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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E565 it is the complementary color #871A9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E565 shade: #7DE560, #8EF773, #9FFF86, #B0FF99 and #C1FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E565 shade: #78E565, #67D352, #56C13F, #45AF2C and #349D19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E565 shade: #79E566, #9BE566, #BEE566, #E0E566 and #E5C866

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E565 shade: #79E566, #66E576, #66E598, #66E5BA and #66E5DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E565 shade matches the following richer shades: #79E566 and #6FF458

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E565 shade: #79E566, #83D775, #8EC883, #98BA92 and #A2ABA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E565 shade: #BDE566, #9BE566, #79E566, #66E575 and #66E597

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E565 shade: #3ED524, #5ADF43, #79E566, #98EB8A and #B7F1AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E565 shade: #78E565, #66DFE5 and #E566AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E565 shade: #78E565, #6679E5 and #E56679

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E565 shade: #78E565, #66DFE5, #D266E5 and #E56D66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E565 shade: #78E565, #66B9E5, #D266E5 and #E59366

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 56 / 10

HEX #78E565

RGB 120 229 101

HSL 111.09, 0.71%, 0.65%

LAB 82.36, -55.27, 52.11

 

Complementary color

CMYK 12 / 83 / 0 / 40

HEX #871A9A

RGB 135 26 154

HSL 291.09, 0.71%, 0.35%

LAB 34.44, 59.76, -45.03

 

CMYK 45 / 0 / 58 / 10

HEX #7DE560

RGB 125 229 96

HSL 106.92, 0.72%, 0.64%

LAB 82.51, -54.38, 54.56

 

CMYK 43 / 0 / 53 / 3

HEX #8EF773

RGB 142 247 115

HSL 107.73, 0.89%, 0.71%

LAB 88.69, -54.44, 53.46

 

CMYK 38 / 0 / 47 / 0

HEX #9FFF86

RGB 159 255 134

HSL 107.6, 1%, 0.76%

LAB 91.96, -50.3, 48.81

 

CMYK 31 / 0 / 40 / 0

HEX #B0FF99

RGB 176 255 153

HSL 106.47, 1%, 0.8%

LAB 93.04, -42.47, 41.22

 

CMYK 24 / 0 / 33 / 0

HEX #C1FFAC

RGB 193 255 172

HSL 104.82, 1%, 0.84%

LAB 94.24, -34.22, 33.58

 

CMYK 48 / 0 / 56 / 10

HEX #78E565

RGB 120 229 101

HSL 111.09, 0.71%, 0.65%

LAB 82.36, -55.27, 52.11

 

CMYK 51 / 0 / 61 / 17

HEX #67D352

RGB 103 211 82

HSL 110.23, 0.59%, 0.57%

LAB 76.12, -55.09, 53.18

 

CMYK 55 / 0 / 67 / 24

HEX #56C13F

RGB 86 193 63

HSL 109.38, 0.51%, 0.5%

LAB 69.81, -54.69, 54.07

 

CMYK 61 / 0 / 75 / 31

HEX #45AF2C

RGB 69 175 44

HSL 108.55, 0.6%, 0.43%

LAB 63.43, -53.98, 54.54

 

CMYK 67 / 0 / 84 / 38

HEX #349D19

RGB 52 157 25

HSL 107.73, 0.73%, 0.36%

LAB 56.99, -52.79, 54.18

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 32 / 0 / 55 / 10

HEX #9BE566

RGB 155 229 102

HSL 94.96, 0.71%, 0.65%

LAB 83.95, -44.21, 53.91

 

CMYK 17 / 0 / 55 / 10

HEX #BEE566

RGB 190 229 102

HSL 78.43, 0.71%, 0.65%

LAB 85.98, -31.54, 56.78

 

CMYK 2 / 0 / 55 / 10

HEX #E0E566

RGB 224 229 102

HSL 62.36, 0.71%, 0.65%

LAB 88.37, -18.23, 60.14

 

CMYK 0 / 13 / 55 / 10

HEX #E5C866

RGB 229 200 102

HSL 46.3, 0.71%, 0.65%

LAB 81.25, -1.61, 52.07

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 55 / 0 / 48 / 10

HEX #66E576

RGB 102 229 118

HSL 127.56, 0.71%, 0.65%

LAB 81.93, -57.8, 43.48

 

CMYK 55 / 0 / 34 / 10

HEX #66E598

RGB 102 229 152

HSL 143.62, 0.71%, 0.65%

LAB 82.45, -52.28, 27.17

 

CMYK 55 / 0 / 19 / 10

HEX #66E5BA

RGB 102 229 186

HSL 159.69, 0.71%, 0.65%

LAB 83.13, -45.36, 10.42

 

CMYK 55 / 0 / 4 / 10

HEX #66E5DC

RGB 102 229 220

HSL 175.75, 0.71%, 0.65%

LAB 83.98, -37.21, -6.28

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 55 / 0 / 64 / 4

HEX #6FF458

RGB 111 244 88

HSL 111.15, 0.88%, 0.65%

LAB 86.4, -64.6, 62.17

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 39 / 0 / 46 / 16

HEX #83D775

RGB 131 215 117

HSL 111.43, 0.55%, 0.65%

LAB 78.87, -44.28, 40.38

 

CMYK 29 / 0 / 35 / 22

HEX #8EC883

RGB 142 200 131

HSL 110.43, 0.39%, 0.65%

LAB 75.26, -31.93, 28.7

 

CMYK 18 / 0 / 22 / 27

HEX #98BA92

RGB 152 186 146

HSL 111, 0.22%, 0.65%

LAB 72.14, -19.17, 16.57

 

CMYK 5 / 0 / 6 / 33

HEX #A2ABA0

RGB 162 171 160

HSL 109.09, 0.06%, 0.65%

LAB 69, -5.26, 4.56

 

CMYK 17 / 0 / 55 / 10

HEX #BDE566

RGB 189 229 102

HSL 78.9, 0.71%, 0.65%

LAB 85.91, -31.92, 56.69

 

CMYK 32 / 0 / 55 / 10

HEX #9BE566

RGB 155 229 102

HSL 94.96, 0.71%, 0.65%

LAB 83.95, -44.21, 53.91

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 55 / 0 / 49 / 10

HEX #66E575

RGB 102 229 117

HSL 127.09, 0.71%, 0.65%

LAB 81.92, -57.94, 43.95

 

CMYK 55 / 0 / 34 / 10

HEX #66E597

RGB 102 229 151

HSL 143.15, 0.71%, 0.65%

LAB 82.43, -52.46, 27.66

 

CMYK 71 / 0 / 83 / 16

HEX #3ED524

RGB 62 213 36

HSL 111.19, 0.71%, 0.49%

LAB 75.29, -68.5, 68.07

 

CMYK 60 / 0 / 70 / 13

HEX #5ADF43

RGB 90 223 67

HSL 111.15, 0.71%, 0.57%

LAB 79.24, -64.1, 62.49

 

CMYK 47 / 0 / 55 / 10

HEX #79E566

RGB 121 229 102

HSL 111.02, 0.71%, 0.65%

LAB 82.41, -54.87, 51.72

 

CMYK 35 / 0 / 41 / 8

HEX #98EB8A

RGB 152 235 138

HSL 111.34, 0.71%, 0.73%

LAB 85.97, -43.45, 39.24

 

CMYK 24 / 0 / 28 / 5

HEX #B7F1AD

RGB 183 241 173

HSL 111.18, 0.71%, 0.81%

LAB 89.86, -30.9, 27.07

 

CMYK 48 / 0 / 56 / 10

HEX #78E565

RGB 120 229 101

HSL 111.09, 0.71%, 0.65%

LAB 82.36, -55.27, 52.11

 

CMYK 55 / 3 / 0 / 10

HEX #66DFE5

RGB 102 223 229

HSL 182.83, 0.71%, 0.65%

LAB 82.52, -32.05, -13.23

 

CMYK 0 / 55 / 25 / 10

HEX #E566AC

RGB 229 102 172

HSL 326.93, 0.71%, 0.65%

LAB 60.9, 56.8, -13.35

 

CMYK 48 / 0 / 56 / 10

HEX #78E565

RGB 120 229 101

HSL 111.09, 0.71%, 0.65%

LAB 82.36, -55.27, 52.11

 

CMYK 55 / 47 / 0 / 10

HEX #6679E5

RGB 102 121 229

HSL 231.02, 0.71%, 0.65%

LAB 54.19, 23.92, -57.17

 

CMYK 0 / 55 / 47 / 10

HEX #E56679

RGB 229 102 121

HSL 351.02, 0.71%, 0.65%

LAB 59.47, 50.99, 14.08

 

CMYK 48 / 0 / 56 / 10

HEX #78E565

RGB 120 229 101

HSL 111.09, 0.71%, 0.65%

LAB 82.36, -55.27, 52.11

 

CMYK 55 / 3 / 0 / 10

HEX #66DFE5

RGB 102 223 229

HSL 182.83, 0.71%, 0.65%

LAB 82.52, -32.05, -13.23

 

CMYK 8 / 55 / 0 / 10

HEX #D266E5

RGB 210 102 229

HSL 291.02, 0.71%, 0.65%

LAB 60.66, 60.63, -46.25

 

CMYK 0 / 52 / 55 / 10

HEX #E56D66

RGB 229 109 102

HSL 3.31, 0.71%, 0.65%

LAB 60.39, 46, 26.24

 

CMYK 48 / 0 / 56 / 10

HEX #78E565

RGB 120 229 101

HSL 111.09, 0.71%, 0.65%

LAB 82.36, -55.27, 52.11

 

CMYK 55 / 19 / 0 / 10

HEX #66B9E5

RGB 102 185 229

HSL 200.79, 0.71%, 0.65%

LAB 71.68, -12.93, -29.69

 

CMYK 8 / 55 / 0 / 10

HEX #D266E5

RGB 210 102 229

HSL 291.02, 0.71%, 0.65%

LAB 60.66, 60.63, -46.25

 

CMYK 0 / 36 / 55 / 10

HEX #E59366

RGB 229 147 102

HSL 21.26, 0.71%, 0.65%

LAB 68.38, 26.42, 36.49

 

Description

Color code: HEX #78E565 | qconv.com Color code: HEX #78E565 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 229 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 229 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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