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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79155ACE it is the complementary color #86EAA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79155ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79155ACE shade: #7E1555CE, #8F2768CE, #A0397BCE, #B14B8ECE and #C25DA1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79155ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79155ACE shade: #79155ACE, #680347CE, #570034CE, #460021CE and #35000ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79155ACE shade: #79155A, #79153F, #791524 and #791515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79155ACE shade: #79155A, #791575, #621579, #471579 and #2D1579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79155ACE shade matches the following richer shades: #79155A and #850A5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79155ACE shade: #79155A, #6E2156, #622D52, #57384D and #4B4449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79155ACE shade: #621579, #791576, #79155B, #791541 and #791526

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79155ACE shade: #330926, #560F40, #79155A, #9C1C75 and #C0228F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79155ACE shade: #79155A, #794715 and #15796F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79155ACE shade: #79155A, #5B7915 and #155B79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79155ACE shade: #79155A, #794715, #157933 and #154779

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79155ACE shade: #79155A, #796515, #157933 and #152979

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 21 / 43

HEX #79155ACE

RGBA 121 21 90 0.81

HSLA 318.6, 0.7%, 0.28%, 0.81

LABA 27.68, 47.75, -15.45, 0.81

 

Complementary color

CMYK 35 / 0 / 24 / 7

HEX #86EAA5CE

RGBA 134 234 165 0.81

HSLA 138.6, 0.7%, 0.72%, 0.81

LABA 85.32, -44.02, 24.58, 0.81

 

CMYK 0 / 68 / 26 / 41

HEX #7E1555CE

RGBA 126 21 85 0.81

HSLA 323.43, 0.71%, 0.29%, 0.81

LABA 28.45, 48.4, -10.88, 0.81

 

CMYK 0 / 59 / 22 / 36

HEX #8F2768CE

RGBA 143 39 104 0.81

HSLA 322.5, 0.57%, 0.36%, 0.81

LABA 34.58, 49.47, -13.57, 0.81

 

CMYK 0 / 52 / 19 / 30

HEX #A0397BCE

RGBA 160 57 123 0.81

HSLA 321.55, 0.47%, 0.43%, 0.81

LABA 40.94, 49.62, -15.5, 0.81

 

CMYK 0 / 47 / 16 / 25

HEX #B14B8ECE

RGBA 177 75 142 0.81

HSLA 320.59, 0.4%, 0.49%, 0.81

LABA 47.41, 49.3, -16.94, 0.81

 

CMYK 0 / 42 / 14 / 19

HEX #C25DA1CE

RGBA 194 93 161 0.81

HSLA 319.6, 0.45%, 0.56%, 0.81

LABA 53.89, 48.73, -18.08, 0.81

 

CMYK 0 / 67 / 21 / 43

HEX #79155ACE

RGBA 121 21 90 0.81

HSLA 318.6, 0.7%, 0.28%, 0.81

LABA 27.68, 47.75, -15.45, 0.81

 

CMYK 0 / 79 / 26 / 48

HEX #680347CE

RGBA 104 3 71 0.81

HSLA 319.6, 0.94%, 0.21%, 0.81

LABA 21.81, 45.39, -12.03, 0.81

 

CMYK 0 / 81 / 33 / 53

HEX #570034CE

RGBA 87 0 52 0.81

HSLA 324.14, 1%, 0.17%, 0.81

LABA 16.86, 39.89, -6.61, 0.81

 

CMYK 0 / 81 / 43 / 59

HEX #460021CE

RGBA 70 0 33 0.81

HSLA 331.71, 1%, 0.14%, 0.81

LABA 12.04, 33.58, -0.28, 0.81

 

CMYK 0 / 81 / 60 / 64

HEX #35000ECE

RGBA 53 0 14 0.81

HSLA 344.15, 1%, 0.1%, 0.81

LABA 7.12, 27.06, 5.33, 0.81

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 83 / 48 / 53

HEX #79153F

RGB 121 21 63

HSL 334.8, 0.7%, 0.28%

LAB 26.62, 44.61, 1

 

CMYK 0 / 83 / 70 / 53

HEX #791524

RGB 121 21 36

HSL 351, 0.7%, 0.28%

LAB 25.95, 42.54, 18.39

 

CMYK 0 / 83 / 83 / 53

HEX #791515

RGB 121 21 21

HSL 0, 0.7%, 0.28%

LAB 25.73, 41.86, 27.8

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 83 / 3 / 53

HEX #791575

RGB 121 21 117

HSL 302.4, 0.7%, 0.28%

LAB 29.12, 51.83, -30.67

 

CMYK 19 / 83 / 0 / 53

HEX #621579

RGB 98 21 121

HSL 286.2, 0.7%, 0.28%

LAB 25.3, 47.8, -39.56

 

CMYK 41 / 83 / 0 / 53

HEX #471579

RGB 71 21 121

HSL 270, 0.7%, 0.28%

LAB 21.04, 42.87, -46.68

 

CMYK 63 / 83 / 0 / 53

HEX #2D1579

RGB 45 21 121

HSL 254.4, 0.7%, 0.28%

LAB 17.8, 39.13, -52.12

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 92 / 29 / 48

HEX #850A5F

RGB 133 10 95

HSL 318.54, 0.86%, 0.28%

LAB 29.49, 53.69, -15.74

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 70 / 22 / 57

HEX #6E2156

RGB 110 33 86

HSL 318.7, 0.54%, 0.28%

LAB 26.95, 39.82, -14.12

 

CMYK 0 / 54 / 16 / 62

HEX #622D52

RGB 98 45 82

HSL 318.11, 0.37%, 0.28%

LAB 26.97, 29.23, -11.62

 

CMYK 0 / 36 / 11 / 66

HEX #57384D

RGB 87 56 77

HSL 319.35, 0.22%, 0.28%

LAB 27.82, 17.51, -7.19

 

CMYK 0 / 9 / 3 / 71

HEX #4B4449

RGB 75 68 73

HSL 317.14, 0.05%, 0.28%

LAB 29.69, 4.02, -1.94

 

CMYK 19 / 83 / 0 / 53

HEX #621579

RGB 98 21 121

HSL 286.2, 0.7%, 0.28%

LAB 25.3, 47.8, -39.56

 

CMYK 0 / 83 / 2 / 53

HEX #791576

RGB 121 21 118

HSL 301.8, 0.7%, 0.28%

LAB 29.18, 52, -31.21

 

CMYK 0 / 83 / 25 / 53

HEX #79155B

RGB 121 21 91

HSL 318, 0.7%, 0.28%

LAB 27.73, 47.89, -16.04

 

CMYK 0 / 83 / 46 / 53

HEX #791541

RGB 121 21 65

HSL 333.6, 0.7%, 0.28%

LAB 26.69, 44.81, -0.26

 

CMYK 0 / 83 / 69 / 53

HEX #791526

RGB 121 21 38

HSL 349.8, 0.7%, 0.28%

LAB 25.98, 42.66, 17.09

 

CMYK 0 / 82 / 25 / 80

HEX #330926

RGB 51 9 38

HSL 318.57, 0.7%, 0.12%

LAB 9.31, 24.48, -8.58

 

CMYK 0 / 83 / 26 / 66

HEX #560F40

RGB 86 15 64

HSL 318.59, 0.7%, 0.2%

LAB 18.76, 36.7, -12.21

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 82 / 25 / 39

HEX #9C1C75

RGB 156 28 117

HSL 318.28, 0.7%, 0.36%

LAB 36.33, 57.98, -18.9

 

CMYK 0 / 82 / 26 / 25

HEX #C0228F

RGB 192 34 143

HSL 318.61, 0.7%, 0.44%

LAB 44.71, 68.1, -21.47

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 41 / 83 / 53

HEX #794715

RGB 121 71 21

HSL 30, 0.7%, 0.28%

LAB 35.25, 17.26, 37.11

 

CMYK 83 / 0 / 8 / 53

HEX #15796F

RGB 21 121 111

HSL 174, 0.7%, 0.28%

LAB 45.61, -29.39, -2.32

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 25 / 0 / 83 / 53

HEX #5B7915

RGB 91 121 21

HSL 78, 0.7%, 0.28%

LAB 46.91, -25.41, 46.79

 

CMYK 83 / 25 / 0 / 53

HEX #155B79

RGB 21 91 121

HSL 198, 0.7%, 0.28%

LAB 36.03, -9.78, -22.91

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 41 / 83 / 53

HEX #794715

RGB 121 71 21

HSL 30, 0.7%, 0.28%

LAB 35.25, 17.26, 37.11

 

CMYK 83 / 0 / 58 / 53

HEX #157933

RGB 21 121 51

HSL 138, 0.7%, 0.28%

LAB 44.34, -43.31, 30.37

 

CMYK 83 / 41 / 0 / 53

HEX #154779

RGB 21 71 121

HSL 210, 0.7%, 0.28%

LAB 29.53, 2.99, -33.14

 

CMYK 0 / 83 / 26 / 53

HEX #79155A

RGB 121 21 90

HSL 318.6, 0.7%, 0.28%

LAB 27.68, 47.75, -15.45

 

CMYK 0 / 17 / 83 / 53

HEX #796515

RGB 121 101 21

HSL 48, 0.7%, 0.28%

LAB 43.4, -0.58, 44.58

 

CMYK 83 / 0 / 58 / 53

HEX #157933

RGB 21 121 51

HSL 138, 0.7%, 0.28%

LAB 44.34, -43.31, 30.37

 

CMYK 83 / 66 / 0 / 53

HEX #152979

RGB 21 41 121

HSL 228, 0.7%, 0.28%

LAB 20.54, 24.09, -47.68

 

Description

Color code: HEX #79155ACE | qconv.com Color code: HEX #79155ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 21 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 21 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 21 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 21% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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