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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F6DD it is the complementary color #870922. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F6DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F6DD shade: #7DF6D8, #8EFFEB, #9FFFFE, #B0FFFF and #C1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F6DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F6DD shade: #78F6DD, #67E4CA, #56D2B7, #45C0A4 and #34AE91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F6DD shade: #79F6DE, #79F6BC, #79F69A, #7AF679 and #9CF679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F6DD shade: #79F6DE, #79EDF6, #79CCF6, #79AAF6 and #7988F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F6DD shade matches the following richer shades: #79F6DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F6DD shade: #79F6DE, #84EBD7, #90DFD0, #9BD4C9 and #A7C8C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F6DD shade: #79F69A, #79F6BC, #79F6DD, #79EEF6 and #79CDF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F6DD shade: #2BF1CA, #52F4D4, #79F6DE, #A0F9E7 and #C6FBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F6DD shade: #78F6DD, #7979F6 and #F6AB79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F6DD shade: #78F6DD, #DD79F6 and #F6DD79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F6DD shade: #78F6DD, #7979F6, #F67992 and #F6F679

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F6DD shade: #78F6DD, #9E79F6, #F67992 and #D1F679

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 10 / 4

HEX #78F6DD

RGB 120 246 221

HSL 168.1, 0.88%, 0.72%

LAB 89.45, -41.05, 1.29

 

Complementary color

CMYK 0 / 93 / 75 / 47

HEX #870922

RGB 135 9 34

HSL 348.1, 0.88%, 0.28%

LAB 28.01, 49.27, 22.93

 

CMYK 49 / 0 / 12 / 4

HEX #7DF6D8

RGB 125 246 216

HSL 165.12, 0.87%, 0.73%

LAB 89.5, -41.12, 3.98

 

CMYK 44 / 0 / 8 / 0

HEX #8EFFEB

RGB 142 255 235

HSL 169.38, 1%, 0.78%

LAB 93.13, -36.97, -0.51

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFE

RGB 159 255 254

HSL 179.38, 1%, 0.81%

LAB 94.33, -28.49, -8.48

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 51 / 0 / 10 / 4

HEX #78F6DD

RGB 120 246 221

HSL 168.1, 0.88%, 0.72%

LAB 89.45, -41.05, 1.29

 

CMYK 55 / 0 / 11 / 11

HEX #67E4CA

RGB 103 228 202

HSL 167.52, 0.7%, 0.65%

LAB 83.25, -41.02, 2.16

 

CMYK 59 / 0 / 13 / 18

HEX #56D2B7

RGB 86 210 183

HSL 166.94, 0.58%, 0.58%

LAB 76.98, -40.91, 3.1

 

CMYK 64 / 0 / 15 / 25

HEX #45C0A4

RGB 69 192 164

HSL 166.34, 0.49%, 0.51%

LAB 70.63, -40.67, 4.13

 

CMYK 70 / 0 / 17 / 32

HEX #34AE91

RGB 52 174 145

HSL 165.74, 0.54%, 0.44%

LAB 64.2, -40.26, 5.27

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DE

RGB 121 246 222

HSL 168.48, 0.87%, 0.72%

LAB 89.51, -40.6, 0.86

 

CMYK 51 / 0 / 24 / 4

HEX #79F6BC

RGB 121 246 188

HSL 152.16, 0.87%, 0.72%

LAB 88.74, -48.04, 17.39

 

CMYK 51 / 0 / 37 / 4

HEX #79F69A

RGB 121 246 154

HSL 135.84, 0.87%, 0.72%

LAB 88.12, -54.31, 33.84

 

CMYK 50 / 0 / 51 / 4

HEX #7AF679

RGB 122 246 121

HSL 119.52, 0.87%, 0.72%

LAB 87.69, -58.9, 49.32

 

CMYK 37 / 0 / 51 / 4

HEX #9CF679

RGB 156 246 121

HSL 103.2, 0.87%, 0.72%

LAB 89.09, -49.04, 51.34

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DE

RGB 121 246 222

HSL 168.48, 0.87%, 0.72%

LAB 89.51, -40.6, 0.86

 

CMYK 51 / 4 / 0 / 4

HEX #79EDF6

RGB 121 237 246

HSL 184.32, 0.87%, 0.72%

LAB 87.62, -30.5, -14.48

 

CMYK 51 / 17 / 0 / 4

HEX #79CCF6

RGB 121 204 246

HSL 200.16, 0.87%, 0.72%

LAB 78.41, -14.04, -28.45

 

CMYK 51 / 31 / 0 / 4

HEX #79AAF6

RGB 121 170 246

HSL 216.48, 0.87%, 0.72%

LAB 69.09, 4.45, -42.89

 

CMYK 51 / 45 / 0 / 4

HEX #7988F6

RGB 121 136 246

HSL 232.8, 0.87%, 0.72%

LAB 60.18, 24.19, -56.97

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DE

RGB 121 246 222

HSL 168.48, 0.87%, 0.72%

LAB 89.51, -40.6, 0.86

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DE

RGB 121 246 222

HSL 168.48, 0.87%, 0.72%

LAB 89.51, -40.6, 0.86

 

CMYK 44 / 0 / 9 / 8

HEX #84EBD7

RGB 132 235 215

HSL 168.35, 0.72%, 0.72%

LAB 86.62, -34.72, 0.34

 

CMYK 35 / 0 / 7 / 13

HEX #90DFD0

RGB 144 223 208

HSL 168.61, 0.55%, 0.72%

LAB 83.58, -27.55, -0.34

 

CMYK 27 / 0 / 5 / 17

HEX #9BD4C9

RGB 155 212 201

HSL 168.42, 0.4%, 0.72%

LAB 80.89, -20.56, -0.48

 

CMYK 17 / 0 / 3 / 22

HEX #A7C8C2

RGB 167 200 194

HSL 169.09, 0.23%, 0.72%

LAB 78.12, -12.2, -0.69

 

CMYK 51 / 0 / 37 / 4

HEX #79F69A

RGB 121 246 154

HSL 135.84, 0.87%, 0.72%

LAB 88.12, -54.31, 33.84

 

CMYK 51 / 0 / 24 / 4

HEX #79F6BC

RGB 121 246 188

HSL 152.16, 0.87%, 0.72%

LAB 88.74, -48.04, 17.39

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DD

RGB 121 246 221

HSL 168, 0.87%, 0.72%

LAB 89.49, -40.84, 1.34

 

CMYK 51 / 3 / 0 / 4

HEX #79EEF6

RGB 121 238 246

HSL 183.84, 0.87%, 0.72%

LAB 87.9, -30.97, -14.06

 

CMYK 51 / 17 / 0 / 4

HEX #79CDF6

RGB 121 205 246

HSL 199.68, 0.87%, 0.72%

LAB 78.68, -14.56, -28.03

 

CMYK 82 / 0 / 16 / 5

HEX #2BF1CA

RGB 43 241 202

HSL 168.18, 0.88%, 0.56%

LAB 85.85, -54.84, 5.77

 

CMYK 66 / 0 / 13 / 4

HEX #52F4D4

RGB 82 244 212

HSL 168.15, 0.88%, 0.64%

LAB 87.61, -49.2, 3.17

 

CMYK 51 / 0 / 10 / 4

HEX #79F6DE

RGB 121 246 222

HSL 168.48, 0.87%, 0.72%

LAB 89.51, -40.6, 0.86

 

CMYK 36 / 0 / 7 / 2

HEX #A0F9E7

RGB 160 249 231

HSL 167.87, 0.88%, 0.8%

LAB 92.13, -30.59, 0.19

 

CMYK 21 / 0 / 4 / 2

HEX #C6FBF1

RGB 198 251 241

HSL 168.68, 0.87%, 0.88%

LAB 94.89, -18.69, -0.73

 

CMYK 51 / 0 / 10 / 4

HEX #78F6DD

RGB 120 246 221

HSL 168.1, 0.88%, 0.72%

LAB 89.45, -41.05, 1.29

 

CMYK 51 / 51 / 0 / 4

HEX #7979F6

RGB 121 121 246

HSL 240, 0.87%, 0.72%

LAB 56.48, 33.08, -62.9

 

CMYK 0 / 30 / 51 / 4

HEX #F6AB79

RGB 246 171 121

HSL 24, 0.87%, 0.72%

LAB 76.13, 22.1, 36.69

 

CMYK 51 / 0 / 10 / 4

HEX #78F6DD

RGB 120 246 221

HSL 168.1, 0.88%, 0.72%

LAB 89.45, -41.05, 1.29

 

CMYK 10 / 51 / 0 / 4

HEX #DD79F6

RGB 221 121 246

HSL 288, 0.87%, 0.72%

LAB 66.29, 57.59, -46.7

 

CMYK 0 / 10 / 51 / 4

HEX #F6DD79

RGB 246 221 121

HSL 48, 0.87%, 0.72%

LAB 88.3, -3.88, 51.78

 

CMYK 51 / 0 / 10 / 4

HEX #78F6DD

RGB 120 246 221

HSL 168.1, 0.88%, 0.72%

LAB 89.45, -41.05, 1.29

 

CMYK 51 / 51 / 0 / 4

HEX #7979F6

RGB 121 121 246

HSL 240, 0.87%, 0.72%

LAB 56.48, 33.08, -62.9

 

CMYK 0 / 51 / 41 / 4

HEX #F67992

RGB 246 121 146

HSL 348, 0.87%, 0.72%

LAB 66.01, 50.2, 9.3

 

CMYK 0 / 0 / 51 / 4

HEX #F6F679

RGB 246 246 121

HSL 60, 0.87%, 0.72%

LAB 94.69, -16.28, 59.36

 

CMYK 51 / 0 / 10 / 4

HEX #78F6DD

RGB 120 246 221

HSL 168.1, 0.88%, 0.72%

LAB 89.45, -41.05, 1.29

 

CMYK 36 / 51 / 0 / 4

HEX #9E79F6

RGB 158 121 246

HSL 257.76, 0.87%, 0.72%

LAB 59.52, 41.42, -57.86

 

CMYK 0 / 51 / 41 / 4

HEX #F67992

RGB 246 121 146

HSL 348, 0.87%, 0.72%

LAB 66.01, 50.2, 9.3

 

CMYK 15 / 0 / 51 / 4

HEX #D1F679

RGB 209 246 121

HSL 77.76, 0.87%, 0.72%

LAB 92.06, -30.53, 55.61

 

Description

Color code: HEX #78F6DD | qconv.com Color code: HEX #78F6DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 246 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 246 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 10 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 10% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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