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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78EC67 it is the complementary color #871398. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78EC67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78EC67 shade: #7DEC62, #8EFE75, #9FFF88, #B0FF9B and #C1FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78EC67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78EC67 shade: #78EC67, #67DA54, #56C841, #45B62E and #34A41B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78EC67 shade: #76EC65, #9AEC65, #BFEC65, #E3EC65 and #ECD065

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78EC67 shade: #76EC65, #65EC78, #65EC9C, #65ECC1 and #65ECE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78EC67 shade matches the following richer shades: #76EC65 and #6CFA57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78EC67 shade: #76EC65, #80DE73, #8BD081, #95C28F and #A0B49D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78EC67 shade: #BFEC65, #9BEC65, #77EC65, #65EC77 and #65EC9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78EC67 shade: #35E21C, #55E740, #76EC65, #97F089 and #B7F5AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78EC67 shade: #78EC67, #65E3EC and #EC65AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78EC67 shade: #78EC67, #6577EC and #EC6577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78EC67 shade: #78EC67, #65E3EC, #DA65EC and #EC6E65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78EC67 shade: #78EC67, #65BAEC, #DA65EC and #EC9665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 56 / 7

HEX #78EC67

RGB 120 236 103

HSL 112.33, 0.78%, 0.66%

LAB 84.46, -57.75, 53.67

 

Complementary color

CMYK 11 / 88 / 0 / 40

HEX #871398

RGB 135 19 152

HSL 292.33, 0.78%, 0.34%

LAB 33.74, 61.06, -44.95

 

CMYK 47 / 0 / 58 / 7

HEX #7DEC62

RGB 125 236 98

HSL 108.26, 0.78%, 0.65%

LAB 84.6, -56.9, 56.09

 

CMYK 44 / 0 / 54 / 0

HEX #8EFE75

RGB 142 254 117

HSL 109.05, 0.99%, 0.73%

LAB 90.74, -56.99, 55

 

CMYK 38 / 0 / 47 / 0

HEX #9FFF88

RGB 159 255 136

HSL 108.4, 1%, 0.77%

LAB 91.98, -50.05, 47.89

 

CMYK 31 / 0 / 39 / 0

HEX #B0FF9B

RGB 176 255 155

HSL 107.4, 1%, 0.8%

LAB 93.07, -42.19, 40.28

 

CMYK 24 / 0 / 32 / 0

HEX #C1FFAE

RGB 193 255 174

HSL 105.93, 1%, 0.84%

LAB 94.28, -33.92, 32.62

 

CMYK 49 / 0 / 56 / 7

HEX #78EC67

RGB 120 236 103

HSL 112.33, 0.78%, 0.66%

LAB 84.46, -57.75, 53.67

 

CMYK 53 / 0 / 61 / 15

HEX #67DA54

RGB 103 218 84

HSL 111.49, 0.64%, 0.59%

LAB 78.27, -57.53, 54.74

 

CMYK 57 / 0 / 68 / 22

HEX #56C841

RGB 86 200 65

HSL 110.67, 0.55%, 0.52%

LAB 72.01, -57.08, 55.61

 

CMYK 62 / 0 / 75 / 29

HEX #45B62E

RGB 69 182 46

HSL 109.85, 0.6%, 0.45%

LAB 65.69, -56.31, 56.08

 

CMYK 68 / 0 / 84 / 36

HEX #34A41B

RGB 52 164 27

HSL 109.05, 0.72%, 0.37%

LAB 59.31, -55.06, 55.76

 

CMYK 50 / 0 / 57 / 7

HEX #76EC65

RGB 118 236 101

HSL 112.44, 0.78%, 0.66%

LAB 84.37, -58.52, 54.43

 

CMYK 35 / 0 / 57 / 7

HEX #9AEC65

RGB 154 236 101

HSL 96.44, 0.78%, 0.66%

LAB 85.91, -47.63, 56.6

 

CMYK 19 / 0 / 57 / 7

HEX #BFEC65

RGB 191 236 101

HSL 80, 0.78%, 0.66%

LAB 87.97, -34.47, 59.51

 

CMYK 4 / 0 / 57 / 7

HEX #E3EC65

RGB 227 236 101

HSL 64, 0.78%, 0.66%

LAB 90.44, -20.5, 62.96

 

CMYK 0 / 12 / 57 / 7

HEX #ECD065

RGB 236 208 101

HSL 47.56, 0.78%, 0.66%

LAB 83.91, -2.91, 55.77

 

CMYK 50 / 0 / 57 / 7

HEX #76EC65

RGB 118 236 101

HSL 112.44, 0.78%, 0.66%

LAB 84.37, -58.52, 54.43

 

CMYK 57 / 0 / 49 / 7

HEX #65EC78

RGB 101 236 120

HSL 128.44, 0.78%, 0.66%

LAB 84.02, -60.38, 45.12

 

CMYK 57 / 0 / 34 / 7

HEX #65EC9C

RGB 101 236 156

HSL 144.44, 0.78%, 0.66%

LAB 84.57, -54.57, 27.97

 

CMYK 57 / 0 / 18 / 7

HEX #65ECC1

RGB 101 236 193

HSL 160.89, 0.78%, 0.66%

LAB 85.31, -47, 9.85

 

CMYK 57 / 0 / 3 / 7

HEX #65ECE5

RGB 101 236 229

HSL 176.89, 0.78%, 0.66%

LAB 86.21, -38.28, -7.73

 

CMYK 50 / 0 / 57 / 7

HEX #76EC65

RGB 118 236 101

HSL 112.44, 0.78%, 0.66%

LAB 84.37, -58.52, 54.43

 

CMYK 57 / 0 / 65 / 2

HEX #6CFA57

RGB 108 250 87

HSL 112.27, 0.94%, 0.66%

LAB 88.09, -67.54, 64.38

 

CMYK 50 / 0 / 57 / 7

HEX #76EC65

RGB 118 236 101

HSL 112.44, 0.78%, 0.66%

LAB 84.37, -58.52, 54.43

 

CMYK 42 / 0 / 48 / 13

HEX #80DE73

RGB 128 222 115

HSL 112.71, 0.62%, 0.66%

LAB 80.78, -48.42, 43.71

 

CMYK 33 / 0 / 38 / 18

HEX #8BD081

RGB 139 208 129

HSL 112.41, 0.46%, 0.66%

LAB 77.39, -36.92, 32.51

 

CMYK 23 / 0 / 26 / 24

HEX #95C28F

RGB 149 194 143

HSL 112.94, 0.29%, 0.66%

LAB 74.16, -24.72, 20.95

 

CMYK 11 / 0 / 13 / 29

HEX #A0B49D

RGB 160 180 157

HSL 112.17, 0.13%, 0.66%

LAB 71.25, -11.3, 9.41

 

CMYK 19 / 0 / 57 / 7

HEX #BFEC65

RGB 191 236 101

HSL 80, 0.78%, 0.66%

LAB 87.97, -34.47, 59.51

 

CMYK 34 / 0 / 57 / 7

HEX #9BEC65

RGB 155 236 101

HSL 96, 0.78%, 0.66%

LAB 85.96, -47.29, 56.67

 

CMYK 50 / 0 / 57 / 7

HEX #77EC65

RGB 119 236 101

HSL 112, 0.78%, 0.66%

LAB 84.41, -58.25, 54.48

 

CMYK 57 / 0 / 50 / 7

HEX #65EC77

RGB 101 236 119

HSL 128, 0.78%, 0.66%

LAB 84.01, -60.52, 45.58

 

CMYK 57 / 0 / 34 / 7

HEX #65EC9B

RGB 101 236 155

HSL 144, 0.78%, 0.66%

LAB 84.55, -54.75, 28.46

 

CMYK 77 / 0 / 88 / 11

HEX #35E21C

RGB 53 226 28

HSL 112.42, 0.78%, 0.5%

LAB 79.18, -74.12, 73.15

 

CMYK 63 / 0 / 72 / 9

HEX #55E740

RGB 85 231 64

HSL 112.46, 0.78%, 0.58%

LAB 81.54, -68.13, 65.87

 

CMYK 50 / 0 / 57 / 7

HEX #76EC65

RGB 118 236 101

HSL 112.44, 0.78%, 0.66%

LAB 84.37, -58.52, 54.43

 

CMYK 37 / 0 / 43 / 6

HEX #97F089

RGB 151 240 137

HSL 111.84, 0.77%, 0.74%

LAB 87.34, -46.06, 41.48

 

CMYK 25 / 0 / 29 / 4

HEX #B7F5AE

RGB 183 245 174

HSL 112.39, 0.78%, 0.82%

LAB 90.97, -32.61, 28.08

 

CMYK 49 / 0 / 56 / 7

HEX #78EC67

RGB 120 236 103

HSL 112.33, 0.78%, 0.66%

LAB 84.46, -57.75, 53.67

 

CMYK 57 / 4 / 0 / 7

HEX #65E3EC

RGB 101 227 236

HSL 184, 0.78%, 0.66%

LAB 83.84, -32.24, -14.95

 

CMYK 0 / 57 / 27 / 7

HEX #EC65AD

RGB 236 101 173

HSL 328, 0.78%, 0.66%

LAB 61.79, 59.49, -12.49

 

CMYK 49 / 0 / 56 / 7

HEX #78EC67

RGB 120 236 103

HSL 112.33, 0.78%, 0.66%

LAB 84.46, -57.75, 53.67

 

CMYK 57 / 50 / 0 / 7

HEX #6577EC

RGB 101 119 236

HSL 232, 0.78%, 0.66%

LAB 54.04, 27.19, -61.33

 

CMYK 0 / 57 / 50 / 7

HEX #EC6577

RGB 236 101 119

HSL 352, 0.78%, 0.66%

LAB 60.31, 53.63, 16.57

 

CMYK 49 / 0 / 56 / 7

HEX #78EC67

RGB 120 236 103

HSL 112.33, 0.78%, 0.66%

LAB 84.46, -57.75, 53.67

 

CMYK 57 / 4 / 0 / 7

HEX #65E3EC

RGB 101 227 236

HSL 184, 0.78%, 0.66%

LAB 83.84, -32.24, -14.95

 

CMYK 8 / 57 / 0 / 7

HEX #DA65EC

RGB 218 101 236

HSL 292, 0.78%, 0.66%

LAB 61.89, 64.41, -48.14

 

CMYK 0 / 53 / 57 / 7

HEX #EC6E65

RGB 236 110 101

HSL 4, 0.78%, 0.66%

LAB 61.59, 47.96, 28.57

 

CMYK 49 / 0 / 56 / 7

HEX #78EC67

RGB 120 236 103

HSL 112.33, 0.78%, 0.66%

LAB 84.46, -57.75, 53.67

 

CMYK 57 / 21 / 0 / 7

HEX #65BAEC

RGB 101 186 236

HSL 202.22, 0.78%, 0.66%

LAB 72.19, -11.57, -32.7

 

CMYK 8 / 57 / 0 / 7

HEX #DA65EC

RGB 218 101 236

HSL 292, 0.78%, 0.66%

LAB 61.89, 64.41, -48.14

 

CMYK 0 / 36 / 57 / 7

HEX #EC9665

RGB 236 150 101

HSL 21.78, 0.78%, 0.66%

LAB 69.88, 27.56, 39.08

 

Description

Color code: HEX #78EC67 | qconv.com Color code: HEX #78EC67 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 236 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 236 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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