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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F47A it is the complementary color #870B85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F47A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F47A shade: #7DF475, #8EFF88, #9FFF9B, #B0FFAE and #C1FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F47A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F47A shade: #78F47A, #67E267, #56D054, #45BE41 and #34AC2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F47A shade: #76F478, #96F476, #B8F476, #DAF476 and #F4EC76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F47A shade: #76F478, #76F49A, #76F4BC, #76F4DE and #76E8F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F47A shade matches the following richer shades: #76F478

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F47A shade: #76F478, #82E884, #8EDC8F, #9AD09B and #A6C4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F47A shade: #B9F476, #98F476, #76F476, #76F498 and #76F4B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F47A shade: #2AEE2D, #50F153, #76F478, #9CF79E and #C3FAC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F47A shade: #78F47A, #76DBF4 and #F476A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F47A shade: #78F47A, #7676F4 and #F47676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F47A shade: #78F47A, #76DBF4, #F476F4 and #F48F76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F47A shade: #78F47A, #76B5F4, #F476F4 and #F4B576

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 50 / 4

HEX #78F47A

RGB 120 244 122

HSL 120.97, 0.85%, 0.71%

LAB 87.05, -58.52, 48.04

 

Complementary color

CMYK 0 / 92 / 1 / 47

HEX #870B85

RGB 135 11 133

HSL 300.97, 0.85%, 0.29%

LAB 32, 59.33, -36.01

 

CMYK 49 / 0 / 52 / 4

HEX #7DF475

RGB 125 244 117

HSL 116.22, 0.85%, 0.71%

LAB 87.17, -57.84, 50.56

 

CMYK 44 / 0 / 47 / 0

HEX #8EFF88

RGB 142 255 136

HSL 116.97, 1%, 0.77%

LAB 91.26, -55.06, 46.83

 

CMYK 38 / 0 / 39 / 0

HEX #9FFF9B

RGB 159 255 155

HSL 117.6, 1%, 0.8%

LAB 92.25, -47.48, 39.05

 

CMYK 31 / 0 / 32 / 0

HEX #B0FFAE

RGB 176 255 174

HSL 118.52, 1%, 0.84%

LAB 93.37, -39.4, 31.25

 

CMYK 24 / 0 / 24 / 0

HEX #C1FFC1

RGB 193 255 193

HSL 120, 1%, 0.88%

LAB 94.61, -30.96, 23.5

 

CMYK 51 / 0 / 50 / 4

HEX #78F47A

RGB 120 244 122

HSL 120.97, 0.85%, 0.71%

LAB 87.05, -58.52, 48.04

 

CMYK 54 / 0 / 54 / 11

HEX #67E267

RGB 103 226 103

HSL 120, 0.68%, 0.65%

LAB 80.88, -58.4, 49.29

 

CMYK 59 / 0 / 60 / 18

HEX #56D054

RGB 86 208 84

HSL 119.03, 0.57%, 0.57%

LAB 74.65, -58.08, 50.49

 

CMYK 64 / 0 / 66 / 25

HEX #45BE41

RGB 69 190 65

HSL 118.08, 0.49%, 0.5%

LAB 68.37, -57.49, 51.54

 

CMYK 70 / 0 / 73 / 33

HEX #34AC2E

RGB 52 172 46

HSL 117.14, 0.58%, 0.43%

LAB 62.03, -56.48, 52.25

 

CMYK 52 / 0 / 51 / 4

HEX #76F478

RGB 118 244 120

HSL 120.95, 0.85%, 0.71%

LAB 86.95, -59.29, 48.85

 

CMYK 39 / 0 / 52 / 4

HEX #96F476

RGB 150 244 118

HSL 104.76, 0.85%, 0.71%

LAB 88.21, -50.44, 51.59

 

CMYK 25 / 0 / 52 / 4

HEX #B8F476

RGB 184 244 118

HSL 88.57, 0.85%, 0.71%

LAB 89.95, -39.06, 54.1

 

CMYK 11 / 0 / 52 / 4

HEX #DAF476

RGB 218 244 118

HSL 72.38, 0.85%, 0.71%

LAB 92.09, -26.46, 57.16

 

CMYK 0 / 3 / 52 / 4

HEX #F4EC76

RGB 244 236 118

HSL 56.19, 0.85%, 0.71%

LAB 91.92, -12.42, 57.45

 

CMYK 52 / 0 / 51 / 4

HEX #76F478

RGB 118 244 120

HSL 120.95, 0.85%, 0.71%

LAB 86.95, -59.29, 48.85

 

CMYK 52 / 0 / 37 / 4

HEX #76F49A

RGB 118 244 154

HSL 137.14, 0.85%, 0.71%

LAB 87.43, -54.24, 32.91

 

CMYK 52 / 0 / 23 / 4

HEX #76F4BC

RGB 118 244 188

HSL 153.33, 0.85%, 0.71%

LAB 88.06, -47.88, 16.42

 

CMYK 52 / 0 / 9 / 4

HEX #76F4DE

RGB 118 244 222

HSL 169.52, 0.85%, 0.71%

LAB 88.84, -40.34, -0.13

 

CMYK 52 / 5 / 0 / 4

HEX #76E8F4

RGB 118 232 244

HSL 185.71, 0.85%, 0.71%

LAB 86.05, -29.24, -15.79

 

CMYK 52 / 0 / 51 / 4

HEX #76F478

RGB 118 244 120

HSL 120.95, 0.85%, 0.71%

LAB 86.95, -59.29, 48.85

 

CMYK 52 / 0 / 51 / 4

HEX #76F478

RGB 118 244 120

HSL 120.95, 0.85%, 0.71%

LAB 86.95, -59.29, 48.85

 

CMYK 44 / 0 / 43 / 9

HEX #82E884

RGB 130 232 132

HSL 121.18, 0.69%, 0.71%

LAB 84.03, -49.64, 39.52

 

CMYK 35 / 0 / 35 / 14

HEX #8EDC8F

RGB 142 220 143

HSL 120.77, 0.53%, 0.71%

LAB 81.25, -39.22, 30.45

 

CMYK 26 / 0 / 25 / 18

HEX #9AD09B

RGB 154 208 155

HSL 121.11, 0.36%, 0.71%

LAB 78.66, -27.81, 20.82

 

CMYK 15 / 0 / 15 / 23

HEX #A6C4A7

RGB 166 196 167

HSL 122, 0.2%, 0.71%

LAB 76.3, -15.68, 11.22

 

CMYK 24 / 0 / 52 / 4

HEX #B9F476

RGB 185 244 118

HSL 88.1, 0.85%, 0.71%

LAB 90.01, -38.7, 54.18

 

CMYK 38 / 0 / 52 / 4

HEX #98F476

RGB 152 244 118

HSL 103.81, 0.85%, 0.71%

LAB 88.3, -49.82, 51.72

 

CMYK 52 / 0 / 52 / 4

HEX #76F476

RGB 118 244 118

HSL 120, 0.85%, 0.71%

LAB 86.93, -59.55, 49.75

 

CMYK 52 / 0 / 38 / 4

HEX #76F498

RGB 118 244 152

HSL 136.19, 0.85%, 0.71%

LAB 87.4, -54.57, 33.87

 

CMYK 52 / 0 / 24 / 4

HEX #76F4B9

RGB 118 244 185

HSL 151.9, 0.85%, 0.71%

LAB 88, -48.49, 17.88

 

CMYK 82 / 0 / 81 / 7

HEX #2AEE2D

RGB 42 238 45

HSL 120.92, 0.85%, 0.55%

LAB 82.82, -78.12, 72.59

 

CMYK 67 / 0 / 66 / 5

HEX #50F153

RGB 80 241 83

HSL 121.12, 0.85%, 0.63%

LAB 84.61, -70.8, 61.97

 

CMYK 52 / 0 / 51 / 4

HEX #76F478

RGB 118 244 120

HSL 120.95, 0.85%, 0.71%

LAB 86.95, -59.29, 48.85

 

CMYK 37 / 0 / 36 / 3

HEX #9CF79E

RGB 156 247 158

HSL 121.32, 0.85%, 0.79%

LAB 89.89, -44.49, 34.44

 

CMYK 22 / 0 / 22 / 2

HEX #C3FAC3

RGB 195 250 195

HSL 120, 0.85%, 0.87%

LAB 93.41, -27.64, 20.83

 

CMYK 51 / 0 / 50 / 4

HEX #78F47A

RGB 120 244 122

HSL 120.97, 0.85%, 0.71%

LAB 87.05, -58.52, 48.04

 

CMYK 52 / 10 / 0 / 4

HEX #76DBF4

RGB 118 219 244

HSL 191.9, 0.85%, 0.71%

LAB 82.4, -22.88, -21.3

 

CMYK 0 / 52 / 31 / 4

HEX #F476A8

RGB 244 118 168

HSL 336.19, 0.85%, 0.71%

LAB 65.76, 53.49, -3.6

 

CMYK 51 / 0 / 50 / 4

HEX #78F47A

RGB 120 244 122

HSL 120.97, 0.85%, 0.71%

LAB 87.05, -58.52, 48.04

 

CMYK 52 / 52 / 0 / 4

HEX #7676F4

RGB 118 118 244

HSL 240, 0.85%, 0.71%

LAB 55.42, 33.63, -63.51

 

CMYK 0 / 52 / 52 / 4

HEX #F47676

RGB 244 118 118

HSL 0, 0.85%, 0.71%

LAB 64.56, 48.3, 23.12

 

CMYK 51 / 0 / 50 / 4

HEX #78F47A

RGB 120 244 122

HSL 120.97, 0.85%, 0.71%

LAB 87.05, -58.52, 48.04

 

CMYK 52 / 10 / 0 / 4

HEX #76DBF4

RGB 118 219 244

HSL 191.9, 0.85%, 0.71%

LAB 82.4, -22.88, -21.3

 

CMYK 0 / 52 / 0 / 4

HEX #F476F4

RGB 244 118 244

HSL 300, 0.85%, 0.71%

LAB 68.55, 64.76, -41.85

 

CMYK 0 / 41 / 52 / 4

HEX #F48F76

RGB 244 143 118

HSL 11.9, 0.85%, 0.71%

LAB 69.6, 35.73, 29.81

 

CMYK 51 / 0 / 50 / 4

HEX #78F47A

RGB 120 244 122

HSL 120.97, 0.85%, 0.71%

LAB 87.05, -58.52, 48.04

 

CMYK 52 / 26 / 0 / 4

HEX #76B5F4

RGB 118 181 244

HSL 210, 0.85%, 0.71%

LAB 71.85, -2.94, -37.51

 

CMYK 0 / 52 / 0 / 4

HEX #F476F4

RGB 244 118 244

HSL 300, 0.85%, 0.71%

LAB 68.55, 64.76, -41.85

 

CMYK 0 / 26 / 52 / 4

HEX #F4B576

RGB 244 181 118

HSL 30, 0.85%, 0.71%

LAB 78.22, 15.77, 40.85

 

Description

Color code: HEX #78F47A | qconv.com Color code: HEX #78F47A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 244 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 244 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 50 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 50% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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