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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78DA78 it is the complementary color #872587. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78DA78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78DA78 shade: #7DDA73, #8EEC86, #9FFE99, #B0FFAC and #C1FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78DA78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78DA78 shade: #78DA78, #67C865, #56B652, #45A43F and #34922C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78DA78 shade: #77DA77, #92DA77, #ACDA77, #C7DA77 and #DAD277

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78DA78 shade: #77DA77, #77DA92, #77DAAC, #77DAC7 and #77D2DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78DA78 shade matches the following richer shades: #77DA77, #69E869 and #5BF65B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78DA78 shade: #77DA77, #85CC85, #93BE93, #A1B0A1 and #AFA2AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78DA78 shade: #ACDA77, #91DA77, #77DA77, #77DA91 and #77DAAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78DA78 shade: #37C737, #56D156, #77DA77, #97E397 and #B8EBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78DA78 shade: #78DA78, #77C6DA and #DA779E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78DA78 shade: #78DA78, #7777DA and #DA7777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78DA78 shade: #78DA78, #77C6DA, #DA77DA and #DA8B77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78DA78 shade: #78DA78, #77A8DA, #DA77DA and #DAA877

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 45 / 15

HEX #78DA78

RGB 120 218 120

HSL 120, 0.57%, 0.66%

LAB 79.32, -48.42, 39.37

 

Complementary color

CMYK 0 / 73 / 0 / 47

HEX #872587

RGB 135 37 135

HSL 300, 0.57%, 0.34%

LAB 34.44, 52.93, -33.36

 

CMYK 43 / 0 / 47 / 15

HEX #7DDA73

RGB 125 218 115

HSL 114.17, 0.58%, 0.65%

LAB 79.47, -47.65, 42.05

 

CMYK 40 / 0 / 43 / 7

HEX #8EEC86

RGB 142 236 134

HSL 115.29, 0.73%, 0.73%

LAB 85.74, -47.52, 40.82

 

CMYK 37 / 0 / 40 / 0

HEX #9FFE99

RGB 159 254 153

HSL 116.44, 0.98%, 0.8%

LAB 91.93, -47.34, 39.63

 

CMYK 31 / 0 / 33 / 0

HEX #B0FFAC

RGB 176 255 172

HSL 117.11, 1%, 0.84%

LAB 93.33, -39.71, 32.2

 

CMYK 24 / 0 / 25 / 0

HEX #C1FFBF

RGB 193 255 191

HSL 118.13, 1%, 0.87%

LAB 94.58, -31.29, 24.46

 

CMYK 45 / 0 / 45 / 15

HEX #78DA78

RGB 120 218 120

HSL 120, 0.57%, 0.66%

LAB 79.32, -48.42, 39.37

 

CMYK 49 / 0 / 50 / 22

HEX #67C865

RGB 103 200 101

HSL 118.79, 0.47%, 0.59%

LAB 72.98, -48.49, 40.65

 

CMYK 53 / 0 / 55 / 29

HEX #56B652

RGB 86 182 82

HSL 117.6, 0.41%, 0.52%

LAB 66.55, -48.43, 41.93

 

CMYK 58 / 0 / 62 / 36

HEX #45A43F

RGB 69 164 63

HSL 116.44, 0.44%, 0.45%

LAB 60.05, -48.15, 43.15

 

CMYK 64 / 0 / 70 / 43

HEX #34922C

RGB 52 146 44

HSL 115.29, 0.54%, 0.37%

LAB 53.46, -47.52, 44.13

 

CMYK 45 / 0 / 45 / 15

HEX #77DA77

RGB 119 218 119

HSL 120, 0.57%, 0.66%

LAB 79.27, -48.85, 39.78

 

CMYK 33 / 0 / 45 / 15

HEX #92DA77

RGB 146 218 119

HSL 103.64, 0.57%, 0.66%

LAB 80.51, -40.49, 41.61

 

CMYK 21 / 0 / 45 / 15

HEX #ACDA77

RGB 172 218 119

HSL 87.88, 0.57%, 0.66%

LAB 81.97, -31.4, 43.75

 

CMYK 9 / 0 / 45 / 15

HEX #C7DA77

RGB 199 218 119

HSL 71.52, 0.57%, 0.66%

LAB 83.77, -21.21, 46.37

 

CMYK 0 / 4 / 45 / 15

HEX #DAD277

RGB 218 210 119

HSL 55.15, 0.57%, 0.66%

LAB 83.09, -9.72, 45.86

 

CMYK 45 / 0 / 45 / 15

HEX #77DA77

RGB 119 218 119

HSL 120, 0.57%, 0.66%

LAB 79.27, -48.85, 39.78

 

CMYK 45 / 0 / 33 / 15

HEX #77DA92

RGB 119 218 146

HSL 136.36, 0.57%, 0.66%

LAB 79.69, -44.56, 26.65

 

CMYK 45 / 0 / 21 / 15

HEX #77DAAC

RGB 119 218 172

HSL 152.12, 0.57%, 0.66%

LAB 80.2, -39.59, 13.73

 

CMYK 45 / 0 / 9 / 15

HEX #77DAC7

RGB 119 218 199

HSL 168.48, 0.57%, 0.66%

LAB 80.84, -33.63, 0.32

 

CMYK 45 / 4 / 0 / 15

HEX #77D2DA

RGB 119 210 218

HSL 184.85, 0.57%, 0.66%

LAB 79.09, -25.1, -12.44

 

CMYK 45 / 0 / 45 / 15

HEX #77DA77

RGB 119 218 119

HSL 120, 0.57%, 0.66%

LAB 79.27, -48.85, 39.78

 

CMYK 55 / 0 / 55 / 9

HEX #69E869

RGB 105 232 105

HSL 120, 0.73%, 0.66%

LAB 82.77, -59.9, 50.64

 

CMYK 63 / 0 / 63 / 4

HEX #5BF65B

RGB 91 246 91

HSL 120, 0.9%, 0.66%

LAB 86.45, -69.55, 60.84

 

CMYK 45 / 0 / 45 / 15

HEX #77DA77

RGB 119 218 119

HSL 120, 0.57%, 0.66%

LAB 79.27, -48.85, 39.78

 

CMYK 35 / 0 / 35 / 20

HEX #85CC85

RGB 133 204 133

HSL 120, 0.41%, 0.66%

LAB 75.99, -36.42, 28.54

 

CMYK 23 / 0 / 23 / 25

HEX #93BE93

RGB 147 190 147

HSL 120, 0.25%, 0.66%

LAB 72.98, -22.74, 17.16

 

CMYK 9 / 0 / 9 / 31

HEX #A1B0A1

RGB 161 176 161

HSL 120, 0.09%, 0.66%

LAB 70.32, -8.11, 5.89

 

CMYK 0 / 7 / 0 / 31

HEX #AFA2AF

RGB 175 162 175

HSL 300, 0.08%, 0.66%

LAB 68.06, 7.11, -5.02

 

CMYK 21 / 0 / 45 / 15

HEX #ACDA77

RGB 172 218 119

HSL 87.88, 0.57%, 0.66%

LAB 81.97, -31.4, 43.75

 

CMYK 33 / 0 / 45 / 15

HEX #91DA77

RGB 145 218 119

HSL 104.24, 0.57%, 0.66%

LAB 80.46, -40.82, 41.53

 

CMYK 45 / 0 / 45 / 15

HEX #77DA77

RGB 119 218 119

HSL 120, 0.57%, 0.66%

LAB 79.27, -48.85, 39.78

 

CMYK 45 / 0 / 33 / 15

HEX #77DA91

RGB 119 218 145

HSL 135.76, 0.57%, 0.66%

LAB 79.68, -44.73, 27.14

 

CMYK 45 / 0 / 21 / 15

HEX #77DAAC

RGB 119 218 172

HSL 152.12, 0.57%, 0.66%

LAB 80.2, -39.59, 13.73

 

CMYK 72 / 0 / 72 / 22

HEX #37C737

RGB 55 199 55

HSL 120, 0.57%, 0.5%

LAB 70.83, -64.09, 57.95

 

CMYK 59 / 0 / 59 / 18

HEX #56D156

RGB 86 209 86

HSL 120, 0.57%, 0.58%

LAB 74.98, -58.22, 49.97

 

CMYK 45 / 0 / 45 / 15

HEX #77DA77

RGB 119 218 119

HSL 120, 0.57%, 0.66%

LAB 79.27, -48.85, 39.78

 

CMYK 33 / 0 / 33 / 11

HEX #97E397

RGB 151 227 151

HSL 120, 0.58%, 0.74%

LAB 83.84, -38.29, 29.89

 

CMYK 22 / 0 / 22 / 8

HEX #B8EBB8

RGB 184 235 184

HSL 120, 0.56%, 0.82%

LAB 88.48, -25.94, 19.53

 

CMYK 45 / 0 / 45 / 15

HEX #78DA78

RGB 120 218 120

HSL 120, 0.57%, 0.66%

LAB 79.32, -48.42, 39.37

 

CMYK 45 / 9 / 0 / 15

HEX #77C6DA

RGB 119 198 218

HSL 192.12, 0.57%, 0.66%

LAB 75.68, -19.07, -17.55

 

CMYK 0 / 45 / 28 / 15

HEX #DA779E

RGB 218 119 158

HSL 336.36, 0.57%, 0.66%

LAB 62.14, 43.06, -3.64

 

CMYK 45 / 0 / 45 / 15

HEX #78DA78

RGB 120 218 120

HSL 120, 0.57%, 0.66%

LAB 79.32, -48.42, 39.37

 

CMYK 45 / 45 / 0 / 15

HEX #7777DA

RGB 119 119 218

HSL 240, 0.57%, 0.66%

LAB 54.21, 25.46, -50.89

 

CMYK 0 / 45 / 45 / 15

HEX #DA7777

RGB 218 119 119

HSL 0, 0.57%, 0.66%

LAB 61.16, 38.45, 17.32

 

CMYK 45 / 0 / 45 / 15

HEX #78DA78

RGB 120 218 120

HSL 120, 0.57%, 0.66%

LAB 79.32, -48.42, 39.37

 

CMYK 45 / 9 / 0 / 15

HEX #77C6DA

RGB 119 198 218

HSL 192.12, 0.57%, 0.66%

LAB 75.68, -19.07, -17.55

 

CMYK 0 / 45 / 0 / 15

HEX #DA77DA

RGB 218 119 218

HSL 300, 0.57%, 0.66%

LAB 64.29, 52.55, -34.34

 

CMYK 0 / 36 / 45 / 15

HEX #DA8B77

RGB 218 139 119

HSL 12.12, 0.57%, 0.66%

LAB 65.52, 27.88, 23.25

 

CMYK 45 / 0 / 45 / 15

HEX #78DA78

RGB 120 218 120

HSL 120, 0.57%, 0.66%

LAB 79.32, -48.42, 39.37

 

CMYK 45 / 23 / 0 / 15

HEX #77A8DA

RGB 119 168 218

HSL 210.3, 0.57%, 0.66%

LAB 67.27, -3.06, -30.4

 

CMYK 0 / 45 / 0 / 15

HEX #DA77DA

RGB 218 119 218

HSL 300, 0.57%, 0.66%

LAB 64.29, 52.55, -34.34

 

CMYK 0 / 23 / 45 / 15

HEX #DAA877

RGB 218 168 119

HSL 29.7, 0.57%, 0.66%

LAB 72.39, 12.27, 32.34

 

Description

Color code: HEX #78DA78 | qconv.com Color code: HEX #78DA78 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 218 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 218 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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