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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #790CDD it is the complementary color #86F322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #790CDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #790CDD shade: #7E0CD8, #8F1EEB, #A030FE, #B142FF and #C254FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #790CDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #790CDD shade: #790CDD, #6800CA, #5700B7, #4600A4 and #350091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #790CDD shade: #7A0CDF, #B30CDF, #DF0CD2, #DF0C99 and #DF0C60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #790CDD shade: #7A0CDF, #410CDF and #0C0CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #790CDD shade matches the following richer shades: #7A0CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #790CDD shade: #7A0CDF, #791FCC, #7832B9, #7745A6 and #775893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #790CDD shade: #0C0FDF, #410CDF, #790CDF, #B10CDF and #DF0CD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #790CDD shade: #4F0890, #640AB8, #7A0CDF, #8E21F3 and #A248F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #790CDD shade: #790CDD, #DF0C48 and #0CDF24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #790CDD shade: #790CDD, #DF790C and #0CDF79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #790CDD shade: #790CDD, #DF0C48, #72DF0C and #0CDFA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #790CDD shade: #790CDD, #DF0F0C, #72DF0C and #0CDBDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 95 / 0 / 13

HEX #790CDD

RGB 121 12 221

HSL 271.29, 0.9%, 0.46%

LAB 37.02, 74.06, -80.49

 

Complementary color

CMYK 45 / 0 / 86 / 5

HEX #86F322

RGB 134 243 34

HSL 91.29, 0.9%, 0.54%

LAB 86.64, -61.08, 79.35

 

CMYK 42 / 94 / 0 / 15

HEX #7E0CD8

RGB 126 12 216

HSL 273.53, 0.89%, 0.45%

LAB 37.22, 73.5, -77.26

 

CMYK 39 / 87 / 0 / 8

HEX #8F1EEB

RGB 143 30 235

HSL 273.07, 0.84%, 0.52%

LAB 42.41, 76.06, -79.5

 

CMYK 37 / 81 / 0 / 0

HEX #A030FE

RGB 160 48 254

HSL 272.62, 0.99%, 0.59%

LAB 47.93, 77.41, -81.04

 

CMYK 31 / 74 / 0 / 0

HEX #B142FF

RGB 177 66 255

HSL 275.24, 1%, 0.63%

LAB 52.36, 74.12, -74.29

 

CMYK 24 / 67 / 0 / 0

HEX #C254FF

RGB 194 84 255

HSL 278.6, 1%, 0.66%

LAB 57.1, 70.12, -66.5

 

CMYK 45 / 95 / 0 / 13

HEX #790CDD

RGB 121 12 221

HSL 271.29, 0.9%, 0.46%

LAB 37.02, 74.06, -80.49

 

CMYK 49 / 100 / 0 / 21

HEX #6800CA

RGB 104 0 202

HSL 270.89, 1%, 0.4%

LAB 32.27, 70.11, -77.39

 

CMYK 52 / 100 / 0 / 28

HEX #5700B7

RGB 87 0 183

HSL 268.52, 1%, 0.36%

LAB 27.97, 64.6, -73.38

 

CMYK 57 / 100 / 0 / 36

HEX #4600A4

RGB 70 0 164

HSL 265.61, 1%, 0.32%

LAB 23.61, 59.05, -69.23

 

CMYK 63 / 100 / 0 / 43

HEX #350091

RGB 53 0 145

HSL 261.93, 1%, 0.28%

LAB 19.23, 53.44, -64.88

 

CMYK 45 / 95 / 0 / 13

HEX #7A0CDF

RGB 122 12 223

HSL 271.28, 0.9%, 0.46%

LAB 37.35, 74.58, -81.09

 

CMYK 20 / 95 / 0 / 13

HEX #B30CDF

RGB 179 12 223

HSL 287.49, 0.9%, 0.46%

LAB 45.87, 81.29, -66.8

 

CMYK 0 / 95 / 6 / 13

HEX #DF0CD2

RGB 223 12 210

HSL 303.7, 0.9%, 0.46%

LAB 52.51, 86.11, -48.29

 

CMYK 0 / 95 / 31 / 13

HEX #DF0C99

RGB 223 12 153

HSL 319.91, 0.9%, 0.46%

LAB 49.8, 79.19, -19.17

 

CMYK 0 / 95 / 57 / 13

HEX #DF0C60

RGB 223 12 96

HSL 336.11, 0.9%, 0.46%

LAB 48, 74.39, 12.92

 

CMYK 45 / 95 / 0 / 13

HEX #7A0CDF

RGB 122 12 223

HSL 271.28, 0.9%, 0.46%

LAB 37.35, 74.58, -81.09

 

CMYK 71 / 95 / 0 / 13

HEX #410CDF

RGB 65 12 223

HSL 255.07, 0.9%, 0.46%

LAB 31.15, 70.71, -91.56

 

CMYK 95 / 95 / 0 / 13

HEX #0C0CDF

RGB 12 12 223

HSL 240, 0.9%, 0.46%

LAB 28.56, 69.46, -95.94

 

CMYK 45 / 95 / 0 / 13

HEX #7A0CDF

RGB 122 12 223

HSL 271.28, 0.9%, 0.46%

LAB 37.35, 74.58, -81.09

 

CMYK 45 / 95 / 0 / 13

HEX #7A0CDF

RGB 122 12 223

HSL 271.28, 0.9%, 0.46%

LAB 37.35, 74.58, -81.09

 

CMYK 41 / 85 / 0 / 20

HEX #791FCC

RGB 121 31 204

HSL 271.21, 0.74%, 0.46%

LAB 36.75, 66.37, -71.11

 

CMYK 35 / 73 / 0 / 27

HEX #7832B9

RGB 120 50 185

HSL 271.11, 0.57%, 0.46%

LAB 37.44, 54.88, -58.86

 

CMYK 28 / 58 / 0 / 35

HEX #7745A6

RGB 119 69 166

HSL 270.93, 0.41%, 0.46%

LAB 39.46, 40.52, -44.33

 

CMYK 19 / 40 / 0 / 42

HEX #775893

RGB 119 88 147

HSL 271.53, 0.25%, 0.46%

LAB 42.78, 24.81, -27.71

 

CMYK 95 / 93 / 0 / 13

HEX #0C0FDF

RGB 12 15 223

HSL 239.15, 0.9%, 0.46%

LAB 28.77, 68.83, -95.6

 

CMYK 71 / 95 / 0 / 13

HEX #410CDF

RGB 65 12 223

HSL 255.07, 0.9%, 0.46%

LAB 31.15, 70.71, -91.56

 

CMYK 46 / 95 / 0 / 13

HEX #790CDF

RGB 121 12 223

HSL 271, 0.9%, 0.46%

LAB 37.22, 74.49, -81.31

 

CMYK 21 / 95 / 0 / 13

HEX #B10CDF

RGB 177 12 223

HSL 286.92, 0.9%, 0.46%

LAB 45.55, 81.02, -67.34

 

CMYK 0 / 95 / 5 / 13

HEX #DF0CD4

RGB 223 12 212

HSL 303.13, 0.9%, 0.46%

LAB 52.62, 86.39, -49.26

 

CMYK 45 / 94 / 0 / 44

HEX #4F0890

RGB 79 8 144

HSL 271.32, 0.89%, 0.3%

LAB 23.17, 53.4, -57.64

 

CMYK 46 / 95 / 0 / 28

HEX #640AB8

RGB 100 10 184

HSL 271.03, 0.9%, 0.38%

LAB 30.37, 64.29, -69.95

 

CMYK 45 / 95 / 0 / 13

HEX #7A0CDF

RGB 122 12 223

HSL 271.28, 0.9%, 0.46%

LAB 37.35, 74.58, -81.09

 

CMYK 42 / 86 / 0 / 5

HEX #8E21F3

RGB 142 33 243

HSL 271.14, 0.9%, 0.54%

LAB 43.23, 76.92, -82.68

 

CMYK 34 / 71 / 0 / 4

HEX #A248F5

RGB 162 72 245

HSL 271.21, 0.9%, 0.62%

LAB 50.58, 66.9, -71.69

 

CMYK 45 / 95 / 0 / 13

HEX #790CDD

RGB 121 12 221

HSL 271.29, 0.9%, 0.46%

LAB 37.02, 74.06, -80.49

 

CMYK 0 / 95 / 68 / 13

HEX #DF0C48

RGB 223 12 72

HSL 342.94, 0.9%, 0.46%

LAB 47.52, 73.07, 27.07

 

CMYK 95 / 0 / 84 / 13

HEX #0CDF24

RGB 12 223 36

HSL 126.82, 0.9%, 0.46%

LAB 77.86, -76.48, 70.18

 

CMYK 45 / 95 / 0 / 13

HEX #790CDD

RGB 121 12 221

HSL 271.29, 0.9%, 0.46%

LAB 37.02, 74.06, -80.49

 

CMYK 0 / 46 / 95 / 13

HEX #DF790C

RGB 223 121 12

HSL 31, 0.9%, 0.46%

LAB 61.12, 33.75, 66.19

 

CMYK 95 / 0 / 46 / 13

HEX #0CDF79

RGB 12 223 121

HSL 151, 0.9%, 0.46%

LAB 78.6, -67.35, 37.49

 

CMYK 45 / 95 / 0 / 13

HEX #790CDD

RGB 121 12 221

HSL 271.29, 0.9%, 0.46%

LAB 37.02, 74.06, -80.49

 

CMYK 0 / 95 / 68 / 13

HEX #DF0C48

RGB 223 12 72

HSL 342.94, 0.9%, 0.46%

LAB 47.52, 73.07, 27.07

 

CMYK 49 / 0 / 95 / 13

HEX #72DF0C

RGB 114 223 12

HSL 91, 0.9%, 0.46%

LAB 79.83, -60.24, 76.61

 

CMYK 95 / 0 / 27 / 13

HEX #0CDFA3

RGB 12 223 163

HSL 162.94, 0.9%, 0.46%

LAB 79.33, -58.94, 16.93

 

CMYK 45 / 95 / 0 / 13

HEX #790CDD

RGB 121 12 221

HSL 271.29, 0.9%, 0.46%

LAB 37.02, 74.06, -80.49

 

CMYK 0 / 93 / 95 / 13

HEX #DF0F0C

RGB 223 15 12

HSL 0.85, 0.9%, 0.46%

LAB 47.05, 71.18, 57.47

 

CMYK 49 / 0 / 95 / 13

HEX #72DF0C

RGB 114 223 12

HSL 91, 0.9%, 0.46%

LAB 79.83, -60.24, 76.61

 

CMYK 95 / 2 / 0 / 13

HEX #0CDBDF

RGB 12 219 223

HSL 181.14, 0.9%, 0.46%

LAB 79.65, -41.38, -14.48

 

Description

Color code: HEX #790CDD | qconv.com Color code: HEX #790CDD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 12 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 12 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 95 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 95% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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