL 16.96, 0.61%, 0.3%

LAB 31.94, 26.81, 29.19

 

CMYK 75 / 0 / 24 / 52

HEX #1E7A5D

RGB 30 122 93

HSL 161.09, 0.61%, 0.3%

LAB 45.61, -33.78, 8.39

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 7 / 0 / 75 / 52

HEX #727A1E

RGB 114 122 30

HSL 65.22, 0.61%, 0.3%

LAB 49, -15.26, 46.25

 

CMYK 75 / 7 / 0 / 52

HEX #1E727A

RGB 30 114 122

HSL 185.22, 0.61%, 0.3%

LAB 43.82, -21.3, -11.54

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 0 / 54 / 75 / 52

HEX #7A381E

RGB 122 56 30

HSL 16.96, 0.61%, 0.3%

LAB 31.94, 26.81, 29.19

 

CMYK 75 / 0 / 69 / 52

HEX #1E7A26

RGB 30 122 38

HSL 125.22, 0.61%, 0.3%

LAB 44.71, -43.98, 37.16

 

CMYK 75 / 21 / 0 / 52

HEX #1E607A

RGB 30 96 122

HSL 196.96, 0.61%, 0.3%

LAB 37.93, -11.23, -20.56

 

CMYK 0 / 75 / 7 / 53

HEX #791E70

RGB 121 30 112

HSL 305.93, 0.6%, 0.3%

LAB 29.82, 48.17, -26.37

 

CMYK 0 / 31 / 75 / 52

HEX #7A541E

RGB 122 84 30

HSL 35.22, 0.61%, 0.3%

LAB 38.85, 10.38, 36.49

 

CMYK 75 / 0 / 69 / 52

HEX #1E7A26

RGB 30 122 38

HSL 125.22, 0.61%, 0.3%

LAB 44.71, -43.98, 37.16

 

CMYK 75 / 44 / 0 / 52

HEX #1E447A

RGB 30 68 122

HSL 215.22, 0.61%, 0.3%

LAB 28.94, 6.64, -34.69

 

Description

Color code: HEX #791E70 | qconv.com Color code: HEX #791E70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 30 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 30 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 7 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 7% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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