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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #790E98 it is the complementary color #86F167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #790E98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #790E98 shade: #7E0E93, #8F20A6, #A032B9, #B144CC and #C256DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #790E98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #790E98 shade: #790E98, #680085, #570072, #46005F and #35004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #790E98 shade: #7B0E9A, #9A0E94, #9A0E6E, #9A0E48 and #9A0E23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #790E98 shade: #7B0E9A, #550E9A, #2F0E9A and #0E0E9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #790E98 shade matches the following richer shades: #7B0E9A and #8201A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #790E98 shade: #7B0E9A, #731C8C, #6C2A7F, #643771 and #5D4564

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #790E98 shade: #2F0E9A, #540E9A, #790E9A, #9A0E95 and #9A0E70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #790E98 shade: #3E074E, #5D0B74, #7B0E9A, #9912C0 and #B715E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #790E98 shade: #790E98, #9A0E13 and #0E9A42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #790E98 shade: #790E98, #9A790E and #0E9A79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #790E98 shade: #790E98, #9A0E13, #2F9A0E and #0E9A95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #790E98 shade: #790E98, #9A340E, #2F9A0E and #0E759A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 91 / 0 / 40

HEX #790E98

RGB 121 14 152

HSL 286.52, 0.83%, 0.33%

LAB 30.99, 59.69, -49.51

 

Complementary color

CMYK 44 / 0 / 57 / 5

HEX #86F167

RGB 134 241 103

HSL 106.52, 0.83%, 0.67%

LAB 86.48, -55.73, 56.16

 

CMYK 14 / 90 / 0 / 42

HEX #7E0E93

RGB 126 14 147

HSL 290.53, 0.83%, 0.32%

LAB 31.48, 59.59, -45.61

 

CMYK 14 / 81 / 0 / 35

HEX #8F20A6

RGB 143 32 166

HSL 289.7, 0.68%, 0.39%

LAB 37.16, 61.8, -47.84

 

CMYK 14 / 73 / 0 / 27

HEX #A032B9

RGB 160 50 185

HSL 288.89, 0.57%, 0.46%

LAB 43.15, 62.8, -49.35

 

CMYK 13 / 67 / 0 / 20

HEX #B144CC

RGB 177 68 204

HSL 288.09, 0.57%, 0.53%

LAB 49.3, 63.06, -50.4

 

CMYK 13 / 61 / 0 / 13

HEX #C256DF

RGB 194 86 223

HSL 287.3, 0.68%, 0.61%

LAB 55.54, 62.87, -51.14

 

CMYK 20 / 91 / 0 / 40

HEX #790E98

RGB 121 14 152

HSL 286.52, 0.83%, 0.33%

LAB 30.99, 59.69, -49.51

 

CMYK 22 / 100 / 0 / 48

HEX #680085

RGB 104 0 133

HSL 286.92, 1%, 0.26%

LAB 25.67, 55.96, -46.5

 

CMYK 24 / 100 / 0 / 55

HEX #570072

RGB 87 0 114

HSL 285.79, 1%, 0.22%

LAB 20.98, 49.84, -42.16

 

CMYK 26 / 100 / 0 / 63

HEX #46005F

RGB 70 0 95

HSL 284.21, 1%, 0.19%

LAB 16.15, 43.53, -37.71

 

CMYK 30 / 100 / 0 / 70

HEX #35004C

RGB 53 0 76

HSL 281.84, 1%, 0.15%

LAB 11.13, 37, -33.12

 

CMYK 20 / 91 / 0 / 40

HEX #7B0E9A

RGB 123 14 154

HSL 286.71, 0.83%, 0.33%

LAB 31.48, 60.39, -49.92

 

CMYK 0 / 91 / 4 / 40

HEX #9A0E94

RGB 154 14 148

HSL 302.57, 0.83%, 0.33%

LAB 36.6, 64.76, -37.73

 

CMYK 0 / 91 / 29 / 40

HEX #9A0E6E

RGB 154 14 110

HSL 318.86, 0.83%, 0.33%

LAB 34.62, 59.59, -17.15

 

CMYK 0 / 91 / 53 / 40

HEX #9A0E48

RGB 154 14 72

HSL 335.14, 0.83%, 0.33%

LAB 33.25, 55.83, 5.42

 

CMYK 0 / 91 / 77 / 40

HEX #9A0E23

RGB 154 14 35

HSL 351, 0.83%, 0.33%

LAB 32.49, 53.69, 28.53

 

CMYK 20 / 91 / 0 / 40

HEX #7B0E9A

RGB 123 14 154

HSL 286.71, 0.83%, 0.33%

LAB 31.48, 60.39, -49.92

 

CMYK 45 / 91 / 0 / 40

HEX #550E9A

RGB 85 14 154

HSL 270.43, 0.83%, 0.33%

LAB 25.5, 55.08, -59.94

 

CMYK 69 / 91 / 0 / 40

HEX #2F0E9A

RGB 47 14 154

HSL 254.14, 0.83%, 0.33%

LAB 21.02, 51.6, -67.48

 

CMYK 91 / 91 / 0 / 40

HEX #0E0E9A

RGB 14 14 154

HSL 240, 0.83%, 0.33%

LAB 18.97, 50.21, -70.96

 

CMYK 20 / 91 / 0 / 40

HEX #7B0E9A

RGB 123 14 154

HSL 286.71, 0.83%, 0.33%

LAB 31.48, 60.39, -49.92

 

CMYK 23 / 99 / 0 / 34

HEX #8201A8

RGB 130 1 168

HSL 286.35, 0.99%, 0.33%

LAB 33.12, 65.96, -55.69

 

CMYK 20 / 91 / 0 / 40

HEX #7B0E9A

RGB 123 14 154

HSL 286.71, 0.83%, 0.33%

LAB 31.48, 60.39, -49.92

 

CMYK 18 / 80 / 0 / 45

HEX #731C8C

RGB 115 28 140

HSL 286.61, 0.67%, 0.33%

LAB 30.32, 52.68, -43.24

 

CMYK 15 / 67 / 0 / 50

HEX #6C2A7F

RGB 108 42 127

HSL 286.59, 0.5%, 0.33%

LAB 30.34, 42.74, -35.17

 

CMYK 12 / 51 / 0 / 56

HEX #643771

RGB 100 55 113

HSL 286.55, 0.35%, 0.33%

LAB 30.96, 30.46, -25.44

 

CMYK 7 / 31 / 0 / 61

HEX #5D4564

RGB 93 69 100

HSL 286.45, 0.18%, 0.33%

LAB 32.93, 16.52, -14.21

 

CMYK 69 / 91 / 0 / 40

HEX #2F0E9A

RGB 47 14 154

HSL 254.14, 0.83%, 0.33%

LAB 21.02, 51.6, -67.48

 

CMYK 45 / 91 / 0 / 40

HEX #540E9A

RGB 84 14 154

HSL 270, 0.83%, 0.33%

LAB 25.36, 54.96, -60.18

 

CMYK 21 / 91 / 0 / 40

HEX #790E9A

RGB 121 14 154

HSL 285.86, 0.83%, 0.33%

LAB 31.14, 60.07, -50.48

 

CMYK 0 / 91 / 3 / 40

HEX #9A0E95

RGB 154 14 149

HSL 302.14, 0.83%, 0.33%

LAB 36.66, 64.91, -38.25

 

CMYK 0 / 91 / 27 / 40

HEX #9A0E70

RGB 154 14 112

HSL 318, 0.83%, 0.33%

LAB 34.71, 59.83, -18.28

 

CMYK 21 / 91 / 0 / 69

HEX #3E074E

RGB 62 7 78

HSL 286.48, 0.84%, 0.17%

LAB 13.98, 36.13, -29.78

 

CMYK 20 / 91 / 0 / 55

HEX #5D0B74

RGB 93 11 116

HSL 286.86, 0.83%, 0.25%

LAB 23.09, 48.65, -39.98

 

CMYK 20 / 91 / 0 / 40

HEX #7B0E9A

RGB 123 14 154

HSL 286.71, 0.83%, 0.33%

LAB 31.48, 60.39, -49.92

 

CMYK 20 / 91 / 0 / 25

HEX #9912C0

RGB 153 18 192

HSL 286.55, 0.83%, 0.41%

LAB 39.6, 71.33, -59.25

 

CMYK 20 / 91 / 0 / 10

HEX #B715E5

RGB 183 21 229

HSL 286.73, 0.83%, 0.49%

LAB 47.31, 81.82, -67.84

 

CMYK 20 / 91 / 0 / 40

HEX #790E98

RGB 121 14 152

HSL 286.52, 0.83%, 0.33%

LAB 30.99, 59.69, -49.51

 

CMYK 0 / 91 / 88 / 40

HEX #9A0E13

RGB 154 14 19

HSL 357.86, 0.83%, 0.33%

LAB 32.33, 53.22, 37.67

 

CMYK 91 / 0 / 57 / 40

HEX #0E9A42

RGB 14 154 66

HSL 142.29, 0.83%, 0.33%

LAB 55.68, -53.23, 36.35

 

CMYK 20 / 91 / 0 / 40

HEX #790E98

RGB 121 14 152

HSL 286.52, 0.83%, 0.33%

LAB 30.99, 59.69, -49.51

 

CMYK 0 / 21 / 91 / 40

HEX #9A790E

RGB 154 121 14

HSL 45.86, 0.83%, 0.33%

LAB 52.48, 3.41, 55.59

 

CMYK 91 / 0 / 21 / 40

HEX #0E9A79

RGB 14 154 121

HSL 165.86, 0.83%, 0.33%

LAB 56.67, -41.9, 7.87

 

CMYK 20 / 91 / 0 / 40

HEX #790E98

RGB 121 14 152

HSL 286.52, 0.83%, 0.33%

LAB 30.99, 59.69, -49.51

 

CMYK 0 / 91 / 88 / 40

HEX #9A0E13

RGB 154 14 19

HSL 357.86, 0.83%, 0.33%

LAB 32.33, 53.22, 37.67

 

CMYK 69 / 0 / 91 / 40

HEX #2F9A0E

RGB 47 154 14

HSL 105.86, 0.83%, 0.33%

LAB 55.83, -53.29, 55.62

 

CMYK 91 / 0 / 3 / 40

HEX #0E9A95

RGB 14 154 149

HSL 177.86, 0.83%, 0.33%

LAB 57.44, -33.94, -6.94

 

CMYK 20 / 91 / 0 / 40

HEX #790E98

RGB 121 14 152

HSL 286.52, 0.83%, 0.33%

LAB 30.99, 59.69, -49.51

 

CMYK 0 / 66 / 91 / 40

HEX #9A340E

RGB 154 52 14

HSL 16.29, 0.83%, 0.33%

LAB 36.66, 40.98, 43.39

 

CMYK 69 / 0 / 91 / 40

HEX #2F9A0E

RGB 47 154 14

HSL 105.86, 0.83%, 0.33%

LAB 55.83, -53.29, 55.62

 

CMYK 91 / 24 / 0 / 40

HEX #0E759A

RGB 14 117 154

HSL 195.86, 0.83%, 0.33%

LAB 45.84, -13.12, -27.51

 

Description

Color code: HEX #790E98 | qconv.com Color code: HEX #790E98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 14 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 14 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 91 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 91% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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