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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78E151 it is the complementary color #871EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78E151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78E151 shade: #7DE14C, #8EF35F, #9FFF72, #B0FF85 and #C1FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78E151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78E151 shade: #78E151, #67CF3E, #56BD2B, #45AB18 and #349905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78E151 shade: #78E151, #9FE151, #C6E151, #E1D651 and #E1AF51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78E151 shade: #78E151, #51E151, #51E177, #51E19F and #51E1C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78E151 shade matches the following richer shades: #78E151 and #70F240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78E151 shade: #78E151, #7FD161, #87C072, #8EB082 and #969F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78E151 shade: #C7E151, #A0E151, #7AE151, #53E151 and #51E175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78E151 shade: #4BBF20, #5CDB2D, #78E151, #93E774 and #AEED97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78E151 shade: #78E151, #51E1D5 and #E151B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78E151 shade: #78E151, #517AE1 and #E1517A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78E151 shade: #78E151, #51E1D5, #B851E1 and #E1515D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78E151 shade: #78E151, #51C2E1, #B851E1 and #E17051

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

Complementary color

CMYK 22 / 83 / 0 / 32

HEX #871EAE

RGB 135 30 174

HSL 283.75, 0.71%, 0.4%

LAB 36.24, 62.45, -54.18

 

CMYK 44 / 0 / 66 / 12

HEX #7DE14C

RGB 125 225 76

HSL 100.27, 0.71%, 0.59%

LAB 81.14, -54.67, 61.42

 

CMYK 42 / 0 / 61 / 5

HEX #8EF35F

RGB 142 243 95

HSL 100.95, 0.86%, 0.66%

LAB 87.33, -54.9, 60.65

 

CMYK 38 / 0 / 55 / 0

HEX #9FFF72

RGB 159 255 114

HSL 100.85, 1%, 0.72%

LAB 91.73, -52.57, 57.69

 

CMYK 31 / 0 / 48 / 0

HEX #B0FF85

RGB 176 255 133

HSL 98.85, 1%, 0.76%

LAB 92.77, -44.99, 50.46

 

CMYK 24 / 0 / 40 / 0

HEX #C1FF98

RGB 193 255 152

HSL 96.12, 1%, 0.8%

LAB 93.94, -36.95, 43.05

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 50 / 0 / 70 / 19

HEX #67CF3E

RGB 103 207 62

HSL 103.03, 0.6%, 0.53%

LAB 74.73, -55.36, 59.81

 

CMYK 54 / 0 / 77 / 26

HEX #56BD2B

RGB 86 189 43

HSL 102.33, 0.63%, 0.45%

LAB 68.42, -54.72, 59.94

 

CMYK 60 / 0 / 86 / 33

HEX #45AB18

RGB 69 171 24

HSL 101.63, 0.75%, 0.38%

LAB 62.05, -53.69, 59.15

 

CMYK 66 / 0 / 97 / 40

HEX #349905

RGB 52 153 5

HSL 100.95, 0.94%, 0.31%

LAB 55.61, -52.13, 56.93

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 29 / 0 / 64 / 12

HEX #9FE151

RGB 159 225 81

HSL 87.5, 0.71%, 0.6%

LAB 82.82, -42.96, 61.7

 

CMYK 12 / 0 / 64 / 12

HEX #C6E151

RGB 198 225 81

HSL 71.25, 0.71%, 0.6%

LAB 85.23, -28.17, 64.99

 

CMYK 0 / 5 / 64 / 12

HEX #E1D651

RGB 225 214 81

HSL 55.42, 0.71%, 0.6%

LAB 84.33, -11.82, 64.67

 

CMYK 0 / 22 / 64 / 12

HEX #E1AF51

RGB 225 175 81

HSL 39.17, 0.71%, 0.6%

LAB 74.36, 8.33, 53.93

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 64 / 0 / 64 / 12

HEX #51E151

RGB 81 225 81

HSL 120, 0.71%, 0.6%

LAB 79.72, -65.48, 57.44

 

CMYK 64 / 0 / 47 / 12

HEX #51E177

RGB 81 225 119

HSL 135.83, 0.71%, 0.6%

LAB 80.14, -60.69, 40.63

 

CMYK 64 / 0 / 29 / 12

HEX #51E19F

RGB 81 225 159

HSL 152.5, 0.71%, 0.6%

LAB 80.8, -53.54, 21.2

 

CMYK 64 / 0 / 12 / 12

HEX #51E1C6

RGB 81 225 198

HSL 168.75, 0.71%, 0.6%

LAB 81.66, -44.67, 1.89

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 54 / 0 / 74 / 5

HEX #70F240

RGB 112 242 64

HSL 103.82, 0.87%, 0.6%

LAB 85.66, -65.53, 70.25

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 39 / 0 / 54 / 18

HEX #7FD161

RGB 127 209 97

HSL 103.93, 0.55%, 0.6%

LAB 76.66, -45.49, 47.28

 

CMYK 30 / 0 / 41 / 25

HEX #87C072

RGB 135 192 114

HSL 103.85, 0.38%, 0.6%

LAB 72.27, -33.09, 33.52

 

CMYK 19 / 0 / 26 / 31

HEX #8EB082

RGB 142 176 130

HSL 104.35, 0.23%, 0.6%

LAB 68.32, -20.37, 19.87

 

CMYK 6 / 0 / 8 / 38

HEX #969F93

RGB 150 159 147

HSL 105, 0.06%, 0.6%

LAB 64.47, -5.52, 5.15

 

CMYK 12 / 0 / 64 / 12

HEX #C7E151

RGB 199 225 81

HSL 70.83, 0.71%, 0.6%

LAB 85.29, -27.77, 65.09

 

CMYK 29 / 0 / 64 / 12

HEX #A0E151

RGB 160 225 81

HSL 87.08, 0.71%, 0.6%

LAB 82.87, -42.6, 61.78

 

CMYK 46 / 0 / 64 / 12

HEX #7AE151

RGB 122 225 81

HSL 102.92, 0.71%, 0.6%

LAB 81.06, -55.15, 59.29

 

CMYK 63 / 0 / 64 / 12

HEX #53E151

RGB 83 225 81

HSL 119.17, 0.71%, 0.6%

LAB 79.77, -65.07, 57.51

 

CMYK 64 / 0 / 48 / 12

HEX #51E175

RGB 81 225 117

HSL 135, 0.71%, 0.6%

LAB 80.11, -61, 41.57

 

CMYK 61 / 0 / 83 / 25

HEX #4BBF20

RGB 75 191 32

HSL 103.77, 0.71%, 0.44%

LAB 68.65, -58.85, 63.18

 

CMYK 58 / 0 / 79 / 14

HEX #5CDB2D

RGB 92 219 45

HSL 103.79, 0.71%, 0.52%

LAB 77.95, -63.7, 68.43

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 36 / 0 / 50 / 9

HEX #93E774

RGB 147 231 116

HSL 103.83, 0.71%, 0.68%

LAB 84.29, -46.18, 47.74

 

CMYK 27 / 0 / 36 / 7

HEX #AEED97

RGB 174 237 151

HSL 103.95, 0.7%, 0.76%

LAB 87.87, -35.34, 35.46

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 64 / 0 / 5 / 12

HEX #51E1D5

RGB 81 225 213

HSL 175, 0.71%, 0.6%

LAB 82.06, -40.83, -5.48

 

CMYK 0 / 64 / 20 / 12

HEX #E151B4

RGB 225 81 180

HSL 318.75, 0.71%, 0.6%

LAB 57.26, 65.77, -23.56

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 64 / 46 / 0 / 12

HEX #517AE1

RGB 81 122 225

HSL 222.92, 0.71%, 0.6%

LAB 53.06, 18.09, -56.8

 

CMYK 0 / 64 / 46 / 12

HEX #E1517A

RGB 225 81 122

HSL 342.92, 0.71%, 0.6%

LAB 55.38, 59.08, 7.64

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 64 / 0 / 5 / 12

HEX #51E1D5

RGB 81 225 213

HSL 175, 0.71%, 0.6%

LAB 82.06, -40.83, -5.48

 

CMYK 18 / 64 / 0 / 12

HEX #B851E1

RGB 184 81 225

HSL 282.92, 0.71%, 0.6%

LAB 53.5, 63.18, -55.59

 

CMYK 0 / 64 / 59 / 12

HEX #E1515D

RGB 225 81 93

HSL 355, 0.71%, 0.6%

LAB 54.74, 56.73, 23.9

 

CMYK 47 / 0 / 64 / 12

HEX #78E151

RGB 120 225 81

HSL 103.75, 0.71%, 0.6%

LAB 80.98, -55.74, 59.18

 

CMYK 64 / 14 / 0 / 12

HEX #51C2E1

RGB 81 194 225

HSL 192.92, 0.71%, 0.6%

LAB 73.4, -22.64, -24.94

 

CMYK 18 / 64 / 0 / 12

HEX #B851E1

RGB 184 81 225

HSL 282.92, 0.71%, 0.6%

LAB 53.5, 63.18, -55.59

 

CMYK 0 / 50 / 64 / 12

HEX #E17051

RGB 225 112 81

HSL 12.92, 0.71%, 0.6%

LAB 60.06, 41.56, 37.41

 

Description

Color code: HEX #78E151 | qconv.com Color code: HEX #78E151 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 225 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 225 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 64 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 64% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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