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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78FAF74C it is the complementary color #8705084C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78FAF74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78FAF74C shade: #7DFAF24C, #8EFFFF4C, #9FFFFF4C, #B0FFFF4C and #C1FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78FAF74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78FAF74C shade: #78FAF74C, #67E8E44C, #56D6D14C, #45C4BE4C and #34B2AB4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78FAF74C shade: #7AFAF7, #7AFAD5, #7AFAB2, #7AFA90 and #87FA7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78FAF74C shade: #7AFAF7, #7ADBFA, #7AB8FA, #7A96FA and #7A7AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78FAF74C shade matches the following richer shades: #7AFAF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78FAF74C shade: #7AFAF7, #85EFED, #90E4E2, #9CD9D7 and #A7CECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78FAF74C shade: #7AFAB2, #7AFAD4, #7AFAF6, #7ADCFA and #7ABAFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78FAF74C shade: #2AF7F3, #52F9F5, #7AFAF7, #A2FCFA and #CAFDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78FAF74C shade: #78FAF7, #8F7AFA and #FAC37A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78FAF74C shade: #78FAF7, #F67AFA and #FAF67A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78FAF74C shade: #78FAF7, #8F7AFA, #FA7A7E and #E5FA7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78FAF74C shade: #78FAF7, #B67AFA, #FA7A7E and #BEFA7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 0 / 1

HEX #78FAF74C

RGBA 120 250 247 0.3

HSLA 178.62, 0.93%, 0.73%, 0.3

LABA 91.27, -36.53, -9.56, 0.3

 

Complementary color

CMYK 0 / 29 / 28 / 14

HEX #8705084C

RGBA 135 5 8 0.3

HSLA 358.62, 0.93%, 0.27%, 0.3

LABA 27.51, 49.21, 37.18, 0.3

 

CMYK 15 / 0 / 1 / 1

HEX #7DFAF24C

RGBA 125 250 242 0.3

HSLA 176.16, 0.93%, 0.74%, 0.3

LABA 91.3, -36.77, -6.91, 0.3

 

CMYK 13 / 0 / 0 / 0

HEX #8EFFFF4C

RGBA 142 255 255 0.3

HSLA 180, 1%, 0.78%, 0.3

LABA 93.66, -32.25, -10.07, 0.3

 

CMYK 11 / 0 / 0 / 0

HEX #9FFFFF4C

RGBA 159 255 255 0.3

HSLA 180, 1%, 0.81%, 0.3

LABA 94.36, -28.26, -8.96, 0.3

 

CMYK 9 / 0 / 0 / 0

HEX #B0FFFF4C

RGBA 176 255 255 0.3

HSLA 180, 1%, 0.85%, 0.3

LABA 95.15, -23.9, -7.7, 0.3

 

CMYK 7 / 0 / 0 / 0

HEX #C1FFFF4C

RGBA 193 255 255 0.3

HSLA 180, 1%, 0.88%, 0.3

LABA 96.03, -19.2, -6.3, 0.3

 

CMYK 16 / 0 / 0 / 1

HEX #78FAF74C

RGBA 120 250 247 0.3

HSLA 178.62, 0.93%, 0.73%, 0.3

LABA 91.27, -36.53, -9.56, 0.3

 

CMYK 17 / 0 / 1 / 3

HEX #67E8E44C

RGBA 103 232 228 0.3

HSLA 178.14, 0.74%, 0.66%, 0.3

LABA 85.1, -36.34, -8.85, 0.3

 

CMYK 18 / 0 / 1 / 5

HEX #56D6D14C

RGBA 86 214 209 0.3

HSLA 177.66, 0.61%, 0.59%, 0.3

LABA 78.85, -36.06, -8.08, 0.3

 

CMYK 19 / 0 / 1 / 7

HEX #45C4BE4C

RGBA 69 196 190 0.3

HSLA 177.17, 0.52%, 0.52%, 0.3

LABA 72.54, -35.65, -7.24, 0.3

 

CMYK 21 / 0 / 1 / 9

HEX #34B2AB4C

RGBA 52 178 171 0.3

HSLA 176.67, 0.55%, 0.45%, 0.3

LABA 66.14, -35.05, -6.33, 0.3

 

CMYK 51 / 0 / 1 / 2

HEX #7AFAF7

RGB 122 250 247

HSL 178.59, 0.93%, 0.73%

LAB 91.34, -36.13, -9.46

 

CMYK 51 / 0 / 15 / 2

HEX #7AFAD5

RGB 122 250 213

HSL 162.66, 0.93%, 0.73%

LAB 90.47, -44.22, 6.92

 

CMYK 51 / 0 / 29 / 2

HEX #7AFAB2

RGB 122 250 178

HSL 146.25, 0.93%, 0.73%

LAB 89.73, -51.44, 23.9

 

CMYK 51 / 0 / 42 / 2

HEX #7AFA90

RGB 122 250 144

HSL 130.31, 0.93%, 0.73%

LAB 89.17, -57.24, 40.17

 

CMYK 46 / 0 / 51 / 2

HEX #87FA7A

RGB 135 250 122

HSL 113.91, 0.93%, 0.73%

LAB 89.36, -56.82, 50.99

 

CMYK 51 / 0 / 1 / 2

HEX #7AFAF7

RGB 122 250 247

HSL 178.59, 0.93%, 0.73%

LAB 91.34, -36.13, -9.46

 

CMYK 51 / 12 / 0 / 2

HEX #7ADBFA

RGB 122 219 250

HSL 194.53, 0.93%, 0.73%

LAB 82.76, -20.4, -23.93

 

CMYK 51 / 26 / 0 / 2

HEX #7AB8FA

RGB 122 184 250

HSL 210.94, 0.93%, 0.73%

LAB 73.1, -1.95, -38.79

 

CMYK 51 / 40 / 0 / 2

HEX #7A96FA

RGB 122 150 250

HSL 226.88, 0.93%, 0.73%

LAB 64.04, 17.39, -53.03

 

CMYK 51 / 51 / 0 / 2

HEX #7A7AFA

RGB 122 122 250

HSL 240, 0.93%, 0.73%

LAB 57.04, 33.9, -64.22

 

CMYK 51 / 0 / 1 / 2

HEX #7AFAF7

RGB 122 250 247

HSL 178.59, 0.93%, 0.73%

LAB 91.34, -36.13, -9.46

 

CMYK 51 / 0 / 1 / 2

HEX #7AFAF7

RGB 122 250 247

HSL 178.59, 0.93%, 0.73%

LAB 91.34, -36.13, -9.46

 

CMYK 44 / 0 / 1 / 6

HEX #85EFED

RGB 133 239 237

HSL 178.87, 0.77%, 0.73%

LAB 88.37, -31.13, -8.61

 

CMYK 37 / 0 / 1 / 11

HEX #90E4E2

RGB 144 228 226

HSL 178.57, 0.61%, 0.73%

LAB 85.46, -25.84, -7.09

 

CMYK 28 / 0 / 1 / 15

HEX #9CD9D7

RGB 156 217 215

HSL 178.03, 0.45%, 0.73%

LAB 82.7, -19.69, -5.27

 

CMYK 19 / 0 / 0 / 19

HEX #A7CECD

RGB 167 206 205

HSL 178.46, 0.28%, 0.73%

LAB 80.05, -13.01, -3.77

 

CMYK 51 / 0 / 29 / 2

HEX #7AFAB2

RGB 122 250 178

HSL 146.25, 0.93%, 0.73%

LAB 89.73, -51.44, 23.9

 

CMYK 51 / 0 / 15 / 2

HEX #7AFAD4

RGB 122 250 212

HSL 162.19, 0.93%, 0.73%

LAB 90.44, -44.44, 7.4

 

CMYK 51 / 0 / 2 / 2

HEX #7AFAF6

RGB 122 250 246

HSL 178.13, 0.93%, 0.73%

LAB 91.31, -36.38, -8.98

 

CMYK 51 / 12 / 0 / 2

HEX #7ADCFA

RGB 122 220 250

HSL 194.06, 0.93%, 0.73%

LAB 83.03, -20.9, -23.51

 

CMYK 51 / 26 / 0 / 2

HEX #7ABAFA

RGB 122 186 250

HSL 210, 0.93%, 0.73%

LAB 73.65, -3.05, -37.94

 

CMYK 83 / 0 / 2 / 3

HEX #2AF7F3

RGB 42 247 243

HSL 178.83, 0.93%, 0.57%

LAB 88.68, -46.52, -11.51

 

CMYK 67 / 0 / 2 / 2

HEX #52F9F5

RGB 82 249 245

HSL 178.56, 0.93%, 0.65%

LAB 89.92, -42.87, -10.64

 

CMYK 51 / 0 / 1 / 2

HEX #7AFAF7

RGB 122 250 247

HSL 178.59, 0.93%, 0.73%

LAB 91.34, -36.13, -9.46

 

CMYK 36 / 0 / 1 / 1

HEX #A2FCFA

RGB 162 252 250

HSL 178.67, 0.94%, 0.81%

LAB 93.54, -27.24, -7.58

 

CMYK 20 / 0 / 0 / 1

HEX #CAFDFC

RGB 202 253 252

HSL 178.82, 0.93%, 0.89%

LAB 95.93, -16.23, -4.85

 

CMYK 52 / 0 / 1 / 2

HEX #78FAF7

RGB 120 250 247

HSL 178.62, 0.93%, 0.73%

LAB 91.27, -36.53, -9.56

 

CMYK 43 / 51 / 0 / 2

HEX #8F7AFA

RGB 143 122 250

HSL 249.84, 0.93%, 0.73%

LAB 58.66, 38.42, -61.52

 

CMYK 0 / 22 / 51 / 2

HEX #FAC37A

RGB 250 195 122

HSL 34.22, 0.93%, 0.73%

LAB 82.25, 11.2, 43.98

 

CMYK 52 / 0 / 1 / 2

HEX #78FAF7

RGB 120 250 247

HSL 178.62, 0.93%, 0.73%

LAB 91.27, -36.53, -9.56

 

CMYK 2 / 51 / 0 / 2

HEX #F67AFA

RGB 246 122 250

HSL 298.13, 0.93%, 0.73%

LAB 69.76, 64.48, -43.22

 

CMYK 0 / 2 / 51 / 2

HEX #FAF67A

RGB 250 246 122

HSL 58.13, 0.93%, 0.73%

LAB 95.01, -14.62, 59.36

 

CMYK 52 / 0 / 1 / 2

HEX #78FAF7

RGB 120 250 247

HSL 178.62, 0.93%, 0.73%

LAB 91.27, -36.53, -9.56

 

CMYK 43 / 51 / 0 / 2

HEX #8F7AFA

RGB 143 122 250

HSL 249.84, 0.93%, 0.73%

LAB 58.66, 38.42, -61.52

 

CMYK 0 / 51 / 50 / 2

HEX #FA7A7E

RGB 250 122 126

HSL 358.13, 0.93%, 0.73%

LAB 66.33, 49.17, 21.14

 

CMYK 8 / 0 / 51 / 2

HEX #E5FA7A

RGB 229 250 122

HSL 69.84, 0.93%, 0.73%

LAB 94.5, -24.73, 58.37

 

CMYK 52 / 0 / 1 / 2

HEX #78FAF7

RGB 120 250 247

HSL 178.62, 0.93%, 0.73%

LAB 91.27, -36.53, -9.56

 

CMYK 27 / 51 / 0 / 2

HEX #B67AFA

RGB 182 122 250

HSL 268.13, 0.93%, 0.73%

LAB 62.31, 47.79, -55.48

 

CMYK 0 / 51 / 50 / 2

HEX #FA7A7E

RGB 250 122 126

HSL 358.13, 0.93%, 0.73%

LAB 66.33, 49.17, 21.14

 

CMYK 24 / 0 / 51 / 2

HEX #BEFA7A

RGB 190 250 122

HSL 88.13, 0.93%, 0.73%

LAB 92.01, -39.19, 54.81

 

Description

Color code: HEX #78FAF74C | qconv.com Color code: HEX #78FAF74C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 250 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 250 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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