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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78DA66 it is the complementary color #872599. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78DA66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78DA66 shade: #7DDA61, #8EEC74, #9FFE87, #B0FF9A and #C1FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78DA66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78DA66 shade: #78DA66, #67C853, #56B640, #45A42D and #34921A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78DA66 shade: #79DA67, #98DA67, #B7DA67, #D6DA67 and #DABF67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78DA66 shade: #79DA67, #67DA74, #67DA93, #67DAB2 and #67DAD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78DA66 shade matches the following richer shades: #79DA67, #6EE958 and #64F949

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78DA66 shade: #79DA67, #83CB76, #8EBC86, #99AC95 and #A39DA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78DA66 shade: #B8DA67, #99DA67, #7ADA67, #67DA73 and #67DA91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78DA66 shade: #45C02F, #5CD246, #79DA67, #96E288 and #B4EAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78DA66 shade: #78DA66, #67D6DA and #DA67A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78DA66 shade: #78DA66, #677ADA and #DA677A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78DA66 shade: #78DA66, #67D6DA, #C767DA and #DA6B67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78DA66 shade: #78DA66, #67B4DA, #C767DA and #DA8D67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 53 / 15

HEX #78DA66

RGB 120 218 102

HSL 110.69, 0.61%, 0.63%

LAB 79.1, -50.78, 47.77

 

Complementary color

CMYK 12 / 76 / 0 / 40

HEX #872599

RGB 135 37 153

HSL 290.69, 0.61%, 0.37%

LAB 35.55, 56.2, -42.65

 

CMYK 43 / 0 / 56 / 15

HEX #7DDA61

RGB 125 218 97

HSL 106.12, 0.62%, 0.62%

LAB 79.25, -49.86, 50.32

 

CMYK 40 / 0 / 51 / 7

HEX #8EEC74

RGB 142 236 116

HSL 107, 0.76%, 0.69%

LAB 85.51, -49.85, 49.17

 

CMYK 37 / 0 / 47 / 0

HEX #9FFE87

RGB 159 254 135

HSL 107.9, 0.98%, 0.76%

LAB 91.69, -49.76, 48

 

CMYK 31 / 0 / 40 / 0

HEX #B0FF9A

RGB 176 255 154

HSL 106.93, 1%, 0.8%

LAB 93.05, -42.33, 40.75

 

CMYK 24 / 0 / 32 / 0

HEX #C1FFAD

RGB 193 255 173

HSL 105.37, 1%, 0.84%

LAB 94.26, -34.07, 33.1

 

CMYK 45 / 0 / 53 / 15

HEX #78DA66

RGB 120 218 102

HSL 110.69, 0.61%, 0.63%

LAB 79.1, -50.78, 47.77

 

CMYK 49 / 0 / 59 / 22

HEX #67C853

RGB 103 200 83

HSL 109.74, 0.52%, 0.55%

LAB 72.77, -50.7, 48.92

 

CMYK 53 / 0 / 65 / 29

HEX #56B640

RGB 86 182 64

HSL 108.81, 0.48%, 0.48%

LAB 66.37, -50.43, 49.93

 

CMYK 58 / 0 / 73 / 36

HEX #45A42D

RGB 69 164 45

HSL 107.9, 0.57%, 0.41%

LAB 59.89, -49.89, 50.6

 

CMYK 64 / 0 / 82 / 43

HEX #34921A

RGB 52 146 26

HSL 107, 0.7%, 0.34%

LAB 53.34, -48.89, 50.54

 

CMYK 44 / 0 / 53 / 15

HEX #79DA67

RGB 121 218 103

HSL 110.61, 0.61%, 0.63%

LAB 79.15, -50.37, 47.37

 

CMYK 30 / 0 / 53 / 15

HEX #98DA67

RGB 152 218 103

HSL 94.43, 0.61%, 0.63%

LAB 80.63, -40.34, 49.5

 

CMYK 16 / 0 / 53 / 15

HEX #B7DA67

RGB 183 218 103

HSL 78.26, 0.61%, 0.63%

LAB 82.48, -28.96, 52.15

 

CMYK 2 / 0 / 53 / 15

HEX #D6DA67

RGB 214 218 103

HSL 62.09, 0.61%, 0.63%

LAB 84.7, -16.76, 55.29

 

CMYK 0 / 12 / 53 / 15

HEX #DABF67

RGB 218 191 103

HSL 45.91, 0.61%, 0.63%

LAB 77.96, -1.4, 47.46

 

CMYK 44 / 0 / 53 / 15

HEX #79DA67

RGB 121 218 103

HSL 110.61, 0.61%, 0.63%

LAB 79.15, -50.37, 47.37

 

CMYK 53 / 0 / 47 / 15

HEX #67DA74

RGB 103 218 116

HSL 126.78, 0.61%, 0.63%

LAB 78.63, -53.58, 40.33

 

CMYK 53 / 0 / 33 / 15

HEX #67DA93

RGB 103 218 147

HSL 142.96, 0.61%, 0.63%

LAB 79.12, -48.46, 25.25

 

CMYK 53 / 0 / 18 / 15

HEX #67DAB2

RGB 103 218 178

HSL 159.13, 0.61%, 0.63%

LAB 79.75, -42.13, 9.83

 

CMYK 53 / 0 / 4 / 15

HEX #67DAD1

RGB 103 218 209

HSL 175.3, 0.61%, 0.63%

LAB 80.53, -34.73, -5.54

 

CMYK 44 / 0 / 53 / 15

HEX #79DA67

RGB 121 218 103

HSL 110.61, 0.61%, 0.63%

LAB 79.15, -50.37, 47.37

 

CMYK 53 / 0 / 62 / 9

HEX #6EE958

RGB 110 233 88

HSL 110.9, 0.77%, 0.63%

LAB 83.07, -60.86, 58.49

 

CMYK 60 / 0 / 71 / 2

HEX #64F949

RGB 100 249 73

HSL 110.8, 0.94%, 0.63%

LAB 87.46, -70.2, 68.87

 

CMYK 44 / 0 / 53 / 15

HEX #79DA67

RGB 121 218 103

HSL 110.61, 0.61%, 0.63%

LAB 79.15, -50.37, 47.37

 

CMYK 35 / 0 / 42 / 20

HEX #83CB76

RGB 131 203 118

HSL 110.82, 0.45%, 0.63%

LAB 75.35, -38.88, 35.41

 

CMYK 24 / 0 / 29 / 26

HEX #8EBC86

RGB 142 188 134

HSL 111.11, 0.29%, 0.63%

LAB 71.85, -25.69, 22.53

 

CMYK 11 / 0 / 13 / 33

HEX #99AC95

RGB 153 172 149

HSL 109.57, 0.12%, 0.63%

LAB 68.35, -11.04, 9.61

 

CMYK 1 / 4 / 0 / 36

HEX #A39DA4

RGB 163 157 164

HSL 291.43, 0.04%, 0.63%

LAB 65.42, 3.5, -2.87

 

CMYK 16 / 0 / 53 / 15

HEX #B8DA67

RGB 184 218 103

HSL 77.74, 0.61%, 0.63%

LAB 82.55, -28.58, 52.24

 

CMYK 30 / 0 / 53 / 15

HEX #99DA67

RGB 153 218 103

HSL 93.91, 0.61%, 0.63%

LAB 80.68, -39.99, 49.57

 

CMYK 44 / 0 / 53 / 15

HEX #7ADA67

RGB 122 218 103

HSL 110.09, 0.61%, 0.63%

LAB 79.19, -50.07, 47.43

 

CMYK 53 / 0 / 47 / 15

HEX #67DA73

RGB 103 218 115

HSL 126.26, 0.61%, 0.63%

LAB 78.62, -53.73, 40.8

 

CMYK 53 / 0 / 33 / 15

HEX #67DA91

RGB 103 218 145

HSL 141.91, 0.61%, 0.63%

LAB 79.08, -48.83, 26.24

 

CMYK 64 / 0 / 76 / 25

HEX #45C02F

RGB 69 192 47

HSL 110.9, 0.61%, 0.47%

LAB 68.87, -59.69, 58.89

 

CMYK 56 / 0 / 67 / 18

HEX #5CD246

RGB 92 210 70

HSL 110.57, 0.61%, 0.55%

LAB 75.33, -58.76, 57.23

 

CMYK 44 / 0 / 53 / 15

HEX #79DA67

RGB 121 218 103

HSL 110.61, 0.61%, 0.63%

LAB 79.15, -50.37, 47.37

 

CMYK 34 / 0 / 40 / 11

HEX #96E288

RGB 150 226 136

HSL 110.67, 0.61%, 0.71%

LAB 83.26, -40.42, 36.72

 

CMYK 23 / 0 / 27 / 8

HEX #B4EAAA

RGB 180 234 170

HSL 110.63, 0.6%, 0.79%

LAB 87.7, -29.08, 25.64

 

CMYK 45 / 0 / 53 / 15

HEX #78DA66

RGB 120 218 102

HSL 110.69, 0.61%, 0.63%

LAB 79.1, -50.78, 47.77

 

CMYK 53 / 2 / 0 / 15

HEX #67D6DA

RGB 103 214 218

HSL 182.09, 0.61%, 0.63%

LAB 79.64, -30.5, -11.68

 

CMYK 0 / 53 / 23 / 15

HEX #DA67A8

RGB 218 103 168

HSL 326.09, 0.61%, 0.63%

LAB 59.37, 52.39, -13.51

 

CMYK 45 / 0 / 53 / 15

HEX #78DA66

RGB 120 218 102

HSL 110.69, 0.61%, 0.63%

LAB 79.1, -50.78, 47.77

 

CMYK 53 / 44 / 0 / 15

HEX #677ADA

RGB 103 122 218

HSL 230.09, 0.61%, 0.63%

LAB 53.88, 20.02, -51.48

 

CMYK 0 / 53 / 44 / 15

HEX #DA677A

RGB 218 103 122

HSL 350.09, 0.61%, 0.63%

LAB 58.05, 46.82, 11.26

 

CMYK 45 / 0 / 53 / 15

HEX #78DA66

RGB 120 218 102

HSL 110.69, 0.61%, 0.63%

LAB 79.1, -50.78, 47.77

 

CMYK 53 / 2 / 0 / 15

HEX #67D6DA

RGB 103 214 218

HSL 182.09, 0.61%, 0.63%

LAB 79.64, -30.5, -11.68

 

CMYK 9 / 53 / 0 / 15

HEX #C767DA

RGB 199 103 218

HSL 290.09, 0.61%, 0.63%

LAB 58.89, 55.19, -42.97

 

CMYK 0 / 51 / 53 / 15

HEX #DA6B67

RGB 218 107 103

HSL 2.09, 0.61%, 0.63%

LAB 58.41, 43.07, 22.77

 

CMYK 45 / 0 / 53 / 15

HEX #78DA66

RGB 120 218 102

HSL 110.69, 0.61%, 0.63%

LAB 79.1, -50.78, 47.77

 

CMYK 53 / 17 / 0 / 15

HEX #67B4DA

RGB 103 180 218

HSL 199.83, 0.61%, 0.63%

LAB 69.89, -13.29, -26.44

 

CMYK 9 / 53 / 0 / 15

HEX #C767DA

RGB 199 103 218

HSL 290.09, 0.61%, 0.63%

LAB 58.89, 55.19, -42.97

 

CMYK 0 / 35 / 53 / 15

HEX #DA8D67

RGB 218 141 103

HSL 19.83, 0.61%, 0.63%

LAB 65.7, 25.3, 32.28

 

Description

Color code: HEX #78DA66 | qconv.com Color code: HEX #78DA66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 218 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 218 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 53 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 53% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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