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Color name
HEX #78F171

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78F171 it is the complementary color #870E8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78F171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78F171 shade: #7DF16C, #8EFF7F, #9FFF92, #B0FFA5 and #C1FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78F171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78F171 shade: #78F171, #67DF5E, #56CD4B, #45BB38 and #34A925

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78F171 shade: #76F16F, #99F16F, #BCF16F, #DFF16F and #F1DF6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78F171 shade: #76F16F, #6FF18B, #6FF1AE, #6FF1D1 and #6FEEF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78F171 shade matches the following richer shades: #76F16F and #6BFE62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78F171 shade: #76F16F, #82E47C, #8DD789, #98CA95 and #A4BEA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78F171 shade: #BDF16F, #9AF16F, #78F16F, #6FF189 and #6FF1AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78F171 shade: #2FE924, #53ED4A, #76F16F, #9AF495 and #BEF8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78F171 shade: #78F171, #6FDFF1 and #F16FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78F171 shade: #78F171, #6F78F1 and #F16F78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78F171 shade: #78F171, #6FDFF1, #E86FF1 and #F1806F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78F171 shade: #78F171, #6FB9F1, #E86FF1 and #F1A76F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 53 / 5

HEX #78F171

RGB 120 241 113

HSL 116.72, 0.82%, 0.69%

LAB 86.05, -58.5, 51.02

 

Complementary color

CMYK 5 / 90 / 0 / 44

HEX #870E8E

RGB 135 14 142

HSL 296.72, 0.82%, 0.31%

LAB 32.74, 60.3, -40.41

 

CMYK 48 / 0 / 55 / 5

HEX #7DF16C

RGB 125 241 108

HSL 112.33, 0.83%, 0.68%

LAB 86.18, -57.74, 53.49

 

CMYK 44 / 0 / 50 / 0

HEX #8EFF7F

RGB 142 255 127

HSL 112.97, 1%, 0.75%

LAB 91.15, -56.21, 50.92

 

CMYK 38 / 0 / 43 / 0

HEX #9FFF92

RGB 159 255 146

HSL 112.84, 1%, 0.79%

LAB 92.12, -48.74, 43.28

 

CMYK 31 / 0 / 35 / 0

HEX #B0FFA5

RGB 176 255 165

HSL 112.67, 1%, 0.82%

LAB 93.22, -40.77, 35.54

 

CMYK 24 / 0 / 28 / 0

HEX #C1FFB8

RGB 193 255 184

HSL 112.39, 1%, 0.86%

LAB 94.45, -32.4, 27.83

 

CMYK 50 / 0 / 53 / 5

HEX #78F171

RGB 120 241 113

HSL 116.72, 0.82%, 0.69%

LAB 86.05, -58.5, 51.02

 

CMYK 54 / 0 / 58 / 13

HEX #67DF5E

RGB 103 223 94

HSL 115.81, 0.67%, 0.62%

LAB 79.88, -58.33, 52.2

 

CMYK 58 / 0 / 63 / 20

HEX #56CD4B

RGB 86 205 75

HSL 114.92, 0.57%, 0.55%

LAB 73.64, -57.95, 53.26

 

CMYK 63 / 0 / 70 / 27

HEX #45BB38

RGB 69 187 56

HSL 114.05, 0.54%, 0.48%

LAB 67.35, -57.27, 54.08

 

CMYK 69 / 0 / 78 / 34

HEX #34A925

RGB 52 169 37

HSL 113.18, 0.64%, 0.4%

LAB 60.99, -56.14, 54.36

 

CMYK 51 / 0 / 54 / 5

HEX #76F16F

RGB 118 241 111

HSL 116.77, 0.82%, 0.69%

LAB 85.96, -59.27, 51.8

 

CMYK 37 / 0 / 54 / 5

HEX #99F16F

RGB 153 241 111

HSL 100.62, 0.82%, 0.69%

LAB 87.4, -49.02, 53.87

 

CMYK 22 / 0 / 54 / 5

HEX #BCF16F

RGB 188 241 111

HSL 84.46, 0.82%, 0.69%

LAB 89.28, -36.96, 56.54

 

CMYK 7 / 0 / 54 / 5

HEX #DFF16F

RGB 223 241 111

HSL 68.31, 0.82%, 0.69%

LAB 91.57, -23.7, 59.79

 

CMYK 0 / 7 / 54 / 5

HEX #F1DF6F

RGB 241 223 111

HSL 51.69, 0.82%, 0.69%

LAB 88.27, -7.72, 56.33

 

CMYK 51 / 0 / 54 / 5

HEX #76F16F

RGB 118 241 111

HSL 116.77, 0.82%, 0.69%

LAB 85.96, -59.27, 51.8

 

CMYK 54 / 0 / 42 / 5

HEX #6FF18B

RGB 111 241 139

HSL 132.92, 0.82%, 0.69%

LAB 86.08, -57.16, 38.57

 

CMYK 54 / 0 / 28 / 5

HEX #6FF1AE

RGB 111 241 174

HSL 149.08, 0.82%, 0.69%

LAB 86.68, -51, 21.68

 

CMYK 54 / 0 / 13 / 5

HEX #6FF1D1

RGB 111 241 209

HSL 165.23, 0.82%, 0.69%

LAB 87.43, -43.5, 4.58

 

CMYK 54 / 1 / 0 / 5

HEX #6FEEF1

RGB 111 238 241

HSL 181.38, 0.82%, 0.69%

LAB 87.43, -34.24, -12.19

 

CMYK 51 / 0 / 54 / 5

HEX #76F16F

RGB 118 241 111

HSL 116.77, 0.82%, 0.69%

LAB 85.96, -59.27, 51.8

 

CMYK 58 / 0 / 61 / 0

HEX #6BFE62

RGB 107 254 98

HSL 116.54, 0.99%, 0.69%

LAB 89.34, -68.12, 61.3

 

CMYK 51 / 0 / 54 / 5

HEX #76F16F

RGB 118 241 111

HSL 116.77, 0.82%, 0.69%

LAB 85.96, -59.27, 51.8

 

CMYK 43 / 0 / 46 / 11

HEX #82E47C

RGB 130 228 124

HSL 116.54, 0.66%, 0.69%

LAB 82.75, -49.11, 41.82

 

CMYK 34 / 0 / 36 / 16

HEX #8DD789

RGB 141 215 137

HSL 116.92, 0.49%, 0.69%

LAB 79.65, -38.23, 31.41

 

CMYK 25 / 0 / 26 / 21

HEX #98CA95

RGB 152 202 149

HSL 116.6, 0.33%, 0.69%

LAB 76.73, -26.6, 21.31

 

CMYK 14 / 0 / 15 / 25

HEX #A4BEA2

RGB 164 190 162

HSL 115.71, 0.18%, 0.69%

LAB 74.4, -14.19, 11.21

 

CMYK 22 / 0 / 54 / 5

HEX #BDF16F

RGB 189 241 111

HSL 84, 0.82%, 0.69%

LAB 89.34, -36.59, 56.62

 

CMYK 36 / 0 / 54 / 5

HEX #9AF16F

RGB 154 241 111

HSL 100.15, 0.82%, 0.69%

LAB 87.45, -48.7, 53.94

 

CMYK 50 / 0 / 54 / 5

HEX #78F16F

RGB 120 241 111

HSL 115.85, 0.82%, 0.69%

LAB 86.03, -58.74, 51.91

 

CMYK 54 / 0 / 43 / 5

HEX #6FF189

RGB 111 241 137

HSL 132, 0.82%, 0.69%

LAB 86.05, -57.47, 39.52

 

CMYK 54 / 0 / 29 / 5

HEX #6FF1AC

RGB 111 241 172

HSL 148.15, 0.82%, 0.69%

LAB 86.64, -51.39, 22.66

 

CMYK 80 / 0 / 85 / 9

HEX #2FE924

RGB 47 233 36

HSL 116.65, 0.82%, 0.53%

LAB 81.3, -76.59, 73.37

 

CMYK 65 / 0 / 69 / 7

HEX #53ED4A

RGB 83 237 74

HSL 116.69, 0.82%, 0.61%

LAB 83.39, -69.73, 64.16

 

CMYK 51 / 0 / 54 / 5

HEX #76F16F

RGB 118 241 111

HSL 116.77, 0.82%, 0.69%

LAB 85.96, -59.27, 51.8

 

CMYK 37 / 0 / 39 / 4

HEX #9AF495

RGB 154 244 149

HSL 116.84, 0.81%, 0.77%

LAB 88.8, -45.15, 37.48

 

CMYK 23 / 0 / 25 / 3

HEX #BEF8BA

RGB 190 248 186

HSL 116.13, 0.82%, 0.85%

LAB 92.41, -29.8, 24

 

CMYK 50 / 0 / 53 / 5

HEX #78F171

RGB 120 241 113

HSL 116.72, 0.82%, 0.69%

LAB 86.05, -58.5, 51.02

 

CMYK 54 / 7 / 0 / 5

HEX #6FDFF1

RGB 111 223 241

HSL 188.31, 0.82%, 0.69%

LAB 83.18, -27.08, -18.56

 

CMYK 0 / 54 / 29 / 5

HEX #F16FAC

RGB 241 111 172

HSL 331.85, 0.82%, 0.69%

LAB 64.2, 56.33, -8.24

 

CMYK 50 / 0 / 53 / 5

HEX #78F171

RGB 120 241 113

HSL 116.72, 0.82%, 0.69%

LAB 86.05, -58.5, 51.02

 

CMYK 54 / 50 / 0 / 5

HEX #6F78F1

RGB 111 120 241

HSL 235.85, 0.82%, 0.69%

LAB 55.24, 30.11, -62.16

 

CMYK 0 / 54 / 50 / 5

HEX #F16F78

RGB 241 111 120

HSL 355.85, 0.82%, 0.69%

LAB 62.87, 50.77, 19.61

 

CMYK 50 / 0 / 53 / 5

HEX #78F171

RGB 120 241 113

HSL 116.72, 0.82%, 0.69%

LAB 86.05, -58.5, 51.02

 

CMYK 54 / 7 / 0 / 5

HEX #6FDFF1

RGB 111 223 241

HSL 188.31, 0.82%, 0.69%

LAB 83.18, -27.08, -18.56

 

CMYK 4 / 54 / 0 / 5

HEX #E86FF1

RGB 232 111 241

HSL 295.85, 0.82%, 0.69%

LAB 65.65, 64.31, -44.85

 

CMYK 0 / 47 / 54 / 5

HEX #F1806F

RGB 241 128 111

HSL 7.85, 0.82%, 0.69%

LAB 65.97, 41.68, 28.83

 

CMYK 50 / 0 / 53 / 5

HEX #78F171

RGB 120 241 113

HSL 116.72, 0.82%, 0.69%

LAB 86.05, -58.5, 51.02

 

CMYK 54 / 23 / 0 / 5

HEX #6FB9F1

RGB 111 185 241

HSL 205.85, 0.82%, 0.69%

LAB 72.51, -7.51, -34.88

 

CMYK 4 / 54 / 0 / 5

HEX #E86FF1

RGB 232 111 241

HSL 295.85, 0.82%, 0.69%

LAB 65.65, 64.31, -44.85

 

CMYK 0 / 31 / 54 / 5

HEX #F1A76F

RGB 241 167 111

HSL 25.85, 0.82%, 0.69%

LAB 74.5, 21.37, 39.73

 

Description

Color code: HEX #78F171 | qconv.com Color code: HEX #78F171 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 241 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 241 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 53 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 53% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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