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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F372 it is the complementary color #870C8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F372. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F372 shade: #7DF36D, #8EFF80, #9FFF93, #B0FFA6 and #C1FFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F372. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F372 shade: #78F372, #67E15F, #56CF4C, #45BD39 and #34AB26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F372 shade: #78F372, #9BF372, #BEF372, #E0F372 and #F3E372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F372 shade: #78F372, #72F38F, #72F3B2, #72F3D4 and #72EFF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F372 shade matches the following richer shades: #78F372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F372 shade: #78F372, #83E67F, #8FDA8B, #9ACE97 and #A5C1A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F372 shade: #BDF372, #9BF372, #79F372, #72F38E and #72F3B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F372 shade: #30EC26, #54EF4C, #78F372, #9DF698 and #C1F9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F372 shade: #78F372, #72DFF3 and #F372AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F372 shade: #78F372, #7279F3 and #F37279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F372 shade: #78F372, #72DFF3, #EC72F3 and #F38672

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F372 shade: #78F372, #72B9F3, #EC72F3 and #F3AC72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

Complementary color

CMYK 4 / 91 / 0 / 45

HEX #870C8D

RGB 135 12 141

HSL 297.21, 0.84%, 0.3%

LAB 32.56, 60.47, -40.08

 

CMYK 49 / 0 / 55 / 5

HEX #7DF36D

RGB 125 243 109

HSL 112.84, 0.85%, 0.69%

LAB 86.78, -58.4, 53.75

 

CMYK 44 / 0 / 50 / 0

HEX #8EFF80

RGB 142 255 128

HSL 113.39, 1%, 0.75%

LAB 91.16, -56.08, 50.47

 

CMYK 38 / 0 / 42 / 0

HEX #9FFF93

RGB 159 255 147

HSL 113.33, 1%, 0.79%

LAB 92.13, -48.61, 42.81

 

CMYK 31 / 0 / 35 / 0

HEX #B0FFA6

RGB 176 255 166

HSL 113.26, 1%, 0.83%

LAB 93.23, -40.62, 35.07

 

CMYK 24 / 0 / 27 / 0

HEX #C1FFB9

RGB 193 255 185

HSL 113.14, 1%, 0.86%

LAB 94.47, -32.25, 27.35

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 54 / 0 / 58 / 12

HEX #67E15F

RGB 103 225 95

HSL 116.31, 0.68%, 0.63%

LAB 80.49, -58.96, 52.46

 

CMYK 58 / 0 / 63 / 19

HEX #56CF4C

RGB 86 207 76

HSL 115.42, 0.58%, 0.55%

LAB 74.27, -58.58, 53.54

 

CMYK 63 / 0 / 70 / 26

HEX #45BD39

RGB 69 189 57

HSL 114.55, 0.54%, 0.48%

LAB 67.99, -57.88, 54.36

 

CMYK 70 / 0 / 78 / 33

HEX #34AB26

RGB 52 171 38

HSL 113.68, 0.64%, 0.41%

LAB 61.65, -56.74, 54.68

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 36 / 0 / 53 / 5

HEX #9BF372

RGB 155 243 114

HSL 100.93, 0.84%, 0.7%

LAB 88.11, -48.89, 53.36

 

CMYK 22 / 0 / 53 / 5

HEX #BEF372

RGB 190 243 114

HSL 84.65, 0.84%, 0.7%

LAB 89.98, -36.85, 56.04

 

CMYK 8 / 0 / 53 / 5

HEX #E0F372

RGB 224 243 114

HSL 68.84, 0.84%, 0.7%

LAB 92.2, -24.02, 59.2

 

CMYK 0 / 7 / 53 / 5

HEX #F3E372

RGB 243 227 114

HSL 52.56, 0.84%, 0.7%

LAB 89.49, -8.68, 56.42

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 53 / 0 / 41 / 5

HEX #72F38F

RGB 114 243 143

HSL 133.49, 0.84%, 0.7%

LAB 86.83, -56.6, 37.58

 

CMYK 53 / 0 / 27 / 5

HEX #72F3B2

RGB 114 243 178

HSL 149.77, 0.84%, 0.7%

LAB 87.43, -50.37, 20.69

 

CMYK 53 / 0 / 13 / 5

HEX #72F3D4

RGB 114 243 212

HSL 165.58, 0.84%, 0.7%

LAB 88.18, -43.07, 4.1

 

CMYK 53 / 2 / 0 / 5

HEX #72EFF3

RGB 114 239 243

HSL 181.86, 0.84%, 0.7%

LAB 87.86, -33.61, -12.57

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 43 / 0 / 45 / 10

HEX #83E67F

RGB 131 230 127

HSL 117.67, 0.67%, 0.7%

LAB 83.42, -49.24, 41.2

 

CMYK 34 / 0 / 36 / 15

HEX #8FDA8B

RGB 143 218 139

HSL 116.96, 0.52%, 0.7%

LAB 80.65, -38.64, 31.72

 

CMYK 25 / 0 / 27 / 19

HEX #9ACE97

RGB 154 206 151

HSL 116.73, 0.36%, 0.7%

LAB 78.02, -27.52, 22.04

 

CMYK 15 / 0 / 15 / 24

HEX #A5C1A4

RGB 165 193 164

HSL 117.93, 0.19%, 0.7%

LAB 75.34, -15.03, 11.47

 

CMYK 22 / 0 / 53 / 5

HEX #BDF372

RGB 189 243 114

HSL 85.12, 0.84%, 0.7%

LAB 89.92, -37.21, 55.96

 

CMYK 36 / 0 / 53 / 5

HEX #9BF372

RGB 155 243 114

HSL 100.93, 0.84%, 0.7%

LAB 88.11, -48.89, 53.36

 

CMYK 50 / 0 / 53 / 5

HEX #79F372

RGB 121 243 114

HSL 116.74, 0.84%, 0.7%

LAB 86.69, -58.88, 51.33

 

CMYK 53 / 0 / 42 / 5

HEX #72F38E

RGB 114 243 142

HSL 133.02, 0.84%, 0.7%

LAB 86.82, -56.76, 38.06

 

CMYK 53 / 0 / 28 / 5

HEX #72F3B0

RGB 114 243 176

HSL 148.84, 0.84%, 0.7%

LAB 87.39, -50.76, 21.66

 

CMYK 80 / 0 / 84 / 7

HEX #30EC26

RGB 48 236 38

HSL 116.97, 0.84%, 0.54%

LAB 82.25, -77.24, 73.78

 

CMYK 65 / 0 / 68 / 6

HEX #54EF4C

RGB 84 239 76

HSL 117.06, 0.84%, 0.62%

LAB 84.04, -70.02, 64.09

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 36 / 0 / 38 / 4

HEX #9DF698

RGB 157 246 152

HSL 116.81, 0.84%, 0.78%

LAB 89.56, -44.66, 37.01

 

CMYK 22 / 0 / 24 / 2

HEX #C1F9BE

RGB 193 249 190

HSL 116.95, 0.83%, 0.86%

LAB 92.93, -28.64, 22.7

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 53 / 8 / 0 / 5

HEX #72DFF3

RGB 114 223 243

HSL 189.3, 0.84%, 0.7%

LAB 83.35, -25.94, -19.35

 

CMYK 0 / 53 / 29 / 5

HEX #F372AC

RGB 243 114 172

HSL 333.02, 0.84%, 0.7%

LAB 65.02, 55.56, -6.99

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 53 / 50 / 0 / 5

HEX #7279F3

RGB 114 121 243

HSL 236.74, 0.84%, 0.7%

LAB 55.81, 30.74, -62.34

 

CMYK 0 / 53 / 50 / 5

HEX #F37279

RGB 243 114 121

HSL 356.74, 0.84%, 0.7%

LAB 63.73, 50.12, 20.27

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 53 / 8 / 0 / 5

HEX #72DFF3

RGB 114 223 243

HSL 189.3, 0.84%, 0.7%

LAB 83.35, -25.94, -19.35

 

CMYK 3 / 53 / 0 / 5

HEX #EC72F3

RGB 236 114 243

HSL 296.74, 0.84%, 0.7%

LAB 66.78, 64.32, -44.15

 

CMYK 0 / 45 / 53 / 5

HEX #F38672

RGB 243 134 114

HSL 9.3, 0.84%, 0.7%

LAB 67.52, 39.63, 29.24

 

CMYK 51 / 0 / 53 / 5

HEX #78F372

RGB 120 243 114

HSL 117.21, 0.84%, 0.7%

LAB 86.66, -59.15, 51.28

 

CMYK 53 / 24 / 0 / 5

HEX #72B9F3

RGB 114 185 243

HSL 206.98, 0.84%, 0.7%

LAB 72.72, -6.29, -35.62

 

CMYK 3 / 53 / 0 / 5

HEX #EC72F3

RGB 236 114 243

HSL 296.74, 0.84%, 0.7%

LAB 66.78, 64.32, -44.15

 

CMYK 0 / 29 / 53 / 5

HEX #F3AC72

RGB 243 172 114

HSL 26.98, 0.84%, 0.7%

LAB 75.93, 19.78, 40.01

 

Description

Color code: HEX #78F372 | qconv.com Color code: HEX #78F372 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 243 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 243 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 53% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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