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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78DF27 it is the complementary color #8720D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78DF27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78DF27 shade: #7DDF22, #8EF135, #9FFF48, #B0FF5B and #C1FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78DF27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78DF27 shade: #78DF27, #67CD14, #56BB01, #45A900 and #349700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78DF27 shade: #77DF26, #A9DF26, #DBDF26, #DFB026 and #DF7F26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78DF27 shade: #77DF26, #45DF26, #26DF38, #26DF6A and #26DF9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78DF27 shade matches the following richer shades: #77DF26 and #75F311

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78DF27 shade: #77DF26, #79CA3A, #7CB64E, #7EA262 and #818E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78DF27 shade: #DBDF26, #AADF26, #79DF26, #47DF26 and #26DF35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78DF27 shade: #519A17, #64BE1C, #77DF26, #8DE449 and #A4E96D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78DF27 shade: #78DF27, #26DFB0 and #DF26C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78DF27 shade: #78DF27, #2679DF and #DF2679

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78DF27 shade: #78DF27, #26DFB0, #8B26DF and #DF2654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78DF27 shade: #78DF27, #26D5DF, #8B26DF and #DF2F26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 83 / 13

HEX #78DF27

RGB 120 223 39

HSL 93.59, 0.74%, 0.51%

LAB 80.13, -57.69, 72.35

 

Complementary color

CMYK 38 / 85 / 0 / 15

HEX #8720D8

RGB 135 32 216

HSL 273.59, 0.74%, 0.49%

LAB 39.82, 70.54, -72.95

 

CMYK 44 / 0 / 85 / 13

HEX #7DDF22

RGB 125 223 34

HSL 91.11, 0.75%, 0.5%

LAB 80.32, -56.34, 73.74

 

CMYK 41 / 0 / 78 / 5

HEX #8EF135

RGB 142 241 53

HSL 91.6, 0.87%, 0.58%

LAB 86.46, -57.06, 74.78

 

CMYK 38 / 0 / 72 / 0

HEX #9FFF48

RGB 159 255 72

HSL 91.48, 1%, 0.64%

LAB 91.4, -56.01, 73.9

 

CMYK 31 / 0 / 64 / 0

HEX #B0FF5B

RGB 176 255 91

HSL 88.9, 1%, 0.68%

LAB 92.36, -49, 68.23

 

CMYK 24 / 0 / 57 / 0

HEX #C1FF6E

RGB 193 255 110

HSL 85.66, 1%, 0.72%

LAB 93.44, -41.47, 61.86

 

CMYK 46 / 0 / 83 / 13

HEX #78DF27

RGB 120 223 39

HSL 93.59, 0.74%, 0.51%

LAB 80.13, -57.69, 72.35

 

CMYK 50 / 0 / 90 / 20

HEX #67CD14

RGB 103 205 20

HSL 93.08, 0.82%, 0.44%

LAB 73.93, -56.73, 70.58

 

CMYK 54 / 0 / 99 / 27

HEX #56BB01

RGB 86 187 1

HSL 92.58, 0.99%, 0.37%

LAB 67.67, -55.44, 67.59

 

CMYK 59 / 0 / 100 / 34

HEX #45A900

RGB 69 169 0

HSL 95.5, 1%, 0.33%

LAB 61.34, -53.65, 62.48

 

CMYK 66 / 0 / 100 / 41

HEX #349700

RGB 52 151 0

HSL 99.34, 1%, 0.3%

LAB 54.93, -51.59, 57.19

 

CMYK 47 / 0 / 83 / 13

HEX #77DF26

RGB 119 223 38

HSL 93.73, 0.74%, 0.51%

LAB 80.09, -58.04, 72.54

 

CMYK 24 / 0 / 83 / 13

HEX #A9DF26

RGB 169 223 38

HSL 77.51, 0.74%, 0.51%

LAB 82.57, -40.72, 75.67

 

CMYK 2 / 0 / 83 / 13

HEX #DBDF26

RGB 219 223 38

HSL 61.3, 0.74%, 0.51%

LAB 85.99, -20.59, 79.95

 

CMYK 0 / 21 / 83 / 13

HEX #DFB026

RGB 223 176 38

HSL 44.76, 0.74%, 0.51%

LAB 74.11, 5.02, 70.08

 

CMYK 0 / 43 / 83 / 13

HEX #DF7F26

RGB 223 127 38

HSL 28.86, 0.74%, 0.51%

LAB 62.51, 31.12, 60.13

 

CMYK 47 / 0 / 83 / 13

HEX #77DF26

RGB 119 223 38

HSL 93.73, 0.74%, 0.51%

LAB 80.09, -58.04, 72.54

 

CMYK 69 / 0 / 83 / 13

HEX #45DF26

RGB 69 223 38

HSL 109.95, 0.74%, 0.51%

LAB 78.57, -70.27, 70.6

 

CMYK 83 / 0 / 75 / 13

HEX #26DF38

RGB 38 223 56

HSL 125.84, 0.74%, 0.51%

LAB 78.15, -73.53, 64.89

 

CMYK 83 / 0 / 52 / 13

HEX #26DF6A

RGB 38 223 106

HSL 142.05, 0.74%, 0.51%

LAB 78.59, -68.1, 44.79

 

CMYK 83 / 0 / 30 / 13

HEX #26DF9C

RGB 38 223 156

HSL 158.27, 0.74%, 0.51%

LAB 79.38, -59.03, 20.69

 

CMYK 47 / 0 / 83 / 13

HEX #77DF26

RGB 119 223 38

HSL 93.73, 0.74%, 0.51%

LAB 80.09, -58.04, 72.54

 

CMYK 52 / 0 / 93 / 5

HEX #75F311

RGB 117 243 17

HSL 93.45, 0.9%, 0.51%

LAB 85.97, -66.43, 81.11

 

CMYK 47 / 0 / 83 / 13

HEX #77DF26

RGB 119 223 38

HSL 93.73, 0.74%, 0.51%

LAB 80.09, -58.04, 72.54

 

CMYK 40 / 0 / 71 / 21

HEX #79CA3A

RGB 121 202 58

HSL 93.75, 0.58%, 0.51%

LAB 73.94, -48.12, 60.72

 

CMYK 32 / 0 / 57 / 29

HEX #7CB64E

RGB 124 182 78

HSL 93.46, 0.42%, 0.51%

LAB 68.23, -36.79, 46.23

 

CMYK 22 / 0 / 40 / 36

HEX #7EA262

RGB 126 162 98

HSL 93.75, 0.26%, 0.51%

LAB 62.64, -24.13, 29.35

 

CMYK 9 / 0 / 17 / 44

HEX #818E76

RGB 129 142 118

HSL 92.5, 0.1%, 0.51%

LAB 57.39, -9.35, 11.22

 

CMYK 2 / 0 / 83 / 13

HEX #DBDF26

RGB 219 223 38

HSL 61.3, 0.74%, 0.51%

LAB 85.99, -20.59, 79.95

 

CMYK 24 / 0 / 83 / 13

HEX #AADF26

RGB 170 223 38

HSL 77.19, 0.74%, 0.51%

LAB 82.63, -40.34, 75.74

 

CMYK 46 / 0 / 83 / 13

HEX #79DF26

RGB 121 223 38

HSL 93.08, 0.74%, 0.51%

LAB 80.17, -57.43, 72.64

 

CMYK 68 / 0 / 83 / 13

HEX #47DF26

RGB 71 223 38

HSL 109.3, 0.74%, 0.51%

LAB 78.61, -69.9, 70.66

 

CMYK 83 / 0 / 76 / 13

HEX #26DF35

RGB 38 223 53

HSL 124.86, 0.74%, 0.51%

LAB 78.14, -73.75, 65.84

 

CMYK 47 / 0 / 85 / 40

HEX #519A17

RGB 81 154 23

HSL 93.44, 0.74%, 0.35%

LAB 57, -43.83, 55.09

 

CMYK 47 / 0 / 85 / 25

HEX #64BE1C

RGB 100 190 28

HSL 93.33, 0.74%, 0.43%

LAB 69.2, -51.74, 64.95

 

CMYK 47 / 0 / 83 / 13

HEX #77DF26

RGB 119 223 38

HSL 93.73, 0.74%, 0.51%

LAB 80.09, -58.04, 72.54

 

CMYK 38 / 0 / 68 / 11

HEX #8DE449

RGB 141 228 73

HSL 93.68, 0.74%, 0.59%

LAB 82.72, -51.03, 64.45

 

CMYK 30 / 0 / 53 / 9

HEX #A4E96D

RGB 164 233 109

HSL 93.39, 0.74%, 0.67%

LAB 85.64, -42.14, 52.83

 

CMYK 46 / 0 / 83 / 13

HEX #78DF27

RGB 120 223 39

HSL 93.59, 0.74%, 0.51%

LAB 80.13, -57.69, 72.35

 

CMYK 83 / 0 / 21 / 13

HEX #26DFB0

RGB 38 223 176

HSL 164.76, 0.74%, 0.51%

LAB 79.8, -54.45, 10.76

 

CMYK 0 / 83 / 13 / 13

HEX #DF26C3

RGB 223 38 195

HSL 309.08, 0.74%, 0.51%

LAB 52.97, 80.45, -38.94

 

CMYK 46 / 0 / 83 / 13

HEX #78DF27

RGB 120 223 39

HSL 93.59, 0.74%, 0.51%

LAB 80.13, -57.69, 72.35

 

CMYK 83 / 46 / 0 / 13

HEX #2679DF

RGB 38 121 223

HSL 213.08, 0.74%, 0.51%

LAB 51.17, 12.54, -58.8

 

CMYK 0 / 83 / 46 / 13

HEX #DF2679

RGB 223 38 121

HSL 333.08, 0.74%, 0.51%

LAB 50.04, 72.26, 0.5

 

CMYK 46 / 0 / 83 / 13

HEX #78DF27

RGB 120 223 39

HSL 93.59, 0.74%, 0.51%

LAB 80.13, -57.69, 72.35

 

CMYK 83 / 0 / 21 / 13

HEX #26DFB0

RGB 38 223 176

HSL 164.76, 0.74%, 0.51%

LAB 79.8, -54.45, 10.76

 

CMYK 38 / 83 / 0 / 13

HEX #8B26DF

RGB 139 38 223

HSL 272.76, 0.74%, 0.51%

LAB 41.54, 70.9, -74.12

 

CMYK 0 / 83 / 62 / 13

HEX #DF2654

RGB 223 38 84

HSL 345.08, 0.74%, 0.51%

LAB 49.15, 69.63, 21.84

 

CMYK 46 / 0 / 83 / 13

HEX #78DF27

RGB 120 223 39

HSL 93.59, 0.74%, 0.51%

LAB 80.13, -57.69, 72.35

 

CMYK 83 / 4 / 0 / 13

HEX #26D5DF

RGB 38 213 223

HSL 183.24, 0.74%, 0.51%

LAB 78.07, -37.41, -16.85

 

CMYK 38 / 83 / 0 / 13

HEX #8B26DF

RGB 139 38 223

HSL 272.76, 0.74%, 0.51%

LAB 41.54, 70.9, -74.12

 

CMYK 0 / 79 / 83 / 13

HEX #DF2F26

RGB 223 47 38

HSL 2.92, 0.74%, 0.51%

LAB 49.33, 65.52, 48.41

 

Description

Color code: HEX #78DF27 | qconv.com Color code: HEX #78DF27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 223 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 223 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 83 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 83% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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