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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78FCAACE it is the complementary color #870355CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78FCAACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78FCAACE shade: #7DFCA5CE, #8EFFB8CE, #9FFFCBCE, #B0FFDECE and #C1FFF1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78FCAACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78FCAACE shade: #78FCAACE, #67EA97CE, #56D884CE, #45C671CE and #34B45ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78FCAACE shade: #78FCAA, #78FC86, #8DFC78, #B1FC78 and #D5FC78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78FCAACE shade: #78FCAA, #78FCCE, #78FCF1, #78E3FC and #78C0FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78FCAACE shade matches the following richer shades: #78FCAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78FCAACE shade: #78FCAA, #83F1AD, #8EE6B0, #99DBB2 and #A5D0B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78FCAACE shade: #8EFC78, #78FC85, #78FCA9, #78FCCC and #78FCEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78FCAACE shade: #27FB77, #50FB91, #78FCAA, #A0FDC4 and #C9FEDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78FCAACE shade: #78FCAA, #78B1FC and #FC787C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78FCAACE shade: #78FCAA, #A978FC and #FCA978

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78FCAACE shade: #78FCAA, #78B1FC, #FC78CC and #FCC378

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78FCAACE shade: #78FCAA, #788AFC, #FC78CC and #FCEB78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 26 / 1

HEX #78FCAACE

RGBA 120 252 170 0.81

HSLA 142.73, 0.96%, 0.73%, 0.81

LABA 90.1, -54.2, 28.45, 0.81

 

Complementary color

CMYK 0 / 79 / 30 / 38

HEX #870355CE

RGBA 135 3 85 0.81

HSLA 322.73, 0.96%, 0.27%, 0.81

LABA 29.09, 54.13, -9.75, 0.81

 

CMYK 41 / 0 / 28 / 1

HEX #7DFCA5CE

RGBA 125 252 165 0.81

HSLA 138.9, 0.95%, 0.74%, 0.81

LABA 90.18, -53.89, 31.11, 0.81

 

CMYK 36 / 0 / 23 / 0

HEX #8EFFB8CE

RGBA 142 255 184 0.81

HSLA 142.3, 1%, 0.78%, 0.81

LABA 92.01, -47.49, 24.1, 0.81

 

CMYK 30 / 0 / 17 / 0

HEX #9FFFCBCE

RGBA 159 255 203 0.81

HSLA 147.5, 1%, 0.81%, 0.81

LABA 93.1, -39.37, 16.03, 0.81

 

CMYK 25 / 0 / 10 / 0

HEX #B0FFDECE

RGBA 176 255 222 0.81

HSLA 154.94, 1%, 0.85%, 0.81

LABA 94.32, -30.87, 8.11, 0.81

 

CMYK 20 / 0 / 4 / 0

HEX #C1FFF1CE

RGBA 193 255 241 0.81

HSLA 166.45, 1%, 0.88%, 0.81

LABA 95.67, -22.12, 0.38, 0.81

 

CMYK 42 / 0 / 26 / 1

HEX #78FCAACE

RGBA 120 252 170 0.81

HSLA 142.73, 0.96%, 0.73%, 0.81

LABA 90.1, -54.2, 28.45, 0.81

 

CMYK 45 / 0 / 29 / 7

HEX #67EA97CE

RGBA 103 234 151 0.81

HSLA 141.98, 0.76%, 0.66%, 0.81

LABA 83.95, -54.24, 29.7, 0.81

 

CMYK 49 / 0 / 32 / 12

HEX #56D884CE

RGBA 86 216 132 0.81

HSLA 141.23, 0.63%, 0.59%, 0.81

LABA 77.73, -54.16, 31.04, 0.81

 

CMYK 53 / 0 / 35 / 18

HEX #45C671CE

RGBA 69 198 113 0.81

HSLA 140.47, 0.53%, 0.52%, 0.81

LABA 71.45, -53.92, 32.46, 0.81

 

CMYK 58 / 0 / 39 / 24

HEX #34B45ECE

RGBA 52 180 94 0.81

HSLA 139.69, 0.55%, 0.45%, 0.81

LABA 65.11, -53.4, 33.98, 0.81

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 52 / 0 / 47 / 1

HEX #78FC86

RGB 120 252 134

HSL 126.36, 0.96%, 0.73%

LAB 89.55, -59.96, 45.47

 

CMYK 44 / 0 / 52 / 1

HEX #8DFC78

RGB 141 252 120

HSL 110.45, 0.96%, 0.73%

LAB 90.16, -56.14, 52.93

 

CMYK 30 / 0 / 52 / 1

HEX #B1FC78

RGB 177 252 120

HSL 94.09, 0.96%, 0.73%

LAB 91.83, -44.79, 55.33

 

CMYK 15 / 0 / 52 / 1

HEX #D5FC78

RGB 213 252 120

HSL 77.73, 0.96%, 0.73%

LAB 93.94, -31.9, 58.34

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 52 / 0 / 18 / 1

HEX #78FCCE

RGB 120 252 206

HSL 159.09, 0.96%, 0.73%

LAB 90.81, -47.06, 11.03

 

CMYK 52 / 0 / 4 / 1

HEX #78FCF1

RGB 120 252 241

HSL 175, 0.96%, 0.73%

LAB 91.67, -38.94, -5.86

 

CMYK 52 / 10 / 0 / 1

HEX #78E3FC

RGB 120 227 252

HSL 191.36, 0.96%, 0.73%

LAB 84.98, -24.25, -21.63

 

CMYK 52 / 24 / 0 / 1

HEX #78C0FC

RGB 120 192 252

HSL 207.27, 0.96%, 0.73%

LAB 75.28, -6.16, -36.49

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 46 / 0 / 28 / 5

HEX #83F1AD

RGB 131 241 173

HSL 142.91, 0.8%, 0.73%

LAB 87.36, -46.38, 23.26

 

CMYK 38 / 0 / 23 / 10

HEX #8EE6B0

RGB 142 230 176

HSL 143.18, 0.64%, 0.73%

LAB 84.73, -37.99, 18.13

 

CMYK 30 / 0 / 19 / 14

HEX #99DBB2

RGB 153 219 178

HSL 142.73, 0.48%, 0.73%

LAB 82.19, -29.24, 13.59

 

CMYK 21 / 0 / 13 / 18

HEX #A5D0B5

RGB 165 208 181

HSL 142.33, 0.31%, 0.73%

LAB 79.87, -19.49, 8.79

 

CMYK 44 / 0 / 52 / 1

HEX #8EFC78

RGB 142 252 120

HSL 110, 0.96%, 0.73%

LAB 90.2, -55.86, 52.99

 

CMYK 52 / 0 / 47 / 1

HEX #78FC85

RGB 120 252 133

HSL 125.91, 0.96%, 0.73%

LAB 89.54, -60.1, 45.93

 

CMYK 52 / 0 / 33 / 1

HEX #78FCA9

RGB 120 252 169

HSL 142.27, 0.96%, 0.73%

LAB 90.08, -54.38, 28.93

 

CMYK 52 / 0 / 19 / 1

HEX #78FCCC

RGB 120 252 204

HSL 158.18, 0.96%, 0.73%

LAB 90.77, -47.49, 12

 

CMYK 52 / 0 / 5 / 1

HEX #78FCEF

RGB 120 252 239

HSL 174.09, 0.96%, 0.73%

LAB 91.62, -39.43, -4.9

 

CMYK 84 / 0 / 53 / 2

HEX #27FB77

RGB 39 251 119

HSL 142.64, 0.96%, 0.57%

LAB 87.37, -75.07, 49.43

 

CMYK 68 / 0 / 42 / 2

HEX #50FB91

RGB 80 251 145

HSL 142.81, 0.96%, 0.65%

LAB 88.33, -66.09, 38.36

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 37 / 0 / 23 / 1

HEX #A0FDC4

RGB 160 253 196

HSL 143.23, 0.96%, 0.81%

LAB 92.45, -39.51, 18.7

 

CMYK 21 / 0 / 13 / 0

HEX #C9FEDD

RGB 201 254 221

HSL 142.64, 0.96%, 0.89%

LAB 95.38, -23.07, 10.32

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 52 / 30 / 0 / 1

HEX #78B1FC

RGB 120 177 252

HSL 214.09, 0.96%, 0.73%

LAB 71.19, 2.09, -42.86

 

CMYK 0 / 52 / 51 / 1

HEX #FC787C

RGB 252 120 124

HSL 358.18, 0.96%, 0.73%

LAB 66.2, 50.65, 22.14

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 33 / 52 / 0 / 1

HEX #A978FC

RGB 169 120 252

HSL 262.27, 0.96%, 0.73%

LAB 60.69, 46.15, -59.24

 

CMYK 0 / 33 / 52 / 1

HEX #FCA978

RGB 252 169 120

HSL 22.27, 0.96%, 0.73%

LAB 76.33, 25.44, 37.61

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 52 / 30 / 0 / 1

HEX #78B1FC

RGB 120 177 252

HSL 214.09, 0.96%, 0.73%

LAB 71.19, 2.09, -42.86

 

CMYK 0 / 52 / 19 / 1

HEX #FC78CC

RGB 252 120 204

HSL 321.82, 0.96%, 0.73%

LAB 68.38, 59.81, -19.85

 

CMYK 0 / 23 / 52 / 1

HEX #FCC378

RGB 252 195 120

HSL 34.09, 0.96%, 0.73%

LAB 82.42, 11.83, 45.24

 

CMYK 52 / 0 / 33 / 1

HEX #78FCAA

RGB 120 252 170

HSL 142.73, 0.96%, 0.73%

LAB 90.1, -54.2, 28.45

 

CMYK 52 / 45 / 0 / 1

HEX #788AFC

RGB 120 138 252

HSL 231.82, 0.96%, 0.73%

LAB 60.96, 24.63, -59.04

 

CMYK 0 / 52 / 19 / 1

HEX #FC78CC

RGB 252 120 204

HSL 321.82, 0.96%, 0.73%

LAB 68.38, 59.81, -19.85

 

CMYK 0 / 7 / 52 / 1

HEX #FCEB78

RGB 252 235 120

HSL 52.27, 0.96%, 0.73%

LAB 92.34, -8.58, 57.18

 

Description

Color code: HEX #78FCAACE | qconv.com Color code: HEX #78FCAACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 252 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 252 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 26 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 26% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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